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#gray cedar shingle siding
revorocketnails · 11 months
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Beach Style Exterior - Exterior
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Inspiration for a mid-sized coastal gray two-story wood gable roof remodel
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natesmithcomedy · 2 years
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Boston Exterior
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Beach Style Exterior - Exterior Huge coastal gray two-story wood exterior home idea with a shingle roof
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zerotide · 1 year
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Siding - Farmhouse Exterior a large farmhouse with mixed white siding on the exterior and a shingle roof.
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starwarsarthistory · 1 year
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Fiberboard - Exterior Large farmhouse gray one-story concrete fiberboard exterior home idea with a shingle roof
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forsongqian · 2 years
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Boston Traditional Exterior
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saeori · 2 years
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Toronto Porch
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kid-crayon · 2 years
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Traditional Exterior - Vinyl
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daisy-source · 2 years
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Siding - Rustic Exterior
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indiemitchell · 2 years
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Beach Style Exterior - Exterior
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fannibalmusical · 2 years
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Boston Porch Front Yard
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shinonarts · 2 years
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Mid-sized coastal gray, two-story, gable-roofed design
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crappyassdrawings · 2 years
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Fiberboard (Raleigh)
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roofingandsiding · 23 days
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How Can You Choose the Best Roofing and Siding Materials for Your Climate?
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When considering the best materials for the roofing and siding of Cape Cod homes, it's essential to take the local climate into account. The right choice can protect your home from the elements, enhance its curb appeal, and even increase its energy efficiency. Here's a guide to help you make the best decision for your specific climate.
Understanding Your Local Climate
Cape Cod, known for its picturesque coastal charm, experiences a unique blend of weather conditions. The region is characterized by salty sea air, strong winds, and a mix of sunny, humid summers and cold, snowy winters. These conditions can be tough on both roofing and siding materials, so durability and resistance to the elements are key factors to consider.
Roofing Materials for Cape Cod
1.) Asphalt Shingles
Advantages: Asphalt shingles are a popular choice due to their affordability, ease of installation, and availability in various colors and styles. They are relatively durable and can withstand moderate weather conditions.
Considerations: In a climate like Cape Cod’s, look for algae-resistant shingles to prevent mold and mildew growth, especially with the high humidity levels. Additionally, choose shingles rated for wind resistance, as coastal areas often experience strong gusts.
2.) Wood Shakes
Advantages: Wood shakes provide a natural, rustic appearance that blends well with the Cape Cod aesthetic. They are also excellent insulators, helping to regulate indoor temperatures.
Considerations: While beautiful, wood shakes require more maintenance and are less resistant to fire and insects. In a humid, coastal environment, ensure the wood is treated to prevent rot and damage from salt air.
3.) Metal Roofing
Advantages: Metal roofs are extremely durable, resistant to wind, and have a long lifespan, making them ideal for coastal climates. They reflect sunlight, reducing heat absorption and keeping homes cooler in the summer.
Considerations: Although metal roofs are more expensive upfront, their longevity and low maintenance can make them cost-effective in the long run. Opt for materials with a rust-resistant coating to protect against salt corrosion.
4.) Slate Roofing
Advantages: Slate is one of the most durable roofing materials available, with a lifespan of up to 100 years. It is also fire-resistant and can withstand harsh weather conditions.
Considerations: Slate is heavy and requires a sturdy structure to support it. It’s also one of the more expensive options, but its durability can justify the cost in areas prone to extreme weather.
Siding Materials for Cape Cod
1.) Cedar Shingles
Advantages: Cedar shingles are synonymous with Cape Cod’s classic look. They age gracefully, turning a silvery gray over time, and provide good insulation.
Considerations: Like wood shakes, cedar shingles require regular maintenance and treatment to prevent rot and insect damage. They are, however, resistant to salt air and can last many years with proper care.
2.) Vinyl Siding
Advantages: Vinyl siding is low maintenance, cost-effective, and available in various styles that can mimic wood. It’s resistant to moisture, making it suitable for humid climates.
Considerations: While vinyl siding is durable, it can crack in extremely cold weather or become damaged by high winds. Ensure it is properly installed to maximize its resilience.
3.) Fiber Cement Siding
Advantages: Fiber cement siding is highly durable, resistant to salt air, and can mimic the appearance of wood, providing a classic look with less maintenance.
Considerations: This material is heavier than vinyl, which may require reinforced support during installation. It’s also more expensive, but its durability in harsh coastal climates makes it a wise investment.
Choosing the right materials for the roofing and siding of Cape Cod homes requires careful consideration of the local climate. Prioritize materials that offer durability, weather resistance, and aesthetic appeal. By selecting the right combination, you can protect your home from the elements while maintaining its charm and character for years to come.
Click Here For More Information - https://github.com/roofingsiding
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mia20patricia · 7 months
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Color Your World: A Dynamic Guide to Metal Roofing & Siding Color Options
In the world of home exteriors, metal roofing and siding have emerged as popular choices for homeowners looking for durability, sustainability, and style. Whether you're considering metal siding for homes in Crowley or exploring metal roofing services in the same area, one aspect that stands out is the wide array of color options available. In this dynamic guide, we'll delve into the world of metal roofing and siding colors, helping you find the perfect hue to enhance your home's aesthetic appeal.
**Metal Siding for Homes in Crowley: Adding Vibrancy to Your Exterior**
Metal siding offers homeowners in Crowley a versatile and durable option for protecting and beautifying their homes. One of the key advantages of metal siding is the vast selection of colors available, allowing you to customize your home's exterior to reflect your personal style and preferences.
*Bold and Bright:* If you're looking to make a statement, consider vibrant hues like deep reds, bright blues, or sunny yellows. These bold colors can add personality and charm to your home, making it stand out in the neighborhood.
*Earthy Tones:* For a more subtle and natural look, earthy tones like forest green, terracotta, or slate gray can blend seamlessly with the surrounding landscape. These colors evoke a sense of warmth and harmony, creating an inviting atmosphere for your home.
*Classic Neutrals:* Timeless shades such as crisp white, charcoal black, or taupe are always in style and can complement a variety of architectural designs. Neutral colors offer versatility and sophistication, giving your home a timeless appeal that will never go out of fashion.
**Metal Roofing Services in Crowley: Elevating Your Home's Curb Appeal**
When it comes to metal roofing, Crowley homeowners have an abundance of color options to choose from, allowing them to enhance their home's curb appeal while enjoying the numerous benefits of metal roofing, including durability, energy efficiency, and low maintenance.
*Mimicking Traditional Materials:* Metal roofing is available in a range of finishes that can mimic the appearance of traditional roofing materials like asphalt shingles, wood shakes, or clay tiles. Whether you prefer the rustic charm of aged copper or the warmth of cedar shake, there's a metal roofing option to suit your taste.
*Cool Roofing Solutions:* Light-colored metal roofing reflects sunlight, helping to reduce heat absorption and keep your home cooler in hot climates. Opting for lighter shades such as pale gray, beige, or icy blue can not only lower your energy bills but also contribute to a more comfortable indoor environment.
*Architectural Accents:* Metal roofing can also be used to add architectural interest to your home's exterior. Consider incorporating accent colors or metallic finishes to highlight architectural features such as dormers, gables, or eaves, adding visual interest and depth to your roofline.
**Conclusion: Expressing Your Style with Metal Roofing & Siding Colors**
Whether you're considering metal siding for homes in Crowley or exploring metal roofing services in the area, the color options available to you are virtually limitless. From bold and bright hues to classic neutrals and everything in between, metal roofing and siding allow you to express your personal style and enhance your home's curb appeal. So go ahead, color your world with metal roofing and siding options that reflect your unique personality and make a lasting impression on all who pass by.
In Crowley, metal roofing and siding aren't just functional elements of your home—they're opportunities to infuse your exterior with color, character, and charm. So why settle for ordinary when you can elevate your home's aesthetic appeal with the vibrant hues and timeless elegance of metal roofing and siding?
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cecilysass · 2 years
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The Boy on the Beach (8/16)
Read on AO3 | Tagging@today-in-fic
Chapter 8: The Key Chain
The soundtrack for this chapter is Thus Spake Zarathustra (2001) by Deodato, from his jazz-funk album Prelude. This song peaked at #2 on the Billboard 200 in September 1973 and spent 35 weeks on the charts that year.
November 25, 1973 Chilmark, Massachusetts
Scully had been worried about how to explain her presence to Teena and Bill Mulder, but the boy was unconcerned.
“Let me take care of that,” he had said with a confident smile. “I know the kinds of stories my parents need to hear.”
The trio had stepped off the ferry in Vineyard Haven and approached the brown Plymouth Satellite station wagon. The boy waved Scully into the back seat with Samantha.
He slid into the front, kissed his mother winningly, and told her an outrageous story: that Scully was a teacher on an exchange program from California whom Teena had agreed to host for three days back in September.
“Don’t you remember, Mom?” the boy said, wide-eyed. “Pete Reed’s mom, the one who’s the vice president of the PTA, she’s the one who asked you to do it.”
Teena Mulder’s face had looked startled for a moment, but recovered into a blank smile. “Oh yes, of course.” Teena Mulder made fleeting eye contact with Scully in the rear view window. Physically she looked very different than in 1999: her hair dark and thick, her skin smooth and golden. She bore a much more startling resemblance to her son than Scully had ever noticed. “I’d forgotten, forgive me. But that’s right, the teacher. So pleased to meet you, Miss…”
“Frohike,” Scully said quickly, feeling Samantha’s eyes boring in on her from the side. “I’m Dana Frohike.”
She couldn’t have explained exactly why she had decided to hide her identity, except for that no part of her considered the Mulder parents trustworthy players. The vacant look in this young Teena Mulder’s eyes didn’t convince her otherwise.
The station wagon wound along a two-lane road lined with stark and bare November hickory trees. They drove through Vineyard Haven, into Chilmark, and Scully peered out the window, feeling relatively calm for the moment. She tried to absorb the landscape around her.
The backdrop of the formative drama of Mulder’s childhood. The stalwart New England houses, armored with gray cedar shingles, porches facing the bracing wind. The quick flashes of green pond and gray ocean between jagged breaks in the trees. Storefronts with faded red lobsters and lighthouses painted on wooden hanging signs.
Scully, resting her head back against the car seat, decided it looked very much the same as the time she had been to Martha’s Vineyard in the 1990s. She wondered if the timelessness of the island was a comfort to adult Mulder, or if he found it haunting, a reminder. She regretted never thinking to ask him more questions about his memories, the ones that weren’t traumatic.
The boy and Samantha occasionally pointed out sights to her as they drove – the first stone wall in Chilmark! the best ice cream parlor, so long as you don’t get pistachio! a tree Fox once climbed and got stuck in! the road to Sam’s school! – but Teena Mulder didn’t speak at all.
As they drove around a bend, the car wove over a bank of pebbles alongside the road, causing the car to rattle and bang before it veered back on track. Samantha bent forward to look significantly at her brother in the front seat, her eyes bright and anxious.
“Are you okay, Mom?” the boy said, after meeting Samantha’s eyes. “Because I’m sure Mrs. Frohike can drive if —”
“I’m absolutely fine,” Teena Mulder answered with a tight smile. “Don’t you worry, Fox. Just a wobble.”
The boy continued to stare at her a moment longer. Scully’s attention shifted from his distressed profile to the sliver of Teena Mulder’s face visible in the rearview mirror. Her eyes, now on the road, seemed to have a glassy sheen.
By the time they stepped into the Mulder home in Chilmark, Scully was beginning to form speculations about Mrs. Mulder. Her consistent forced smile, her slightly unsteady gait, her complete lack of curiosity about the strange woman her children brought home with them...
Perhaps she had some cocktails with friends in Vineyard Haven before picking up her children at the ferry. Either that or too much 1970s anti-anxiety medication. Valium, maybe.
Scully briefly considered asking her directly about it, but then dismissed the idea. After all, she was supposed to be pretending to be some sort of teacher, not a doctor. And it would be better to not have the senior Mulders pay her much attention at all.
The question perplexed her, though. Was Mrs. Mulder always like this? Or … did she have some reason to be especially anxious today, some notion of what was around the bend? Scully wasn’t sure Mulder was very clear-eyed on the topic of his mother even as an adult.
“Fox,” Teena said, placing her purse down on the kitchen table, sitting down shakily in a chair. “Maybe you can show Mrs. Frohike around, help her take her bags to the guest room. I don’t know what time your father will be home, so we might eat a little late.”
The boy and Scully both glanced at Scully’s small, lone duffel bag, which Mrs. Mulder had not seemed to notice. “Yeah, of course, Mom,” he said.
“Are you okay, Mommy?” Samantha said, standing wide-eyed in the doorway of the kitchen, still clutching her dance bag. Scully suddenly realized Mrs. Mulder had not asked Samantha any questions about her rehearsal at all. How did it go, sweetie? Did you dance well? Will you be ready for your performance? If she were Maggie Scully, this would be playing out very differently.
“Oh yes, I’m fine, Samantha, just worn out from the drive,” Teena looked over at her, smiling. “You have plenty of time to go … play before dinner, dear.”
Scully did not miss the boy and Samantha exchanging furtive glances again as they walked out of the kitchen.
***
The boy was so obviously proud of his house. He pointed out the view of the pond from the upstairs hall window, and he showed Scully the clawfoot bathtub in the guest bathroom, which he couldn’t have even known was a special interest of hers. He pointed out an antique lantern hanging from the landing that he and his grandfather had restored together.
Scully watched him, saying almost nothing, transfixed. In 1999 his memories of this house were so poisoned. She wondered if there was still some part of adult Mulder who would love and care for a home in this way.
“That’s Samantha’s room,” he said, pointing to a wood paneled door with a Carpenters poster taped rather crookedly outside. As they walked by, he stuck his head inside. “Hey Sam, don’t forget to lay out your clothes for school tomorrow.”
Samantha, reading on her bed, looked up at him and nodded.
“You and your sister–” Scully observed, as they walked past the door.
“We’re a team,” he interrupted, setting his lips in a line. “It’s just the two of us a lot. We have to stick together.”
Scully managed to pull together a convincing smile.
“This is my room,” he said, beaming, opening the next door.
It was much tidier than Scully expected, and more elegant than her and Melissa’s childhood bedroom. The bed was made, a twin bed with a sedate New England quilt in Atlantic blues and grays, and dark built-in bookshelves lined the walls with many, many books. She stepped in, looking more closely at the shelves: comic books, Hardy Boys, Isaac Asimov, Sir Arthur Conan Doyle. On a desk by the window she noted a can of freshly-sharpened pencils and a goldfish bowl with a betta fish swirling around.
“It’s impressive,” she said sincerely. “The whole house is. Really.”
“Have you seen my house in 1999?” the boy asked curiously. “Is it like this?”
Scully’s eyes had been moving over his game shelf. Chess, Monopoly, Risk, Stratego. A cold sensation hit her, seeing the Stratego box wedged innocently there. There was real danger here, as homey and psychologically interesting as this all was. Mulder’s childhood fears were real, and they were very close.
“As an adult you live in an apartment,” she answered calmly, swallowing. “In an urban setting. It’s fairly different, although you do like to collect quirky things.” She picked up a little paperweight shaped like the Loch Ness Monster, squinting to see its glass eyes.
“I live alone? I’m not married?” he asked, sitting down on his bed.
“No,” she said, still turning over the paperweight in her fingers. “You’re single.”
“Why aren’t I married? Is there something wrong with me?”
She looked over at him, surprised. He was just a kid, she reminded herself.
“No,” she smiled gently. “Not at all, Fox. I honestly don’t think you’ve really tried to be married.”
He took a moment to digest that. “So it’s not that I’m terribly ugly or objectionable in some way,” he said.
Scully set the paperweight down gingerly. “No,” she trusted herself to say.
“In 1999, you think I’ve ever … had a girlfriend before?”
“I think you have,” Scully nodded with a straight face. “I think that’s a safe bet.”
“That’s good,” the boy said, his face relaxing a little. “That’s— well, it’s good to know.”
“Keep the faith,” Scully said, looking away.
“It’s weird,” he said. “It’s just … I always thought I’d be a father.”
There was nothing he could have said that could have stunned Scully more. She couldn’t formulate words for a moment.
“Really?” she said in a small voice, at last. “You’ve thought about that?”
He was quiet for a beat. “Well, not a lot. But sometimes you think about how you might–” He frowned. “How if you were a dad, you might not make the same mistakes as … as some dads do. How you might do better. How you might treat your own kid, if you could.”
“You think you could do better?” Scully breathed. “Than … some dads?”
“I know I could,” he said in a low voice. “I know I could do better. I know I would listen to them when they spoke. I know I would tell them the truth.”
Scully blinked. She turned around to look at his bookshelves again.
“Well, you’re only 38 in 1999,” she said, keeping her tone as conversational as she could. “You could still become a father.”
“Do you have kids?” he asked. “Are you married?”
“No,” she said softly. She knew what he was wondering. She just wasn’t sure she wanted the question.
Before he could ask it, her eyes fell on a metallic object sitting on his shelf. Looping her finger into the chain, she lifted it up, her mouth dropping open a little in surprise.
“Where did you get this?” she murmured in delight.
“What?” he said, standing up. “Oh, the Apollo 11 keychain? We bought it in New York to commemorate Apollo 11 when I was a kid. Why?”
“It’s my Apollo 11 keychain,” she said, turning it over in her hands. “You gave it to me for my birthday. I didn’t – I didn’t know it had been yours this long. I had no idea.”
“I gave it to you? My keychain?” The boy looked at her curiously. “Why would I do that?”
“You’re a very mystifying adult,” Scully said, still staring at it, moved. “It’s hard to say why you do anything. Is it – is it all right if I take it back to my room and take a picture of it with my camera? I’ll bring it back.”
“Yeah,” the boy said uncertainly.
“It looks exactly the same,” she said, her voice very quiet.
There was a pause, and she sensed the boy’s eyes on her. She felt the question about to pounce.
“In 1999, are grown-up me and you…?”
“No,” she said quickly, still looking at the keychain, thinking of all the questions she never asked him in 1999. “We aren’t.”
Berkeley, California 90 Hours After Scully Vanishes 1999
“You’re worried about whether Georgette can do it.” Anish handed him a water bottle and a banana. “Aren’t you?”
Mulder had returned, like an oversized sea turtle seeking out his home beach, to his established spot on the break room sofa. He knew he was hogging the sofa, which had previously been shared by the graduate students, but he was there, on his back once again, regardless.
“It’s not that I don’t think she’s smart enough,” Mulder said, speaking up towards the ceiling. “That any of you are. I know you know your shit.”
“What is it then, Agent Mulder?” Anish said.
“It’s going to sound ridiculous,” Mulder put the backs of his hands on his forehead. “But I had this dream. Weeks ago now. I had this dream, and it made me think I had this mission to fulfill, that it was all down to me. That I would have to sacrifice to do it. I just hate seeing other people having to step up — if it was supposed to be me.”
Anish didn’t say anything.
“You think that sounds sort of batshit crazy, don’t you, Anish?” Mulder said.
“I think it sounds like it could be some kind of Messiah complex, to be honest,” Anish said. “Possibly something one could actually ...diagnose.”
“Messiah complex,” repeated Mulder, making a face.
“You aren’t Jesus, Agent Mulder.”
“I know that, Anish.”
“But I’m not sure you fully believe this yourself. I mean, if it were true, where does your partner fit in? Messiahs don’t have partners. If you’re the savior of the world or whatever, where does that leave her?”
“As a matter of fact,” Mulder said, speaking to the ceiling morosely, “that sounds very much like a point she raised.”
“You obviously value your partner very much,” Anish said. “You don’t really seem like you’re built to be a solo act.”
Mulder rolled over to look at Anish. “I’m not a solo act,” he said. “She makes me a whole person.”
Anish raised his eyebrows. “Oh yeah?”
“I know. You’re thinking it doesn’t sound like a strictly professional relationship,” Mulder said, defensively. “But it is. Kind of. Or at least, it’s about the work, too. We provide counterbalance to one another. We fill in what the other is missing. We need one another.”
“Yet you’re still convinced you’re on some solitary mission?” Anish said.
“Well, it’s—“ Mulder began. He tried to think of a way to explain the power of the story, which, after all, had started with him. With his stolen sister, his ruined childhood. A corrosive narrative that continued to eat away at the lives of everyone who edged near it, even partners who should never have been so close.
“Anish, Agent Mulder?” Paolo stuck his head through the door. “Sorry to interrupt. But we’re getting a new image coming through, if you want to see.”
*** Arms crossed, jaw clenched, Mulder observed the image fill in on the screen, his patience with this process now better honed through practice. Paolo and Anish sat behind him, politely keeping a distance.
The first gray pixels always seemed like chaotic static, but in only a minute or two, they began to give away their secrets, revealing their pattern.
This pattern showed the tips of white fingers, lightly curled around something round laying on the palm of a hand. There were lots of bright white boxes, which revealed themselves to be sunlight, spilling over the hand from a nearby window.
“That’s Agent Scully’s hand?” Anish asked quickly. He knew Mulder well enough by now to know that he would be certain.
“Yes,” said Mulder. “It is. And … oh God. It’s the key chain.”
The key chain lay flat on her hand. The little eagle in its logo was mid-air as always, not quite reaching her inhospitable chosen nesting place, a barren crater on the surface of the moon.
“Apollo 11,” read Paolo.
“Yeah, an Apollo 11 key chain,” Mulder said. “Commemorating the first astronauts to walk on the moon.”
“You recognize it?” Anish said.
“I watched the astronauts on TV with my grandparents,” Mulder said. “They bought me that keychain as a souvenir at Woolworth’s in New York. It sat in my room for years when I was a kid, but I gave it to Scully for her birthday a few years ago. I think she’s …showing me that she found it in 1973.”
In the background, on the right, he noticed a bright triangle of crisply detailed pattern on the image. A swirling paisley. It was a grayscale print on the image, but in real life he knew it had been brown and muted yellow, a mid-century design. He recognized it, with his excellent visual memory, as the pattern of the curtains in the guest room of his house in Chilmark. The owner of the hand was standing in that room.
Impossible to avoid, then. She was there. Somehow, she had not only made it to Martha’s Vineyard, but she had made her way inside of his house. He wondered what story she could possibly have told his family. What story she could have told him.
He couldn’t help but feel strangely touched that she would be able to pull something like this off, that she would know enough about him to get this right. It was like a very delicate and impossible undercover operation, and her briefing was all of the time she spent with him, listening to him, for all these years.
Only one person ever alive could have done something like this. There was no one else who had ever known him so well.
And what good had that done her? She would have done better sticking with studying Einstein.
“You’re positive it’s the same keychain?” Paolo wondered, interrupting his brooding.
“Positive,” Mulder said.
“A key chain for her birthday? How come?”
“Well, she said it represented–”
He broke off. He sat down next to Anish in a chair, ran his hand up and down over the messy and overgrown stubble on his face.
“What?” Anish’s eyes were curious.
“She said it represented teamwork,” Mulder said, his voice rough. “That nobody gets there alone.”
Anish chuckled lightly, slowly letting it unfold into a more robust laugh.
“You’re a really crappy solo messiah, Agent Mulder.” He picked up a folder sitting in front of Paolo and handed it to him.
“Here are some of the preliminary notes from Georgette’s brainstorming session this afternoon. Go learn about how we’re going to work together to get somebody to walk on the moon.”
Source:
Judas-Jesus scene from Martin Scorcese’s 1988 Last Temptation of Christ (inspiration for Scully-Mulder Amor Fati dream scene)
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