Vittoria Ceretti for The Attico pre-fall 2022
Designers Gilda Ambrosio & Giorgia Tordini
Photographer Vito Fernicola
Creative Director Louis Burguet
Fashion Editor/Stylist Vanessa Reid
Makeup Artist Patrick Glatthaar Hair Stylist Kiyoko Odo
Source
Brand The Attico [IG], Model Steinberg [IG], Photographer Vito Fernicola [IG], Designers Gilda Ambrosio [IG], Giorgia Tordini [IG], Creative Director Louis Burguet [IG], Fashion Editor/Stylist Emmanuelle Alt [IG], Hair Stylist Benjamin Muller [IG], Makeup Artist Ana Takahashi [IG], Casting Director Piergiorgio Del Moro [IG].
Apr 17, 2022 | Ariana Grande - For the launch of r.e.m beauty
Apr 21, 2022 | Kiernan Shipka - In Venice, via Instagram stories
Apr 22, 2022 | Susie Lau - In Venice, via Instagram stories
Apr 22, 2022 | Kiernan Shipka - For the opening of the Italian Pavilion
Apr 22, 2022 | Susie Lau - For the opening of the Italian Pavilion
Apr 22, 2022 | Tina Kunakey - For the opening of the Italian Pavilion
Apr 22, 2022 | Gilda Ambrosio - For the opening of the Italian Pavilion
Apr 28, 2022 | Gigi Hadid - Attends the 2022 Princes Trust Gala
Gilda Ambrosio wears a Céline dress with Chanel boots while her Attico co-founder Giorgia Tordini pairs her burgundy velvet jacket with jeans and point-toe heels. Paris Fashion Week SS18
Model Rejoice Chuol, Designers Gilda Ambrosio, Giorgia Tordini, Photographer Vito Fernicola, Art Director Louis Burguet, Fashion Editor/Stylist Robbie Spencer, Hair Stylist Kiyoko Odo, Makeup Artist Anthony Preel, Set Designer Giulia Jul Munari, Casting Director Piergiorgio Del Moro.
Ambrose.- Ambrose es Ambrosio. Recordarán ustedes, sin duda, aquella genial gracia popular que dice: «El nombre es Brosio… Am… Brosio». Versión castiza de la famosa frase de presentación del agente 007: «El nombre es Bond… James… Bond». Yo prefiero la versión castiza. Ambrosio es un nombre de otros tiempos; de cuando la gente se llamaba Venancio (¡o Rogelio!). Los nombres de antaño eran más interesantes, y curiosamente más míticos. Como las caras. Caras de antes del «juntos y bien revueltos» globalista. Caras —esto lo recordaba Papá Hem en alguna parte— como las de los personajes de Los borrachos, de Velázquez.
Velázquez: Los borrachos, o El triunfo de Baco (1628-1629) · Museo del Prado
En Madrid, y en la meseta castellana, quedan caras de esas. Coriáceos rostros de alienígena en el Nuevo Orden Mundial. Las ves de vez en cuando en el metro, en los autobuses, en las tiendas pequeñitas, en barrios periféricos, pero también en los distritos centrales y de «alto estandin» (en el barrio de Salamanca hay no pocos «gatos viejos», madrileños a la antigua usanza: porteros, mozos de cuerda, repartidores, asistentas, y damas y caballeros engalanados como en los cincuenta).
Cierto es que van quedando menos. Aunque ya se sabe lo que advertía el anuncio aquel: «Hay muchos mundos…, pero están en este». El artista es un buscador y encontrador de mundos, y un privilegiado que puede permitirse el fastuoso lujo de vivir en el mundo de su propia imaginación. Un mundo de Ambrosios —¡y Rogelios!— y Venancios. Y de Gildas, cómo no; lo cual nos llevaría a Rita Hayworth, que no es mal destino en absoluto. Arribaremos.
ATTICO is one of my favorite brands and their spring 2022 collection embodies what the brand represents. Naming the collection, Ballroom on Mars, shooting their lookbook on the volcanic island of Lanzarote The designers, Gilda Ambrosio and Giorgia Tordini said “they imagined the Attico woman escaping to explore a space which doesn’t exist, or which she maybe doesn’t know about” (Vogue, 2021). A trend that has been blowing up is the blurring of lines between menswear and womenswear. This collection features tailored suits and oversized garments referencing menswear mixed with womenswear. As well as, representing the trendy it girl of today with looks having revealing cut-outs, sequins, feathers, and mini dresses. ATTICO’s staple is designing brightly colored strappy heels which is the trend of the summer. Their fun heels actually attracted me to the brand in the first place. The clothes give a sense of movement and the silhouettes are easygoing. The designers wanted a desaturated palette of gradient colors, so the garments will “look beautiful on sun kissed skin” (Vogue, 2021). This collection brings me joy from the stunning colors and silhouettes, and it makes me excited for a brightly colored wardrobe for summer. My favorite look of the collection is the rainbow cut out gown, to me it looks like it is made from individual cords hugging and draping the body beautifully. I have attached a few of my favorite looks from the collection.