#did i really just write 1.5k of analyzing how kate bush lyrics connect to star trek lmao

[kiranxrys]

hmm... ds9 characters by which kate bush song i think they are:

julian - the man with the child in his eyes

kira - hounds of love

jadzia - jig of life

ezri - cloudbusting

garak - waking the witch

sisko - hello earth

miles - this woman’s work

worf - army dreamers

nog - running up that hill

jake - breathing

odo - suspended in gaffa

quark - wuthering heights

and actually you know what not that anyone cares but over 1000 words of ridiculous over-analyzing explanations under the cut bc i feel like it

julian - the man with the child in his eyes

bush wrote the song about a man in whom a younger protagonist notices a youthful quality, a sort of childlike awe for the world. this really speaks to me about julian’s character, who seems to repress this side of himself throughout the show in order to earn the respect of others. to me he really is “the man with the child in his eyes”. it’s also a very sweet and loving song that reflects the way i feel about his character. 

kira - hounds of love

hounds of love definitely has a more romantic leaning, filled with a girl’s story from uncertainty about love to embracing it joyfully. analyzing this from kira’s perspective, though, to me this might be more of a story about her uncertainty with vulnerability, “what was following [her]” that she was “hiding from” being her trauma and her past. the song is upbeat and gives the sense of entering a new, exciting world filled with possibility. that’s kira’s path of recovery starting from the beginning of the story to me. particularly bush’s final cries of “i need love” ring true for me for kira. she is entirely mature and strong and experienced at the start of ds9. her journey is about learning to let go.

jadzia - jig of life

jadzia’s bush song being jig of life is a bit ironic, in a sense, as jig of life is about survival. jig of life is about fighting to let your future self live even when the present seems hopeless. maybe that’s what makes it so powerful to me as a song for jadzia. the song describes the future life and children she never got to have (or maybe did, depending on your AU ideas). the desperate cry of jig of life’s protagonist’s future self “never, never, never, never, never let me go! [...] let me live!”, as well as the song’s exploration of time and different versions of oneself really speaks to me for jadzia’s character. 

ezri - cloudbusting

what initially drew me to this song in ezri’s regard was its strange optimism given the subject matter. without getting into the historical specifics, bush wrote the song from the perspective of the son of a psychoanalyst, exploring the memories of his eccentric and troubled father. looking more closely, i would say the concept of having someone else “here in my head” connects to her struggles with becoming joined to the dax symbiot. i like the idea how “everytime it rains” (every time things get dark) that voice is there for her “like the sun coming out”. the declaration “i just know that something good is going to happen” rings true for me for ezri. 

garak - waking the witch

waking the witch is one of bush’s weirder songs, it’s very disjointed and confused in a striking kind of way, a stage in bush’s story of a girl drowning and lost at sea. the protagonist in waking the witch is this girl who, in a strange hallucination, finds herself on trial for witchcraft. the song deals with guilt and innocence as a threatening, demonic voice presses the protagonist for a confession. several key emotions connect this song with garak for me - guilt, paranoia, fear, hopelessness as she finds “a stone around [her] leg” that drags her down. “i question your innocence”, the voice tells her. “guilty, guilty, guilty!” declare the court. “well, are you responsible for your actions?” the voice asks. meanwhile the protagonist pleads (“bless me father for i have sinned” - perhaps a connection to tain, “help me, help me baby, talk to me, talk to me, please talk to me” - this terrified desperation reminds me of garak in his darkest moments). waking the witch to me represents garak’s inner turmoil and sense of guilt.

sisko - hello earth

oof, hello earth. this song is a true masterpiece. like waking the witch and jig of life, it’s a part of the story of the drowning girl. hello earth is towards the end of the story, as she struggles to survive. the awe for the world and the sense of detachment between the protagonist and her physical universe in the song reminds me of sisko’s connection to the prophets. he “[watches] storms start to form over” his country (in this case, ds9, bajor, the alpha quadrant) but “can’t do anything, just watch them swing with the wind out to sea”. when voices demand of the protagonist to “get out of the waves, get out of the water”, to me that is benjamin’s loved ones pleading with him  to return from the figurative world of the prophets. “murderer! murderer of calm!” voices accuse. i interpret this as sisko’s guilt over the regrettable things he has had do over the years, such as the events of in the pale moonlight. the song ends with a phrase, spoken by bush in german - “deeper, deeper, somewhere in the depth there is light”. sisko has this determined optimism, this conviction in what he stands for and what he can achieve. 

miles - this woman’s work

this woman’s work is a song in which a husband fears for his wife as she gives birth to their baby, looking back on their time together and finding regret. you can see the connection here. but while the idea of “i know you have a little life in you yet, i know you have a lot of strength left” can be read as being directed at keiko, i think it can also apply to miles himself. it may be a bit of a joke, but christ, miles has gone through the most - ‘hard time’, especially, comes to mind. even before the dominion war, he’s been through horrific conflict, but he still holds on and keeps fighting with his determined attitude. he’s a repressed person. “[he] should be crying but [he] just can’t let it show”. he’s still clinging to life, even after all this time. 

worf - army dreamers

army dreamers is a war song. it’s also a war song about a younger soldier, told from the perspective of his mother, who has died. she imagines what her son could’ve been, wondering what she could’ve done to save him from this fate. on one hand, this does connect for me to worf’s continuous ‘loss’ (of both people and things) throughout his time in both tng and ds9. but i think in a way worf also is, or is afraid of being, the young soldier in the story. army dreamers connects to klingon warriorship and the horrific loss of war - “oh, what a waste of all them army dreamers”. of any kate bush song, this was the one in which i felt him the most. 

nog - running up that hill

god, running up that hill. truly peak kate bush. there’s a lot here that i connect to nog. first of all, running up that hill is a song that carries so much weight, seems to touch upon themes of great burdens and struggles, something nog certainly experiences. but bush’s intended meaning with the song was a reflection upon how people from different groups (here men and women) struggle to understand each other, and if only they could “get [god] to swap [their] places”. this speaks to me of nog’s experience as a ferengi, the first ferengi in starfleet. if only those around him could understand him better - this goes both for being ferengi and for being traumatized - he would be running up that hill “with no problems”. 

jake - breathing

breathing is one of my favourite bush songs of all time. it’s a true masterpiece. here she takes on the persona of a baby in its mother’s womb, aware of a world outside that has descended into nuclear destruction and the horrors former generations have inflicted upon the earth. jake is the face of the next generation in ds9, growing from child to adult, but if the dominion war goes wrong, what world will he be left with by those who came before? at the end of breathing, bush’s protagonist, joined by other voices, desperately pleads with those above -  “oh, god, please leave us something to breathe!”. i connect this song to jake’s place as this next generation, as well as (unlike nog) an outsider in the war. 

odo - suspended in gaffa

i deliberated for a long time about which kate bush song could fit odo’s story. i chose suspended in gaffa because it explores a concept of experiencing something wondrous (in this case, witnessing god) and then not being able to experience it again, trapped by one’s unworthiness. the song’s protagonist is desperate to be rewarded - “can i have it all now?” i connect this with odo’s intrinsic desire and struggle to experience the great link, to be with his people, as well as other aspects like to be accepted by others and at peace with himself. 

quark - wuthering heights

yeah.