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#how i won the war 1967
elvispresley · 7 months
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John Lennon as Gripweed in How I Won The War (1967)
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lady-jane-asher · 2 months
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New released picture!
Beautiful Jane Asher posing with boyfriend Paul McCartney during the premiere of “How I won the war” movie where John Lennon acted on.
October 19th, 1967.
📸: Topfoto
First picture my colourisation, edition and enhancement. Second picture my edition and enhancement from the original picture.
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George and Pattie at the premiere of ‘How I Won the War’ on October 18, 1967🌸🌸🌸
Via instagram.com🌸
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sounwise · 2 years
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The Beatles at the memorial service for Brian Epstein held on 17 October 1967 at the New London Synagogue, St John's Wood.
[Brian Epstein’s] body was returned to his home in Liverpool, where his funeral took place, quietly and privately. The Beatles didn’t attend because the family didn’t want the attention their presence would attract. Instead, in October, we all went to his memorial service, at the New London Synagogue in St John’s Wood, not far from the EMI studio. It was a memorable, moving occasion, a tribute to a man we had loved and would never forget.
[—from John, Cynthia Lennon]
We all went to the funeral [actually the memorial service]. I remember the Beatles coming into the synagogue, their faces white and pinched still with shock. Out of respect for Brian, they were all wearing yarmulkes. They had all washed their hair for the occasion, and the little round caps kept slipping off, falling to the floor. Wendy Hanson [Brian’s former assistant], who was standing behind the Beatles, had to keep picking their yarmulkes up and fixing them back on to their mop-tops. Somehow, that made me feel so sad; sadder than anything.
[—from With a Little Help from My Friends: The Making of Sgt. Pepper, George Martin]
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likeapomegranate · 4 months
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John Lennon, 1966, on the set of How I Won The War
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midchelle · 8 months
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German Promotional Advertisement Poster & Press Notes Leaflet for How I Won The War (1967) dir. Richard Lester.
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dostoyevsky-official · 6 months
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Biden’s Gaza Stance Spurs Stunning Drop in Arab American Support
The first national poll of Arab Americans since the war in Gaza began shows how deep that sense of betrayal goes, with only 17% of Arab American voters saying they will vote for Biden in 2024—a staggering drop from 59% in 2020.  [...] The poll results are likely to increase concerns among Democrats about Biden’s standing with Arab Americans heading into 2024, particularly in Michigan, where roughly 277,000 Arab Americans call home, and Biden won in 2020 by 155,000 votes. But the smaller Arab American populations in Pennsylvania and Georgia were also larger than Biden’s margins of victory there. All three states are ones Biden flipped after Trump won them in 2016. [...] “This is an issue on which Joe Biden’s views have not evolved,” says Matt Duss, who supported Sanders in 2020. After Sanders ended his bid, Duss recalls helping draft the Democratic Party’s 2020 platform and facing pushback from Biden’s foreign policy team over using the term “occupation” to describe the Israeli military’s control over the Palestinian territories that began in 1967. “That was too far for them,” Duss adds. “If you’re not going to even say the word occupation, in my view, this is like an oncologist who won’t say the word cancer.” [...] “Arab Americans should not be put in this position by President Biden,” [Amer Zahr, the president of the Dearborn-based New Generation for Palestine] says. “And I think if [Democrats] now turn and say, ‘Well, you got no choice—it’s us or Trump,’ if that’s the best argument they have, well, that’s a verdict on this administration too. I don’t find that to be a very inspiring bumper sticker.”
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rockandrollsgroupie · 1 month
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October 18th, 1967, Pattie Boyd and George Harrison at the premier of “How I Won The War”
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javelinbk · 7 months
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John Lennon and Leo McKern in Help! (1965) John Lennon and Roy Kinnear in How I Won The War (1967)
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queenie-blackthorn · 7 months
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Pls rant about something. infodump to me. I want a loooooong one about your interests. I require something to read
not really an interest, more something i dont shut up abt, but here you go: the rant about an arab muslim about palestine and israel (imma try to explain the whole situation from the beginning but dont surprised if i get pissy at times)
zionists, not jews
first off, i wanna clarify this: zionists are who i blame for palestine. not jews. jews are an ethnoreligious group, zionists are people who support the creation of israel and encourage the literal recreation of the holocaust that theyre creating. im not anti-semitic, im anti-zionist. know the difference.
okay, now thats out of the way, lemme explain this next point: how did the conflict even begin? (i feel the need to explain this bc the media never does and the history is so so important)
the history
zionist movements began in maybe mid 19th century, jews worldwide were being persecuted and they wanted a land to themselves. they had their eyes set on palestine, even tho the palestinian bedouins there have been living in palestine for at least 1500 years
wwii left millions of jews stranded, so in 1947, the united nations suggested dividing palestine into a jewish and arab state. the jews accepted, but the arabs rejected it. this rejection was ultimately ignored, and israel declared itself a state in 1947, leading to palestinian arabs being displaced and a war starting between israel and arab nations. this was known as nakba—literally the arabic word for disaster, it mainly refers to palestinians being displaced after israel declared independence
the six-day war of 1967 was a conflict ultimately won by israel—they took control of the west bank, the gaza strip, and east jerusalem. conflicts got worse from here, and violence against civilians grew. its been snowballing since then
is it between jews and muslims?
no. its between jews and arabs. palestinian christians are some of the oldest communities of christianity worldwide, some being able to trace their history back to the birth of the church. its between the jews that claim the land to be theirs, and the arabs who have actually been on the land for longer than the 75 years since israel was formed (nearly 14 centuries longer, to be exact)
why i care so much
its not just because im arab, or just because im a muslim. of course, it is partially that—seeing my brothers and sisters get killed hurts me, esp knowing that theres not much i can do except pray to god that this ends.
yes, israeli citizens die every year bc of the conflict. im not saying that number is nothing. but the palestinian civilian fatalities are so much worse.
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the total deaths from 2008 to 2020 for palestine is over 20 times more than israeli deaths. (note that this graph is not up to date and does not include the hundreds of palestinians who have died since 2020. no, im not exaggerating. hundreds. i wish i was.)
some of my best friends are palestinian. the idea that they know people, or their parents know people, who have died at the hands of israelis, is absolutely not acceptable.
like my friends, millions of palestinians are now scattered across the globe, or in danger in their own country where zionists are trying to take their land.
this conflict is disgusting and wrong. jews have less of a right to that land than arabs. yes, jews have been living w arabs in that land for centuries, but its always been predominantly arabs. always has been, always should be.
and yet zionists refuse to accept it. take a look at this article from the times of israel:
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kanye is infamous for supporting hitler. all jenna did was say that palestinians deserve to live.
this honestly tells you more than anything else can.
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beatsfornone · 9 months
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Paul McCartney and Jane Asher Oct 1967 at premier of the film How I Won The War
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harrisonarchive · 1 year
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George Harrison and John Lennon at the special Magical Mystery Tour screening party they hosted for the Area Secretaries of the Official Beatles Fan Club (including Freda Kelly) and other friends (such as Spencer Davis). The event - during which The Beatles At Shea Stadium was also screened - was held at the Hanover Banqueting Rooms in London on 17 December 1967. Photos: Gotta Have Rock and Roll Auctions; Freda Kelly; The Beatles Book.
“'I had a soft spot for all of them,’ [Freda Kelly] says diplomatically.” - The Toronto Star, 28 April 2013
Ryan White, director [of Good Ol’ Freda]: “George is Freda’s favorite Beatle too. She would never admit it, but from years of being around her, that’s what I think. [Freda laughs and shrugs, but her lips are sealed] - “SXSQ interview: Former Beatles Secretary Freda Kelly Finally Speaks,” Film School Rejects, 26 March 2013
George Harrison: "Nobody else has said anything yet about our fan club secretaries, Anne Collingham and Bettina Rose, not to mention Freda Kelly in Liverpool.”
[The Beatles shouting] “Good ol’ Freda!”
George: “So on behalf of us all, I’d just like to say a great, big thank you to Anne, Bettina and Freda for all the hard work they’ve done and we just hope we can go on pleasing you for a long time.” - The Beatles Christmas Record, 1963 (x)
“Oh, there were quite a few, and they’re all fun for different things. The How I Won the War premiere after party was quite fun because, God, I was so drunk. I was 22, and because it was a premiere, I was all dolled up and thought I was the bee’s knees. I didn’t have any ballroom gowns, so Mo Cox, Ringo’s wife, lent me a beautiful evening dress, and Elsie [Ringo’s mom] lent me a mink fur. They dolled me up! I’m not very good with makeup, so I bought false eyelashes and put them on. You always forget, and I’m always rubbing my eyes, so I’m dancing with George, and he’s oiled up more than I am, and he’s holding me up and says, ‘You’ve got a spider on your face!’ And I go, ‘What are you talking about? Oh, it’s me eyelash!’ [laughs]” - Freda Kelly (in response to the question, “What was the wildest, most fun night out with the Beatles?”), The Daily Beast, March 14, 2013
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homomenhommes · 22 days
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THIS DAY IN GAY HISTORY
based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … April 5
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1837 – Algernon Charles Swinburne (d.1909); A Victorian era English poet, his poetry was highly controversial in its day, much of it containing recurring themes of sadomasochism, death-wish, Lesbianism and irreligion.
Swinburne had a striking appearance; he was very short and thin, with a huge head and large quantities of flame-red hair. He had a nervous temperament, could behave erratically, and was subject to tremors.
He had a lively interest in flagellation—a taste probably acquired at Eton, and he shared his sexual interests with, among others, Lord Houghton, who had amassed a large library of erotica.
For his own entertainment, Swinburne composed flagellation sketches, farcical novels, and reviews of nonexistent French poets. He tried to publish some of these works, but primarily he circulated them among his friends—who included Dante Gabriel Rossetti, his brother William Rossetti, and Edward Burne-Jones.
His Poems and Ballads scandalized Victorian critical and moral opinion and was withdrawn from circulation by its publisher. The volume included "Dolores," which glorified masochism, "Hermaphroditus," which exhibited Swinburne's lasting interest in bisexuality, and "Anactoria," which glorified lesbianism in an address of Sappho to her lover.
His friendships with George Powell and Simeon Solomon encouraged his interest in same-sex sexuality, though he was at times ambivalent about what he called Solomon's "Platonism." But we do know that he and gay painter Simeon Solomon used to chase each other naked through the poet Rossetti's house
By the late 1860s, Swinburne had become addicted to alcohol, and it quickly undermined his health. His alcoholic sprees also began to lose him friends.
In 1879, Theodore Watts (later Watts-Dunton), a solicitor and minor writer, established Swinburne in his house in Putney outside London. Watts tactfully weaned Swinburne from alcohol and from those of his friends who had encouraged him to drink. Though the household treatment at Putney might be thought stifling, Watts undoubtedly saved Swinburne's life. Swinburne continued to write until his death thirty years later.
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1900 – Spencer Tracy (d.1967) was an American actor. Respected for his natural style and versatility, Tracy was one of the major stars of Hollywood's Golden Age. In a screen career that spanned 37 years, he was nominated for nine Academy Awards for Best Actor and won two, sharing the record for nominations in this category with Laurence Olivier. Like Olivier, Tracy was reportedly bisexual.
Spencer Tracy was a midwesterner from a lace-curtain Irish-American background who developed a taste for acting at school, and after a First World War spell in the US Navy, a year at drama school, and various odd jobs, he spent eight years developing his craft on Broadway. A fellow Irishman, John Ford, spotted him playing a condemned murderer on Broadway in 1930 and brought him to Hollywood to play another convict in Up the River. Twenty-eight years later he gave one of his last great performances in Ford's The Last Hurrah.
Though a confident professional, he was a difficult, guilt-ridden man, alcoholic and bisexual, the two sides of his personality perhaps expressed in the 1941 Dr Jekyll and Mr Hyde.
Ex-rent boy, Scotty Bowers, in his book Full Service, tells of how he and a very drunk Tracy ended up naked in bed together, and how he had suggested to Tracy that
we should try to get some sleep, but he wasn't ready for that. Instead, he lay his head down at my groin, took hold of my penis and began nibbling on my foreskin. This was the last guy on earth that I expected an overture like that from, but I was more than happy to oblige him and despite his inebriated state we had an hour or so of pretty good sex.
The next morning there wasn't even the slightest hint of how drunk he'd been, that he'd pissed in the corner of the bedroom, or that we'd had sex together. He didn't say a word about it. It was as though none of it ever happened.
That was the first of many sexual encounters I had with Spence. Sometimes I would go to his place at five in the afternoon and sit around the kitchen table with him until two in the morning as he drank himself into a stupor. Then he would be ready for a little sex. Despite everything, he was a damn good lover. The great Spencer Tracy was another bisexual man, a fact totally concealed by the studio publicity department.
Tracy found his greatest professional success and most profound personal experience in his partnership on and off screen with Katharine Hepburn. She was the Ivy League-educated, upper-middle-class liberated sophisticate to his self-made, aggressively male rough diamond, and they sparred together in nine films, beginning with Woman of the Year (1942).
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1929 – Joe Meek (d.1967), born Robert George Meek in Newent, Gloucestershire, was a pioneering English record producer and songwriter acknowledged as one of the world's first and most imaginative independent producers . His most famous work was The Tornados' hit Telstar (1962), which became the first record by a British group to hit #1 in the US Hot 100.
A stint in the Royal Air Force as a radar operator, spurred a life-long interest in electronics and outer space. From 1953 he worked for the Midlands Electricity Board. He used the resources of his company to develop his interest in electronics and music production, including acquiring a disc-cutter and producing his first record. He left the electricity board to work as a sound engineer at Radio Luxembourg.
Despite not being able to play a musical instrument or write notation, Meek displayed a remarkable facility for producing successful commercial recordings. To compose, he was dependent on musicians, who would transcribe his singing (or recordings of it). He worked on 245 singles, of which 45 were major hits (top fifty or better).
He pioneered studio tools such as artificial multi-tracking on one- and two-track machines, close miking, direct input of bass guitars, the compressor, and effects like echo and reverb, as well as sampling. At a time when studio engineers were assiduously trying to maintain clarity and fidelity, Meek was producing everything on the three floors of his 'home' studio and was never afraid to distort or manipulate the sound if it created the effect he was seeking. For John Leyton's hit song Johnny Remember Me he placed the violins on the stairs, the drummer almost in the bathroom, and the brass section on a different floor entirely.
Although he turned down opportunities to work with David Bowie, The Beatles and Rod Stewart, Meek did work with a host of other artists including Gene Vincent, Billy Fury, Petula Clark, Shirley Bassey, Tommy Steele and many more.
Meek was obsessed with the occult and the idea of 'the other side'. He would set up tape machines in graveyards in a vain attempt to record voices from beyond the grave. In particular, he had an obsession with Buddy Holly and other dead rock and roll musicians.
His efforts were often hindered by his paranoia (Meek was convinced that Decca Records would put hidden microphones behind his wallpaper in order to steal his ideas), drug use and attacks of rage or depression. His then-illegal homosexuality put him under further pressure; he had been charged with 'importuning for immoral purposes' in 1963 and was consequently subjected to blackmail.
In January of 1967, police in Tattingstone, Suffolk, discovered a suitcase containing the mutilated body of Bernard Oliver, an alleged rent boy who had previously associated with Meek. According to some accounts, Joe became concerned that he would be involved in the investigation when the London police stated that they would be interviewing all known homosexuals in the city.
On February 3, 1967, the eighth anniversary of Buddy Holly's death, Meek killed his landlady Violet Shenton and then himself with a single-barrelled shotgun that he had confiscated from his protegé, former Tornados bassist and solo star Heinz Burt at his Holloway Road home/studio. Meek had kept it under his bed, along with the shells. As the gun had been registered to Burt, he was questioned intensively by police, before being eliminated from their enquiries.
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1936 – Pierre Hahn (d.1981) was one of the earliest gay militants in contemporary France and an amateur historian who received the first doctorate given in France for work in the history of homosexuality.
Pierre Hahn was nineteen when he contacted André Baudry, the former seminarian who had just begun publishing Arcadie, a monthly "homophile" review and would soon found an association with the same name. Invited to participate, Hahn wrote numerous articles (under the pseudonym André Clair) on a wide variety of subjects of interest to the homosexual readership, while simultaneously embarking on a career in journalism.
Under pressure from his father, however, Hahn briefly entered a psychiatric hospital at the age of twenty in a vain attempt to "cure" his homosexuality. The experience left him with a life-long distrust of the medical profession because of the way it had been treating homosexuals since the nineteenth century.
By the mid-1960s Hahn was evolving beyond Baudry's position that homosexuals should show themselves "respectable" and "dignified" in order to win the tolerance of society. Hahn later explained that he had begun a serious relationship with another man and "like all people who are in love, I wanted to shout it from the rooftops; I also wanted to rehabilitate something [homosexuality] that was held in contempt or treated with condescension." In a public talk at Arcadie, he compared the discrimination against homosexuals to racial discrimination, a point of view that shocked some of his more conservative listeners.
Guy Hocquenghem (a leading gay militant of the 1970s, but at the time a 21-year-old Trotskyite who carefully hid his own homosexuality from his homophobic "comrades" on the political left) later recalled Hahn's appearance at one meeting in 1967: "He came into the damp cellar and for an hour spoke to us about homosexual liberation. It was the first time I had ever seen a homosexual militant. And for a good reason, because at the time he was the only one in Paris."
In late 1970, there emerged a small radical group of Arcadie members that undertook a number of commando actions, most notably the disruption of an anti-abortion meeting in Paris on March 5, 1971, in which Hahn participated.
Five days later, the same group sabotaged a live radio broadcast on the theme "Homosexuality, This Painful Problem." They stormed the stage. Hahn, who was taking part in the program as an invited journalist and (presumably heterosexual) "expert" on homosexuality, had arranged their presence
That evening the they founded the Homosexual Front for Revolutionary Action (Front Homosexuel d'Action Révolutionnaire, or FHAR). Radical gay liberation had come to France.
After FHAR's collapse in early 1974, Hahn remained active in the gay movement. He had also begun research into the gay past. One former gay militant, Alain Huet, remembers Hahn as "a living homosexual encyclopedia".
In 1979 Hahn published Nos Ancêtres les Pervers (Our Ancestors The Perverts), in which he tried to demonstrate how, by repressing same-sex activity in eighteenth- and nineteenth-century Paris, policemen and doctors had produced the modern homosexual as a distinct category of man.
In late 1980, a board of examiners at the University of Paris-VIII (Vincennes) awarded Hahn a doctorate in philosophy for his work on "the birth of homosexuality," earning the degree on the basis of the work that he had already published in the form of books and articles.
By then Hahn had taken to drinking heavily. Without a steady job, he found it difficult to make a living and was deeply in debt. He was also infatuated with a young Moroccan, who took Hahn's money and gave little in return.
Hahn committed suicide on February 19, 1981. Gay militants had to take up a collection to pay for the burial. The card on one of the two wreaths at the funeral was an implicit acknowledgment of his historical role in launching gay liberation in France: "To Pierre Hahn, from his friends in the French and foreign homosexual movements."
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1939 – Massachusetts requires notice to police whenever someone convicted of sodomy is released from prison.
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1982 – Thomas Hitzlsperger is a German director of football and a former footballer who played as a midfielder. Since February 2019, he has been the head of sport of VfB Stuttgart.
Hitzlsperger began to play football at Forstinning, and later he joined the youth team of Bayern Munich, and in 2000 he moved to Aston Villa.
Hitzlsperger, who got engaged to his high school sweetheart, broke up with her shortly before the scheduled wedding ceremony six years ago. He was no longer certain of his sexual orientation. In an interview, he stated, "I finally figured out that I desired to be with a man."
The former world champion, who performed in the 2006 Global Cup and the 2008 European Championship, continues that he no longer had to lie about his sexuality and that teammates sooner or later stopped asking about his lack of a girlfriend. "However, the crucial aspect for me is to show that being a homosexual soccer participant is something that is normal. The perceived contradiction between playing football, a man's recreation, and being gay is nonsense. I don't think anyone has ever walked away from a game with me wondering if there's something wrong or 'too smooth' with my game," he said.
In January 2022, Hitzlsperger told ARD, that a "collective coming out" of gay footballers could be a solution to their problems of hiding their sexuality. Hitzlsperger took the example of 125 Catholic priests in Germany who decided to come out at once.
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1991 – Phillip Picardi is an American journalist and editor. He is the former editor-in-chief of Out. His career in journalism began at Teen Vogue. He also worked for Refinery29 and Allure.
Picardi grew up in Boston to a Catholic family. Picardi attended Central Catholic High School, where in 2008 he was one of the founders of a now-annual student fundraiser called Catwalk4Cancer; the 2017 event raised more than $250,000. After graduating from high school, Picardi attended college at New York University.
Picardi started his publishing career as an intern at Teen Vogue. He then served as online beauty editor at Teen Vogue before becoming senior beauty editor at Refinery29 in September 2014. At Refinery29 he worked for Mikki Halpin, whose influence as well as Picardi's personal experiences led to a growing interest in political engagement alongside his work on beauty.
Speaking to The Guardian, he said his experience growing up gay in a Catholic family meant "I can certainly relate to what it feels like to be underrepresented or even marginalized. I took sex ed classes and there was no mention of homosexuality. Or I would sit in religion class and be told my life was a sin." Since June 2020, Picard has hosted a podcast about this subject called Unholier Than Thou, part of the Crooked Media podcast network.
In March 2017, his role at Condé Nast expanded to become as digital editorial director for Them, the LGBT magazine as well as Teen Vogue. Under Picardi's leadership, Them has also seen a significant rise in web traffic: April 2017 had a 53% increase over the prior year (6.9 million over 4.5 million in April 2016). He left the magazine and Condé Nast in August 2018.
In August 2018, Pride Media Inc. announced Picardi as the new editor-in-chief of Out. Picardi was let go from Out in December 2019, describing it as “the most complex chapter of my career so far”.
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ludmilachaibemachado · 8 months
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Jane Asher and Paul McCartney, at the premiere of How I Won the War, October 18th 1967🌺
Via @mccartneysteam on Instagram🌺
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eretzyisrael · 6 months
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We Forgot
You shall remember what Amalek did to you on the way, when you went out of Egypt,
how he happened upon you on the way and cut off all the stragglers at your rear, when you were faint and weary, and he did not fear God.
It will be, when the Lord your God grants you respite from all your enemies around in the land which the Lord, your God, gives to you as an inheritance to possess, that you shall obliterate the remembrance of Amalek from beneath the heavens. You shall not forget! — Dvarim 25:17-19
I have heard this read in the synagogue numerous times, and taken part in discussions of the meaning of this mitzvah (commandment). But I did not truly understand it until Simchat Torah of this year.
A mitzvah can always be understood in relation to actions. The well-known injunction to “love thy neighbor” in Lev. 18:19 appears in context as “Do not seek revenge or bear a grudge against anyone among your people, but love your neighbor as yourself. I am the Lord.” It does not require me to have a warm feeling toward the residents of the apartment next to mine. Rather, it orders me to avoid feuding with other Jews (not always an easy thing).
The commandment to remember Amalek does not mean to produce in myself a certain state of mind, similar to what I aspire to when my wife tells me to remember to bring home a carton of milk. That would be impossible anyway, because I wasn’t there in the desert when Amalek first did its dirty deeds. How can I remember what I didn’t experience? So what does “remember” mean here?
What I realized on Simchat Torah was that it means that we must not only keep in mind the evil that Amalek intends, but we must act on that awareness. It means that we must not let our guard down, we must take positive actions to prepare for Amalek’s viciousness. Only after we have achieved our independence in the land of Israel and fully defeated all of our enemies, can we stand down from our condition of high alert. Only when Amalek is finally obliterated will it be safe to obliterate our memory of it.
This has actually been the human condition for ages, and remains the condition of most of the world’s population today. If a tribe forgets that it has enemies, it will soon be swallowed up. But recently, several generations have grown up in North America and Western Europe whose enemies have been kept far enough away from them that they’ve come to believe that it’s normal to live in peace. It is actually exceptional. I think that shortly they may find out that this isn’t true.
For Jews, the wolf of Amalek is always at the door. This is certainly true in Eretz Yisrael, where Amalek has been battering at us for at least the last 100 years. But since 1967, many Israeli Jews have lost the existential anxiety that gripped the generation of 1948. The Yom Kippur War was a reminder of it, but the fact that we recovered from the initial defeat and won a clear-cut military victory (though it was taken from us diplomatically) and that our enemies didn’t penetrate our home front, soon erased the fear of the first days of the war. There were other warnings, but the desire to live as though we were one of the large Western democracies made us suppress the precarious reality of the Middle East in which we live.
So we reduced the size of our ground army, and relaxed many of the procedures that were, it turns out, essential to protecting our people. We have become dependent: on America, on technology, on our Air Force. Officers assumed that we were so strong that nobody would challenge us, so it was safe for them to fudge a little on their reports to higher-ups. What could happen? Our General Staff decided that technology could replace boots on the ground; they advocated for a “digital battlefield” on which every soldier would be tied into to sophisticated information systems that would provide real-time intelligence and command, blah blah blah. Their reports all said that goals were achieved. A whole paper structure was built that did not reflect reality. The map was not the territory. “We’ve never been stronger,” said the top generals, until Hamas revealed their nakedness on October 7.
Our leaders should have known the intentions of our enemies. All they had to do was listen to what the spokespeople of Hamas, Hezbollah, the PLO, and Iran said in public. But perhaps because they themselves were so easily bought, they held our enemies in contempt. They assumed that quiet could be purchased with American dollars to the PLO and Qatari cash for Hamas. But it turns out, as anyone who has studied the Middle East even a little knows, that money was only a means to an end. They were happy to take it and build fancy villas for themselves, but they also dug tunnels and manufactured rockets. And they never lost their aspiration to once and for all kill and drive out the Jews from what they claim as their land.
The generals and the politicians forgot that we are not a large western democracy, but rather a small country in the Middle East. They forgot that our enemies are not stupid. They forgot that honor and deterrence go together. They forgot that the more complicated a system, the more weak points it has, and that technology can fail. They forgot that Maginot Lines never work. They forgot that only ground forces can hold territory.
Most importantly, they forgot how much our enemies hate us and how this motivates them. They forgot Amalek.
Abu Yehuda
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likeapomegranate · 5 months
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There was no reason for this to be his first line in the damn movie...... ehehe..... whatt
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