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quetzalpapalotl · 2 years ago

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I wish to love and appreciate idw optimus more too. But I also don’t want to read through the entirety of IDW 1.0. Can you please recommend me any specific issues/parts?

Hi!! I see that you have already reblogged my IDW1 Optimus-focused reading guide, so I assume that you read that and still felt like it was too much. I'd do anything to spread the OP love, so I will try! But before that, please forgive me for rambling a bit.

That guide is not the entirety of IDW1, I tried to cut as much as possible, and I want to reiterate that I consider Barber's Optimus the definitive take on IDW1 Optimus. To the point that I like all other stuff with him only in because I read them through Barber's characterization which serves to give them depth in retrospective. And it does this because Barber's writes Optimus with the intention of consolidating all the other writer's takes on him (which were uh... a mess). It's a very contextual reading, a conversation, there's more to get from it if you know the background. So I would ask you to reconsider giving it a try, skip the crossovers if you want. I'll redo the reading guide with links to download/read online if you want.

That being said, I understand that sounds like "read these bad comics in the hopes you will like this one other comic" and the point is to have fun, not to do homework. So in that case I'll say to just read exrid/Optimus Prime and the JRo stuff (but we'll come back to teh later)

See, the exrid/OP is a whole story, so recommeding individual issues doesn't make much sense to me, it would be like recommending one episode of an anime or one chapter of a book, it would entirely lack context and lost much of it's meaning, especially because Optimus is a main character whose actions cannot be taken out from the rest of the plot. My favorite moments require build up, like when Optimus annexes the Earth to the council of worlds, that doesn't hit the same if you didn't read all the previous issues where Optimus was trying to remove all Cybertronian influence from Earth and the series of events that led to him changing his mind and think such a fucking move was a good idea.

And I've talked about this before, but while Mtmt/LL has its biggest strenght in character dynamics and out-of-screen build up, exRID/OP has it in thematic consistensy and narrative cohesion. All parts of it and there to make a point that feeds the whole, character's perspectives feed each other and the biggest pay-off comes at the very end. Also, Optimus Prime is a story about him as a character as much as it is about him as a symbol, so seeing the effects he has on other people is important.

I suppose you could read exRID starting from post Dark Cybertron as it basically becomes a different story and the first part doesn't feature Optimus (except in issues 6, 10, 19) I would not recommend this as there are still a lot of links between the two and you would miss a chunk of Arcee's story (who is the one other character on which the whole thing falls upon). But you could. Don't skip Combiner Wars tho.

Other than that here are some hightlights:

The Death of Optimus Prime: This is the one that works best as a single issue, as it is a one-shot. It sets up phase 2 so definitively read it.

JRo's stuff: That is Chaos Theory, Mtmte #9-11, Mtmte #36 and Spotlight: Orion Pax. Now, JRo's OP is certainly the one that is more likeable, but I don't necessarily think that it's good. JRo kinda wants to have Optimus be more morally grey but always reels back and portrays him as the ultimate good seemingly without considering the implications of a lot of the stuff he does. But still, Chaos Theory is the backbone of phase 2, they are fun reads and it introduces a lot of backstory and aspects of his personality that will be important.

Punishment: As this is a mini series, it's good to read on its own. It's still set in the broader context of exRID, but at least it's a complete story and a compelling one! Lots of Optimus brooding, but not in an annoying way.

Optimus Prime #1-6: Okay, so if you don't want to read all of exrid/OP or are testing the waters before commiting to it. This arc deals with Optimus trying to get people to accept Earth as part of the Council of Worlds and risking war for it, contrasted with events of his past. This may be the easiest arc to read on its own, but I also think it does a great job of building Optimus character. It's also a great example of the narrative not shying away from Optimus doing bad things, stupid things and having anger issues (and also the cop thing), while also retaining the core of his character as someone who genuinely wants to do good and getting into his head to make sense of his actions (not justify them). This is something that I feel only Barber gets right. Also Zeta Prime is there and he's the most important character that barely shows up.

Autocracy: Ok, ok, listen... this may or may not be the most disliked series in IDW1 and while I think it has a worse reputation than it deserves, I still wouldn't call it good. While its more honest abotu what being a cop entails than Chaos Theory and is willing to have OP be unsavory, that aspect doesn't really go anywhere and it fails to make OP an enganging character whose actions make sense. But it still has the backstory of how Orion became Optimus and a friend likes it, so hey, maybe you will too. Also the aforementioned flashbacks of OP 1-6 feel to me that they are written in direct response to Autocracy and try to explain how that is the same character than the one in Chaos Theory. I'm actually working on meta about that (anon, if you're reading this, I haven't forgotten). So for all that Barber is trying to recontextualize and reconciliate all the other takes on Optimus, this is the most obvious one and Autocracy is not that long. So it may be worth checking out.

Sorry for rambling again, I hope you find this useful!! Feel free to ask for links or any other questions!

#quetzal rambles tf

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obeythedemons · 3 years ago

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Cheering Him Up [Obey Me! Headcanons]

Obey Me! Masterlist

Lucifer

Put on his favorite record, get a glass of demonus, and sit in his room with him as he unwinds

He just wants to enjoy the peace and quiet with them to be cheered up before the chaos starts back up again

To really get him in a good mood, offer to massage the knots out of his shoulders and neck. There are a lot. That’s why he gets headaches so often.

Mammon

Give him something homemade, just a little token for him to have that will remind him of them.

He’ll also want to spend time with them alone in either of their rooms. He’d cling onto them until he was feeling better.

Petting his hair makes him feel better a lot faster, but it’ll also make him clingier.

Leviathan

Anime/video game in his room with all of the snacks so they won’t have to leave his room for while!

He’ll want to stay at a distance and probably in silence until he has time to brood. Then, he’ll slowly get closer to MC and may make comments.

Eventually, MC can cuddle up to him. If he’s needing comfort, he won’t freak out too much, just be a bit flustered.

Satan

He’ll want to calm himself down to the point where he feels like it’s safe for MC to be around him. Before that, he doesn’t want MC to be anywhere near him.

Once he’s calm, the lock to his room will unlock, but he’ll still be upset. Bringing him a hot drink and a blanket will be nice, but only if MC cuddles with him.

He’ll like to read, but he’ll love it more if MC reads to him while he can just hold them and focus more on them.

Asmodeus

Compliment him. Not his appearance, but who he is. He gets compliments on his appearance from his fans all the time, so if MC tells him what they love about his person, it’ll mean a lot more.

Massaging his back or feet will help him relax, but really, any sort of contact with MC will help him.

He’ll like to just cuddle under blankets and gossip for the rest of the night, falling asleep against MC.

Beelzebub

Tell him silly stories about his brothers. Stories of them being happy. Almost nothing makes him happier than that.

He’ll like it if MC feeds him, it tastes better and he can pace himself with his eating a bit faster that way.

He’ll love it if MC hugs him as tight as they can. It helps him feel like he can keep them safe if they’re that close to him.

Belphegor

Singing softly or humming will immediately make him start to relax. It doesn’t matter if MC can’t sing well, he just likes to hear them.

Projecting the stars onto the ceiling will also make him happy as he lays next to them.

Running their fingers up and down his back as he holds onto them help to ground him, but let him drift off to a peaceful sleep.

Diavolo

Invite him to do anything. Literally anything. He wants to be included so bad, just the fact that MC invites him to do something will make him happy.

It’ll make him happier if it’s just the two of them. He’ll want to be closer to him, especially when he’s feeling upset and vulnerable.

Tell him stories of the human world. He gets to learn more about them, more about humans, and he gets to be with them longer.

Barbatos

Help him without asking. Help dust the room he’s in, fluff the pillows, and when he notices smile at him.

Once he’s done, he’ll like it if they have him sit with them and just sip on some tea in a comfortable silence as he works through what’s upsetting him.

Offer an ear, and he may divulge the information, but typically, just knowing that they’re there for him is enough for him.

Simeon

Take his hand and spin him around in a little twirl for an impromptu dance. The silly little action will cause him to laugh as he gazes at MC.

Talk to him about everything that they love about him, even the smallest thing. It’ll make his smile brighten up as he forgets his self-doubts.

He’d love it if MC brought him something that they baked with Luke for him. It’ll let him know that there are people out there that care for him.

Solomon

Show him bits of magic that they learned from him. It’ll show him that he’s doing a good job at teaching them and just how far that they’ve come.

Going beyond that, show him tricks that they came up with on their own. He’ll be impressed and even more smitten with them. He loves how talented his apprentice is.

All he needs though is to see their smile. That’s all he needs to instantly lift his spirits and to pull them into a tight hug.

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othercat2 · 5 years ago

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Jam: Egg fic with worldbuilding but no title 1/?

So this is a thing I’ve been putting up on the homestuck gang discord. I decided to play with the “oviparous trolls” au thing. As you do. As usual, I have no idea of what I’m doing, and there’s a lot of worldbuilding.

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He's fussing (he is not fussing this is his first clutch okay) with the temperature controls of the incubator. Four eggs was a reasonable sized first clutch and they were all on the small end. (But perfectly acceptable Zahhak!) Karkat snapped pictures of the speckled eggs and sent them to their genetors with his usual message of "red and blue slurry still does not make purple grubs." In honor of some of the most idiotic questions he'd been asked by someone supposedly not a subadult. (Zahhak was lucky his matesprit put up with him.)

After egg coddling was breakfast and waiting for his attendant to arrive with his schedule. (And check his work. Fucking up temps for a clutch could alter their projected caste or render them nonviable.) Karkat was hoping Kanaya was going to be bringing him good news from the medics; he's been on rest for what feels like forever and wants to get back to his work out. He checks the news feeds and catches up to social media. He also does a lot of shit talking at various internet hate friends. He's doing some online shopping when Kanaya turns up. He's about to offer her a muffin and some coffee but...

"Kanaya are you okay?" She did not look okay. "The Cavern Matre called me into her office," Kanaya says in a numb little voice. "Something terrible has happened."

Karkat felt a little thrill of panic at that. "Did something happen to my genitors?" He asked. “Zahhak doesn't message too often but usually I'm exchanging stupid smilies and emojis with Megido by now."

Kanaya shook her head. "No this is something else. Worse."

"Worse?" Karkat asks. Kanaya nods. "The other attendants are speaking to their genetrices," she says.

"The Matres felt this would be better than simply announcing this during assembly."

"Announce what Kanaya?" Karkat asks.

Kanaya takes a breath. "Despite the strictest security measures we've discovered there's been trafficking of a genetrix bloodline."

"Holy shitfuck." It was easy to see why it hadn't been announced during assembly there would have been a fucking riot. "How?" Cavern security by necessity was tight for the very purpose of preventing kidnappings. Genetrices were trained to fight or take more extreme measures if taken. The punishments for attempting a kidnapping were gruesome.

"We don't have all the details yet. The Church hasn't been very forthcoming."

"Of course. Mother Grub forbid they give a full report to the ones it's relevant to." Kanaya gives him a look of reproof. Or tries to. Karkat's pretty good at staring her down.

"I'm sure we'll know more soon. There could be a reason behind the with held information."

Karkat did not agree but also didn't want to argue. The reproductive and attending castes relative independance was hard won. It was also fragile. He knew that in the early days of his castes creation there had been total chaos until the early prototypes, led by the Signless had proven it was more trouble than it was worth for the highbloods to try to keep their own little pet genetrix. The idea of an entire bloodline having been stolen was an immense blow. ( And horrifying purely from a stance of compassion. ) After breakfast Kanaya checked on the eggs temperature and the development of the embryos.

She checks his notations and makes a few of her own. Karkat tries not to fidget too much. They go to assembly next. Karkat takes his sickles. Out in the corridor are other adult genetrices and their attendants, all armed. The mood is too tense for the usual greetings and shit talking. Everyone heads into the assembly hall.

The Matre of the Cavern, flanked by the Matres of Medical, Education, Support, Assessment, and Genetics were on the stage. As a group they bowed. "By now you've been informed of the crime," the Matre of the Cavern says. "We still don't have the details. What we do know is that since our Cavern is closest the genetrices will be brought here."

There was a flurry of questions, but the Matre of the Cavern signaled for quiet and the Matre of Assessment stepped up. "The line has three living members. A third molt adult, a gravid adolescent and a two sweep old child. We don't yet know if there were others that were sold elsewhere or culled."

"What's going to happen with the traffickers?" one of the older genetrices asks in a hard voice.

The Matre blinks. "They're ours of course. As always."

"Clowns," the genetrix points out as if this alone was an argument. (It probably was. Fasces' most frequent genitors were a kismesis pair who were deacons in cult of the twin messiahs.)

The Matre's mouth twitches like she's trying not to laugh. "I don't think convincing them to turn over the criminals or what's left will be a problem," she says.

More questions were asked about the situation and plans for the bloodline. Most of them were deflected, though Support indicated plans for housing and integration if possible were being discussed. Karkat knew he wasn't the only one to shudder at the "if possible."

Assembly turned to other subjects such as the graduation of the most recent brood from the trials, the up coming Ascension for the next brood, and the Fete of the Last. (Karkat was on the decoration and planning committee for his sector of the Cavern.) There was also an announcement that due to the discovered theft, the Caverns had called off the Lottery and all genitors who hadn't taken vows were being asked to leave early. No one was especially happy about this.

After assembly was a doctor appointment where Karkat was approved for "light exercise." The doctor from long experience with her patient told him that extended sets with his sickles did not constitute light exercise. Twenty minutes a day, with a three minute increase over the next twelve weeks. "This is a monumental load of feculence in the backed up sewers of stupid bullshit I have to deal with," Karkat griped.

"I don't caaare," Zheydh almost sings. "This is what you get for over exerting yourself while gravid! You fainted and probably traumatized the class you were teaching Vantas. Then you wouldn't take my advice because quote 'you're not the one whose a waddling troll turducken.' Now I get to have my revenge."

"I hate you so much," Karkat says. "Shut up Kanaya."

"I didn't say anything," Kanaya says, amused.

"I can hear your I told you so," Karkat says, giving his attendant a glower.

"I doubt you're developing telepathy Karkat," Kanaya says teasingly.

After the doctor appointment Karkat teaches his Lit class and goes to lunch. Then he attends a section meeting where the main topics are morning assembly and the next environmental failure drill. (They were past due for a bolide emergency procedure. There was also strong argument for an actual raid drill.)

The meeting ran over, but he didn't get into very much trouble with his supervisor in the creche over it. The wigglers however were very sad he was late and manipulated extra story time out of him. After creche was dinner, which he shared with Kanaya.

The next few days were much the same except for an underlying simmer of anger for the traffickers. They still hadn't found out how it had happened, still weren't sure if the clowns were going to turn them over. Assembly was generally full of shouting that the Matres couldn't quite mediate.

The clown ship finally docks in the Cavern bay. It's surprisingly small and sleek and for a Church ship. (The cult had its own shipyards and from what he'd heard their ships tended to be much bigger than standard Imperial ship classes.) It's painted with multicolored eyes and wings that spiral from bow to stern, and it's maybe a quarter the size of a cathedral ship. The ship is disturbingly named Dance of the Angel.

Karkat is very very surprised when the Cavern Matre sends him a message that he's been asked to come with her to the ship and meet with the Grand Highblood. "What the fuck?" Karkat asks. He waves his shelltop at Kanaya. "What is this? Am I reading this right?"

"I...it would seem so," Kanaya says. "The Grand Highblood wants to meet you."

“Why?" Kanaya gives him a look as if he's being deliberately obtuse. "Perhaps for some reason he feels is related to your Ancestor?" she suggests.

Karkat stares blankly back. "My Ancestor and nine caegars can get me a vaguely historically accurate romance novel."

"Karkat," Kanaya says. "I don't know whether you're being prickly about your Ancestor or you really believe that."

"It can be both!" Karkat says. "It's not like I have any special rank or responsibilities. Isn't it even in his will? 'If I should have a Descendant or if such should still exist in the future generations, put no burdens on him he doesn't take up.' I mean I'm pretty sure there was a whole thing about it."

Kanaya smiles at Karkat. "Maybe that's something you could bring up with him.

Karkat snorts. "Right I'm sure that's going to go over well," he says. There's a certain amount of fussing and preparation before Karkat is judged presentable for his meeting. Despite Kanaya's best efforts, he's never had much in the way of formal attire. There are some festival clothes, casual clothes, clothes for socializing or meeting with his genitors. But nothing really formal.

Kanaya ends up putting him into his favorite black velvet divided skirt, bright red long sleeved tunic, and a darker red robe with a wide black fabric belt. Also included were low leather boots, and a veiled hat. His only jewelry are some steel rings, and an ear cuff. He arms himself with his electric dart device (concealed) and his sickle (very much not concealed). Kanaya of course, is already dressed and perfectly made up. Her colors are the traditional jade green and black, though with accents of genetrix bright red. She has no obvious weapons, but Karkat knows she's carrying.

"Ready?" she asks. Karkat nods, and they both head out the door. They're met at the ship by the Matre of the Caverns, and a huge indigo, obviously a Church deacon.

"Karkat," the Matre says by way of greeting. "And Kanaya."

"Matre," Karkat and Kanaya chorus, and give a salute. They give another salute to the deacon.

"All y'all follow me," the deacon says, and heads up gangway of the ship.

The Matre heads up first behind the deacon, followed by Karkat, with Kanaya taking up the rear. The inside of the ship is decorated much the way the exterior is. Eyes and feathered wings and spirals in rainbow hues. There are more indigo crewmen, who step aside as they pass. Karkat can hear conversation, and music, many voices singing.

The deacon leads them down several passages, and into something between an office and a sitting block. There are low chairs and multicolored cushions everywhere, and a small dais where the Grand Highblood is sitting on more cushions in front of a low desk with books and readers scattered everywhere, along with a high end computing device. He's huge, and his paint is strangely simple. Flat, blank white, which seems to mean something to the Matre, because she gasps.

The three of them start to bow, but the Grand Highblood waves. "Sit yourselves down," the Grand Highblood says. When they've done so, (with some hesitation) he continues with, "Let me give you the full debrief," he says. "My word to your ears. There were rumors of undocumented crew and false papers. It was the legislacerators game at first, thinking it was stolen eggs or stolen grubs and wigglers, subadults. But it turned to something more heinous. A high barrister brother was bribed with a genetrix, and being not an idiot called on the church. We took over and rooted them out."

"You found only three?" The Matre of the Cavern asked. It was an oddly blunt question.

“That's on me," the Grand Highblood says. "The traffickers killed most of them, trying to destroy evidence, like they thought we wouldn't wring the truth from them. There was just the oldest of the line, the one the oldest locked himself in a bitty room with, and the wiggler given to the barrister."

As he speaks, there's movement by the Grand Highblood's lap, behind the table. What seemed like another pile of colorful cloth turns out to be a troll. An adult genetrix, with white hair wearing what looks like second hand Church motley. He's long limbed, and skinny instead of the usual blocky build of most genetrices, and if he were standing, would be almost as tall as the Grand Highblood. He blinks sleepily at them. "Sup."

There is a look of unmistakable fondness on the Grand Highblood's face. "You went and fell asleep on me again, thinking I'm a relaxation platform."

"No, I'm being sultry as fuck," the genetrix says.

"More like a underfed purrbeast," the Grand Highblood says. "We're at the Cavern. These are all to being your kin." The gentrix's eyes flick from the Matre, to Kanaya and Karkat. "I'm Matre Markstar, the Matre of this Cavern," the Matre says. "This is Kanaya Maryam, and Karkat Vantas, how should we call you?" "

Dhuvid Straid," the genetrix says.

"We're still in pursuit of some of the traffickers, who went on with a whole cloning lab and canisters of frozen tissue, but the most of them we'll be handing them over," the Grand Highblood says. "All mostly in one piece."

The Cavern Matre bows where she sits. "We thank you for rescuing our charges."

The Grand Highblood's mouth tilts in a slanted smile that reveals the curves of his fangs. "All I did was do my duty toward the children of the Mother, didn't I?" he casts a glance toward Karkat, deep indigo-purple eyes have a certain gleam to them. "Clever motherfucker, your Ancestor," he says to Karkat. "We the last children of the mother have a duty to each other and the future He was all sneaky talking about the castes outside of his newly formed one. You have his miraculous way with words? You've been quiet enough."

"With all respect, Highblood, if you want an argument with my Ancestor, you should hire a necromancer," Karkat says in a flat tone. The Grand Highblood laughs quietly. "It's the Descendant I wanted a word with," he says. "I promised Dhuvid his kin would be safe and together, and I won't turn them over to anyone who'd keep them apart or harm them."

Matre Markstar looks momentarily offended by that,but she recovers. "Sir, are you implying you want Teacher Vantas to mentor or take custody of the genetrice line?"

"Sister, I want him to have the care of Dhuvid's little brothers," the Grand Highbllood. "As I promised him." A beat. "There being a matter of serendipity between us, such that I would take over his care."

"Frail and wilting flower, that's me." Dhuvid says. "I need the gentlest and sweetest pale pity."

"You speak more true than you know, rattle bones," the Grand Highblood says, amused. "With your permit I'd get to doing that, jade sister. My Descendant's taking over the hunt for the traffickers and all Church duties so I settle Dhuvid in."

"Accommodations may be arranged, Highblood," Markstar says. "I will have the Imperial suite prepared for you."

"I'll be put up with Dhuvid by wherever Vantas is," the Grand Highblood says.

"The genetrice apartments are separate from the genitor and admittance suites," Markstar says. "Genitors generally do not go there, for obvious reasons." "Quadrants and the genitors that take vows do," the Grand Highblood points out. "I want to see where you'll be mewing up my diamond, and see all how you'll be treating him and his kin. I'll take whatever vows the genitors that don't leave do."

"That would mean you don't leave," Karkat blurts over whatever probably more polite version of "what the fuck," Markstar was about to voice. "It is not actually like Servitors of the Genetrices down in the genetrice apartments," Karkat says, naming a series of porn videos that everyone has been warned about. (Since genitors often got weird ideas, especially the older high caste trolls still around from the last Mothergrub's broods.) "The imperial suiteblock is supposed to be all fancy and shit, according to your station. Dhuvid and his line are probably going to be in the infirmary getting checked over before anyone gets moved anywhere, anyway."

"You think I don't know what I'm asking for?" The Grand Highblood asks, voice hard."I'll stay by him, where ever he's put up."

"Enduring great privations and all that shit," Dhuvid says. He's leaning up against the Highblood's side, and despite the bland tone, there's a certain amount of tension in his shoulders. "Boss, explain me a thing, what's this argument about?" a beat. "You said it was goinng to be safe here."

"So I did," Grand Highblood says. "And it is, there's just these little particulars."

#homestuck #fan fic #jam fic

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infinite-rabbits · 5 years ago

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hey, hiii just wanted to ask about your thoughts/opinions on shadows character

Do you mean like.... Overall or how it’s been handled lately?

It also kinda depends on which version of Shadow. I mean, obviously from my set of 4 Shadows I have on my desk, I love him.

SO I guess we need to break it down.

Sonic Adventure 2 Shadow: I love this silly edgelord. He’s basically a teenager who’s also woken up from a really long nap. Have you ever had nap brain before? Because it sucks, and I like to think that’s part of why he’s so grumpy and also why he had so many memory problems. He might have been out of cryostasis, but his brain was still waking up. He’s moody, he’s probably going through hormone swings because, you know, teenager, and he’s trying to figure out where he stands in the world. This is the Shadow I was first introduced to when my cousin had the game system and I was watching him play it. I literally made my mom buy me a gamecube and the game because I wanted to play with Shadow. I’m always late to the game with stuff. I mean heck, I only just now started playing Sonic Forces and that’s been out since 2017, but this game REALLY impacted my view on the Sonic franchise.

Shadow in Shadow The Hedgehog: Okay so I know a lot of other people really hate his depiction in this game. They don’t like the idea of Shadow going THAT edge and liking guns and all of that stuff due to his PTSD with Maria. But honestly... I don’t mind it that much? Because there’s the whole thing about him having amnesia again or whatever. And what’s more interesting to look at from this game’s point of view is that, just like a lot of other things in the Sonic Franchise, it’s an AU. This is a choose your own adventure where you can literally decide if Shadow is going to freak out and go down the villain’s path, stay neutral and do his own thing, or realize that he needs his friends and go down the hero’s path. So even if you’re not super into him using guns, you could still have him go down that hero path and find his true self. Plus this thing has one of the most bangin’ theme songs Shadow’s ever had. Like all of his themes from games are pretty awesome, but I personally LOVE this one. Especially the extra m e t a l version by Little V.

Shadow in other games: He can be kind of hit-or-miss in the personality department here. You’ve got him in Sonic Heroes with amnesia... again. And possibly being an andriod. But honestly I love that “date to die for!” scene because it’s so dramatic! You’ve got him in Free Riders for some reason being willing to help Rouge get money in the race even though he’s never actually been willing to help before. In most games he’s just kinda sorta... there, and it feels like the writers don’t fully know what to do with him if he’s not the main focus of the game. There’s one big exception to that though:

Shadow in Sonic 06: The game everyone shits on, mostly just because of some of the graphics being shitty here and there in the actual gameplay and also the whole “Sonic hooking up with a human chick” thing. However, this is one of the best characterizations of Shadow. He cares about his friends, he gets given the support he needs, and in turn he also winds up giving that support to Silver. You know, after giving him a boot to the head. As bad as this game might have been, we did actually get relatively good character development for some of these characters, and Shadow was one of them. His willingness to do his part and take Silver “under his quills” as I’ve seen other people say, properly shows off his compassionate side rather than him just.... being dark and brooding. You know?

Boom Shadow: Eeeeh.... I’m not totally sure how to feel about this one? I love listening to his voice for sure. I like watching his fight scenes. But it feels like they’re making him edgy just for the sake of being edgy. And he’s really easily manipulated? I feel like, while Boom has done some great things with other characters, Shadow has gotten the short end of the stick. He’s kinda bland most of the time when it comes to his actual characterization, and he’s boiled down to a one-note kind of guy. So like, I don’t hate it but I really think I could do better.

IDK comics Shadow: They kinda did the same thing here. Shadow started out pretty darn great in that scene with Sonic and deciding what to do with Mr. Tinker. Seeing Sonic get under Shadow’s skin about it and making him back down was a great way of showing how the two have really gotten to understand each other over the years and that Sonic knows Shadow better than he’s willing to admit. That’s where my praise ends. Shadow then basically disappears until we get him back being stubborn as hell and jumping right into a pit of zombots and BOOM, just like that he’s taken out of the game. We’ll see how things go once this virus thing is over (because honestly I feel like it’s been lasting waaaay too long.) and if they use this to humanize him a bit more or if they keep him being super stubborn and one-note. But yeah, as of now I’m not super happy with how he’s been handled.

Shadow in the Archie Comics: HOO BOY I SAVED THE BEST ONE FOR LAST. And by best I mean worst. Where do I even begin with this one? Let me start by saying that I haven’t read all of the Archie comics yet. I’m working on it now, and I’m reading them somewhere online because they’re expensive as hell to get a hold of. But dear lord, this writing is usually horrible! Some of the writers work well together while others *cough*kenpenders*cough* don’t bother to read each other’s stories or will get pissy about their own plotlines not going anywhere and others having to fix them. Shadow is... yanked around so heavily in this series. In some stories, he’s great. He shows interesting characteristics and shows that he’s learning and growing. In others he’s just kinda.... there. In others he’s going completely against what he’s learned and is treating people like shit unless he’s manipulated to do otherwise. One of my absolute biggest complaint about the Archie series is: Tyrant Overlord King Shadow, from the 25/30 years later arch. It’s so bad, you guys. *disgruntled noises* Ken Penders basically had Shadow do a complete 180 despite everything he’s ever learned. He forcibly married Sally, became a tyrant of a king who ruled with an iron fist, and when Sonic kicked his ass and threw him in another stasis tube and he was brought back later, he unleashed this weird Tikal/Chaos creature out into the world to completely destroy it after feeding her so much chaos energy that he hurt her. Also the writer completely freaking forgot to actually END that story. Sonic and the New Freedom Fighters defeat and re-seal away “Tichaos,” but there’s no closure as to what happens to Shadow. It’s just Ken Penders going: “LOOK MY SUPER SPECIAL AWESOME OCS JUST SAVED THE DAY.” And it’s like.... okay, but what about Shadow? Did he escape? Is he still in the castle? Is there a second part to this? And sadly, that’s as far as I’ve read with that line and I don’t know if it got any further before they had to do the reboot. So yeah, Shadow is kinda shafted in these comics too.

Overall: I think he’s a really great character with a lot of wasted potential. He tends to shine more when the spotlight is fully on him because in that case, the writers realize they need to work on him more. But when he’s a side character, they boil him down to one-note and that’s really not a good thing to do with any character. (I should also note that I haven’t actually gotten to purchase the DLC yet of Shadow’s story for Sonic Forces, so I’ll need to go and watch the cut scenes before I can properly say anything on that particular game.)

The Sonic Franchise suffers overall from a case of: Too many characters. Now I wouldn’t change that about them, especially this late in the game. However we’ve been introduced to so many characters that none of them ever really get their chance in the spotlight anymore. Another artist that I can actually compare this to is actually VivziePop. She designs a LOT of characters for her works, and she puts so much effort into them that they all come across as “main character material” and completely overshadow the actual main character of the story. The biggest time that has impacted her work was in her comic Zoophobia. The main character was some human chick thrown into the world, but then she spent so long establishing all of the almost hundred characters she’d made for the world that the story itself felt like it de-railed. She’s gotten a bit better with Hazbin, but Charlie still gets really overshadowed. Some of the Archie comics got to be the same way. They had introduced so many characters at that point that they needed to do storylines that didn’t involve Sonic, and Ken Penders himself didn’t really like writing for Sonic because it was so restrictive, where as he had a lot of free reign with the other ones he’d made or that weren’t the main character. So he just kept making character after character to throw in there, and that combined with the characters we got from all of the assorted media over the years means a lot more characters to try and focus on. So the ones that don’t get their prime time in the spotlight just kinda never go anywhere. Also Shadow not being the main precious blue boy probably explains why his writing can be so wibbly-wobbly depending on the media he’s in. Because Sega isn’t breathing down anyone’s neck anywhere near as heavily as they are for Sonic.

I should probably stop typing now because I’ve written you a novel. XD

TL;DR: I love Shadow but he gets the shaft more often than not by the writers.

#long post #shadow the hedgehog #sonic the hedgehog #archie comics #sega #sonic writing #Anonymous

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cherrycoveredpythia · 6 years ago

Text

Extended thoughts on Brave the Tempest

2017’s Ride the Storm closed out the four-book arc that also included Hunt the Moon, Tempt the Stars, and Reap the Wind. In these books, Cassie battled Ares and his minions while drawing closer to Pritkin and eventually hunting him through time and space. She learns more about her abilities while trying to save his life, and also becomes a reluctant power player in supernatural (and inter-dimensional) politics. Without her faithful companion by her side, she becomes more confident in her own powers and resourcefulness. Of course, she’s still Cassie, so all her discoveries and victories are slapdash and hard-won. But they are still victories. She’s a daughter of Chaos, give her a break.

Brave the Tempest focuses on Cassie’s political duties and her complicated feelings about being a leader and a “hero”. She’s now slain two gods (with help), but that doesn’t result in easy respect from the witches or the vampires. The witches see her as a tool of the Silver Circle, while the vampires see her as an extension of Mircea. They are all so wrong.

Cassie has to demonstrate her full strength to convince these factions to cooperate with her. It works, but nothing is ever simple. In the long run, who will love her and who will fear her?

She’s becoming more like her mother every day.

Overall feelings

There are some amazing, joyful moments here. Please understand that I adore these books and characters, so I say this with love…

… but the book felt disjointed to me. We buzz back and forth from the witches to the vampires to the demons, and then go to Faerie and Victorian England. We get emotional scenes with Mircea, Pritkin, Marco, Rhea, and Rico. Augustine brings home a kidnapped fae. Tami needs to hire some staff but no one will take the job. Fred is a spy. Cassie is exhausted. I felt kind of exhausted too.

Important plotlines: Cassie’s growing pains with her powers, the political trouble with the witches and vampires, and the imminent invasion of Faerie. And then there was the timeline rupture. The rupture was terrifying and the fight with Jo in Victorian London was a full-on horror show. Cassie learned more about Pythian spells and then linked up her powers with Pritkin through the Lover’s Knot spell. She’ll probably need these tools for the coming showdown. She and Pritkin are even more powerful together than they are apart. And they are both forces for good. But will everyone see them that way?

I think Karen is just laying out all the pieces for the next arc. It’s a little messy right now, but it will all fit together soon. I’m glad that Shatter the Earth is coming in December. If I had to wait another two years for the next book, I would be upset.

Favorite moments

Pritkin flirting and Cassie retaliating during S’mores night. Especially the marshmallow at the end. Goddamn.

The Dickening.

Everything related to Saffy and Vi, and seeing Saffy and Rhea becoming friends. I think she is a great influence on Rhea.

Pritkin and Cassie’s meeting with Adra. I high-key love Adra. He’s a really interesting foil for Caedmon, who leads their alliance with the “heavenly” planes. Caedmon is manic and charming, while Adra is pleasant and even-keeled. Except when he forgets to animate his glamourie. I reallllllly want to know what Adra looks like under there, but I figure he’s a Lovecraftian monster that would drive us insane.

Adra shading Pritkin for never attending demon council meetings like other “heirs apparent.”

Cassie nonchalantly offering to bring Adra to the vampire council.

Gertie nonchalantly easing Pritkin out of the room and shifting him to the depot.

Cassie borrowing Pritkin’s powers to suck the energy out of Jo.

Big events and revelations

Pritkin is not shy and neither is Cassie. I thought we would get some pussy-footing about their relationship, but we DID NOT. Pritkin came on strong and Cassie reciprocated. I wish I had a chance to read Siren’s Song first. They had some time to let the tension build and I *do* love a slow burn… torture me, baby!

Ancient Horrors! Children of Tiamat/Tethys! Pritkin is 1/16th divine! Kind of a watered-down Ancient Horror, if you will. Minus the tentacles.

Lover’s Knot

Fucking Jonathan

Invasion of Faerie needs to happen ASAP

Jo is more dangerous as a ghost because ghosts can absorb infinite power. (Can we turn Billy Joe into a super soldier???)

MIRCEA THE BOLD!

Cassie agreed to go find Elena because she’s afraid that Mircea will do it himself. And she doesn’t want to kill him.

Fred is a spy working for MARLOWE! And I guess his master power is camouflaging his aura.

Rico is from Napoli (this explains a lot, because I was confused when he said putanas instead of putane. Dialect!)

NEW PYTHIAN SPELLS: Shards and Chimera!

Young Agnes is a real bitch.

The pros

I said this in a separate post, but I’ll say it here too. Cassie and Pritkin are back together and their relationship is so healthy and mutually supportive that it makes my heart ache. This is real #relationshipgoals. They are confidants and protectors and cheerleaders for each other. They don’t keep secrets or manipulate or gaslight. We need more of this sci-fi/fantasy and romance. There are too many dark, brooding male love interests who are borderline abusive. (Ahem, Mircea.)

MORE LGBT REPRESENTATION!

The emergence of Mircea the Bold. I like Mircea as a character, but not as a love interest for Cassie. I’m happy to see him going through this transformation. He’s becoming more open and genuine. He’s not going to win Cassie’s affections, but I do think that he’s going to redeem himself in Dory’s eyes.

GERTIE IS BACK! And *not* as a roadblock. She’s a powerful woman who helps other women, and I am all. about. that. mood.

The cons

TOO. MUCH. RECAP. Especially recap that broke up highly emotional moments. I don’t care if you are trying to explain things for new readers. Fuck ‘em. Anyone who buys a book, discovers it is part 1000 of an ongoing series, and tries to read it anyways… is a psychopath.

Too many plot-lines

I miss Rosier.

We all knew that something was up with Fred, but I don’t think that his revelation as a spy got as much weight and screen-time as it deserved.

I feel like the “wrap-up” with Jonathan felt rushed. He’s supposed to be terrifying but I’m like “meh, whatever, Jonathan, small fry compared to Apollo and Ares.” But I think she’ll get back to it in greater depth in the next book, so I can deal.

Can we PLEASE have some consistency about Agnes’s age? We see her as a teenager in late 19th-century London, for god’s sake. She must have been *at least* 130 years old when she died, and that’s being charitable. Previously, Cassie has said that Agnes was about 80. Lies.

The questions

1. My BIGGEST question. Cassie is changing. Not just maturing, but changing on a metaphysical level. The coldness, the hunger… I’m frightened for her. It’s not withdrawal from the Tears of Apollo and it’s not normal exhaustion. I have some theories.

Her divine side is becoming stronger and she’s beginning to require life energy in the same way that her human side needs food, water, and sleep. Why is this happening now? Maybe the Tears of Apollo are part of the equation, albeit indirectly. She’s been using more and more Pythian power thanks to the potion, and perhaps that has awakened her divine side more strongly. This is a little worrisome because she may have to feed on a regular basis to stay functional. Can she get all the energy she needs from incubus sex or from the Lover’s Knot? What are the moral considerations here?

Less likely, but she might really be pregnant. I’m not a huge fan of this idea, but Rosier does mention in Reap the Wind or Ride the Storm that the incubus-child feeds on the life energy of the mother as it grows. That’s why his attempts at procreation failed until he impregnated Morgaine, who was part royal fae and part divine. If this is the case, Cassie might be having life-energy cravings instead of food cravings. Or maybe this is the divine/demon/fey version of morning sickness? Pritkin, please start using birth control.

2. What happened with Pritkin in Siren’s Song? Does Jonas know his true identity now?

3. So who is Pritkin’s divine great-great grandmother? Any speculation?

4. Cassie begins to wonder if any of the gods might be open to diplomacy. This must go somewhere. And it’s true, there are a number of gods in the pantheon who are traditionally friendlier towards humans than others. Athena is the first that comes to mind. There’s also the mythic trope of the Trickster/Fire-Bringer who helps humanity: Prometheus, Anansi, etc. And there’s Loki, who doesn’t so much love humans as he loves to trouble the other gods.

MVPs

Ok, Cassie is the real MVP, as always. But barring her, I’m awarding this prize to the no-nonsense, sisterly duo of our hearts: Gertie and Hilde. They are officious and annoying, but that’s because they tell you what you don’t want to hear, and they are RIGHT. They are so right.

#btt spoilers #brave the tempest #my disorganized thoughts #please feel free to disagree and discuss #cassie palmer #karen chance

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aquatictimes · 8 years ago

Photo

Channa micropeltes, the Giant Snakehead

WARNING: VERY LONG POST

This is Beast.

Beast is a sub-adult Channa micropeltes, or Giant Snakehead. As the name suggests, he’s going to get fairly enormous: around the 4′ mark, eventually. He’s currently 18″, wearing his near-adult markings and has yet to develop the aggression associated with his species that arrives at sexual maturity.

Giant Snakeheads, as a species, get a very bad wrap, portrayed by the press as child-eating monsters that’ll literally walk into your garden for a meal. From an environmental perspective (largely with regards to the US and Europe), they’re viewed as highly invasive fish that could single-handedly destroy freshwater ecosystems. However, whilst all snakeheads are capable of breathing air, surviving for long periods of time out of water and even moving across dry-ish land, these abilities are not hunting aids. The organ used for breathing air is useful primarily to allow them to survive in stagnant, dirty waters that would otherwise be uninhabitable. On land, they’re generally slow, clumsy and only in search of another body of water. It’s true that they are highly adaptable and very hardy (it’s why snakeheads have been around for more than 50 million years), but they’re not going to be snapping at your ankles while you’re out for a picnic.

The only time at which these fish do present a danger to humans is during spawning season. They are extremely protective of their young and are very aggressive in their defence of their brood and spawning sites. In the majority of cases, injury can be avoided simply by understanding this behaviour and avoiding situations in which contact is likely.

As to the second accusation - that they’re highly invasive and capable of immense damage to any non-native environment - this is only partly true. Unlike the majority of snakehead species, micros are fully tropical and do not adapt well to the large swings in temperature that are required by many of their genus to remain healthy. Temperature ranges in their natural environment range from approximately 20-30 degrees centigrade, and any temperature drop significantly below that would be lethal. It’s possible that a single specimen could survive in colder waters for a time, but the species could not become established. Sightings of micros in the US have been sporadic, several unverified and there is no evidence to suggest that there’s been success in breeding. That’s not to say that snakeheads aren’t a very real danger to their non-native ecosystems, just that micros are rarely the perpetrators in non-tropical waters (look to C. argus and C. marulius as the main culprits...not that there’s any point in blaming them - they’re fish).

Micros are certainly pervasive in their natural waters (the majority of South-East Asia), but numbers are controlled by natural predation and human intervention, as they make an excellent food source. They’re even farmed for this reason.

When it comes down to it, they’re just animals - large, aggressive predators, yes - but that only implies that they should be treated with the respect we would show any other large predator. And not introduced to foreign waters. Shock.

That being said, this is not an animal to keep in the aquarium. Frankly, it should never have been introduced to the hobby at all.

In the pictures, you’ll notice that the area around Beast’s mouth/jaw has pale patches amongst the darker areas of skin. This is because, despite the tanks in which he’s lived appearing to be big, he frequently bumps into the glass, causing wear, scraping and bruising. A degree of this is inevitable: this is a very large, active fish that would ordinarily have huge stretches of water as its territory. Only the largest of public aquaria would ever be able to achieve the footprint required to mimic his natural habitat.

Unfortunately, micros are seen far too frequently in the aquarium trade, usually as very small, pretty juveniles with a bright red stripe running along the lateral line (hence their other common name, the Red Snakehead). People buy these, thinking they’ll make an attractive and interesting addition to their community or moderately-sized monster tanks (or even very spacious monster tanks), but are often surprised by how quickly they grow, how large they get and how aggressive they become.

Some people then release them into the wild where, as well as wreaking havoc during the summer months and potentially introducing new diseases to local waterways, they cannot survive the seasonal drop in temperature and then perish. Some people are more responsible, and attempt to donate the fish to local or national public aquariums. However, due to their size, territorial demands, disposition, and poor state in which they’re often offered (cramped conditions leading to stunted growth) as well as the public aquariums being overwhelmed with donations of large fish bought by unknowing individuals, it’s rare that they’ll be accepted. There are even times when they’re put down if owners or stores are unable to relocate them. I saw a couple on eBay going for £30 each just today, and another seller offering juveniles. I hate to think what’ll happen to them.

Minimum tank size for an adult is 12x5x4′ - frankly, even that, massive as it sounds, is too small, in my opinion. Micros, unlike the majority of other Channidae, are fully pelagic and require considerable tank length in order to be even remotely comfortable. I’m hoping (and I haven’t told my bank account yet) to give him a footprint of 16x5′. Genuinely a terrifying thought, but that’s the nature of caring for animals of his size and disposition, and even that will never match up to the ideal.

A frequently-overlooked feature of micro care is the importance of decor/planting. Their natural habitat is heavily vegetated, especially around the banks of the swamps and slow-moving rivers they favour. Of particular importance is surface cover, without which they will be exceptionally shy/stressed, as a lack of cover implies that they’re at risk of predation. More than this, as ambush predators, they are most often found in shallow, densely-planted areas at the water’s edge where the cover provides an ideal hunting ground. This is a common failure of the majority of captive conditions. Tanks are often entirely bare, with no cover or decor available and therefore no ability to exhibit natural behaviours. If there are tank mates, it also means that there is nowhere for any occupants (the snakehead included) to hide.

Once at maturity, snakeheads should be fed on a diet of frozen whole fish, muscles, shrimp and large insects no more than 3 times a week to prevent bloating, to which micros are very prone. Feeder fish should be avoided unless absolutely necessary (for all the usual reasons), but - contrary to popular belief -Channa are easily weened onto frozen, and even dry, foods. Many snakehead keepers have reported success with feeding large carnivorous cichlid pellets. Beef heart and other mammalian/bird meats should be avoided, as snakeheads are unable to properly digest the lipids these produce, leading to excess fat deposits. As to the size of their prey, they will eat anything smaller than themselves, and are capable of killing fish of equal size and weight. I wouldn’t recommend feeding anything longer than 3-4″, though.

For this reason, tank mates are extremely inadvisable. Some success has been noted in keeping these with others of their own species or with similarly-sized fish, but the likelihood that there will be problems down the line is very high. Channidae are known to be highly temperamental: even a bonded, proven pair which have lived peacefully in the same tank for years can suddenly turn on each other. Experienced snakehead keepers have found that this is often linked to sudden changes within the aquarium, such as the removal or addition of decor or sudden changes in temperature - even water changes are likely to cause fights to break out. Any previously peaceful aquarium can become chaos overnight. For this reason, many snakehead owners avoid water changes where they can (unless keeping a single specimen), and instead use powerful filtration, careful feeding and very heavy planting to lower the need for frequent water changes. Obviously, the more fish in the tank, the more waste will be produced and the more water changes would be necessary to keep the water clean. Therefore, a rise in stocking increases the likelihood of violence between the inhabitants. Best to avoid the issue entirely.

On top of this, micros are an extremely powerful, aggressive species, and certainly dangerous in the captive environment if not treated with caution. They have the largest teeth of their genus and, given their preference for ambush hunting, are capable of incredible speed when motivated. They will attack either by swallowing prey whole or by biting it in half, disabling the prey and allowing the snakehead to return for the rest of the animal. Because of this, tank maintenance is...a challenge. Sticking fingers, hands and arms in is asking for trouble, and leaning over the tank is certainly nerve-wracking. The store which held onto him for me mentioned a guy who nearly lost his fingers when he decided to wiggle them enticingly above Beast’s head. In Beast’s case, this is currently more an issue of misidentification than aggression - food comes from above, therefore everything that comes from above is food - but the risk remains the same.

So why did I decide to keep him???

Basically, I fell in love with him. I’d admired and researched snakeheads for some time and, knowing his future care requirements, was very worried that this would be another micro to end up in a cramped, sparse environment with too many (read: any) tank-mates and a diet of feeder fish. Youtube is full of videos of fish in exactly those conditions.

When I first saw him, he was looking very stressed in the corner of a 6′ tank at my lfs. Apparently (and unsurprisingly), he’d been traded to the store having outgrown his previous shared monster tank. I asked about him, and was told that if he wasn’t sold he’d be added to a peaceful monster tank at the store (where there are snake neck turtles and fish of an ideal size for nibbling?!) or offered to a public aquarium. Not especially comforting, given the circumstances, but at least they seemed determined to do their best for him.

At the time, I wasn’t in a position to do anything about it and knew I had to leave him where he was. I hoped that when I next visited, someone responsible would have taken him home and I wouldn’t need to worry anymore.

Of course, he was still there when I went back. There had been interest, but while the staff were understandably content with the potential buyers, I was less-than-pleased to hear about 10′ community and monster tanks. I tried not to think about it too much: I didn’t have the money, I didn’t have the space and I was recovering from some severe health issues. He’d have to be someone else’s responsibility. Didn’t stop me from asking questions and researching means of housing him temporarily, though.

However, my circumstances changed dramatically in late spring, and it suddenly became feasible to keep him. So. Here he is.

His current tank is just adequate for a fish of his size at 8x3x2′. He will have outgrown it within a year but, hopefully, by then he’ll have his permanent tank to grow out in. He eats every other day, snoozes in his caves and wiggles at me when I come to sit next to him. Haven’t worked out yet whether that’s a territorial display, begging or curiosity, but I’m not sure it matters, either way.

In short, if you can spare the time, money and space for a single, massive, bite-y poop-machine, then maybe the Giant Snakehead is for you. Otherwise, steer clear.

*note: the white patch on his head is from a loose scale, and is fairly normal for snakeheads of his age, who drop head scales in order to develop larger ones as they grow. I’m keeping an eye on it, but I don’t expect it to be a problem.

**note-note: I live in the UK, where snakeheads are not currently banned (though the EU/DEFRA are proposing to alter that. Bastards. C. argus is banned, thankfully.). For readers in the US, I’m afraid that all Channidae are (somewhat unfairly) illegal to own as pets. At least it prevents micros from entering your trade, though.

***note-note-note: these guys are extremely difficult to sex (so forget breeding pairs - not that breeding would be any kind of good idea in this instance), but I’m leaning towards male with him. It’s been noted anecdotally that, along with being thicker in the body, females are more an olive-green compared to the adult male’s blue-green. Beast is currently fairly slim-bodied and definitely very blue in colour, but there are no guarantees - particularly because he’s nowhere near full maturity yet.

****note-note-note-note: I am not an expert, and much of this information is anecdotal and garnered from conversations and informal posts from other snakehead keepers. As such, if anything here appears to be inaccurate, please let me know!

Largely unverified and informal, but useful, info: x, x, x, x, x, x, x

I’d also recommend joining the groups Channa Headquarters and Only Channidae on fb, if looking for more.

#snakehead #giant snakehead #channa micropeltes #fishblr #long post #very long post

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thenightling · 8 years ago

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What is Neil Gaiman’s Sandman?

Explanation below.

Warning: Here there be Spoilers.

I fully admit that I, myself, am a late comer to the fandom of Neil Gaiman’s Sandman comics. Back in the 1990s many friends had recommended the series to me and or insisted that I would love “Death.” But no one gave me a proper explanation or summary of what I was to expect. I figured it had to have been an over-rated trend. I was too busy trying to get people to watch or listen to the Nightmare before Christmas soundtrack (which hadn’t yet become the cultural phenomena it became in the early 2000s).

The comics I read in those days mostly consisted of the likes of Morbius: The Living Vampire, The Midnight Sons, Legion of Monsters, Tomb of Dracula and the occasional Tales from the Crypt reprint when I could find it. I was lucky enough to have recurring access to a store called Dracula’s Comic Crypt on Long Island. But as a woman into all things Gothic (and most especially art in the style of Bernie Wrightson) I was recommended Sandman over and over again.

Part of what discouraged me was that I have always had poor eyesight. Today, of course, on a nice twenty inch computer monitor I can make the comic book images nice and big and keep physical copies mostly for collecting purposes. But mostly I just didn’t really know what Sandman was all about.

Well, fast forward over twenty years later... The TV show Lucifer has gained my attention and is both fascinating and fun for being different so I finally cave and decide to read the comics that he first came from... Sandman. I was particularly interested in the storyline where Lucifer quits Hell (Season of Mists) but I wisely decided to start from the beginning. I started at the beginning... It wasn’t long before I realized that I liked this thing... I really, really liked this thing. In fact I soon found I liked the protagonist, Morpheus, more than Lucifer.

My response was along the lines of “Why didn’t anyone tell me this was so good?” to which several friends practically shouted “WE DID!”

So for anyone who was or is in a similar situation to me, I’ll explain Sandman as best I can for you right now since no one properly explained it to me back when it was first recommended to me a almost a quarter of a century ago.

_______________

DC comics has had three characters named Sandman. The first was a gas mask wearing Noir character named Wesley Dodds. The second was a golden age style superhero who later passed his mantel on to another, the replacement character called Hector Hall.

And now for the third, the most important of DC’s Sandman / Sandmen. The literal Sandman AKA Dream of the Endless, otherwise known as Morpheus. Ruler of The Dreaming realm. Master of both Dreams and Nightmares. First published by DC and later concluded by Vertigo (DC’s adult content label) Sandman was a very unique kind of story, set in the DC universe.

Morpheus (AKA Dream) sometimes changes his form but he’s fairly easy to recognize because he is always depicted with black talk bubbles with white text, originally intended to indicate a psychic form of communication more than actually vocal (but I think that idea was mostly dropped after the first issue and only hinted at again in the storyline called A Game of You).

During the very first storyline of Sandman comics Morpheus was captured by humans.

Later it is revealed in a stand alone comic that the universe (in an effort to balance itself out) granted Wesley Dodds certain dream based abilities. Dodds had something of a psychic link with Morpheus while Morpheus was in captivity.

Later two nightmares escape from The Dreaming realm and these two (Brute and Glob) manipulate the super hero “Sandman” and his successor, Hector Hall. They do this to create a dream dimension of their own since the one Morpheus ruled had fallen into chaos without him.

Morpheus / Dream is a member of The Endless and his full title (besides Sandman) is Dream of The Endless.

The Endless is a family of anthropamorphic personifications representing seven aspects or abstract concepts in relation to conscious life. It’s not as complicated as it seems.

The Endless are:

Destiny: Destiny is the eldest. He is depicted as a shrouded blind man whose wrist is chained to a book containing the past, present and future. Despite being apparently blind he can read his own book. His sigil (the symbol that represents him) is a book.

Destruction. Destruction grew weary of ...well, destruction when he saw humanity progressing toward increasing violence. Determining that each Endless actually represents a concept and it’s counter-part he quit his vocation and wandered off to try to reinvent himself as a creative force instead of destructive. His sigil is a sword.

Death. Death is Death incarnate, much like Death of Terry Pratchett’s Discworld but instead of resembling the traditional Grim Reaper Death takes the form of a pale Goth girl with an eye of horas tattoo under her right eye. You might think that she should be the most depressed or brooding of the group but no. She’s friendly and optimistic. She also loves films like Mary Poppins and The Little Mermaid (Disney version). She wears an ankh pendant, which also is her sigil.

Now we have Dream AKA Morpheus. He is The Sandman of folklore. Dream is the middle sibling and he is The Sandman. He rules the realm of The Dreaming. He has wild “Robert Smith style” hair, bone-white skin and black eyes with small star-like pupils. Morpheus is also very tall and skinny. Dream’s sigil is his “Helm” - a battle mask he made for himself using the bones of two Lovecraftian “Old Gods” that attacked The Dreaming a long time ago. (He almost never gets to wear this helm in actual battle as Morpheus is not really a warrior character by nature). The helm is made from a large skull and spine and so it resembles a bone version of Wesley Dodd’s gas mask.

Desire. Now come the twins, the first of which is Desire. Desire is a genderfluid being that can be male or female (or both or neither) at will. Desire is very fickle and can also be extremely cruel but also (on occasion) can be helpful and once even saved the universe (even though Desire doesn’t remember doing it). Desire is slender, androgynous and has golden eyes. Desire’s sigil is a heart.

Despair. Despair is the twin of Desire though you might never know it. They look nothing at all alike. Despair is a short, very full-figured woman who has jagged tusk-like teeth, and almost never wears clothes. Despair’s sigil is a ring with a sharp hook attached to it.

Delirium. Delirium is the youngest of the Endless and very child-like. She used to be Delight but someone or something hurt or abused her a long time ago and she became Delirium as a way to cope. It’s implied that someday she might return to being Delight but as it stands that might take a whole lot of therapy. Delirium can be very sweet but if you are mean to her or try to touch her without permission she will punish you by driving you to madness. Her sigil was once a flower. Now it’s a rainbow blob or smearing of color.

And there you have it. The Endless in a nutshell. Now on to the basic plot of Sandman...

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Sandman was first published in late 1988 and ran until 1996. It then had several spin-offs and one shots, a prequel novel set in Ancient Japan (Dream hunters), a collection of short story comics called Endless Nights (one for each Endless), and finally the gorgeous prequel comic Sandman: Overture (compiled as a graphic novel in 2016).

Since the first run of Sandman is over seventy five issues long I will only give a summary of the first story arc. Preludes and Nocturnes...

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Preludes and Nocturnes:

A group of late Victorian / Edwardian era occultists known as The Order of Ancient Mysteries (Modeled loosely after the Hermetic Order of The Golden Dawn) is lead by their Lord Magus, Roderick Burgess. They use a grimoire known as the Magdalene Grimoire (which will later get use in Green Arrow) to cast a ritual spell to summon Death incarnate but instead of summoning her they accidentally summon The Sandman.

They realize their mistake but decide to keep Dream as their prisoner anyway.

A “sickness” occurs where several people end up with severe sleeping disorders because of the way Morpheus was taken. One woman ends up with “Sleeping beauty syndrome” where she would wake for brief periods of time but usually slept. Another goes into a coma. One young man in Africa dreamt of a cloud castle, as was his usual dream, but the castle crumbled and he became catatonic. A soldier would suffer a form of “Shell shock” that made him severely insomniactic. But in general most people continued to sleep and dream normally.

However in The Dreaming realm Morpheus’ absence was noticed. And over time things started to deteriorate. The vast library in The Dreaming started to disappear. Some dream entities vanished. Some Nightmare creatures escaped into the human world.

And Morpheus’ castle began to fall into disrepair. This all happened over the span of many years, mind you.

For over seventy-two-years Morpheus is kept prisoner inside a clear crystal-glass cage, surrounded by a magical binding circle in Roderick’s cellar. They take his helm, his pouch of dream sand, and his ruby amulet as magical trophies. They also take his clothes and leave him naked and caged. They don’t even bother to feed him and though he won’t die of starvation he does suffer hunger. The binding circle holds back Morpheus’ magick and psychic powers while the glass cage holds his physical body.

During Morpheus’ captivity Roderick grew old and died and his son took his place as Morpheus’ main captor. And eventually old age started to creep up on the son, Alexander. One night Alexander visit’s his prisoner (who has refused to speak the entire time of his captivity) and Alex’s assistant (and lover) Paul, accidentally brushes Alex’s wheelchair slightly over the rim of the binding circle, breaching it and it’s hold over Morpheus’ psychic abilities. But they do not notice this slight breach. Morpheus, however, does notice the breach in the circle holding him prisoner. Morpheus waits for his opportunity. As one of his guards has a brief day dream about a vacation on a beach, Morpheus is able to psychically connect with this dream to steal a fistful of the sand there on the dream beach and use this sand as he would use his pouch of dream sand.

Morpheus pretends to collapse within his cage.

Appearing to be dead, the guards call for their employer, and open the glass cell. Morpheus uses the pilfered dream sand to make good his escape.

The first thing Morpheus does is he enters someone’s dream about wearing a clown costume to a party and no one else is in costume. Here Morpheus (still quite naked) raids the buffet, even eating frog legs from a fried chicken style bucket held by Colonel Sanders. He’s too hungry to think about anything other than eating.

Once that’s done he conjures clothes for himself and seeks revenge on his captor...

Morpheus enters the dream of Alexander Burgess where he confronts him on holding him prisoner and how he treated him. Morpheus used to be a very cruel and petty being and his cruelty lingers long enough for him to punish Alexander severely. He condemns him to a dream of eternal waking, an eternal nightmare which entails waking up from a nightmare only to find he’s in yet another nightmare, just to wake up again and be in yet another nightmare and on and on forever while his body remains comatose and or may actually, one day, die while his soul could be stuck in that nightmare within The Dreaming for eternity. (Dream does eventually release Alexander Burgess though and forgives him).

Exhausted by this act of vengeance, Morpheus tries to make his way to his castle at The Heart of The Dreaming but faints in “The shifting lands” where he’s found by Gregory The Gargoyle. Gregory is the pet of Cain.

Cain and Abel are old horror host comic book characters from the 1960 and 1970s in the style of the Crypt Keeper, with Cain compulsively murdering Abel roughly once a night (Abel recovers each time as he’s immortal). And yet Cain and Abel weirdly love each other.

These characters originally came from the comic book series The House of Mystery and The House of Secrets.

The House of Secrets are the comics that first introduced DC’s Swamp Thing.

At The House of Mystery (Cain’s home) Cain is presenting Abel with a new baby gargoyle egg (this gargoyle eventually gets named Goldie. Originally Abel called the baby gargoyle Irving but Cain insisted that gargoyles need G names) that’s when Gregory (the large green Gargoyle) carries the barely conscious Morpheus to Cain. This is one of the only times in the comics where you out right see Morpheus ask for help. He’s a very proud character.

Cain and Abel set about nursing their king back to health.

Morpheus gradually recovers in Cain’s House of Mystery (Abel’s home is The House of Secrets) before making his way to his castle (now in ruins) in the heart of The Dreaming. Morpheus’ loyal librarian, Lucien, had been trying to keep things running in Morpheus’ absence.

Lucien AKA Mr. Raven (not to be confused with Morpheus’ spy raven, Matthew, who comes later) is another horror host from older DC comics and the castle he resided in (known as the “Ghost Castle”) turns out to be Morpheus’ own castle, which has appeared in both The Waking World and The Dreaming, much like Cain’s House of Mystery and Abel’s House of Secrets.

Meanwhile Morpheus’ usual groundskeeper, Mervyn (A Jack-o-lantern headed scarecrow) had taken to driving a bus in The Dreaming and had to be brought back to The Castle to return to his original duties.

Morpheus realizes he needs to get his property back- The pouch of dream sand, his helm, and his ruby dreamstone amulet (which is a conduit and amplifier for his powers) that had been taken at the start of his captivity and had drifted to different owners over time. The Hecateae (The triple goddess AKA The Furies AKA The Fates AKA The Kindly Ones) tell Morpheus that John Constantine had his pouch of Dream Sand. And so Morpheus goes to meet Constantine.

John Constantine (who is a practicing occultist and private investigator) figures out that a former lover of his his own has the pouch of self-replenishing dream sand (he, himself, was unable to pull the draw strings of the pouch). The exlover has tragically been using the sand to get high and several Dream entities have been feeding on her imagination when she does this. Her body is shutting down. By the time Morpheus and Constantine find her there is little that can be done but Constantine demands Morpheus do something for her and so Morpheus gives her a pleasant final dream before she passes away. Morpheus repays Constantine’s assistance by helping him with his chronic nightmares.

Next Morpheus has to retrieve his helm, which was taken by a demon. Morpheus is forced to visit Hell to reclaim it. Here he is guided by Etrigan The Demon (a demon that exists Dr. Jekyll and Hyde style with a human immortal host, Jason Blood). Etrigan deliberately takes Morpheus past an imprisoned former lover of Morpheus’ own, Nada. She pleads for Morpheus to rescue her but he tells her that though he loves her he has not yet forgiven her. (later we learn Morpheus left her in Hell because she rejected him back when he was a much crueler character).

Morpheus has started to change since his captivity. He’s becoming softer, less cruel. And though he does not rescue her here, he will eventually go back for her after his older sister, Death makes him realize that he had wronged Nada.

The demon who has taken Morpheus’ helm challenges him to a contest where each one has to out do the creativity of the other, inventing personas that would best the previous one conceived by the opponent. Eventually Morpheus wins with the simple phrase “I am Hope.”

This is later (much later) very bitterly sweetly elaborated on in the prequel comic Sandman: Overture, where Hope is revealed to have been a little girl whose ghost helps Morpheus but all he can remember of her is her name.

Side note: Lucifer (the main ruler of this Hell) becomes bitter and slowly makes up his mind to quit ruling there. He does not get around to doing this until the storyline called Season of Mists, in which Lucifer leaves the key to Hell to Morpheus when Morpheus came back, looking to rescue Nada. Lucifer also asks Morpheus to help him by cutting off Lucifer’s large bat-like wings for him. (Lucifer gets those wings back in his own solo comics, back to their original white, feathery Angelic state).

Eventually Morpheus gives The Key to Hell to two Angels who turn Hell into a place of redemption, and Lucifer retires to Earth where he opens a piano bar in LA called Lux but that’s a whole other story.

Morpheus’ ruby dreamstone amulet had been taken by the villain Doctor Destiny AKA John (or Johnny) Dee. (Not to be confused with Morpheus’ elder brother, Destiny personified). Doctor Destiny AKA John Dee was being kept at Arkham Asylum. Doctor Destiny happens to escape around this time as Morpheus is trying to reclaim his lost amulet. The amulet was in a Justice League of America storage warehouse. The amulet had been so corrupted by Doctor Destiny that merely touching it saps Morpheus of a great deal of his strength and he collapses, fainting in the warehouse, where it was being stored.

By the time Morpheus regains consciousness, he finds that Doctor Destiny has taken the amulet and Doctor Destiny had used the ruby’s power on a diner full of people (whom he has toyed with, driven to madness, and then ultimately killed or made them kill each other and themselves in very gruesome ways). Doctor Destiny and Morpheus have a confrontation where Doctor Destiny says he will kill Morpheus.

Morpheus tricks Doctor Destiny into following him into The Dreaming where Doctor Destiny destroys the ruby, believing it will kill Morpheus if The Dreamstone is destoryed. Instead of killing Morpheus, the power that was in the ruby dreamstone reverts to him, making Morpheus more powerful than he had been in centuries. The ruby had contained a small fragment of Morpheus’ very soul. Morpheus (who has started to change, becoming a bit kinder) shows pity on Doctor Destiny and instead of cruelly punishing him, he escorts him back to Arkham Asylum where he gives all the inmates a night of deep sleep and pleasant dreams.

Once Morpheus has gotten back his lost artifacts he restores his castle and library.

Now Morpheus feels restless and uncertain as to what to do with himself. He’s lonely and feels like he’s lost his purpose. So he goes to a park to feed the pigeons in order to try to cheer himself up.

(He loves birds and feeding birds is a comfort for him). Here he meets up with his sister, Death, who makes pop culture references that fly right over his head (Since he’s been out of touch for nearly a century and wasn’t very good at slang to begin with).

Morpheus loves and respects his sister and doesn’t understand why so many people fear her.

He considers himself far more terrible than she could ever be. She manages to cheer him up by simply being there. She has him accompany her as she makes her rounds through the city, escorting souls to where they are meant to go.

There are several adventures for Morpheus after this but this is the first story of the Sandman comics. Most of his adventures deal with Morpheus righting the wrongs of his own dark past and coming to terms with very human things such as loneliness, friendship, guilt and grief.

Marvel fans might notice that Morpheus AKA Dream has certain similarities to Marvels’ Nightmare character. And there are definite similarities. The biggest difference is Dream is essentially what would happen if Nightmare went on a redemption arc.

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Other adventures of note:

At one point Morpheus is summoned to help Calliope, the muse. Calliope and Morpheus had been married thousands of years earlier. She has recently been held prisoner by cruel mortals who use her for inspiration and have physically abused her as well. Morpheus tries to ask for her release and when that doesn’t work he’s forced to torment her captor with maddening, intensely creative dreams until he releases her.

Another storyline deals with Morpheus going back to Hell to rescue his abandoned lover, Nada, only to find that Lucifer has quit and Lucifer asks Morpheus to help him cut off his large bat wings (which he gets back as pretty feathery wings later in his own solo comics.)

Lucifer goes to Earth and decides to learn how to play Piano, among other things. His lover, the demoness, Mazikeen, soon follows, while Morpheus’ older sister, Death, tries to sort out what to do with all the newly displaced wandering souls.

When Morpheus is left the key to Hell, various supernatural entities, beings of folklore, and religion come to The Dreaming to try to claim it from him. One demon that arrives (made of many mouths) has Nada imprisoned inside of his very being. Morpheus goes inside the demon and rescues Nada and while he’s there he also finds and rescues the very demon that had once had his helm and challenged him during the first Sandman storyline, Preludes and Nocturns. Morpheus’ sense of compassion has grown.

In his pride Morpheus gives a flimsy apology to Nada for leaving her in Hell and she slaps him hard across the face.

He apologizes more sincerely after momentarily getting angry and tells her that she has a choice to make. Nada chooses to be reincarnated.

When she’s reborn in Hong Kong, Morpheus sneaks into the nursery in the hospital maternity ward, where he cradles the baby, (The baby is male), telling the baby that he’ll never forget her and that she’ll always be welcome in The Dreaming.

The key to Hell is ultimately passed to two Angels who choose to try to make it a place of reformation and redemption but somehow devise tortures equally as cruel (if not crueler) than what was there when Lucifer ran the place. In Neil Gaiman’s lore souls only go to Hell if they believe that is what they deserve and then demons take advantage of that there in Hell. In Lucifer’s stand alone comics it’s revealed that he was not given Hell as a punishment but as a place where he wouldn’t have to live in his Father’s shadow. It became a place of darkness and misery because of Lucifer’s own dark mindset. Lucifer now seems content on Earth and never returns to ruling Hell.

(Note: The current Devil / Satan of the DC universe is “First of the Fallen” (a different entity from Lucifer as Lucifer is “retired” and is not actually categorized as evil anymore.)

In current DC / Vertigo lore, a different being, “First of The Fallen” has taken the title of Satan while Lucifer has happily become a neutral character, considered neither Good nor Evil (though leaning heavily toward Good in his TV show incarnation). Lucifer is retired and categorized as Neutral in his moral alignment while First of the Fallen is categorized as Evil. Lucifer may have been the first Angel to fall from grace but he was not the first entity to fall from grace (by that list Lucifer is actually the fourth to fall) and so Lucifer does not actually have the title First of the Fallen in the current comics.

One sweet storyline in Sandman is how Morpheus met a man who ‘refused to die” (an immortal) and the man (known as Hob and later Robert) agreed to meet with Morpheus every century to tell him what it was like to go from being mortal to being immortal, how his life has been for the last century, and to tell him if he wanted to continue to live). In the 1700s they run into John Constantine’s Great, great, grandmother, Johanna Constantine, who mistakes Morpheus and Robert (Hob) as “The Devil and the Wandering Jew” and tries to capture Hob / Robert and Morpheus.

In the 1800s Hob confronts Morpheus on the fact that there are actually other formerly-human immortals around the world and Hob believes Morpheus only meets with him once a century because they are friends and not because he is curious to know how Hob handles his immortality. Morpheus becomes indignant and prideful, insisting that he doesn’t need friends.

He storms off and Hob calls after him that if he shows up next century he’ll know it’s because they’re friends and no other reason.

A century later Morpheus arrives and Hob admits he had not thought he’d come and Morpheus tells him that he had been told that it is rude to keep one’s friends waiting. It’s sweet.

In the lore of Sandman Morpheus is the father of the mythological Orpheus, the musician who went into the Greek underworld to retrieve his dead wife. Orpheus’ mother is the muse, Calliope. Hades agreed to let Orpheus have his wife back if he did not look back at her until they left The Underworld, proving his trust in the Greek God of The Dead. Orpheus made the mistake of looking back at her at the last second and so lost her just before they could exit The Underworld. Orpheus was then later torn apart by zealots and since he was condemned to immortality he was stuck as a severed head. Shortly before going to The Underworld Orpheus had denounced his father, Morpheus, for refusing to help get his wife back from The Land of The Dead. Hurt and angry, Morpheus refused to help him other than to send some priests dreams about Orpheus so that they and their descendants would tend to him (as he’s just a severed head) for centuries to come.

In the early 1990s, when Morpheus’ youngest sister, Delirium wants to find their lost brother, Destruction, Morpheus is forced to go to Orpheus to find out where Destruction is. Orpheus bitterly greets his estranged father and tells him that he will give him the information he needs but only if he does him the one mercy he has been pleading for, for centuries. Morpheus does not want to do it but finally out of mercy he kills his own son, reuniting Orpheus with his wife in The Underworld. But Morpheus is left with a deep remorse over how he treated his son and for Orpheus’ death. Morpheus retreats to his private rooms in his castle where he weeps, alone.

Morpheus eventually gets mistaken as the kidnapper of baby Daniel ( a child who, while fetal, spent an unusually long time in The Dreaming realm. Daniel is the son of Hector Hall, the second superhero Sandman who passed away). Lyta, the baby’s Mother, is lead to believe her child is dead. She calls upon the Kindly Ones (representatives of the crone aspect of The Triple Goddess) to seek revenge. They tell her that they cannot seek revenge for her son but an Endless is not allowed to kill someone of their own blood, nor is Morpheus allowed to kill at all except to protect The Dreaming. As Morpheus has violated these ancient rules, they can seek revenge over the death of Orpheus.

The end of the Sandman comics has Morpheus “die” sacrificing himself to stop The Kindly Ones from Destroying The Dreaming. Morpheus’ loved ones grieve him but it’s a little ambiguous as to if he’s truly dead. Morpheus had become weary of his role as ruler of The Dreaming but he knew that he could not just abandon it the way Destruction had abandoned his role. And he could not quit the way Lucifer had, though he does quote Lucifer about being so very tired.

The Kindly ones seek Morpheus’ death or the destruction of The Dreaming. Morpheus gives up his life to save his realm, allowing his sister, Death, to take him. As Morpheus “dies” all of his memories and power pass on into baby Daniel, who transforms and now wears an emerald with a small amount of Dream’s soul within it. Everything that was mortal of Daniel is gone as he is transformed into the new incarnation of Dream.

When Lyta had mistakenly thought Morpheus had taken her baby, Daniel had actually been kidnapped by Puck and Loki but Daniel was ultimately rescued by a Nightmare being known as The Corinthian, and Morpheus’ Raven spy / messenger, Matthew (who had been a human soul who died in his sleep and was allowed to remain in The Dreaming after his death as Morpheus’ loyal servant. Matthew (in his human form) had originally been a character of the Swamp Thing comics.

Daniel- now simply calling himself Dream- (which was Morpheus’ alternate name) took an adult form that looks much like Morpheus except with white hair instead of black. This can be seen as similar to a Doctor Who style regeneration however there are other things that make Morpheus’ death fishy and or potentially a false ending.

Hob AKA Robert (Morpheus’ immortal friend) has a dream of Morpheus in which Morpheus is with a man he does not know (Destruction) and both walk off together.

This can imply two things. 1. Morpheus could have faked his death very elaborately and is telling Hob (as he has told Hob things via dreams before) or 2. Morpheus did die and Daniel resurrected him as a Dream (which actually is one of his powers, to resurrect anyone who dies in The Dreaming realm as a Dream entity, maintaining free will, personality, and soul).

And that’s about it.

Though there are serious and complex parts, some of Sandman is fun and light too, such as when Morpheus allows Delirium to drive... in the human world...

And there you go. A crash course in what the Hell Neil Gaiman’s Sandman actually is. Despite the spoilers of this post, I assure you that the actual comics are much more enjoyable to read.

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