#force characters to talk 2k4ever

[welllpthisishappening]

falling feels like flying ['til the bone crush]

Someone should revoke her title. 

They’re trying, Emma supposes. Inevitable death probably means people can’t call her savior anymore, but they shouldn’t call her that now and that’s almost entirely because of what an absolute and complete liar she is. Telling Killian she would have done the same after he admitted he didn’t get rid of the shears isn’t her most massive lie, although it might be her most ridiculous. And they both know it’s not true. She wouldn’t do the same thing, she has. More than once. 

AN: That gif has nothing to do with the story! Here is approximately 3.5K where I once again force Emma and Killian to acknowledge their trauma. Not in the Underworld this time, though! So maybe we’re all evolving here. I blame this gif set, which I saw this morning and felt compelled to write something about. Maybe that evolution is also a lie, actually. 

———

“I lied.” Killian hums, exhaustion clinging to the sound, and Emma understands that. Less so why she’s talking right now, but neither one of those words seemed particularly interested in preserving the quiet calm of this particular moment, and she’s never been a lightweight quite like this. In more ways than one, she supposes. Hazy thoughts drift through her brain, muddled as it is by buttered rum and the steady flicker of flames in the fireplace because naturally this is the sort of house that has multiple fireplaces, and she burrows her face closer. 

To Killian’s chest. 

Takes a deep breath, not quite slow, but maybe a little greedy, and they ordered both things. Pizza and Chinese, half-finished egg rolls and beheaded slices of cheese with extra peppers strewn across the coffee table because Emma always likes that extra bit of crust and Killian’s nothing if not a frustratingly endearing sort of pushover. 

With her, especially. 

She closes her eyes. 

“I lied,” Emma repeats, “in the hospital, I mean. Wrong verb tense.” “You’re not making any sense at all, darling.”

Her nose must be cold — if the way Killian tenses as soon as it brushes his skin is any indication, but Emma knows it’s far more than that and far deeper than that and she might be the world’s biggest idiot. Looming death does that to a person, she supposes. 

Breathing isn’t particularly easy. And that’s not only because she ate four pizza slices worth of crust. Still, using death as an excuse again seems like an emotional crutch and an unreasonable reason, her muddled mind capable of clinging to every single letter in that particular endearment. It might be her favorite. 

She’s not sure she’s ever told him that. 

Stupid, really. 

“I told you that I get it; what you did today, and that part’s definitely true. But, uh, the rest of it. That I would have done the same thing? Total lie, right? I mean, I did it. That’s what happened.” Nothing. Just flickering flames and the quiet hum of a TV, neither one of them has been interested in actually watching all night. Emma doesn’t even know what channel they’re on. For all she knows, the remote’s in the kitchen. 

She counts inhales. Tries to keep her exhales measured, most of her face still pressed into the collar of Killian’s shirt as it is. And it takes about five full seconds before his hand moves, starts tracing a calm line up her spine, following that path until he reaches the base of her neck and the goosebumps that have already exploded on her skin and oxygen is overrated anyway. Holding her breath as soon as his fingers card through the ends of hair is basically instinct at this point. 

“Felt wrong to point that out at the time,” he mutters, “all things considered.” “Been kind of a long day.” “Reuniting with long-lost relatives will do that.” Scoffing is not the best reaction. Nothing about this is funny. Includes far too much death and dismay, and Emma’s gaze flickers up. Of its own accord and something much deeper, like the absolute refusal to accept a world where he does not exist. 

Goddamn Captain Hook. 

She loves him so much sometimes she thinks she’ll simply burst with the force of it all. 

It’s a gross thought, honestly. 

And they’ve already spent far too much time in the hospital today.

“Is he ok? Li—” Cutting herself off, Emma grits her teeth, but one side of Killian’s mouth is already tugging up, and the kiss that lands on her forehead is as soft as anything. Maybe bursting isn’t so bad, actually. So long as she can come up with another word for it. “God, that’s so weird.” Killian hums. “Indeed.” “Thoughts, feelings, et cetera?” “Vast. And none of them particularly pleasant.” “Seems fair. That sort of day, huh?” “Indeed.” They need more blankets. Need more things that are theirs in a collective sort of way, but that’s a dangerous and disingenuous train of thought, and Emma’s fingers twitch towards the fire. To ward off the sudden chill that’s settled between her shoulder blades, and it almost works, but it does absolutely nothing to help the sway of her stomach and the acid lingering in the back of her throat, threatening to burn far more than what these meager flames are able to do. 

“Should have finished high school,” Emma mumbles, “then I could choose more accurate verb tenses from my inevitably vast vocabulary. Did. Have done. Would do again, several thousand times over.”

“That’s the future tense.” None of his words come with any kind of pointed emotion, but Emma hears it all the same. Can see the tightness that lingers in the corners of his mouth and the way he’s holding his shoulders, straight as a line, and some joke about rigging that she no intention of making, and the furrow between his brows makes every muscle in her chest twist. Ache too, for good measure. 

With the promise of everything she wants to say and everything she hasn’t or can’t and—

Fuck magic, quite honestly. And the rules no one’s bothered to mention until now. Seems like poor planning on everybody’s part. 

“You heard me.” “I did,” Killian agrees lightly, and his hand has never actually stopped moving. It’s nice. Steady. Something Emma can almost nearly time her breathing too. “I would also choose that particular tense. If given the choice, that is.” “Do you not think you have that?” “I don’t particularly enjoy the thought. I’m rather partial to the option of whim, you see. Pirate and all that. We don’t much abide by schedules and fated decision.” “Seems like it’d be in the by-laws.” “Well, by-laws by their very nature are rather contradictory to the entire pirate notion, but you’ve got the gist of it at least.” Emma laughs. Doesn’t quite regret the sound, even as out of place as it is — just presses it into the edge of Killian’s shirt and the buttons he never bothers to do, trying to brandh the smell of him and the feel of him into every corner of her memory and she’s not really sure what happens after. Once the prophecy is fulfilled, and all that. 

She’s got too much unfinished business. 

To totally leave this particular plane of reality. 

She doesn’t mention that either. Not when the crux of that business is breathing steadily under her hand, and Emma can’t remember when she moved her hand, only that Killian’s warm under her touch, and he’s always so much warmer. Than just about anything else she’s aware of. 

“I thought you were dead.”

Of all the things Emma expects to happen in the midst of this night and this moment — and it’s really not a very long list, admittedly — that did not even make the cut. Wasn’t a consideration or a fledgling idea in the back of her mind, several different vertebrae almost audibly objecting when she jerks her head up. To find Killian staring straight ahead, lips not much more than a thin line across his face. 

Seriously, the rigging jokes almost write themselves. Which is more than Emma can say about her clearly piece of shit list, as metaphorical as it might be. 

“I don’t—” “—When I saw you,” Killian interrupts, and none of the words shake. Come out like a stream of consciousness and memories neither one of them have able to shake yet. Or talk about. Can’t possibly be healthy. “Chained to that stone, blood dripping into my mouth, and then all of a sudden, there you were. Worried I’d simply dreamt you up, couldn’t imagine how you looked quite that lovely in that hell hole, otherwise.” “Oh, that’s kind of insulting, actually.” “Hair like the bloody sun.” “Better,” Emma murmurs. Reaching up, her fingers tangle with the charms around his neck. Pieces of luck and trinkets she hasn’t learned all the stories to yet. The idea that she won’t makes her nauseous. “You told me ‘you shouldn’t be here.’” “Aye, and I meant it.” “Because you thought…” “Living people don’t often appear in such a God awful place, do they? Not without something tragic happening, and my mind was impressively efficient on that front.” “Which one is that?” “Every threat that’s ever lingered, every person I would have gladly run through if it meant you were safe. Half of goddamn Camelot.” Emma might snicker. Killian’s arm tightens, though. And that’s all she’s really worried about. “I think I could have taken Arthur. Y’know if it had come to that.” “Likely not a very good swordsman,” Killian nods, but that’s only so his lips can trace Emma’s temple and the top of her hair. More than once. Like he’s still making sure. “Pampered prince—” “—He was totally a king, babe. That’s like...the most basic Camelot knowledge.” “Ask me in five minutes if I care at all about anything to do with Camelot.” “Should I time it, or…” He scoffs. Presses another half dozen kisses to any spot he can reach, and he can actually reach a fair amount of places. Emma’s impressed. Swooning too, but also pretty impressed. “I kept thinking about you,” Killian says, softer than the last few words have been, and it sounds like an admission and another promise, and it’s weird that it can be both. At the same time. “This house. What it was and wasn’t. All those possible verb tenses.”

“I’m sorry.” “Ah, that’s not your fault, love. None of this is, really, but—well, it did make it so seeing you, realizing you were there...left all of those thoughts crashing down around my ears, so to speak. Falling apart, like an avalanche of what hadn’t been and what I still wanted so desperately. No matter what Hades did.” “Stupid stubborn.” “I believe there’s something about a pot and a kettle in this realm.” “Don’t have that cliche in the Enchanted Forest, huh?” “Not that I’m aware of, no.” “Maybe you just didn’t go to a good college.” “Tell me every Greek word you know,” Killian challenges, and Emma rolls her eyes. Ignores the first few flutters of a headache brewing at the base of her skull. “It didn’t seem fair.” “Which part?” “All of it is also rather vast, but mostly that if you were there, then it happened again.” Narrowing her eyes, Emma tries to piece together those letters and the syllables they make, only to be marginally annoyed when she can’t make sense of them. Killian kisses the bridge of her nose. 

She might have to go get Tylenol soon. 

“Losing you without fighting, without challenge the goddamn reaper myself, was worse than anything He could have done,” Killian continues, and he doesn’t have to be more specific. “Worse than whatever pain I’ve ever suffered. Cut off twenty more limbs; it wouldn’t even come close.” “Do you have that many?” “Your humor lacks a little something; you know that, Swan?” “It’s a defense mechanism.” He noses at her hair. Drags the soft hum of what could very well be either an agreement or the opposite, or maybe even the sort of deep-rooted understanding that’s allowed him to sneak his way into the center of everything, across her skin. The specifics don’t matter, only that Emma’s magic roars under her skin, an inferno, and a symphony, meeting the challenge that no one has really laid down yet. 

“Do that again,” Killian mutters, a low chuckle as Emma’s scratches at his side. 

“I’m not sure I can, honestly.” “Pity.” “Something like that, yeah. And you’re not totally right, you know?” “Ah, and that’s almost rude.” “I’m serious,” Emma says, “that’s—none of that was your fault either.” Tilting his head only ensures that several strands of hair he still hasn’t bothered to cut fall almost artfully across his forehead, and Emma is grateful to a variety of gods, Greek or otherwise, that Killian doesn’t mention how much her hand shakes. When she tries to brushes them away. His hook finds her wrist instead, cool metal against freezing cold skin, and the state of her tongue is going to be a problem. Large as it is in Emma’s mouth, making it all but impossible to properly swallow while Killian’s lips sweep the bend of her knuckles. 

“Charmer.” “Aye, that’s my endgame.” There’s not enough room between them for him to run his hand across his face like Emma knows he wants to, and part of that isn’t really a bad thing, but the rest just seems like another entirely unfair thing, and Emma knows the rest is coming. Makes tears burn her eyes all the same. “They were just...gone, you understand? No chance to do anything about it. One moment they were living and breathing. Then Liam was dead. Slumped in my arms in the corner of a cabin he was supposed to spend the rest of his career in. He—he would have been a very good captain.” “So are you,” Emma says, fierce and determined, and Killian kisses in the inside of her palm. She’s moved her hand again. To cup his cheek. 

“For a time, maybe. But then she was gone too, and I thought I could feel it, you know. The exact way her heart crumbled in his hand, tiny bits of dust that I never wanted to blow off the deck. Like some of her still managed to stay. Is that—” The muscles in his throat move, jaw clenching, and Emma has to blink. She hopes the moisture on her cheeks isn’t tears. She’s not sure what’s a better option, really. “Must sound daft.” “No. I—I get that too.” “Do you?” “Not the only one who’s watched Rumplestilskin hold the heart of someone you loved.”

He can’t be holding his breath. His chest is moving much too quickly, but the burst of air that all but flies out of Killian is enough to ruffle the ends of Emma’s hair and possibly even dry some of the tears she’s still refusing to acknowledge, and she can’t get closer to him. 

She makes an admirable effort all the same. 

Like occupying the same few inches of space will ensure that she stays there. 

“Did you—” Killian starts, looking almost pained as the words war for his voice on the tip of his tongue. “Did you like her?” That didn’t make the list, either. It’s entirely possible that Emma is just garbage at making lists. She nods. “Anyone who loves you as much as I do is fine with me. Better than, even.”

His expression shifts again. Light lingers in his gaze, cautious hope, and misplaced optimism, gears whirring in his head that Emma can’t almost convince herself she hears. Her verb tense was on purpose that time. 

That’s a confidence boost, all things considered.

“She was something fierce,” Killian says, sounding reminiscent and not as sad as Emma has worried he must be. “Once she got away from him. Could get a grown man to do her bidding with a single look, the kind of glare that’d set you on fire from the inside out. It was—they loved her too. Men on the ship, would have followed her to the ends of the Earth if she’d asked. Probably even if she hadn’t.” 

His next inhale becomes an exhale almost immediately.

“She never would have asked,” Killian adds, almost entirely to himself, but then his eyes are back on Emma, and they’re a little glossy and just as blue and she’s holding her breath now. “She liked you too, I know it.” “I think she thought I was crazy, actually. Gold didn’t really have much tact in the...introductions.” “Ah.” “Right?” “Right,” he echoes, a pale imitation of her voice that makes Emma’s cheeks ache. From smiling. Legitimately smiling. Huh. “But I suppose that’s part of it, though. She was there again, and I—” “—I’m sorry. For...for all of it.” “Still not your fault, love.”

“How did you know?” she asks, and her voice doesn’t sound much like her either. Wobbles and warbles and some other word that fits the alliteration. “About me. And not being…”

“Dead?” Killian’s eyebrows jump. “Strawberries.” “Excuse me?” “That soap you use in your hair. Smells like strawberries, or strawberry adjacent maybe. Manufactured just a bit. I think it’s my favorite smell in the world.” “Backhanded compliment.” “No, no,” Killian shakes his head. His hair moves again. “It’s not. It’s—well, it’s you, love. Smells like everything that you are and—”

“—I’m manufactured?” “If you let me finish,” he chides, and Emma all but yanks her lips behind her teeth, “It smells like home. Smells like falling asleep next to you and a distinct lack of blankets.” He nips at the tip of her nose. She scoffs again; that’s why. “And your distractingly cold feet, and leather jackets, and how the smell clings to the collars, no matter how long it’s been since you’ve worn them. Lingers on your pillow too, and the fronts of my shirt. You fall asleep against me quite often, you know that.” “Can sleep anywhere,” Emma reasons. “Might be my greatest talent.” “I don’t know about that.” “If I call you charmer again, will you hold it against me for lack of synonyms?” “Tell me how charming I am again.” Emma scrunches her nose. “Now it sounds like my dad.” “Let’s leave the prince out of this. He’s only a prince, aye?” “Far as I know, yeah.” “Good, good. Strawberries, love. Touching you helped too, though. If we’re being frank.” “Anything except blunt force honesty seems silly now, doesn’t it?” Killian nods. Slow and measured, like anything else will snap this tenuous peace, and maybe they can just sleep on the couch. Getting up is an impossible prospect right now. Maybe they can make out a little before they fall asleep. 

“It’s a very big house,” Emma whispers, and they should really figure out a schedule for conversations like this. Talking about it all at once is exhausting. 

“It is.” “You don’t want to expand upon that?” “Oh, I want a great number of things I shouldn’t,” Killian admits, “but as much as I appreciate this fresh round of honesty we’re engaging in, the false hope would—” “—There’s no such thing,” Emma interrupts. “False hope. It’s an oxymoron, ask my mother. And I think you should get some sort of crew again.” “How would you suggest I populate such a thing?” She shrugs. Nearly hits Killian in the chin in the process. “Untold stories. Dwarves.” “I will not have dwarves on my ship.” “See, I knew you’d have opinions. And there was a possessive pronoun in there that time.” “Was there not before?” “No,” she says. “Just called it the ship. Like it’s not the most important thing you have.” “Well, it’s not.” Emma’s cheeks warm. “That was very smooth.” “Someone did guarantee I was a very good captain earlier.” Space continues to be relatively minimal between them, but Killian’s nothing if not adaptable, and he works with what he’s got. Swinging Emma’s legs perpendicular over his, she’s nearly sitting on his lap, an arm slung over his shoulders, which makes it even easier to get her fingers into his hair and his head to rest against hers, and he takes another deep breath. “I know you understand, Emma,” he says, soft and serious, and she doesn’t bother doing anything except cling to him. With everything she’s got left. “All of it, from the very start. So I don’t think I’ll apologize, actually. For what I’ve done, or what I’d still be willing to do. I won’t give up on you, do you understand me?” “Didn’t,” Emma says, only a little optimistic that’s the right verb tense. Maybe she can get her GED, or something. Before all of this ends. “In Camelot, or after. Accept or acknowledge, and I probably would have—” 

Announcing that killing Gold for what he’d done to Killian regularly crossed her mind in the twenty-four hours or so before they finally made it to the Underworld doesn’t really have the right sentiment for this conversation. Far too violent, and just as honest. 

She’d consider killing him now, too. 

For everything he’s doing, and everything he hasn’t, and she should have shoved him in that river. 

Killian doesn’t smile. At least not in a way that reaches his eyes, the same ones that are looking at Emma again, all blue and earnest, and his shoulders shift. When her fingers graze his chin, more than stubble there because, she imagines, spending a day or so underwater with a sibling he only sort of wants and kind of knows doesn’t leave much time for facial-type grooming. 

It’s a good look, though. 

Most of them are, in Emma’s experience. 

“This entire time,” she continues, “you haven’t given up on me yet.” “Works both ways, darling.” “That one crosses realms, huh?” “Pick up things spending so much time with you.” There’s nothing extra in the words. No sap-filled sentiment or promises she’s only a little hopeful will become actions. And they haven’t talked about the rest; might not even have time, but Emma will let herself think about all these empty rooms anyway, of the exact shade Killian’s eyes go when he stands at the helm, and she hopes he doesn’t cut his hair. Not yet, at least. Longer strands make it easier to touch him, to leave a lasting mark, and settle into his center the same way he’s taken root in hers. 

They fall asleep on the couch. 

[nevermindirah]

part 3, "Kid": How every character in The Old Guard (2020) dir. Gina Prince-Bythewood relates to the main character, Nile Freeman

Stop writing people calling Nile "kid" 2k4ever

Andy calls Nile a baby one time, minutes after first dreaming of her. Andy then calls Nile "kid" three times, all to her face, all in the first few hours of their acquaintance. Booker calls Nile "kid" once, on the porch outside the bar. That's it. The context for these lines is super interesting, and calling Nile "kid" in fic doesn’t make any sense without the original context.

When Andy, Joe, Nicky, and Booker wake up from first dreaming of Nile, Joe and Nicky immediately start sharing facts they noticed, and Joe starts sketching. Booker is in his feelings but he contributes a few things to the saying-facts-out-loud rally.

Andy is 100% in her feelings. She starts the conversation with "No, not another one." Then once the boys have gathered a bunch of facts and Booker says "I felt her die" Andy comes in with this:

Andy: [stares at nothing straight ahead, voice is remote, detached.] She’s a Marine. [Joe and Nicky look up together.] Combat. Or near combat duty. Afghanistan. [Shakes her head slowly, wearily.] It’s been over two hundred years. [Whispers, anguished, buries head in hands.] Why now?

Got it. Joe and Nicky are the competent soldiers, Booker is the semi-competent drunk, Andy is the boss. Andy is the fucking depressed boss. It's in this context that Andy, having analyzed the information her direct reports just gave her, made the determination that Nile is a Marine in Afghanistan, and let her team have a brief back-and-forth about whether to change their plan to go retrieve the new one before announcing the decision that is ultimately hers to make, refers to Nile as a baby.

Andy: Get to France. Use the Charlie safe house. I’ll meet you there. [Joe examines his sketch, blows pencil-dust off it. She stares at Booker.] Find Copley. [Joe tears out the page and hands her the sketch. Andy stares at it.] Jesus. She’s just a baby.

Andy's metric fuckton of I AM BEYOND DONE just leaps off the page/screen. Keep that existential exhaustion in mind as we see her early interactions with Nile.

Nile: [stands, panting, regards Andy suspiciously.] Who are you? Andy: I lead a group of immortals. An army, I guess. Soldiers. Fighters like you. [softer tone.] Look... [Andy steps toward her; Nile steps back.] You’ve got questions, kid. I get it. [tiny smile, small nod.] You want answers? Get back in the car.

Andy: [lightly] And I was the one who cut your throat. Right? [stares at Nile, who stares back, then looks away; she has no answer for that.] Listen, kid. You already believe in... [points upward, follows it with her eyes.] You should just keep following that illogic. [Pulls her jacket over her shoulders as a blanket, turns on her right side, back to Nile, lies on the pile of duffel-bags like a reclining chair.] You’re already on board with the supernatural. [Speaks with eyes already closed; it makes no difference to her.] If I were you, I’d get some sleep.

[Nile stands slowly, glaring at Andy, sets her body as she prepares to continue the fight.] Andy: You really want to do this, kid? [Andy’s eyes are bright, her expression relaxed but anticipating; she looks like she thinks this will be fun.]

Andy is looking at this retrieval mission as something that must be done, but quickly and with as little disruption as possible to her team's ongoing mission to find Copley and protect themselves from exposure. And then here comes Nile Freeman, competent as hell, taking no shit, questioning everything, stabbing her and escaping a moving vehicle and just fucking fighting her at every turn.

"Jfc kid will you just get in the goddamn car" feels pretty reasonable in that context, yeah? At least from Andy's perspective. From Nile's, you're fucking right you're gonna ask some goddamn questions before getting on a drug-smuggling plane with someone who just shot you in the head.

It's worth noting that Andy doesn't precisely say "jfc kid will you just get in the goddamn car" — she says "I need you to get back in the car please." She says "can you please not do that again" when Nile fucking stabs her. She's exhausted and frustrated and just trying to get through this and back to her main mission, and from what we see of her so far she's generally gruff as a person, but she's not an asshole, and she’s really showing Nile some respect here, all things considered. I mean, imagine being this polite when someone stabs you. This is a tired adult trying to get another tired adult on board with a sensible plan.

Andy: Argh! [Andy grabs Nile’s knife hand.] Fuck! [throws it violently aside, forcing Nile back a step. With the knife still in her, Andy sighs deeply and looks at Nile. Nile recovers her balance and stares that Andy is hardly reacting to having a knife in her.] Can you please [grabs the knife with left hand, yanks it out] not do that again? [throws the knife on the ground.]

Once they fight on the plane, Andy never calls her kid again. Andy is already starting to regain some of the energy her long life has worn away from her after just 10 minutes on screen with Nile. Andy went into this retrieval determined to be someone Nile can rely on, and that still stands, but by the time they’re in France she’s realizing she’ll come to be able to rely on Nile too. She introduces her to the boys as Nile and that's that.

The only other time we hear the word "kid" in the entire movie is near the end, outside the bar with Booker.

Nile: Yeah. [takes a breath.] Talked to Copley. Said he could fix it. Make it look like I was killed in action. [nods gently to herself] My family will mourn, but, uh... [tiny shrug, head-shake.] ...they’ll be able to move on. It’s just like what we did with my dad. [sighs. Turns to look out over the water. Voice wavers.] I just really want to hear my mom’s voice one more time. Booker: [looks down, pauses, turns to lean next to Nile.] You’re a good kid, Nile. [looks at her, speaks earnestly.] You’re gonna be great for the team.

Sébastien le Livre, whose greatest tragedy is that his children disbelieved and rejected his love for them, would be very moved by Nile's concern and love for her mother. "You're a good kid, Nile," in the sense that she's honoring her parent in a way he, a bereaved parent, appreciates.

There's also the fun shippy reading that he's preemptively friend-zoning her because there's about to be several lifetimes between him and spending any more time with this woman he was having an obvious "oh no she's hot" reaction to over dinner in Goussainville, but I, a feral BoN shipper, like the first reading even better.

But the point is, calling Nile "kid" is an element of the movie that says a lot about the characters using that word. When it gets repeated in fanfiction, it says something about the author.

If you're reading this and reflecting "oh shit I wrote the team calling Nile kid without thinking about it at all beneath the surface" I have a really cool suggestion for you: just edit it. Or at least consider not doing it again. We all make mistakes. We all run with things that we pick up in canon or see in other people's fic that seem funny and harmless, and once we think about those things more deeply we might find that actually it's kinda fucked up, or not what canon was trying to say, or fine on the surface but not fine if it becomes The One True Fanon. Having characters who are either white, men, or both call the adult protagonist who's a young Black woman "kid" all the time carries a weight to it. Please let's let that weight fall off Nile's fully-grown shoulders.

Next up, orders, suggestions, assistance, and other flavors of mentoring Nile and/or telling her what to do. Credit and appreciation to StarWatcher for transcribing the movie here on AO3, all my line quotes are pulled from there.