#humanmade disaster

[disparition]

Why do you pick parts of California you do for In.A.Walled.City?

How do you come up with concepts like a mile wide highway nation that exists in the legacy of a Amazon delivery driver turned communist general?

There's so much imagination to extrapolate what these places should look like, does it just come from looking around and earnestly thinking about what comes next for the places we live in?

Thanks!

Yes, I spend a lot of time thinking about the future of the places I travel to. I've always been into speculative fiction of various kinds as well as more grounded theorizing about the future shapes of human societies, and when I started touring regularly I began thinking a lot about this in a more physical and direct sense.

I noticed for example that a lot of strip malls and outdoor shopping centers throughout the US - especially on the west coast - have a physical structure that can be easily converted into a small fortified community. Many of them even have decorative watchtowers and borrow the aesthetics of medieval and early modern fortifications, even if these are very superficial. This comes up in several places in the story and is part of the origin of the name, but the first one I thought about (briefly referenced in episodes 5 and 8, and it will come up again much later) was the Tejan outlet mall just north of the grapevine pass, which would be a strategically crucial area for a number of reasons.

One idea for the series came from reading a firsthand account of Napoleon's Russian campaign, written by his aide de camp Philippe Henri de Segur. It was a fascinating and very personal portrait of a huge humanmade disaster. So the first sketch I wrote, which will not appear in the series until episode 17 (Mia Marisol and the Last Governor of California) is a similarly personal account written by an aide to one of the most famous generals of the period. She was a UPS driver by the way, not Amazon. Marisol is not the same kind of figure as Napoleon and her career takes a different turn, but she is a similarly divisive and transformative figure of her time.

Another idea, for the setting, came in the form of trying to reconcile the history and present of Judaism and various Jewish communities, to address our cycle of being both victims and perpetrators of violence and oppression and nationalism. This is the core of episode 2, as well as the final section of episode 6, and is the reason that the story is set in the Hebrew year 6000 (or, the 23rd century according to the Gregorian calendar). It is a theme that will be interwoven throughout the work, and is the other part of the meaning of the name.

The first actual story I wrote in this world was what became episode 8. The first line of the episode, "first it was Borders, then it was Barnes&Noble, then it was nothing", came to me in the middle of the night and I had to get up and start writing, and The Historian was the eventual result. That episode is largely based on my own experiences in the world of publishing (I worked for Barnes&Noble.com managing their online community and customer reviews, then later for a book publishing house that was part of the Disney/ABC conglomerate) as well as my own predictions about future intersections of literature, fandom, and religion. Episode 4, The Marketer, is also part of that particular thread.

Starting in late 2020, due to a number of family crises, I had to drive between LA and SF every week or two. It was during these drives that I came up with the idea of a road as a nation in and of itself and a culture of constant travellers who maintain and regulate that road. The story of that nation is arguably the most "gimmicky" episode since it's about the future of interstate 5, it's episode 5, and musically speaking it's in 5/4. It was also the most fun to work on.

As you might guess, each episode takes a very long time to make. But I am still working on the next one. Thank you very much for listening!

[if-you-fan-a-fire]

"Quand Les Forets Brûlent," Détective, (Août 29, 1929, volume 44) — Page 12 & 13.

[enterenews]

Lee Seung-gi's current situation, a bright smile after donation

Singer and actor Lee Seung-gi's current situation has been revealed.

On the 17th, on the official SNS of Lee Seung-gi's agency, "Tuesday. #LeeSeunggi #Humanmade” along with a picture came up.

In the photo, Lee Seung-gi's profile is included.

He boasted a round head with a shaved head.

Also, despite his shaved head, he still showed off his clear features and good looks.

In particular, he showed off a brighter smile and attracted attention.

Meanwhile, Lee Seung-gi recently donated 2 billion won to Seoul National University Children's Hospital to improve the treatment environment.

He also delivered 550 million won to the Korean Red Cross for the production of a mobile meal vehicle to support disaster relief efforts and a blood donation bus to alleviate the blood shortage problem.

[cats-of-eden-valley]

OKAY I MANAGED TO SQUEEZE OUT THE MAP BEFORE 1AM LOL

but yeah this is!! the setting!! the city surrounding the valley is supposed to be in ruins, think post-apocalypse-esque ruination, where the building have long begun to crumble, now hosting greener life trying to reclaim what was once taken from it

In the valley itself is where the valley cats live, while the upper Town is the home of humans, strays, loners, and pets. Humans typically stay out of the valley because there are wild, terrible beasts and mysterious magics, and they do keep the cats as "pets" (they like to be called companions, though, and the relationship between them and humans is a bit more cooperative in nature because they're all just trying to get by)

Valley cats tho stay out of the cities because it's away from the horrible humans and the terrible conditions of the Town, which is lacking in food, clean water, and safe shelter and is just littered with humanmade obstacles and disasters just waiting to happen

It's a bit harder to see, but the river that leads from the base of the (dormant) volcano leads to a waterfall, behind which is the Sacred Holy Place Where Trade, Religious Meetings, and Court all happen and you're not allowed to kill each other.

There are three different prides, with a fourth that's sort of forced its way into the hierarchy. The names are still up in the air, but Sunspring are the stalkers and pursuit hunter who live in the south of the valley and follow the herds back and forth from the plains to the woods depending on the season

Coldbank lives by the river and gets into pissing contests with Sunspring, especially over Black Serpent Rocks who they both believed Hiverne let them have after he mightily killed a nasty giant snake that was eating the cats

Bogden lives more in the north, sometimes hunting in the swamp, sometimes in the pine trees, and if food is tough, even in the Town itself when times are tough and they're willing to risk disease

and then there's the final pride, Windswept, who is really just a small family that broke off from Bogden a couple of generations back and Bogden are still sore about it. They kinda vacillate between hunting on the plains when Sunspring are in the forest (they've got the biggest territory, they won't miss it if they snatch a little bit) and in the open pine forests of Bogden (at least when they aren't being extra pissy about them, which the latest council of matriarchs have been much more chill in recent years)

aaaaand those are the basics? feel free to ask questions or tell me if anything is unclear :P

[musingsofabooklover]

Orphan 55

A good, solid, fast-paced episode. A bit heavy-handed at some parts, but overall enjoyable.

Spoilers below the cut.

Another Doctor, another possible future for the Earth...

I like the point this episode made about what could happen to planets in the future, and I approve of the “fight climate change and other humanmade disasters” method.

I also liked the thing of the holiday spa turning out to actually be in a desolate wasteland, with the pretty scenery only being a projection.

The space virus in its initial concept was a neat idea, and when we hadn’t really got a good look at them yet I was genuinely worried about the Dreg.

Also, at least the old couple got engaged before they died...

The gang didn’t get much relaxation in the spa before things kicked off, lol.

I liked the parallels between Ryan’s life and Bella’s, and how Ryan has dealt with things, well, much better. But to be honest, the part where Bella turned out to be the villain/saboteur felt like it came out of nowhere to me. Compared to the previous two-parter, where I was genuinely surprised that O was the Master but I could see how he’d been leading them all along, the twist with Bella felt like it lacked foreshadowing. Also, the twist reveal that the planet was Earth felt like it lacked foreshadowing too. So this episode’s writer, Ed Hime, could do with working on that for his future episodes.

I felt bad for Silas and how his dad kept ignoring him. Again though, at the end when his dad finally did listen to him, it felt like sudden whiplash with the dad suddenly proclaiming him a wonderful mechanic out of nowhere. So again with the foreshadowing.

Overall though, I enjoyed the episode. It was fast-paced and action-filled enough to keep me engaged, even though the different events of the plot did feel sort of disconnected from each other, and the messages it was aiming to convey showed through and were generally good messages. I also appreciated the parallel between the state of Earth (and the gang’s dismay at it) and the current state of Gallifrey.

I did like the note that the future isn’t set in stone - i.e., this must not be one of the fixed points in time. Which is probably why so many different versions of future Earth were able to exist in Doctor Who’s history. ;)

So yeah, solid, exciting story, good message, good characters, just would be better if the storyline flowed a little more. Overall enjoyable to watch.

[tipsycad147]

What Would You Do with a Windfall?

https://www.fiverr.com

by Emyme

Your spells and castings for prosperity have provided that which you requested. Sharing is the best way to show gratitude, no matter how the money came to you. Water is necessary for life, so think about ripples in a pond. At home: is there a family member struggling with an expense? Pay it. In the local community: is there a local cause that attracts you? Donate. In your larger community (state/province): seek out volunteer organisations, and send a check. In your country: what natural disasters or humanmade tragedies have recently occurred? Contribute via an internet funding page. If you wish, research the many global nonprofits and commit part of your newfound wealth to them as well.

Naturally, pay your own bills first. It's not good to give if it keeps you in debt. And give what you can. Do not overextend-that negates all the positive energy with which you began.

Chant: "Universe, Creator/Creatrix, Lord & Lady, Goddess, Gaia: My spirit overflows with gratitude at the abundance provided. Allow me to share, and guide my hand in the distribution of this wealth. Freely given, do not hold, all good comes back to me threefold."

Goddess Bless! GrannyMoon

★☽✪☾★ http://GoddessSchool.com https://twitter.com/GrannyMooninVA https://grannymoon.wordpress.com/

[hubpostblr]

The Importance of Quick Restoration Post Fire Breakout or Flood

Natural disasters, humanmade catastrophes, and the future of human survival are all inter-connected. One cannot stop accidents, as these are a natural part of any evolution towards dissolution and tragedy. Damage restoration is very much needed when a person faces the consequences of flood or sudden fire outbreak. The longer the person delays the restoration, the tougher would it get in terms of cleaning and deodorising.

The delay is going to be harsh on personal belongings and home accessories. Every restoration is going to be tough. For example, a fire, smoke, ash or soot  post-fire breakout is always hard to clean and produces a smell that needs to be deodorised.

What needs to be done?

To ensure that nothing is damaged, it is essential to act quickly. Therefore, it is needed to call the professionals who are adept in the work of fire and water restoration. The restoration companies cater to all types of activities that include inspection, cleaning, and restoration done in the best possible way. Approved fire restoration process includes dealing with all the activities involved.

It is always recommended to act quickly because any prolonged exposure to the destruction would always take the toll. The metallic objects can corrode within a few days of exposure to fire and water.

Why Need Professional for Restoration?

Hiring professional is always going to help the ailing person with the right restoration process. With the unique certification and skilled training, these professionals have the knowledge to use the process, available equipment, and the supplies in the best possible way. The professionals leave no stone unturned when it comes to restoring a house or an office premise to near perfect pre-fire condition.

The modern-day fire and water restoration process is a rigorous one and takes into account the activities like sanitising, cleaning, and repairing what has been damaged or affected. The proper restoration is always going to prevent the growth of mildew and mould.

Post Calamity Treatment

Every item of the house needs different treatment. The professionals know the exact way to restore. For example, the carpets need to be treated differently than the furniture and other metallic objects present, while on the one hand, the rugs and carpets are treated with chemicals to remove the odour and stains caused by soot and water. However, in most of the cases, the carpets are discarded. The drywalls and panels are checked for the possibility of mildew or mould growth. Apart from these, these upholsteries are also checked for moisture retention. This step determines whether these can be cleaned or need to be replaced.

Other household items like curtains undergo a rigorous cleaning and deodorisation process that involves sanitising, deep cleaning and odour removal. In the case of precious antique furniture, fire and water restoration is a bit tiresome process as restoration to its pre-fire condition takes into account a number of formalities. However, the entire process emphasises on sanitising.

Conclusion

The ultimate goal of all the restoration process is to get things organised. Therefore, proper measures should be taken into consideration during the entire restoration process.

[architectnews]

City of London post-COVID design competition

City of London post-COVID design competition 2021, English Design Contest News

City of London post-COVID design competition Winners

8 Jun 2021 Perkins&Will’s global studios join forces to reimagine the City of London post-COVID in concept design competition

• Design concepts for three prominent sites in the City of London, including one in the Barbican earmarked for development, emphasize social equity and sustainability.

• Creative visions are part of the firm’s annual international Phil Freelon Design Competition, which encourages innovative placemaking through a “Living Design” framework.

City of London post-COVID concept design competition Winners

Architects and designers from multiple Perkins&Will studios worldwide have designed bold visions for transforming parts of the City of London into healthier, more sustainable, and inclusive places for a design concept competition. These visions, prompted by the firm’s annual Phil Freelon Design Competition, carefully evaluated by a high-profile panel of external jurors.

The Phil Freelon Design Competition honours the eponymous late architect and Perkins&Will design director who championed design for humanity. Launched firmwide in 2004 as the Design Leadership Council (DLC) Design Competition and renamed in 2019 in Freelon’s memory, the annual contest is part of the firm’s culture of curiosity, creativity, and innovation.

For this year’s competition, international design teams were tasked with reimagining one of three existing sites within the City boundary, each with a design scale—urban, building or interior. The urban scale focused on the Culture Mile, a destination within the City stretching from Farringdon to Moorgate that inspires visitors to experience the City’s architecture, arts, and culture. The building scale involved an architectural challenge on a plot between Gresham Street and the historic Guildhall. The interior scale called for retrofitting an unused part of the Barbican, which supports the City and its inhabitants.

Competition organisers selected the City of London for its resilience, having survived humanmade and natural disasters for over 2,000 years. In a society permanently altered by the COVID-19 pandemic and corollary social crises, the competition’s challenge this year was to conceive a design solution that supports holistic well-being and enhances the quality of life for everyone—part of Perkins&Will’s Living Design framework.

The winning visions

The urban scale submission entitled “MUDLARKING: Restoring Riparian Corridors to The City” won the competition.

MUDLARKING: Restoring Riparian Corridors to The City:

This vision focuses on reviving ancient waterway systems to create resilient urban environments and diverse living systems within London’s Square Mile. MUDLARKING proposes the use of river daylighting interventions to replenish the Square Mile by restoring key segments of historic London rivers, including The Riverwalbrook and Fleet. This, the design team says, would allow regenerative ecosystems to form and flourish.

The building scale submission entitled “Lanterns of Hope” and the interior scale submission entitled “Convivo” placed second and third place, respectively.

Lanterns of Hope:

Lanterns of Hope creates a new mix-use development that adds a sense of playfulness to London’s commercial district. The building’s form is inspired by lantern-like cubicles, which are customisable to varying social, economic, and environmental needs of the community. The busy bee-hive atmosphere of the building promotes sharing, humane qualities, and compassion among people. It’s a place to meet, organise, and socialise, all while committing to social distancing and hygiene.

Convivo focuses on the interior scale challenge located within the Barbican. The concept brings people from all walks of life together, encouraging interactions by providing a space for exchanging knowledge, compassion, and company. It provides “live, grow and nourish” spaces and a mix of residential, retail, social, educational, laboratory, and activity areas.

A panel of London-based industry experts served as jurors for the competition, assessing entries based on how well they espoused the principles of Living Design, one of Perkins&Will’s core values—and one that the late architect Phil Freelon had championed in his own right. Living Design emphasizes a comprehensive approach to sustainability, resilience, regeneration, inclusion, and well-being.

The panel

• Ola Obardara, Director Property Projects Group, City of London Corporation

• Jeremy Melvin, design critic & journalist

• Amanda Levete, founder and principal of AL_A

• Jeremy Myerson, Helen Hamlin professor of design, Royal College of Art

The annual Phil Freelon Design Competition is a unique opportunity for Perkins&Will designers across different disciplines, practices, cultures, and geographies to unleash their creativity in response to a singular design challenge. It is also open to designers from Perkins&Will’s subsidiary companies and sister firms, and offers a cash prize to the winners

All design visions to transform the City of London can be viewed on this dedicated website: The 2021 Phil Freelon Design Competition

Comments from jurors:

Jeremy Melvin, design critic & journalist, commented: “It was a pleasure to be part of the judging jury and I thought each submission had a unique and creative take on the briefs provided. As a historian, the most interesting projects addressed the most fundamental issues impacting the City of London’s future, including sustainable growth, while equally respecting its rich past.”

Amanda Levete, founder and principal of AL_A, said: “It is fantastic to see so many interesting concepts and designs that respond to the need to reinvigorate our cities in a post-Covid world. The successful submissions had a common thread of giving back to the City of London’s natural environment and community in new and exciting ways. MUDLARKING stood out through its clever design, not by adding to the cityscape but, by exposing existing, natural waterways which completely reset the atmosphere of this part of London.”

Jeremy Myerson, Helen Hamlin professor of design, Royal College of Art, commented: “This competition is a great vehicle to create new visions for The City of London. There were some very special entries that not only brought interesting architectural and design elements but also really took into account how communities can thrive well into a more sustainable and equitable future.”

Comments from the winning teams:

MUDLARKING: Restoring Riparian Corridors to The City – Douglas Bergert, Vanessa Eickhoff, Jeremiah Collatz, and Anna Greene: “Our proposal offers an environmentally resilient design solution for the City of London that daylights and restores segments of the original river system. We envision a future of rich, bio-diverse, and regenerative spaces for people and natural habitats to thrive within the City.”

Lanterns of Hope – Islam Magdy, Omar ElGarhy, Haguer Sami: “Contemplating on the rich resilient history of London, we wanted to tackle the pandemic-caused destress with an optimistic approach to revive the heart of London.

Our lanterns were designed to act as a beacon of hope, a reminder that humanity will always find the silver lining and reclaim the social power to shape their future”

Convivo – Dan McNulty, Michelle Heath, Maria Lobit: ‘’Our hope for a post-COVID London is that it continues to be a place of vibrancy, innovation and inclusion while strengthening connections between people. Convivo creates a space for the exchange of knowledge and skills and ultimately company so that no one feels alone or disconnected.’’

City of London post-COVID design competition images / information received 080621

London Design Competitions

2021 City Benches competition London 2021 City Benches competition

Royal Docks London Bench Design Competition photo © Luke O’Donovan ‘Pews and Perches’ – Royal Docks London Bench Design Competition

Royal Docks London Contest Design: Heatherwick Studio image from London Development Agency Royal Docks London Design Competition – proposal by UK designers Heatherwick Studio

Location: London, England, UK

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Comments / photos for the City of London post-COVID design competition page welcome

London

The post City of London post-COVID design competition appeared first on e-architect.

[drangsaldrangsal]

Early Childhood Teachers Play Vital Role in Helping Kids Cope With Disaster

A new Australian study reveals that early childhood teachers play a vital role in supporting children during environmental disasters.

The findings have significant implications as catastrophic bushfires continue to rage across New South Wales and Queensland, in which thousands of people, including children, are struggling to deal with the trauma.

For the study, researchers from the University of South Australia explored the growing uncertainty faced by children, ages 8 and younger, residing in disaster zones. They found that early childhood teachers played an important role in supporting children dealing with trauma.

“Teachers hold a unique place for a young child,” says lead researcher Professor Marjory Ebbeck. “Outside their family, they’re one of the most trusted and familiar faces who, in their role as a teacher, provide a welcoming and secure environment for the child to learn and develop.”

“When young children are confronted by trauma — whether through natural disasters such as Australia’s bushfires, or humanmade disasters such as conflicts in the Middle East — they carry all their worries, confusion and emotions with them, and that’s where teachers need to be prepared.”

“Unfortunately, despite the push from international agencies to include the needs of children in disaster preparation and risk reduction strategies, few have filtered down into education programs, which means there are still large gaps in the system.”

Right now, many early childhood teachers are caring for young children who have lost their homes and precious possessions due to the fires across NSW and Queensland. No doubt, these teachers are doing everything they can to support their students, but as Ebbeck says, they may not have the right training to be successful.

In lieu of a child-specific national disaster strategy, Ebbeck says there are many things teachers in childcare, preschool or early primary school can do to prepare.

“Helping a child through an emergency or trauma requires a holistic approach that not only encompasses socio-emotional development but also practical strategies, both pre, during and post emergency,” Ebbeck says.

“Educating children about emergencies is essential and teachers should involve their class in practice sessions so that in the event of a real emergency, children will know what to do. It’s important for children to have confidence in their teachers’ ability to keep them safe.”

Globally, nearly 535 million children — nearly one in four — live in countries that affected by conflict or disaster, with hundreds more displaced as they seek safe refuge overseas. Today, many families and children are integrated into Australian schools, bringing with them many experiences of personal trauma.

“Part of this is about being aware of what’s happening in the world — teachers can use current events to educate children in their environmental studies classes,” says Ebbeck. “Safety of children and teachers is always paramount. It’s critical that teachers know their school’s emergency plan, evacuation procedures, and understand how they should respond in specific events, such as bushfires.”

“Of course, communication is vital. Keeping parents informed about what their children are learning is important, especially in the case of a real emergency. It also helps create a circle of trust between parents, children and teachers.”

Today, with more than 600 schools and colleges closing their doors today due to bushfires in NSW and Queensland, Ebbeck says teachers should be prepared to support children who may have suffered.

“There are several strategies teachers can use to help children reintegrate into the school environment,” Ebbeck says.

She recommends the following:

Checking in with the child’s parents — make sure they have enough of the essentials — food, clothing and somewhere to stay.

Making sure your classroom is safe, both physically and emotionally — familiar and welcoming surroundings create a sense of security and belonging for children.

Listening to children — don’t avoid difficult questions. Children are curious and need to work through their worries and concerns.

Delivering consistent and predictable routines — children love routines. Having a safe, predictable environment creates stability and security.

Checking in on friendships — make sure the child is still engaging with their peers and friendships helps them build confidence and well-being.

Providing opportunities for expression — dramatic play and artwork enable children to freely express and explore their feelings.

Maintaining trust-building secure relationships are essential. A trusting, caring environment provides the best basis to build self-esteem and resilience.

“There’s no doubt the role of the teacher is complex, especially when their students and community are confronted by trauma or disaster,” says Ebbeck. “And, while we cannot prevent disasters from happening, understanding more about what teachers can do to prepare for and respond to an emergency situation, can certainly help.”

Source: University of South Australia

from Psych Central News https://ift.tt/2YKSVY1 via IFTTT

[marvinyoung3483]

Humanmade mangroves could get to the 'root' of the problem for threats to coastal areas

With threats of sea level rise, storm surge and other natural disasters, researchers are turning to nature to protect humans from nature. Using bioinspired materials that mimic mangrove trees, they are creating mangrove-like structures that can be used for erosion control, coastal protection, and habitat reconstruction. Structures like seawalls are expensive to build, raise environmental concerns, and obstruct the natural landscape. The prototype they have developed is scalable, smaller, simpler to use and cost effective.

[if-you-fan-a-fire]

“Deux morts, trois  blessés,” La Patrie. May 1, 1941. Page 03.  ---- QUEBEC, 1.  (BUP)—Un homme et  une jeune fille ont été électrocutés et trols autres gravement blessés après avoir touché un fil d'antenne de radio qui passait sur un fil électrique à  haute tension. Les morts sont Charles Roy et Mme Lucille Coulombe. Les blessés sont Mme Coulombe et deux autres enfanta, 

Roy aldait à  la famille Coulombe à enlever l'antenne qui était tombée en travers du fil à haute tension, quand lui, Mme Coulombe et ses trois enfants y touchèrent ensemble. 

Les deux enfants Coulombe, qui sont blessés, sont dans un état critique et l’on creint qu'ils ne mourent.

[ndbasilica]

Humanmade mangroves could get to the 'root' of the problem for threats to coastal areas

With threats of sea level rise, storm surge and other natural disasters, researchers are turning to nature to protect humans from nature. Using bioinspired materials that mimic mangrove trees, they are creating mangrove-like structures that can be used for erosion control, coastal protection, and habitat reconstruction. Structures like seawalls are expensive to build, raise environmental concerns, and obstruct the natural landscape. The prototype they have developed is scalable, smaller, simpler to use and cost effective. from Engineering and Construction News -- ScienceDaily https://www.sciencedaily.com/releases/2018/08/180829115627.htm

[viralpearl-blog]

Nature-inspired 3-D printed solutions to solve perhaps one of the worst humanmade dilemmas -- ScienceDaily

Nature-inspired 3-D printed solutions to solve perhaps one of the worst humanmade dilemmas — ScienceDaily

For years, scientists have been impressed by nature to innovate solutions to difficult issues, even oil spills — humanmade disasters with devastating environmental and financial penalties. A brand new USC examine takes a cue from leaf construction to fabricate materials that may separate oil and water, which could lead on to safer and extra environment friendly oil spill clean-up strategies.

In…

[juliandmouton30]

10 movies demonstrating the changing role of robots

Whether they're being punished, moulding pottery or constructing pavilions, robots are more like humans than ever before. We've selected 10 short movies from our latest Facebook video series that prove it.

The Punishment

Despite being completely innocent, this robotic arm is being forced to write lines promising not to commit future crimes against humans, in an installation exploring the looming threat of automation.

Find out more about The Punishment ��

Humanmade by Charlotte Nordmoen

Could robots replace human labourers? Charlotte Nordmoen posed this question with a robotic potter that features a silicone finger for shaping clay.

Find out more about Humanmade ›

Voxel Chair by The Bartlett

A robot 3D-printed this intricate chair using a continuous line of melted plastic. A team from The Bartlett Design Computation Lab created the software to open up new possibilities for 3D printing.

Find out more about Voxel Chair ›

Ori by MIT Media Lab and Yves Béhar

Responding to the growing interest in micro homes, MIT Media Lab partnered with designer Yves Béhar to create a robotic furniture system that can reconfigure itself to fit the needs of residents in tiny spaces.

Find out more about Ori ›

Octobot by Harvard

A team at Harvard have developed a soft-bodied robot shaped like a cartoon octopus. It can move by itself thanks to a hydrogen-peroxide reaction that occurs inside its silicone body.

Find out more about Octobot ›

ICD ITKE Research Pavilion 2016/7 by University of Stuttgart

Drones assisted robots in the construction of this carbon-fibre pavilion, designed by researchers and students from the University of Stuttgart to resemble silk hammocks spun by moth larvae.

Find out more about ICD ITKE Research Pavilion 2016/7 ›

Fish on Wheels by Studio Diip

In an attempt to liberate pet fish, Dutch design collective Studio Diip added robotic wheels and sensors to an aquarium tank, enabling its inhabitant to drive itself around by swimming in a certain direction.

Find out more about Fish on Wheels ›

Gita by Piaggio

Piaggio has developed a personal droid that can follow its owner while carrying shopping. But it can also perform deliveries and pick-ups autonomously.

Find out more about Gita ›

Cassie by Agility Robotics

This bird-like robot walks on two legs and has hip joints that allow it to move with similar flexibility to humans. It was designed by Agility Robotics to deliver aid to disaster areas.

Find out more about Cassie ›

Somnox pillow by TU Delft

This robotic pillow could replace a significant other and combat sleepless nights by gently "breathing" in and out as users hold it close. It can also play soothing music through built-in Bluetooth speakers and emit gradually increasing light to simulate a sunrise.

Find out more about Somnox ›

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Related story

10 movies featuring buildings that move or change shape

The post 10 movies demonstrating the changing role of robots appeared first on Dezeen.

from ifttt-furniture https://www.dezeen.com/2017/06/22/facebook-movies-dezeen-robots-digital-fabrication-technology-roundup/

[jeniferdlanceau]

10 movies demonstrating the changing role of robots

Whether they're being punished, moulding pottery or constructing pavilions, robots are more like humans than ever before. We've selected 10 short movies from our latest Facebook video series that prove it.

The Punishment

Despite being completely innocent, this robotic arm is being forced to write lines promising not to commit future crimes against humans, in an installation exploring the looming threat of automation.

Find out more about The Punishment ›

Humanmade by Charlotte Nordmoen

Could robots replace human labourers? Charlotte Nordmoen posed this question with a robotic potter that features a silicone finger for shaping clay.

Find out more about Humanmade ›

Voxel Chair by The Bartlett

A robot 3D-printed this intricate chair using a continuous line of melted plastic. A team from The Bartlett Design Computation Lab created the software to open up new possibilities for 3D printing.

Find out more about Voxel Chair ›

Ori by MIT Media Lab and Yves Béhar

Responding to the growing interest in micro homes, MIT Media Lab partnered with designer Yves Béhar to create a robotic furniture system that can reconfigure itself to fit the needs of residents in tiny spaces.

Find out more about Ori ›

Octobot by Harvard

A team at Harvard have developed a soft-bodied robot shaped like a cartoon octopus. It can move by itself thanks to a hydrogen-peroxide reaction that occurs inside its silicone body.

Find out more about Octobot ›

ICD ITKE Research Pavilion 2016/7 by University of Stuttgart

Drones assisted robots in the construction of this carbon-fibre pavilion, designed by researchers and students from the University of Stuttgart to resemble silk hammocks spun by moth larvae.

Find out more about ICD ITKE Research Pavilion 2016/7 ›

Fish on Wheels by Studio Diip

In an attempt to liberate pet fish, Dutch design collective Studio Diip added robotic wheels and sensors to an aquarium tank, enabling its inhabitant to drive itself around by swimming in a certain direction.

Find out more about Fish on Wheels ›

Gita by Piaggio

Piaggio has developed a personal droid that can follow its owner while carrying shopping. But it can also perform deliveries and pick-ups autonomously.

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Cassie by Agility Robotics

This bird-like robot walks on two legs and has hip joints that allow it to move with similar flexibility to humans. It was designed by Agility Robotics to deliver aid to disaster areas.

Find out more about Cassie ›

Somnox pillow by TU Delft

This robotic pillow could replace a significant other and combat sleepless nights by gently "breathing" in and out as users hold it close. It can also play soothing music through built-in Bluetooth speakers and emit gradually increasing light to simulate a sunrise.

Find out more about Somnox ›

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10 movies featuring buildings that move or change shape

The post 10 movies demonstrating the changing role of robots appeared first on Dezeen.

from RSSMix.com Mix ID 8217598 https://www.dezeen.com/2017/06/22/facebook-movies-dezeen-robots-digital-fabrication-technology-roundup/

[if-you-fan-a-fire]

“Fires Raging Along The N.T.R.,” Toronto Star. July 13, 1910. Page 02. ---- Courteney’s Camp Destroyed, Loss of Twenty-five Thousand Dollars --- TOOK REFUGE IN RIVER ---- Men Had to Stand Up to Their Necks in the Water to Avoid the Flames ---- Special to The Star. Kingston, July 13. - Writing from residency 13, on T,C.R. construction, J. Grady, a young Kingstonian, refers to fires raging in the district as follows: ‘H. Courtenay, on of O’Brien’s contractors, situated at mileage 147, or 100 miles west of Cochrane, was burned out on Sunday last by one of the numerous bush fires now raging. The whole camp was destroyed, the damage being about $25,000, party covered by insurance. The fire is supposed to have started from station men burning brush on the right of way. It covered about six miles in an hour, but then took a northerly course and judging from dense smoke it is still raging.

‘Fanned along by a high wind, it made great headway through ridges of large birch and Jack pine. Men were forced to seek refuge in the Valantyne River, a quarter of a mile away. In this they stood up to their neck and to keep from burning, as fire swept by, kept continually ducking under the water. ‘Owing to the foresight of Courteney himself, a great loss of life was averted as a powder house containing tons of dynamite and 100 cases of black powder, had just been banked with clay 2 feet thick.

‘Eight horses, cut loose, saved themselves by running directly west through the fire. The men didn’t save a thing, except the clothes they were wearing and even these were burned from the sparks. Work will have to be discontinued until supplies can be brought in which will be in January when the rivers freeze over, but some of the station men have been supplied from another ‘cache,’ and will continue working until the supplies are exhausted.

‘Engineers at Residency 23 suffered considerably as they were working at that end of the line.’