#francesco bacchiacca

[history-of-fashion]

ab. 1530 Bachiacca (Francesco Ubertini) - Portrait of a Woman with a Lynx

(Gemäldegalerie, Berlin)

[random-brushstrokes]

Francesco Bacchiacca - Allegory of Liberality (1525-35)

[visual-sandwich]

Francesco Bacchiacca - Portrait of a Lady with a petcat

[jeannepompadour]

Manner of Francesco Ubertini, called Il Bacchiacca (1494-1557)

[the-cricket-chirps]

Bacchiacca (Francesco Ubertini, il Bacchiacca)

Portrait of a young lady holding a cat

circa 1525-1530

[steliosagapitos]

"A Female Saint" by Francesco Ubertini, il Bacchiacca.

[joseandrestabarnia]

Título completo: José recibe a sus hermanos en su segunda visita a Egipto

Artista: Francesco Ubertini o Francesco di Ubertino Verdi, llamado Il Bacchiacca

Fechas de artistas: 1495 - 1557

Serie: Escenas de la historia de José

Fecha de realización: probablemente 1515

Medio y soporte: Óleo sobre madera

Dimensiones: 36,2 × 142,2 cm

crédito de adquisición: Comprado, 1886

Esta pintura forma parte de una serie de paneles que decoraban el dormitorio del palacio Borgherini en Florencia. Juntos, cuentan la vida de José del Antiguo Testamento (Génesis 43).

José, que había sido vendido como esclavo en Egipto cuando era niño por sus medio hermanos, predijo una hambruna en un sueño que tuvo el faraón y le aconsejó que hiciera acopio de grano. Hecho visir de Egipto, José recibió a sus medios hermanos que venían en busca de grano, pero no lo reconocieron. Los acusó de espiar y exigió que trajeran a su hermano menor a Egipto para probar su honestidad.

En esta pintura, regresan a Egipto con su hermano menor, Benjamín, el niño vestido de azul, y los regalos de su padre. Presentan los regalos a José en el centro, aún sin darse cuenta de que es el hermano que vendieron. José los envía de regreso a casa con una copa preciosa escondida en el saco de Benjamín. El contorno de la copa es visible debajo de la mano de Benjamín.

Información e imagen de la web de la National Gallery de Londres.

[lionofchaeronea]

The Flagellation of Christ, Bacchiacca, 1512-13

[random-brushstrokes]

Francesco Bacchiacca - Woman with a Cat (1540s)

[visual-sandwich]

Francesco Ubertini Bacchiacca - Lady_With_A_Cat - c.1525-30

[v-ersacrum]

Francesco Bacchiacca, The Deposition, c.1518

[history-of-fashion]

ab. 1525 Bacchiacca - A Lady with a Nosegay

(Isabella Stewart Gardner Museum)

[toanunnery]

Portrait of a Woman with a Book of Music

Francesco Bacchiacca, 1540s

[sartle-blog]

Kiss a Ginger Day

  It’s Kiss a Ginger day and we’re kicking off the day by celebrating redheads in art history. Like this painting of two lovers in Gustav Klimt’s The Kiss in the Austrian Gallery at Belvedere, appreciation of ginger beauties and their glorious red locks can be spotted throughout Art History. Here are the most glamorous redheads of art history.

    Starting off the list of famous redheads in Art History is Bottecelli’s redhead that is the literal embodiment of beauty as the goddess Venus.

Birth of Venus by Sandro Boticelli at the  Uffizi Gallery

  The next babe with flaming tresses and the sheer outfit to match is Frederic Leighton’s Flaming June. The model for this painting was probably Dorothy Dene or Mary Lloyd, either way she is living her best life getting paid to sleep on the job.

Flaming June by Frederic Leighton at the  Art Museum of Ponce

Number 3 on our list is the artist Van Gogh himself in a selfie with reddish orange hair highlighted against the blue-green background. The man knew his complimentary colors.

Self-Portrait by Vincent van Gogh at the  Musée d’Orsay

  Our next ginger vixen is depicted raising a toast to her lover off to war. Or perhaps it’s a cheers to the haters slandering gingers. 

The Loving Cup by Dante Gabriel Rosetti at the National Museum of Western Art

Causing quite the controversy during her debut is Sargent’s Madame X. Originally featured with a fallen strap, critics were so harsh about that bare shoulder that Sargent was forced to go into hiding.

Madame X by John Singer Sargent at the Metropolitan Museum of Art

  Next up is Louise Webber in Toulouse-Lautrec’s The Glutton at the Moulin Rouge. Known for her wild moves and sometimes transparent outfits, fierce is an understatement when describing this woman.

The Glutton at the Moulin Rouge by Henri de Toulouse-Lautrec at the Museum of Modern Art

Egon Schiele, Klimt’s protégé, dated so many redheads that we’re not sure which one is depicted here in this painting.

Seated Woman with Bent Knee by Egon Schiele at the  National Gallery in Prague

  Number 8 features contemporary artist Thomas Darsney’s redhead in Tapestry.

Tapestry by Thomas Darsney in a Private Collection via Artsy

Modigliani painted an inquisitive figure in his Young Man with Red Hair. Turns out it’s much harder to find men with red hair in art history than female redheads.

Young Man with Red Hair by Amedeo Modigliani at the Tate

  Last but not least is Francesco Bacchiacca’s Sibyl with the not-so-subtle nip slip. Apparently Sibyl is also a fan of the transparent clothing making her third on our list of Art History redheads who love sheer clothing.

Sibyl by Francesco Bacchiacca at the  Museum of Art History Vienna

By: Akhadka

[the-eyes-of-the-ghost]

Pontormo, Bacchiacca / Joseph with Jacob in Egypt

1494 - 1556/7

96.5 x 109.5 cm, Oil on wood

L.N.G

[lionofchaeronea]

Portrait of a Woman and Child (Allegory of Liberality), Francesco Bacchiacca, ca. 1525-1535