#he's also an ex-boxer and real life martial artist whose entire body is rock hard so he's got that going for him as well

[reachexceedinggrasp]

Okay, so for my clannibal people, I have two recs where something very like The Dynamic has recently appeared in media. The first one has far more caveats than the second, but the first one is also the one where the ship is canon and has kissing.

The Method a Russian series from 2015 (it’s on Netflix). It’s about a young ingenue who decides to become a cop because of lingering trauma around an unsolved violent parental death (check), she’s accepted as the protege of an eccentric genius (check) through somewhat shady circumstances with some kind of ulterior motive (check). He, the eccentric genius, is not a serial killer- he’s a detective, but he is an absolute human disaster whose erratic behaviour and extremely questionable morals are tolerated by the police because they can use him as a weapon. He has totally killed people.

‘Byronic Hero’ is a vast understatement.

This show is grim, graphic, and very dark; it takes an extremely dim view of humanity in general and it doesn’t provide the hope or catharsis that Clannibal does- the protagonist does not get to have it all, so be forewarned on that. The implicit worldview and assumed ethical framework of the series is honestly appalling and the main characters are all fairly reprehensible by the end, so if you’re not prepared to deal with a whole lotta ugliness I would say don’t watch it.

The selling point to me is that the characters are interesting and the ship is very compelling. Again, it’s canon, so you will get satisfaction, but the actual romance is somewhat subtextual most of the time. Their connection is the lynchpin of the series, but it’s more about the protagonist’s ‘education’ into his world and an exploration of what that world is than it is focussed on them falling in love. He has no illusions or intentions about having a future (with her or otherwise), he’s trying to pass on his ‘method’ to a worthy successor, so his attitude is heavily informed by that. She is being broken of what idealism she ever had (told you it was grim).

Anyway, their relationship is very fucked up and the series has a legit horrifying (also aggressively stupid) conception of what mental illness is like, but it was very engaging and it was totally unapologetic about the romanticism of the dark love story, so there is a lot there for you if you want to see something like a Clannibal dynamic again. Just don’t expect the positive turn or healing. The ending is not happy or hopeful in any sense. You could make a good argument it’s a full-on tragedy, though I don’t think that’s quite the intent. And the tragedy is Titus Andronicus. If that gives you an indication of how grim we’re talking.

The plot does completely fall apart by the end (it’s like if OUaT were an r-rated crime show, it becomes that much of a mess), but the acting is good and it remains very compelling because of the characters.

Tell Me What You Saw a kdrama from this year. THIS is what I’m talking about. A young ingenue decides to become a cop because of lingering trauma around an unsolved violent parental death (check), she’s accepted as the protege of an eccentric genius (check), through somewhat shady circumstances with some kind of ulterior motive (check). She has to go visit him alone in a giant, creepy old building where he is confined (ooo, new check). He, the eccentric genius, is on the side of the angels and is again not a serial killer lol. He is a legendary criminal profiler and ex-detective who spends most of the series as a somewhat morally ambiguous anti-hero. He’s brilliant, he’s troubled, he broods and plays mind games from on high, and he’s always 17 steps ahead of you. I love him. Also, crucially, he is hot:

The first six episodes have great build-up to a not-totally-unpredictable but still fairly epic twist and then, sadly, the following episode is a bit of an anti-climax from what felt like it should be the jumping off point where the series kicked into high gear but turned out to be a bunch of wandering around aimlessly in very loosely connected episodic plots. There’s narrative justification for this, but I did feel like someone slammed on the breaks and switched gears. It takes a while to regain momentum and is never quite as focussed or well-balanced again.

The pros of the series are its very strong characters played by mostly very strong actors, quality atmosphere, great action, good suspense, and loads and loads of interesting relationships brimming with potential. The one that interests me most being, of course, the one between the protagonist and the profiler. It’s pretty much exactly the clannibal dynamic- he picks her apart and challenges her for his own reasons and then comes to enormously respect her; she is at first intimidated and angry but gives as good as she gets until she reaches a point of growth where she can challenge him in return. And, in the end, he has helped her self-actualise and become who she wanted to be and she helps him heal from his past to the point she can radically alter his outlook on life.

Their relationship is ultimately very positive for both and remains central to the series throughout. There are complicated feelings at play that are given some time in the spotlight, but it is sadly underdeveloped from what it should have been imo. Especially on his side. And there is no romance or explicit attraction, though I think the show supports her at least having a crush on him. If it had ‘gone there’ it would not have shocked anyone, let’s put it that way. They could have gone there. It is one of those flawed canons with good characters super ripe for fic. (Please watch this show and write fic so I can read it, is what I’m saying.)

The cons are that the story ends up being ridiculous on multiple levels and there are some intensely irritating moments of characters being profoundly idiotic and unreasonable just to keep the plot going. Incoherent motivation, mainly for the heroes, is a BIG problem. Apparently rampant police incompetence (including from all the main characters) is the second biggest problem. There is a fantastic female character who is the team leader for our main cops and she gets hit with both of these possibly the worst of anyone. The big reveal about her also makes no fucking sense. There was a maybe cliché but perfectly serviceable route they could have gone instead without changing anything, it seemed like they were setting it up, but they just go with... nothing. And in retrospect this undermines her entire character for the whole series. Which hurts because she was genuinely awesome.

So yeah. There are logic problems and all three ongoing major questions in the overarching story basically have terrible ‘solutions’, but it is extremely well-made in every other respect and the characters remained compelling enough that I couldn’t stop watching. The single-episode mysteries are usually very good with good pacing and satisfying resolutions. It’s consistently entertaining despite the frustration and it manages to pull out a fucking GREAT A+++++ ending right when you’re about to get super pissed off about more deterministic grim teenage nihilism ruining everything. The protagonist got to learn from all her experiences without losing her optimism, rise above adversity and be rewarded for her faith, and it was honestly so nice to get that. So unexpectedly hopeful and uplifting. I love a story that gets dark but never despairs.

If they make a second series with the same cast, I will be there with bells on.