#hiroyuki kamimura

[ghostmountain999]

Kami pictures 🦋

[recentanimenews]

DAICON III Set to Receive Remaster from Members of the Original Team

  One of the most influential pieces of Japanese animation, which led to the formation of Gainax, the creation of Evangelion, the formation of studio Trigger, Khara, and everything before, after, and in between, DAICON III may soon see the light of day again.

  Fan restoration group FemBoy Films revealed that an "official" version of the film is set to be released by members of the original production crew after the newly reformed DAICON FILM –who have set up their own Twitter account– contacted the fan group to let them know that they are planning their own restoration of the 40-year-old film, asking the team to not release their restoration. Because of this, the group decided to not release their version as the print DAICON FILM has is of much higher quality.

    Update on the DAICON III situation.@GAINAXNET and the members of @FilmDaicon have given us the permission to reveal the following information. Please read. pic.twitter.com/qz98iQT9cD

— FemboyFilms (@FemboyFilms) August 20, 2021

    The statement confirms that DAICON FILM has an original team member at the helm, though doesn't clarify who. The original team consisted of co-founders of Gainax, Evangelion creator Hideaki Anno, former Gainax president and producer Hiroyuki Yamaga, former Gainax board member Takami Akai who resigned in 2007 after posting unsavory comments online, former Gainax president Toshio Okada who retired in 1992, and Yasuhiro Takeda, who now runs Gainax Kyoto, which has no affliction with Gainax in general.

  Akai took part in the 33rd anniversary of the original film in 2013, and Anno's has a minor stake in Gainax through Yasuhiro Kamimura, who manages the Evangelion branding and has helped animate some aspects of the latest two films.

  Whoever is handling the DAICON III remaster at DAICON FILM will have a lot on their plate to get an official version of the film released. The short features a myriad of copyrighted characters and music that they don't have the rights to. Seeing it officially released by the members of the original team may be harder work than restoring the original film to digital. More information is set to be released through the newly minted Twitter account.

  Source: NetLab

  ----

Daryl Harding is a Japan Correspondent for Crunchyroll News. He also runs a YouTube channel about Japan stuff called TheDoctorDazza, tweets at @DoctorDazza, and posts photos of his travels on Instagram. 

  By: Daryl Harding

[vgdensetsu]

List of every artist featured on VGDensetsu, Part 2

Part 1: A-M Naohisa Yamaguchi / 山口 直久, AKA NaoQ Naoyuki Katoh / 加藤 直之 Naoyuki Onda / 恩田 尚之 Nobuteru Yuuki / 結城信輝 Nobuyuki Kuroki / 黒木信幸 Nona / ノナ Norio Shioyama / 塩山 紀生 Noriyoshi Ohrai / 生頼 範義 Noriyuki Moto / もとのりゆき Noriyuki Yokoki & Kenji Okamoto Oliver Barrett Osamu Muto / 武藤 修 Peter Chan Philip Howe Philippe Dessoly Rampty / ランプテイ Range Murata / 村田 蓮爾 Rieko Kodama / 小玉 理恵子, AKA Phoenix Rie Roger Loveless Roger Motzkus Ron Villani Ryō Hirata / ヒラタリョウ Ryo Kudou / 工藤 稜 Ryō Nakamura / 中村 亮 Ryouji Minagawa / 皆川亮二 Ryota-H Ryuichi Makino / 牧野 竜一 Ryūichirō Kutsuzawa / 沓澤 龍一郎 Ryūji Higurashi / 日暮竜二 Sachiko Kamimura / 神村 幸子 Sachiko Wada / ワダサチコ Satoru Yamashita / 山下智 Satoshi Nakai / 仲井さとし (formerly 中井 覺 / 中井 覚) Satoshi Urushihara / うるし原 智志 Satoshi Yoshioka / ヨシオカサトシ Seijin Tomobe Senno Aki / せんのあき, AKA Tonko Senri Kita / 北千里 Shigenori Soejima / 副島 成記 Shigeo Koike / 小池繁雄 Shigeru Komatsuzaki / 小松崎 茂 Shigeru Miyamoto / 宮本 茂 Shinichi Morioka / 森岡 慎一 / もりおかしんいち Shinichi Ōnishi / 大西伸一 Shinnosuke Hino / 日野 慎之助 Shintarō Majima / 眞島 真太郎 Shinya Edaki / 枝木真也, AKA Edayan / えだやん Shōji Kawamori / 河森 正治 Shuhei Matsumoto / 松本州平 Shujiro Hamakawa / 濱川 修二郎, AKA Shuzilow HA Shunichi Taniguchi / 谷口 俊一 Shusei Nagaoka / 長岡秀星 Sohhei Oshiba / 大柴 宗平 Steve Peringer Susumu Matsushita / 松下進 Syd Mead / シド・ミード Taisuke Kanasaki / 金崎 泰輔 Takamasa Shimaura / 島浦孝全 Takami Akai / 赤井 孝美 Takao Kōzai / 香西 隆男 Takashi Akaishizawa / 赤石沢 貴士 Takashi Amasaka / 天坂隆志, AKA Daikichi Takashi Kinoshita / 木下崇 Takashi Yuda / 湯田 高志 Takayuki Takeya / 竹谷隆之 Takehiko Itō / 伊東岳彦, AKA Hiroyuki Hataike / 幡池裕行 Taku Engawa / エンガワ卓 Taku Makino / 牧野卓 Takuhito Kusanagi / 草彅 琢仁 / 草なぎ 琢仁 Takuro Fuse / 布施拓郎 Tamio / たみお Tatsuji Kajita / 梶田 達二 Tatsuya Ishikawa / 石川達也 Tatsuya Yoshikawa / 吉川達哉 Tatsuyuki Tanaka / 田中達之 Tetsuhiko Kikuchi / 菊地徹彦, AKA HAN / はん Tetsuya Nomura / 野村哲也 Tim & Greg Hildebrandt Tōichirō Yanagida / 柳田東一郎 Tom Chantrell Tom duBois Tomō Yamane / 山根ともお Tomoharu Saitō / 斎藤智晴 Tomomi Kobayashi / 小林 智美 Tomomi Sasaki / 佐々木知美, AKA Sasatomo Tomoyoshi Yamane / 山根知美 Tony DeZuniga Tony Taka Toru Yoshida / 吉田 徹, AKA Yoshibon Toshiaki Mori / 森気楼, AKA Shinkiro Toshihiro Kawamoto / 川元 利浩 Toshimi Sato / 佐藤敏巳 Toshinobu Kondo / 近藤敏信 Toshio Yamamoto / 山本 利雄 Toshiyuki Kubooka / 窪岡俊之 Toyo Ozaki / 尾崎豊中 Tsukasa Jun / 司淳 Tsukasa Kotobuki / ことぶき つかさ Tsuyoshi Nagano / 長野剛 Victor Gadino Viktor Antonov Yasumitsu Okuda / 奥田泰光 Yasuo Fujita / 藤田 泰男 Yasushi Ishizu / 石津泰志 Yasushi Nirasawa / 韮沢靖 Yasushi Nozaki / 野崎泰 Yasushi Torisawa / 酉澤安施 Yasushi Suzuki / 鈴木康士 Yasushi Yamaguchi / 山口恭史, AKA Judy Totoya Yoh Yoshinari / 吉成 曜 Yōichi Amano / 天野洋一 Yoichi Kotabe / 小田部 羊一 Yoshiaki Yoneshima / 米島義明 Yoshihiko Umakoshi / 馬越嘉彦 Yoshihiro Takaiwa / 高岩 ヨシヒロ Yoshihisa Aran / 亜蘭 善久 Yoshikazu Yasuhiko / 安彦 良和 Yoshimiru / よしみる Yoshitaka Amano / 天野 喜孝 Yoshitaka Tamaki / 玉木美孝 Yoshiteru Tsujino / 辻野 芳輝, AKA Torajiro Tsujino / 辻野寅次郎 Yoshitoh Asari / 浅利 義遠 /  あさりよしとお Yoshitoshi Abe / 安倍 吉俊 Yoshitsugu Satō / 佐藤 由紹 Yoshiyuki Takani / 高荷 義之 Youshi Kanoe / カノエユウシ Yū Kinutani / 衣谷 遊 Yūichi Nakatani / 中谷祐一, AKA Violetche Nakamoto Yūichirō Shinozaki / 篠崎雄一郎 Yūji Ishihara / 石原雄二 Yuji Kaida / 開田裕治 Yukihisa Fujita / 藤田幸久 / ふじたゆきひさ Yukiko Hirai / 平井 有紀子 Yukio Kitta / 橘田幸雄 Yukito Kishiro / 木城ゆきと Yuri Kataiwa / 片岩ゆり Yusuke Murata / 村田 雄介 Yusuke Nakamura / 中村佑介 Yusuke Naora / 直良有祐 Yutaka Izubuchi / 出渕裕 Zavier Leslie Cabarga Zennosuke / 禅之助

[sparklyjojos]

--[Disco Wednesdayyy 25/?] Mercury retrograde, the perfection of 九十九十九, and twisting both a house and the plot to their limits [tw: body horror]--

Last time, Disco had a talk with JJ Styron about how fucked up the future world is, and we ended with Disco deciding to search for Mercury C’s shop in Chofu.

Still at JJ’s, Disco asks the receptionist about the shop that delivered the sweets. The pamphlet she gives him claims that the shop has just celebrated its third anniversary, which would mean it was only opened in 2016. Huh? Confused Disco swings back to JJ Styron’s office and asks him about Mercury C, but JJ swears he doesn’t even know that name. But Mercury C took part in the Pine House, shouldn’t his name be publicly known? Disco uses JJ’s computer to pull up an article about the Pine House case, which lists the following people as missing [putting the entire list here solely because it’s a nice reference. And yes, they put Nils first ;w;]:

Detectives: Mikami Nils Disco Wednesdayyy Judy Dollhouse Choukuuji Keraku Choukuuji Kiyuu Hakkyoku Sachiari Sabayama Nigouhan Kakiuchi Mama Jump Hidzuki Mame Gen Neko Neko Nyan Nyan Nyan Runbaba 12

Angel Bunnies: Fukushima Manabu Hongou Takeshi (great detective Hongou Takeshi Takeshi) Kato Jun'ichi (great detective Sakurazuki Tansetsu) Kimura Daisuke Kawai Kazuhiro Hayashi Hiroyuki Kamimura Tetsurou Tanaka Masatsugu Satou Kazuhiro Yoshida Yukino Hanada Sawako Kawabe Keisuke Miyazaki Natsue Hiroki Takako Mizorogi Fumie Kajiwara Ayako Nomura Rie Nonaka Mami Obata Aki

The article did list exactly 31 people, but no Mercury C. Runbaba 12 was listed instead, probably since his return to the past must have been also seen as a mysterious disappearance. Strange... Dezuumi should have remember that Mercury C was there, so why didn’t he?

[If you read the list of detectives carefully, you may notice that aside from Dezuumi and Mercury C, another important character isn’t mentioned, and it’s highly weird that Dezuumi especially wouldn’t remember him. Hmm...]

If the shop really was only created in the future, and the past seemingly changed in such a way that Mercury C’s actions may have as well not happened, then this would mean...

Mercury C came from the other side of Ragnarok.

The entire Pine House case as it happened was just a ‘fictional past’ to him, much like the current events with JJ Styron were a ‘fictional future’ for Disco.

If Mercury C came back to the future, and his influence into the past was completely erased, what results would it have? Was Disco going to disappear or lose his powers? While events like Mitamura’s death and the detectives gathering in the Pine House were set, Mercury C’s intervention changed so much -- would these changes disappear?

What if Mercury C never returned to the future and waited for Ragnarok? Would the fictional past simply disappear? But if the future outcomes were anchored in the past causes, what on earth would happen if those causes didn’t exist?

Why did Mercury C come to the past anyway? To lead Disco somewhere? Could he be secretly working with the foe and trying to figure out where Disco hid the kids? But no, future ‘Disco’ came back to the Pine House with a ‘Mercury C’ by his side, surely it’ll be alright...

Disco goes to Makuri-ya, which turns out to be located in a slightly different place than Mercury C told him. The staff has no idea who Mercury C is.

Confused, Disco wanders aimlessly through the streets. What is the truth here? What is the thing he’s sure is real, in the end? The children he’s going to save. He has to find a hiding place... maybe one that even Mercury C doesn’t know about. Something unexpected...

--

Disco arrives at his old apartment building, hangs out a little in the garden remembering better times, and tries to call his future self or anyone else to help him figure things out, but nobody comes.

Then he glances at a tree that he once carved his name in, notices the last two letters of ‘Disco’ are C and O, and suddenly remembers.

九十九十九 = COCOC

“That’s right”, the God of Detectives said during his explanation. “The perfection of the name ‘Tsukumo Juku’ will be realized.”

And earlier, “The culprit closed the ‘S’ shape back into an ‘O’, and Mitamura ‘wrote’ it again to ask for rescue.” This was his initial theory, before he redrew the supposed shape of the Stairway To Heaven from an ‘S’ to one more resembling ‘C’. The open shape of ‘C’, the closed shape of an ‘O’. Open, closed.

Natsukawa Cottage and the Pine House.

Natsukawa Cottage was turned into the Pine House by Mitamura. Then, Disco and the others turned the Pine House back into Natsukawa Cottage, at least in their own consciousness. After Ragnarok, once all the people who have this consciousness leave the vicinity of the building, Natsukawa Cottage will once more become just the Pine House. Open, closed, open, closed. C, O, C, O... But there is a fifth letter, one more C.

The Pine House is going to be opened once more.

[Lore note: this is incredibly similar to the near-far wordplay in Jorge Joestar. Once again we have two alternating states, and the protagonist using the pattern of the name 九十九十九 to realize that there’s one more switch between those states to come.]

Now that he thinks about it -- is the Pine House the perfect place he can hide the kids in? He remembers reading an article about Pineapple-chan, an alleged ghost of a child heard in the Pine House. Mitamura even wrote a book with a character called Yukidzuka Pineapple... was what Mitamura and his editors heard really a ghost, or just one of the hidden children? And if they could hear it, would this mean the kids were hidden in that compressed space-time between room 8 and 9, right next to where Mitamura was working on his books?

Led by a feeling, Disco jumps to the Pine House of the year 2019.

--

The future Pine House looks completely abandoned, as if nobody came here in years, though the damage they did during Disco’s explanations has been fixed. Even the holes in the wall are covered with new wallpaper.

Alright, he’s here, what next? He should already know what to do. If there were no detectives around to give him clues, then that should mean he already had all the information he needed and just had to put it together. What was the piece of information he overlooked? What didn’t come into play yet?

The 12 words from the Pine House.

отмачивание (‘soaking’; Maijo translates it as ‘peeling off something wet’) отмачивание (see above) Onsdag (Wednesday) Outrider Ovario (ovary) Onobwi (sixty) Olak-alik (repetition, back and forth) Oktubre (October) Oviana (when) Orquesta (orchestra) Oдоо (now) 廿六日 (26th day)

Aside from these cryptic words, what else can come into play? Disco remembers the Pineapple Home and the mirror world in its ceiling, then the Hanged Man tarot card. Should he try to change his perspective like Odin? He tries to hang down from the chandelier, but it doesn’t seem to be working. But wait, this is the future. If space-time is folded, then this world is already upside down. Maybe the first thing he has to do is to reverse gravity. To somehow fully convince his consciousness that up is down and down is up. But how on earth do you trick yourself into sincerely believing something? That’d be like playing rock-paper-scissors with yourself.

First, he has to trick his eyes. Disco activates the projection of the magic circle, so now the floor and the ceiling look the same, then takes care to remove everything that serves as a point of reference: the chandelier, the tables, the zodiac ornaments, the handrails. The fact that the hallway had two layers of carpeting comes in handy when he has to put one of them on the hallway’s ceiling, and he wonders if this -- and not just hiding blood -- was their true purpose all along.

Now to find a way to get to the ceiling. Disco remembers how in school they once made Moebius strips by taking a paper strip, twisting it and attaching the ends together.

The simplest way to get from standing on the floor to standing on the ceiling without losing the ground under your feet would be to twist the space of the Pine House into a Moebius strip and walk along the curve.

Disco runs through the hallway following this path, but soon realizes that this won’t be as easy as he expected.

Right in front of him, cutting between rooms 8 and 9 and protruding into the hallway, there is the white wall of the World’s End.

--

That’s the third damn wall Disco saw today. First was the transparent one in the bedroom, then the white one at World’s End, and then this one. Maybe a time wall would always be transparent in the forward-time flow, and white in reverse-time flow?

He tries to approach the wall from a different direction. Still there. On the second floor too. Like a white sheet stretching all the way up to the ceiling... perhaps continuing forever. Maybe 'behind’ this white wall was the compressed space in which his companions and the children were hiding? He tries to call them, but realizes that if the wall signalizes two time flows colliding, then there’s no way his voice would carry over. He tries jumping ‘behind’ the wall, but can’t.

Thinking about what to do, Disco enters room 9 and stares at the wallpaper-covered hole. During Kiyuu’s reasoning, they found Mitamura’s body there. The God of Detectives later claimed that Daibakusho had brought it back from the morgue... but was it really the case? Even if it was Daibakusho’s doing, what meaning did it have? Was it meant to show him that there was something more hidden inside the wall? Mitamura was still smiling, as if he died keeping some secret safe...

Without damaging the wallpaper, Disco jumps into the hole in the wall. No World’s End there, just cramped darkness. Hm. Okay, now to think about how to enter the world ‘behind’ the white wall.

While thinking, Disco warps space so that he’s floating gently in the air, curled in the weirdly comfortable darkness. Soon he starts feeling confused about where’s up and where’s down, so he stretches his arm to touch the wall. Nothing. He must have warped space so that the darkness stretched wider, or maybe it was himself that shrunk into this comfortable, womb-like darkness.

He’s slowly losing track of time. Without any point of reference, his inside time is getting uncoupled from the outside time. If people can’t go into another space-time because it clashes with their own, then maybe someone whose sense of space and time is nonexistent can get anywhere?

Disco feels as if he just got enlightened.

This quiet darkness, this ‘Black Box’, is a device made for the explicit purpose of getting rid of your sense of space-time so you can enter another space-time. It’s like a decompression chamber.

Disco focuses and jumps ‘behind’ the white wall.

--

Disco isn’t sure what he’s looking at.

It looks like a collage of many different worlds. He’s standing in the middle of a savannah, but to his right is a tall mountain, and to his left a beach with a diagonally titled sea. Multiple orbs hover in the air, each one containing a lush jungle.

Two cheetahs run up to him and introduce themselves in Japanese as Lightweight and Middleweight. “Are you alone?” they ask. “Where’s your companion? You know, your brother?... Huh? You really are alone? ...oh well. Hey, look, Ichirou and Jirou are coming this way.”

Indeed, two people are descending the mountain. The cheetahs run somewhere while Disco goes out to meet the two people. Just like he expected, Ichirou and Jirou are identical-looking Japanese teenagers.

The thing is, they don’t resemble Mitamura Saburou in the slightest.

But they look a whole damn lot like Daibakusho Curry.

After Ichirou and Jirou greet him like an old friend (how do they know him?), Disco asks awkwardly, “Sorry, do you have belly buttons?”

“Huh?” “What’s that?”

He shows them his own, and the boys seem concerned that Disco must have been stabbed in the stomach or something. If they don’t have those, then... are these two really Daibakusho’s lost brothers? And how on earth did they know his name? Did someone from the Pine House tell them? Were they in the Pine House during the case somehow?

After some thinking, Disco realizes what exactly happened [and boy, if it isn’t one of the wildest things to come out of Maijo’s books.]

--

When Daibakusho Curry / Sakai Tsutomu was still in the womb, he absorbed the bodies of his two brothers. However, the brothers continued to live inside his body as parasitic twins for close to 38 years. So in a way, they also took part in the Pine House case, and heard the explanations about consciousness and space-time.

And just like Kozue, simply by hearing the explanations they were able to learn how to warp space and jump in space-time.

When Daibakusho / the God of Detectives stabbed himself again and later almost died, his two brothers had no choice but to run away from his body by warping to a place they perceived as safe...

...into young Mitamura’s body.

That’s why young Mitamura was suddenly struck with a stomachache so strong it was mistaken for appendicitis. During his surgery, the brothers fell in danger of being cut out and dying, so they ran away again, leaving an empty cyst behind. Where did they run to this time? Somewhere close to Mitamura again...

...into his mother’s uterus while she was pregnant with him 37 years ago.

The two brothers must have learned how to change their own shape, as they managed to successfully grow into healthy fetuses and later be born along with Saburou as triplets, and were given names Ichirou and Jirou.

The two were raised by the Mitamura family until they were 14, when they suddenly disappeared. Maybe the difference in looks between them and Saburou was starting to become too obvious with puberty, or maybe they chose to leave to find their own freedom. Either way, they arrived here, into the world hidden inside the Pine House... right next to Mitamura Saburou’s own study.

--

As Disco looks around the patchwork world, he realizes that all the animals move in pairs. Giraffes, whales, even pandas. Pandas?

“Are Kon Kon and Den Den here too?” he asks.

“Yeah!” “Right there!” They show him two panda cubs frolicking in a bamboo forest.

“So it was you who took them?”

“We didn’t force them to go with us or anything.” “They just wanted to play.” “It’s fine if they have to go back now."

The culprits in the (animal) twin kidnapping case really were those two...

Apparently, in this Twin World every animal knows not to eat the others, and is able to make a world of their own to provide everything they wish for. Ichirou and Jirou are the only humans.

“Aren’t you lonely here?” Disco asks.

“Huh? But everyone is here.” “Same species or not, everyone’s a friend.”

“And you’re not sad at all?”

“Not really.” “We’re always happy.”

“Wouldn’t you like to go back?”

“It’s fine if we go back, it’s fine if we stay.” “Everywhere’s fine.” “The world before... it was alright, but it had so many unnecessary things.” “Happiness and sadness.” “Bitterness and amusement.” “Victories and problems.”

A giant world in the shape they could change as they wished. A giant world...

“Hey, would it be alright if I brought a whole lot of people here, so they can hide like you?” Disco asks.

“We're not hiding!” “We just kinda found this place.” “And made it bigger!” “And brought a lot of animals from zoos!” “And since we know how fun it is to play together as twins, we brought twins to play here!”

Weren’t hiding? But they disappeared in 1982 (which on this side would be 2030)... “You know you’ve been here for years?”

“Yeah.” “We have.”

“And you really didn’t make this world, just found it?”

“Yeah.” “It’s been here before that.” “There was no one else here, so we thought maybe we could play for a while, just the two of us.”

So this world was created somewhere after the year 2030. By whom? Maybe Disco will learn to manipulate time to this degree one day, who knows.

To think these kids really managed to jump behind the white wall... then again, if they could pull off time travel as embryos, they had to have giant potential. Maybe spending time in the womb was like the ‘Black Box’ and allowed them to learn how to change their internal space-time.

Anyway, Disco finally found the place to hide kids. He shares this idea with Ichirou and Jirou.

“Ah, but Mr. Disco, people from the future can’t go inside this world.” “Same with animals.” “We tried to get two fawns from 2015, but they couldn’t get inside.” “Those giant bandicoot rats from 2007 couldn’t either.”

Right, time was running in the different direction than outside. The Twin World has a forward-time flow, just like pre-Ragnarok world outside. If so... then maybe if the Twin World existed pre-Ragnarok, it’d have reverse-time flow, just like the post-Ragnarok world outside. He could hide kids from the future in the past Pine House.

[This is illustrated by a diagram spanning two pages. Since it’d be unreadable on tumblr, here’s a link to a bigger size.]

“Who knows about this world?” He asks.

“Only we two.” “And Mr. Disco!” “Oh, right.”

“Huh? You didn’t say anything to Saburou or Tsutomu?”

“Nooo.” “What if they did something violent? They’re into weird stuff.” “Like gore or that whole SM thing, gross!” “Or stabbing their own eye out!” “Gross!”

[LOCAL TEENS DISAPPEAR FOR OVER 20 YEARS, NEVER CONTACT THEIR GRIEVING BROTHER BECAUSE THEY’RE KINKSHAMING HIM AHGFKASJHDGKJ]

“What about the animals? Do they leave and come back often?” If they speak Japanese, they could spill the beans to someone.

“No, no.” “Once they’re here, they don’t want to come back.” “We only take them from zoos, where they’re kept in tiny dirty cages.” “Here’s much nicer.”

“But their parents are very sad that their children disappeared.”

“Yeah, but kids have to eventually separate from their parents. “Human kids too.” “It’s a little lonely, but you get used to it.”

“Anyway, please don’t come out of this room anymore, alright? Some bad people could discover where it is.”

“But everyone can come here!” “It’s a free place!” “How are these people bad? What kinda bad things they do?”

“Things like bullying children... or ending the world.”

“That’s horrible.” “Yeah, that scary.” “We won’t come out anymore.”

“You sure? I’ll need you to stay here for at least 13 years.”

“It’s fine!” “For us, it’s like 13 days.”

The time worked differently in this world. If it was 2019 on this side of Ragnarok, then it was 1993 on the other, so the two should be 25. But they still looked 14, since they could make time flow as fast as they wanted.

Disco says goodbye to them for know and goes to Kon Kon and Den Den’s place next. He tries to persuade them to come back to Run Run, but the cubs say she should come to this peaceful world instead, and they give Disco a piece of bamboo to pass to Run Run. Disco briefly considers grabbing the two by force, but they’re a delicate endangered species and all, so he just mutters “fair enough” in English, and is surprised when the cubs still understand that. Apparently, the animals here can speak every language.

Disco flies up trying to assess how big the Twin World is, but it seems to go on forever. A giant world, constantly changing before his eyes... Thinking about the speaking animals, Disco remembers the biblical Tower of Babel. When people tried to reach God, he struck the tower in anger and confused the languages. But in this world, there was no language barrier, no war, no horrible child abuse, and everything was just fine.

After one last look, Disco warps back to the Black Box, fixes the Pine House so that no one will notice he was even there, and finally returns to 15th July 2006.

[kentootv]

陸王 (Rikuoh)

DORAMA DETAILS

Title: 陸王

Title (romaji): Rikuoh

Genre: Corporate

Episodes: 10

Viewership ratings: 15.98%

Broadcast network: TBS

Release date: October 10, 2017 to December 24, 2017

Air time: Sundays 21:00

PLOT

Miyazawa Koichi (Yakusho Koji) runs a small, but longstanding company which makes tabi (traditional Japanese socks). He is the CEO of the fourth generation company with about 20 employees. Due to a decrease of demand for tabi, the company is struggling to keep afloat. Miyazawa Koichi thinks about launching a new product line. The new product is running shoes. For the company's surival, Miyazawa Koichi begins to develop running shoes using their accumulated knowledge for making tabi.

TRAILER

CAST

Yakusho Koji as Miyazawa Koichi

Yamazaki Kento as Miyazawa Daichi

Takeuchi Ryoma as Mogi Hiroto

Terao Akira as Iiyama Haruyuki

Kamishiraishi Mone (上白石萌音) as Miyazawa Akane

Kazama Shunsuke as Sakamoto Taro

Otoo Takuma as Kido Akihiro

Wada Masato as Hirase Takao

Sano Gaku as Kezuka Naoyuki

Baba Toru (馬場徹) as Ohashi Hiroshi

Uchimura Haruka (内村遥) as Yasuda Toshimitsu

Amano Yoshihisa (天野義久) as Ebata Kohei

Yoshitani Ayako (吉谷彩子) as Nakashita Misaki

Haru Yasuko (春やすこ) as Mizuhara Yoneko

Kamimura Yoriko (上村依子) as Hashii Yoshiko

Shoji Terue as Nishii Fukuko

Uno Kentaro (宇野けんたろう) as Tachihara Hayato

Maehara Kou (前原滉) as Kase Naoyuki

Hanazawa Masato (花沢将人) as Naito Hisao

Sato Toshihiko (佐藤俊彦) as Kawai

Ishii Takanari (石井貴就) as Mizuki

Ando Yuga (安藤勇雅) as Hashii

Yamamoto Ryosuke as Yoshida

Agawa Sawako (阿川佐和子) as Masaoka Akemi

Koyabu Kazutoyo as Sayama Junji

Katsura Jakujaku (桂雀々) as Ienaga Toru

Shiga Kotaro as Tomishima Genzo

Mitsuishi Ken as Arimura Toru

Dan Fumi (檀ふみ) as Miyazawa Mieko

Kimura Midoriko as Iiyama Motoko

Ichikawa Udanji (市川右團次) as Murano Takahiko

Pierre Taki as Ohara Kenji

Ogata Atsushi (緒形敦) as Hiroki

PRODUCTION STAFF

Original writing: Ikeido Jun (novel)

Screenwriter: Yatsu Hiroyuki

Producer: Iyoda Hidenori, Iida Kazutaka, Kawashima Ryutaro

Director: Fukuzawa Katsuo, Tanaka Kenta

WEBSITE

Official Homepage: tbs.co.jp/rikuou_tbs

Official Twitter: @rikuou_tbs

Official Instagram: @rikuoh.tbs

Official LINE: @rikuou

source : AsianWiki + DramaWiki

SPOILER

sorry i couldn’t give you spoiler for this drama :(

[DOWNLOAD LINK]

RAW VIDEO: ALT1 | ALT 2 | ALT 3

SUBTITLES: not yet available

STREAM (with engsub) still raw

*ALT = alternative

[felejthetetlenerzesekesemlekek]

Adequate nutrition status important for bone mineral density improvement in a patient with anorexia ...

Yukio Nakamura,1,2 Mikio Kamimura,3 Hidefumi Koiwai,4 Hiroyuki Kato1 1Department of Orthopaedic Surgery, Shinshu University School of ... from Google Alert - Orthopedic https://ift.tt/2GtF0ef

[waha-no-baka]

[Forum] Arrêt de commercialisation chez Kazé Manga - 1er janvier 2018 Arrêt de commercialisation chez Kazé Manga - 1er janvier 2018 2nd Love – Once Upon a Lie (2 Dome no Koi wa Usotsuki) tomes 1 à 5, coffret intégrale, d’Orie MORO All You Need is Kill (roman), de Hiroshi SAKURAZAKA Beast Master tomes 1 et 2, de Kyôsuke MOTOMI Black Jack Deluxe tomes 0 à 12, d’Osamu TEZUKA Blue Exorcist (Ao no Exorcist) starter pack, tome 14 (édition spéciale), de Kazue KATÔ Blue tomes 1 à 8, de Kozue CHIBA Chopperman (Chopperman – Yuke Yuke! Minna no Chopper Sensei) tomes 1 à 5, de Hirofumi TAKEI Dengeki Daisy tomes 1 à 16, de Kyôsuke MOTOMI Enigma tomes 1 à 7, de Kenji SAKAKI Happy Marriage?! tomes 1 à 10 (édition normale), roman, de Maki ENJOJI Ikigami – Préavis de Mort tomes 1 à 10 (édition normale), de Motorô MASE Kids on the Slope (Sakamichi no Apollon) tomes 1 à 9, de Yuki KODAMA Kyo-Ichi de Motorô MASE L’Arcane de l’Aube (Reimei no Arcana) tomes 1 à 13, roman, de Rei TOMA Le Coeur de Thomas (Thomas no Shinzô) de Moto HAGIO Le Fleuve Shinano (Shinano Kawa) tomes 1 à 3, de Kazuo KAMIMURA et Hideo OKAZAKI Le Jeu du Chat et de la Souris (Kyoso wa Cheese no Yume wo Miru) tomes 1 et 2, de Setona MIZUSHIRO Level E coffret intégrale, de Yoshihiro TOGASHI Mademoiselle se Marie (Ojôsama wa Oyomesama) tomes 1 à 18, de Megumi HAZUKI Nisekoi coffret 12+13, coffret 17+autres histoires, starter pack, de Naoshi KOMI Private Prince tomes 1 à 5, de Maki ENJOJI Rainbow (Rainbow Nisha Rokubô no Shichini) tomes 1 à 22 (édition normale), de Masasumi KAKIZAKI et George ABE Rock Lee – Les péripéties d’un ninja en herbe (Rock Lee no Seishun Full Power Ninden) tomes 1 à 7, de Kenji TAIRA 7 Shakespeares (7 Nin Shakespeare) tomes 1 à 6, de Harold SAKUISHI Sprite tomes 1 à 15, de Yugo ISHIKAWA Terra Formars Asimov coffret tomes 1 et 2, de BOICHI et Ken-Ichi FUJIWARA Terra Formars starter pack, coffret 14+Rain Hard, de Kenichi TACHIBANA et Yu SASUGA The Moon Sword (Gekka Bijin) tomes 1 à 5, de Tatsuya ENDÔ Tista tomes 1 et 2, de Tatsuya ENDÔ Toriko coffret 24+guide book+hors d’oeuvre, coffret 25+26, de Mitsutoshi SHIMABUKURO Ultimo (Karakuri Dôji Ultimo) tomes 1 à 12, de Hiroyuki TAKEI Victory Kickoff !! (Ginga e kick-off !!) tomes 1 à 4, de Hiroshi WAKAMATSU et Hiroto KAWABATA Wallman coffret intégrale, de BOICHI Source : manga-news Tags : #arrêt #commercialisation #Kaze-Manga Lien vers la fiche : http://ift.tt/2CK0Ooi http://ift.tt/2F3ZqLv

[zkty1006]

The Japanese Short Film "NISHIKAN" /w English Subtitle from DRAWING AND MANUAL on Vimeo.

Do you have a home to remember? Do you have a place that give you warmth? A man who failed finding purpose of his life, and a man who failed taking care of his daughter. And the daughter who left home and got lost her way. In a tiny rural town in Japan, there was a warm encounter. And the long lasting bad feelings between the father and daughter dispelled. A story that lights up the precious relationships and warm up their heart. The short story, “Nishikan”. You will find Japan’s true heart.

Produced by City Of Niigata Nishikan Ward Office city.niigata.lg.jp/nishikan/ Musashino Art University kisode.com

Production DRAWING AND MANUAL drawingandmanual.jp

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Director : Tomohiro Shiiya　Yume Tsukakoshi　Sai Ito

Original Story : Ai Kanegae

Screenplay : Koji Karatsu　Seiichi Hishikawa

Cast : Ryota Kuwahara　Takezumi Nishimura　Ruko　Kazuki Ishikawa　Keisuke Matsubara　Akira Miyakawa　Sachie Miyajima　Sohei Ogura　Kazuo Abe　Kinichiro Eiduka　Hatsumi Adachi　Shizue Mochida　Tomohiro Bando　Takaaki Bando

Special Thanks Maki High School Drama Club

Extra : Katsuzo Ishizoe　Ryoko Ishizoe　Michiko Saito　Miwa Kamimura　Hiroshi Murai　Koichi Goto　Hideo Yoshida　Masafumi Hanyu　Sumii Yoshida　Kikui Takeuchi　Haruichi Kubota

Producer : Kazuo Abe　Makoto Fujii　Katsuhito Ishizuka　Miyuki Sawaguri　Akira Miyakawa　Takuya Watanabe　Katsuyuki Kubota　Takeshi Ishikawa　Kazuki Hoshino

Excutive Producer : Seiichi Hishikawa

Line Producer : Yui Suzuki　Takamasa Katsura

Assistant Director : Nene Sumiyoshi　Momoka Kurajyo

Cinematographer : Kazuo Tsujimoto　Takumi Gunji　Mio Fukuda　CHEN PENG

Live Recording : Takashi Hisamichi

Recording Assistant : Ryunosuke Sasamoto　Nahoko Akiyama

Record : Namiko Osanai

Production Manager : Jyunichi Ichi　Takashi Ueno　Masaki Miyamoto　Masahito Sakaguchi　Takahiro Itabashi

Make Up&Styling : Madoka Takeda　Fumiko Nakahara　Mai Sakamoto　Natsuki Koizumi

Logo Design : Hiroki Kawabe

Trailer Director : Takeru Shibuya

PR : Michiru Muraki (Drill Inc.)

Casting : Reina Washino (Baum and kuchen)

Car Coordination : Takanori Muto　Shouri Hoshi (Wandervogel)

Music : Shinya Kiyokawa

Recording Engineer : Mikihiko Ishibashi　Yukinari Matsumoto (HEACON STUDIO)

Soundtrack : Title Music The Wisely Brothers “Yaoya" album [seaside81] ©2016 LASTRUM Music Entertainment Inc. thewiselybrothers.tumblr.com

Nabowa "collage" "thank you!" album [Nabowa] ©2010 magie/bud music inc./AWDR/LR2/BounDEE, Inc. “Ruderadio" album [DUO] “Suiyoubi-no-umbrella" "You and I" album [Nabowa 4] nabowa.com

Kanami Tazoe “Matane-no-Yakusoku" album [ON] tazoekanami.com

Shinya Kiyokawa "Handkerchief"

Ending Theme Song Minami Honobe “itsumademo"

Music Collaboration : kenbow　Takuma Kawagoe　Risa Satohara　Hiroyuki Himeno

Filming In Cooperation With : KakashiIwamuyoya Hamamatsuya Takarayama Brewery Iwamuro Confectionery Bougainvillea Shugetsu Temple Maki High School Iwamuro Hot Spring Tourism Association Maki Tourism Association Kakudahama Tourism Association MILL Musashino Art University

Special Thanks : Shingo Miyajima　Noritaka Moriguchi　Keiko iino　Ai Natori　Mizue Kawamura　Tatsuniwa Doi　Dairo-kai　Nishikan Wara Art Westival ALL Crew　Musashino Art University Science of Design

Dedicated To Erika Tsukakoshi