#he certainly doesn’t lack in angst and internal conflict and character development!!

[wildsaltair]

Ranting in the tags isn’t enough so I’m going to say one more time that just because Maximus isn’t morally gray doesn’t mean he isn’t complex

[thezodiaczone]

Aries Compatibility

ARIES + ARIES (MARCH 21 - APRIL 19) You're two high-strung, passionate Fire signs who both like to be the Alpha dominant. As such, you'll need to toss the hot potato back and forth, submitting to the other's rule—at times through gritted teeth. Acquiescence may not come naturally, but it builds a necessary trust. Aries is a paradox: you're the zodiac's infant (its first sign) and its gallant hero (you're ruled by warrior Mars). You want to save the world and be saved at the same time. You'll need to occasionally allow yourself to play wounded knight or damsel in distress, and let your mate charge to your rescue. However, don't spiral into neurotic helplessness or analysis paralysis. Nobody can beat a topic to death quite like you can—but that's what therapists are for, Aries. Neither one of you can be saddled with the emotional care and feeding of an adult baby. You're too independent for that. When your problems gain too much mental gravitas, it's time to move—literally. Disperse your Martian angst and anger with lots of physical exertion. As fellow adventurers, you travel well together. Try snowboarding, exotic bike tours, Costa Rican rainforest expeditions. Passionate sex is another antidote to prickly feelings for your high-touch sign. Like Aries Hugh Hefner, you have a champion libido (and an awesome sense of entitlement). Some Aries couples may mutually agree to flex the terms of your monogamy, although the jealousy it stirs might not be worth the trouble.

ARIES + TAURUS (APRIL 20 - MAY 20) The stubborn Bull locks horns with the willful Ram, nostrils flaring, heads bowed in determination. So begins a fierce but fiery courtship, as splashy and menacing as a Pamplona stampede. Aggression, however uncivilized, is part our Darwinian natures. It certainly is for your signs—who possess an arsenal of steamrolling tactics, from doe-eyed charm to old-fashioned philistine strong-arming. No weak-willed mate will survive your natural selection process. Nor should he. Neither one of you feels safe in the arms of a mate who can't protect you. Thus, your initial faceoff is simply a warning shot: Show me your strength so I can trust you. Once the fanfare is over, you make a great team—like British pop royalty Victoria (Aries) and David (Taurus) Beckham.

As tight as two mafiosos, you like to dress up and flaunt your natural superiority over the rest of the animal kingdom. The deal is sweet for both of you. Taurus gets an attractive show pony and a lusty mate to satisfy his Earthy libido. Aries has a lifelong provider and benefactor to supply creative freedom and endless playtime. Issues can arise if Taurus grows too possessive or tries to tame independent Aries. Indulgent Taurus will need to remain active to keep pace with the energetic Ram (read: lay off the nightly steak frites and vino). You both crave attention, but don't go looking for it outside the relationship, unless you want a real showdown. Like two tots in a nursery, you share a favorite word: Mine!

ARIES + GEMINI (MAY 21 - JUNE 20) ♥♥♥♥ You're the best of friends, so why not throw in some benefits? You certainly can…but not so fast. Your common traits are exactly what can snuff the spark before it combusts. Namely: impetuous, reckless, unstoppable drive for instant gratification. You want what you want, and you want it NOW. Sure, the adrenaline you evoke from trading edgy banter, bungee jumping, or playing footsie under the conference table might convince you that you're soulmates. However, this attitude will lead to an inchoate relationship, with the two of you skydiving into City Hall before you even know each other's middle names. It doesn't all come out in the wash, so check that laissez-faire attitude when you're ring shopping on the second date. That said, you do have the makings of a great match that's rooted in true friendship, intellectual chemistry and fun. The key is to pace yourselves and to continuously bring new adventures to the table. Boredom is the enemy; it leads to cat-and-mouse games and mental chess matches with each other. Remain active: get involved in a political campaign, build houses for the poor, take an eco-tour or scuba lessons. Host and attend lots of parties with your mutual friends, and busy yourselves with projects that satisfy your short attention spans. Above all, don't turn to each other for advice, unless you like impatient, tough-love coaching and draining circular conversations. Not exactly the soothsaying your sweetie needs in a rare vulnerable moment.

ARIES + CANCER (JUNE 21 - JULY 22) Aries is the zodiac's baby (its first sign); Cancer is its matriarch, ruling the fourth house of motherhood, home and family. Is this relationship doomed to be an Oedipal cliche? Not if you temper these traits through steady, conscious self-development. Otherwise, you easily lapse into automatic roles that polarize you into a parent-child (or master-and-servant) dynamic. Aries can be selfish—not maliciously, but in a crude, clueless style that leaves Cancer resentful and dismayed at the Ram's lack of nuance. Cancer knows how to play the nurturing giver, but this delicate sign needs room to be vulnerable, too. Aries loves to be coddled, but Cancer's maternal indulgences will create a spoiled brat or a demanding diva. Besides, while the Crab may have a tough outer shell, the true warrior is Aries, ruled by aggressive Mars. Your differences are many: Aries is a diehard independent and Cancer is a family guy; Aries needs freedom, the Crab's possessive grip clings tight. You'll need to compromise, or else the relationship can turn into a competitive, jealous hotbed. You can both brood with the best of them, and your dark days eclipse even the tiniest sliver of hope. Talk about depressing. Swear off the silent treatment and learn to communicate as two adult equals.

ARIES + LEO (JULY 23 - AUGUST 22) Aries and Leo are Fire signs who love drama, passion and extreme adventure. You're a flashy, outspoken duo that plays by your own bold agenda. Restless souls, you need lots of physical and intellectual stimulation—politics, inspiring conversations, startup businesses—you'll juggle them all, making it look so easy. Of course, your emotional meltdowns require a team of therapists and devoted friends to fix, and you should keep those folks on speed dial. Adrenaline is your favorite drug; no surprise Aries Jennifer Garner and Leo Ben Affleck fell in love while co-starring in the action flick Daredevil. Like this Hollywood pair, who refuses to walk the red carpet together on principle, you respect each other's autonomy. Fire signs are by nature independent. You both need to make your own mark on the world, and you don't like anyone stealing your shine. In fact, trouble starts when one of you eclipses the other's big moment or makes the other look foolish in public. Rule number one: don't compete. With your rash tempers, it won't end well. Instead, be each other's biggest fans and champions. As the relationship progresses, put more effort into dressing up, especially if you become parents. Because you're so comfortable together, you could end up bumming around in burp cloths and track suits, dulling the sexy edge that attracted you in the first place.

ARIES + VIRGO (AUGUST 23 - SEPTEMBER 22) The razor's edge between love and hate lives in this common but contradictory coupling. Your attraction feels so fated, it's impossible to resist. Fire-sign Aries loves freedom and risk, but helplessly falls for prudent, parental Virgo, an Earth sign landlocked by practicality and protocol. The tips of Virgo's gossamer wings are singed by Aries' flame—yet, into the fire the Virgin flutters. Both signs have a hero complex, and this relationship centers around fixing each other, or exposing the other to new ways of life. For the first six to twelve months, it's exhilarating. Arduous Aries hand-delivers Virgo's sexual awakening with passion that's tender and all-consuming. Cautious Virgo teaches the impetuous Ram how to slow down, prepare and look both ways before crossing. New facets of your personalities unearth themselves—how lovely! Once the hormone flood is no longer at high tide, however, there are glaring differences to negotiate. Virgo's well-intentioned criticisms feel like a character assault to Aries ("who cares how I fold my T-shirts? I'm still a good person!"). Aries' myopic selfishness makes Virgo feel resentful and unappreciated—especially after hours of listening to the Ram's diatribes with the patience of a paid analyst. At this point, you realize that you've spent way too much time together, and you've lost touch with the outside world. Roll out of bed and reconnect with your individual friends, hobbies and interests. Trust that the other one will be there when you return.

ARIES + LIBRA (SEPTEMBER 23 - OCTOBER 22) ♥♥♥♥ You're opposite signs who can match up well, but you sometimes baffle one another, too. Aries rules the self and Libra rules relationships. Libra is a lover; Aries is a fighter. Your polar extremes can be a great complement if you borrow what the other does best. Rash, temperamental Aries could stand to give others the benefit of the doubt, to look before leaping—something the wise Judge does well. Languid, overly accommodating Libra can learn to speak up, say no, and take action instead of pondering the possible consequences for a year. Although your differences can be irritating, they also make you a well-rounded couple if you play them right. When Aries needs to rant, patient Libra offers uninterrupted listening, capped with sage, sensible feedback. In return, Aries helps Libra overcome a mortal fear of conflict, teaching this sign how to stand up for his rights. As parents, or even business partners, you play the good cop/bad cop routine like seasoned pros. Just be willing to adjust your internal thermostats as needed. Hotheaded Aries will need to dial down the anger, lest all that concentrated emotion throw Libra's scales off balance. Erudite Libra will need to descend from that lofty, cultured perch and take a bold risk. (No, Aries does NOT consider ten years a reasonable time to wait for an engagement ring—and never will.) Compromise is essential for you to find a rhythm.

ARIES + SCORPIO (OCTOBER 23 - NOVEMBER 21) Aries' ruler, passionate Mars, also wields minor command over Scorpio (whose main overlord is Pluto). Fierce physical attraction draws your signs together, but it's a game of sexual gunpowder and erotic explosives. Not that either of you is afraid of such things. No sign is as darkly intense as watery Scorpio. When mixed with Aries' concentrated fire-power, you stir up quite the hydroelectric charge. However, this match can only last if Scorpio has evolved from a ground-dwelling, vengeful scorpion into an elevated "eagle" state. Here's the fundamental challenge: Aries takes; withholding Scorpio takes away. When Aries reaches out his grasping hand, Scorpio's first instinct is to jump back, which wounds the sensitive Ram. Aries energy is consuming, which leaves Scorpio weak-kneed but scared. Aries will need to temper the raw desire, or at least mask it to avoid overwhelming Scorpio. Jealous Scorpio will need to stop Google-stalking Aries and hiring private detectives whenever the independent Ram goes out for a beer with friends. One way in which you're alike? You're both hyper-sensitized to abandonment, and may even shun each other in a self-protection paradox: "Go away before you leave me." (This tactic only guarantees another hot reunion tryst.) Selfishness can also be this couple's downfall. Scorpio is the sign that rules other people's resources—his karmic job is to create wealth from another man's pocket. Aries is simply born entitled. In a sense, you both live by the credo "What's mine is mine; what's yours is mine." Who will refill the coffers once you empty them?

ARIES + SAGITTARIUS (NOVEMBER 22 - DECEMBER 21) ♥♥♥♥ Chemistry and simpatico build fast between these two Fire signs, and you find a twin soul in each other. You're both independent explorers, driven by lust, joie de vive and a breathtaking moxie that others mistake for arrogance. That brio and derring-do is the badge of your spiritual kinship—a primal mating call that draws you together. You share a blunt sense of humor, and naturally understand the other's need for space and autonomy (at least at first). Thrilling conversations traipse expansive terrain: philosophy, art, human nature, science, spirituality, dreams. Together, the impossible feels probable, and your natural confidence soars higher. Caution: the view from your rosy lenses can be a bit myopic. Sagittarius is a gambler and Aries is a charging knight—neither thinks far ahead. You'll need crash insurance for the times that your grand schemes don't reach your projections. At moments, you both lapse into overthinking, which can kill the celebratory vibe. Aries also has a greater need to for coddling and personal attention. At times, the Ram may resent competing with Sagittarius' busy career, social schedule and hobbies—and Sagittarius gets impatient with Aries' needy spells. When angered, your burning tempers can raze a national forest to ash. Be careful not to unleash a spiteful spark, for that's all it takes to destroy this treasured landscape.

ARIES + CAPRICORN (DECEMBER 22 - JANUARY 19) Aries is the Alpha in most relationships, but here the Ram meets his match. In the Goat, Aries finds a more seasoned pack leader, and backs into a rare state of obedience. This weighty respect comes from Capricorn's ruler, wise old Saturn, the planet of maturity, authority and command. Capricorn is the zodiac's father sign; Aries is its firstborn child. It's the difference between a king and a knight, a queen and a duchess. Both are noble, but one is clearly the elder. This can be a dealbreaker for Aries in some cases, as too much paternalism makes this independent sign run for freedom. However, it usually works. Although Aries can be a hellish brat, Capricorn is unruffled and even amused by the tantrums, giving Aries space to act out. If you accept your cosmic roles, you can make excellent partners in both love and business. Aries is ruled by warrior Mars, and Capricorn is a four-star general by nature. You both see life as a battlefield to conquer, and with Aries' grit and Cap's determination, there's no goal you can't achieve. Earthy Capricorn excels at structure and planning, and is the terra firm beneath the Ram's restless hooves. Fiery Aries is a daring playmate who amuses, excites and entertains the sober Goat, especially in the bedroom (where Capricorn has a lesser-known lusty side). Aries is a flirt, and this can spark jealousy in traditional Capricorn. Over time, trust and mutual respect abolish the Goat's fears, and you make supportive lifelong partners.

ARIES + AQUARIUS (JANUARY 20 - FEBRUARY 18) ♥♥♥♥ You're laugh-a-minute friends who make a fine comedic duo, but the romance isn't as hearty as your side-splitting guffaws. You're amazed by how quickly the other delivers a hilarious comeback or a clever opinion, and it turns you on. Banter leads you to the bedroom fast, where the sex is playful and experimental (though not heavy on the emotional connection). It's as though you've met your twin; and alas, you may soon feel more like siblings than lovers. After a couple weeks, the Bickersons sideshow routine gets old, especially for Aries, and you run out of things to talk about. While casual Aquarius likes to keep the conversation light, Aries has intense, brooding spells that demand way too much emotional attention. For Aquarius, problems are solved with steely logic or left alone, but Aries is unable to curb obsessive thinking, which drives Aquarius mad. Your styles of affection are different, too. Cool Aquarius gets overwhelmed by the Ram's passion and physicality—there's way too much touching, grabbing and kissing for the airy Aquarian temperament. If you're determined to be together, push yourselves to go beyond platonic borders by traveling, taking classes, even performing on stage together. Closeness breeds more ennui than affection. Cultivate mystery through time apart. Your independent signs need to develop your own lives, then reunite with thrilling tales from the road.

ARIES + PISCES (FEBRUARY 19 - MARCH 20) Aries is the zodiac's first sign, Pisces its last. You're the Alpha and the Omega, the dawn and the sunset. You're as far apart and as close together as two signs can get. Although your differences are vast, you also have a broad expanse of material from which to fashion your relationship. Your polar positions can actually make you a great match. Aries loves to be adored and spoiled, and generous Pisces will give everything in the name of love. In Pisces' worshipful gaze, Aries feels brilliant and boundless, and his insecurities melt away. This is important for the sensitive Ram, whose "wounded soldier" archetype is healed by the Pisces nurse. In this relationship, Aries is free to follow his natural hunting instincts; Pisces prepares a banquet from his conquests. The danger: You both have vivid imaginations, but with two dreamers at the helm of this romance, the ship can veer off course. Aries is a take-charge leader, but needs a strong second mate. Bravado and confidence don't come easy to insecure Pisces, who falls into feigned helplessness under duress. Moody spells are common for your signs, and digging yourselves out of emotional ditches can be a challenge. You'll need a council of advisors to help you manage aspects of daily life—accountants, lawyers, coaches, therapists. Aries can be naturally aggressive, where Pisces is passive or passive-aggressive. You'll need to adapt your communication styles in order to be heard.

[ultimate-miles]

Miles Morales: Spider-Man (2018) - Or, what happens when you give a Black character to a Black writer

Miles Morales: Spider-Man follows the exploits of a now sixteen year old Miles Morales, setting the timeline of the story far beyond his earliest exploits and his then current title, Spider-Man (2016-2017) where he is fifteen going on sixteen years old.

 The Good Stuff

Miles Morales: Spider-Man is a story focused wholly on the boy behind the mask, the titular lead, Miles Morales. The book, no more than two hundred and sixty-one pages long (unfortunately), can probably be accredited with doing something Miles’ comic book titles (Ultimate Comics, The Ultimate Spider-Man, Spider-Men, and Spider-Man) really couldn’t or wouldn’t bother themselves with – which is focus on Miles’ life as student at Brooklyn Visions Academy and how he interacts with the people in his Brooklyn neighborhood.

Everything important that happens to Miles happens within the confines of the Brooklyn area. Miles isn’t off globe-trotting with the Ultimates, and he certainly isn’t fighting within the central New York City area with a villain-of-the-week, and there’s not even a mention of Peter Parker – clone, resurrected, or otherwise – present in his narrative here, which makes this one of the first stories focused on Miles where Peter Parker wasn’t lording over it like an intrusive shadow.

The most pivotal conflict that pushes Miles’ narrative forward in the book is his persisting (if not misplaced) guilt over the death of Aaron Davis, who killed himself in an effort to murder his own nephew. The re-visitation of Aaron’s death opens the narrative to the odd addition of a cousin, Aaron’s son, who contacts Miles from prison in the hopes of connecting with one of the few surviving members of the Davis family. Miles torments himself with the information, uncertain if the intent behind the letter is genuine or a stranger looking to talk to another stranger.

For the most part, I like how it was handled. It paints the actions of Aaron Davis in a completely different light. Maybe in a “not as bad as one thought” kind’ve way, and I’m not particularly sure how I feel about that considering it flies in the face of what the comics establish –which is an unrepentant man with no real affection for family – but it was an interesting angle to take with the Miles/Aaron dynamic nonetheless.

Reynolds’ use of language goes to a decent length to make Miles’ life feel lived in. The attention to detail to Miles’ internal observation of his life works to Reynolds strength as a poet. The author captures the mentality of a restless teenager, drowning in his own angst (often self-imposed) without falling into purple prose or wordiness. 

Brooklyn is the world that Miles lives in, so the people he talks to throughout the story deal the with circumstances of low-income areas, places people of more – I guess – “wealthy” circumstance have learned to dismiss as criminal despite the people who live there often not reflecting that.

Miles contemplates the projects where his uncle Aaron lived, the barber shop he goes to get his hair cut – where the older men recognize him as one of the more fortunate children with a chance to pull themselves out from the under violent cycle of gang and hustler life. He also contemplates the number of young and older residents who’ve been driven out of homes by the city looking to redevelop the area for white buyers. This is the kind’ve of stuff you’d read about in Milestone Comics stories for Static Shock, Icon, or Hardware.  

This is the kind’ve day-to-day life stuff that Brian Michael Bendis – as a white man – were so disconnected from, Miles as a character – in the comics – might as well have lived in New York City. I can only imagine that Jason Reynolds – as a Brooklyn native – used his own experiences, to a degree, to flesh out the story he was telling.

Another element I think Miles Morales: Spider-Man gets right is Miles and puppy love. This book is probably the only Spider-Man story featuring Miles to actually give him a crush that is neither – a creepy adult [white] woman for him to mack on (Diamondback and Gwen Stacy), a Plot Twist Nazi (Katie Bishop), or a really boring version of Mary Jane Watson (Barbra Rodriguez, who unfortunately appears in his recent series).

Alicia is a character I would’ve liked to have seen more of in the story, particularly outside of the purview of Miles’ heart-eyes. She’s nothing if not a brief exploration into the expectations that come with being born to “Old Black Money” and keeping up public appearances. 

Alicia’s want to stand against casual racism in the classroom is the kind of “young awakening” you see in teens who pull themselves out of apathy long enough to understand how the world functions around them, when they realize they can’t turn a blind eye to microaggressions any longer. 

But, her disadvantage is trying to churn up enough support from her classmates, who honestly just want to get through the day without conflict, or don’t give a shit, that she faces an uphill battle. And when her stance threatens her position in Brooklyn Visions Academy, her parents and the expectation that comes with their family’s reputation forces her to choose between her own belief system and her future.

Miles’ affection for Alicia is cute, and watching him struggle to make a connection with her amidst what he thinks his spider sense going off-kilter and dealing with a Mr. Chamberlain’s constant interference and need to diminish him among his peers, endears me to their [potential] relationship. 

Again, I really wish Alicia and Miles’ interaction, Alicia herself, had more time in the story to develop. Maybe with two hundred more pages (which could’ve knocked the page count up to 361 est.) this could’ve happened, but as it stands, what’s given isn’t bad and fairly enjoyable.

The Spider-Man content within the story is brief, and for me, that’s fine. The one thing about it that I did enjoy, when Miles donned the mask, is how Reynolds uses that persona to tackle the social structure surrounding muggings in Black communities. There’s a whole – and often misguided – unspoken rule wherein the victim cannot call out for help when being mugged. 

One loses the respect of the neighborhood (if you’re into that kind of toxic masculinity) and respect of your peers. Miles, afraid that the actions that led his father and Aaron down the path of crime and hustling is genetic, is faced with a situation where he can either ignore muggers who stole a kid’s sneakers, or use his alter ego to set things right.

He does the latter, and a lot about how Reynolds approaches the sequence reminded me a lot of how Peter David (the writer of Spider-Man 2099) handled Miguel O’Hara. Miguel isn’t what you’d call a “nice Spider-Man”. When he aims to teach you a lesson, chances are, a lot of his targets are left peeing on themselves. 

This is kind’ve the energy Miles uses when he utilizes the “strength of his street knowledge” on the muggers who attacked the kid. But, in the end, this really doesn’t change things. The cycle continues, and it kind’ve highlights the kind of futility Miles faces as a vigilante superhero.

 The Disappointing Stuff

Action sequences really aren’t Reynolds strong suit. I mean, writing action sequences are – in general – a pain in the ass, because a lot of it is a deliberation about how long a description needs to be, preventing things from becoming too wordy, and getting the point across without losing the audience’s interest. It’s difficult balance, one I don’t think even the best writers manage 100% of the time.

But, to his credit, I think his ability to use poetic language is a strong enough short hand that most of his descriptions don’t get lost in the soup. Additionally, because a lot of the Spider-Man sequences don’t occur until the very final climax of the story’s conflict, even when his weakness starts to show, the sequences don’t overstay their welcome.

I don’t think Reynolds really manages to marry the fantastic with the reality of systemic racism. There is definitely a way of creating a mythologized monster to represent the ugly realities of anti-Blackness as faced by Black youth within the general education system. Mythology is nothing if not one culture’s way of rationalizing or simplifying things encountered in their waking lives. But, I don’t think Reynolds manages to pull it off here. 

The idea that there is a supernatural “Mr. Chamberlain” for every Black male youth across the ages isn’t a bad idea. You can some really interesting things with that – like Crossroad Blues type stuff. But, here, it’s kind’ve ridiculous – or it’s presented in such a way that the suspension of disbelief strains to such a degree that I simply don’t buy the product being sold to me.

It feels like something that would’ve been a monster-of-the-week in the first season of Joss Whedon’s Buffy the Vampire Slayer (Angel: The Series even had an episode where a demon stoked the fires of racism against a fair-skinned Black woman, who trapped herself in a hotel room until her dying day). 

I mean, the fantastical version of Mr. Chamberlain even comes like Principal Snyder – the walking parody of the militant school authority who hates children – which is frustrating because the Mr. Chamberlain in Miles’ waking life is a proper representative of the unrepentant racist school teacher obsessed with the confederacy to a Hollywood degree.

Another sticking point: Judge still isn’t utilized in any way that makes him a character and less of a random extra that pops in and out of the narrative. I really fail to understand why writers refuses to make him and Miles friends, because at this point he needs someone else besides Ganke, the Lego obsessed non-Black character, to talk to. Honestly, the fact that Miles still lacks any Black friends his age – especially in this novel – is rather annoying.

Jefferson Davis is probably even less likeable in this story than he is in general in Miles’ comics. To be sure, he’s completely reflective of the overbearing Black father who doles out punishment with the excuse of helping his son “build character” – there are no lies detected in his characterization on that front – but his rationale is often narrow-minded and assumes bad faith on the part of his son, who is often caught in situations where he neither the aggressor or the cause of his problems. 

Like, he makes Miles clean the entire neighborhood block of trash left behind by the garbage men because he dipped out of school to play superhero. Again, I get Jefferson’s intent, but it was wildly misguided.

The situation regarding Aaron’s son, Miles’ cousin, is simply left hanging. There’s no real resolution following their official meeting in the prison, which is a shame, because it brought another kind of dynamic to the story itself. It offered a particularly ripe opportunity to use Jefferson and Aaron’s past just a little more – if only for the sake of exploring the history of the Jefferson family. 

It could’ve only  aided of Jefferson’s characterization and Aaron’s son, who needed more face-time in the story.  But, this also leads to the biggest issue with the young adult novel itself. How it ends.

The ending of Miles Morales: Spider-Man just kinda fizzles out. I don’t know whether it was due to time constrains (not really an excuse) – that Reynolds had to have the manuscript completed before a certain period of time – or Reynolds truly reached the end of his rope with the story and couldn’t think of any other way of ending things (other than how he did), but there’s no true resolution to the story.

The students, who’ve thus far shown the atypical apathy of a teenager toward one student being singled out by a racist teacher, suddenly rising up and protesting with Miles and Alicia against Mr. Chamberlain’s ritualistic dehumanization of Miles, is questionable. It’s idealistically something you want to see happen, but I feel like the story should’ve done more exploring of the students to really set this up.

 The Conclusion

Miles Morales: Spider-Man is a solid Miles Morales story. It’s the kind’ve Spider-Man story Miles Morales’ comic book series, past and present, should’ve been from the jump, and if Marvel was remotely interested, I could actually see a book series coming out of this (so long as the Black author(s) remain). The Spider-Man elements are few and far between, and perhaps that’s for the best. Anyone looking for superhero antics equivalent to what happens in a 19-to-20 page comic book, or a trade, should probably look elsewhere because that’s not the focus of the story.

The strength of the story is how Miles deals with the day-to-day issues of his life and how a Brooklyn-native author uses his familiarity with his home turf to do what Miles’ comic books honestly failed to do. Make Miles a part of the world he was supposed to be living in in-between his life as a superhero, which was the world of Brooklyn, New York.

Even with the shortcomings of the narrative, Miles Morales: Spider-Man is without a doubt the best story that has come out for Miles Morales in four years (like since issue #19 of Ultimate Comics Spider-Man).

This is the kind of storytelling, the kind of writer, which Miles Morales needs. But as long as Marvel continues to be allergic to hiring Black creatives for his comic book title – or anything for that matter – a milquetoast (and often inauthentic) Miles Morales is more or less what the consuming audience will be given.

If you’re a Miles Morales fan, I definitely recommend this book.