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lloronista · 5 months

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BOOKS I READ IN 2023: REVIEWS

At the beginning of 2023, I made a resolution to read at least one new book each month. Life got busy and I didn't always keep up with my reading goals, but since it's the last day of the year, I wanted to do a brief review for each new book I read :P

JANUARY

Martita, I Remember You / Martita, te recuerdo - Sandra Cisneros

I have been a huge fan of Sandra Cisneros for many years now and quite honestly can say she's one of my biggest inspirations in the way I've developed my own skills as a writer. So of course I was more than excited when she announced her latest novella. Martita, I Remember You is a book that had me getting teary-eyed in the breakroom at my workplace when I would read it during lunch. Such is the way that Cisneros touches the heart so masterfully, with such profound and succinct prose. It's imbued with autobiographical aspects of Cisneros's life, but it's also very much a story for anyone who has long distance friendships, the way it captures that feeling of connection beyond place and time. Can't recommend this one enough, it's a short and very worthwhile read!

The Tea Master and the Detective - Aliette de Bodard

This one was a recommendation from Nami, and a very wonderful one! I hadn't read anything by Aliette de Bodard before, and even without having read the other installments in this particular series, I thought the worldbuilding was so vibrant and captivating that I didn't find myself feeling lost or in need of explanation beyond what de Bodard showed in her writing. One of my favorite elements of The Tea Master and the Detective was the cast of strong and interesting female characters, the sly and mysterious detective, Long Chau, being my favorite ^^ This one, too, was a rather short read, yet the thrill of a fast-paced adventure and murder mystery was no less amazing than you'd expect from a longer novel. Definitely recommend this one if you're looking for a sci-fi story that strays from the typical genre framework.

FEBRUARY

Dragon's Winter (1997 Uncorrected Proof) - Elizabeth A Lynn

Well, this was me cheating a little bit ^^'' I've read EAL's Dragon's Winter as well as the sequel novel probably at least ten times, as it's one of my all time favorite books. And each time I re-read it, I absorb something new - a little detail in the setting that recolors my memory, or way a line of dialogue is spoken here and there that gives a certain inflection. But when I came across a copy of the original uncorrected proof version of this novel, I couldn't get my hands on it fast enough 😆 In a way, it was like engaging with the material with fresh eyes, taking in the differences and aspects that hadn't yet been fully decided on by the author in the final draft. One aspect that I observed in the original uncorrected proof of DW is how EAL seemed to allow one of the main characters, Azil, more insight into his emotions and inner thoughts than in the final edition of the novel, which was something I relished greatly. Why she made the decision to edit those passages out, I wonder about; perhaps she intended for Azil to be more enigmatic, to have less of a POV or central narrative position in the story. I wonder about this, because I think making Azil more in the foreground of the story makes thematic sense. Dragon's Winter is, on its surface, a story about twin brothers (one a dragon changeling, the other a wizard) who go to war with one another. But on a deeper level, it's about the complicated love story between Karadur and Azil: their friendship, one's betrayal of the other, the way they must pick up and mend the pieces afterwards. They both undergo a transformation of sorts, of multiple sorts. Their relationship is the lifeblood of the story, and I felt that even more intensely in EAL's original version of the novel. As I said, this is perhaps my favorite book of all time, and so I definitely recommend this one tenfold, especially to anyone interested in queer fantasy stories!

APRIL

The Hacienda - Isabel Cañas

Oh my, how I adored this one! Isabel Cañas is probably my favorite author I've discovered this year, and I'm so excited for everything she's going to publish in the future as well ;v; The Hacienda is a book that has something to offer for pretty much everyone - gripping, graphic horror, amazingly researched history, compelling and interesting female characters, and a really nicely written romance. Regarding the latter, I was actually surprised how into the relationship between Beatriz and Andrés I became xD (like yeah, girl! get that hot priest!! 🔥🔥🔥) At its core, The Hacienda is a take on the haunted house genre, rife with the ghosts of Spanish colonization and Mexico's war for independence. I really enjoyed Beatriz as a horror story protagonist and a Final Girl; there was a strength and ambitiousness to her that made it really easy to root for her. And I loved Andrés as the parallel protagonist across from her, as well as his dual role as a spiritual guide to his community, not only as a Catholic priest but as a curandero in touch with Indigenous perspectives of curses and spirits. There was something really refreshing about the way Cañas writes them working together to uncover the source of the haunting. I will warn that the ending has more of a bittersweet mood rather than a happy ending, but overall it's a very enjoyable read!

JUNE - JULY

The Left Hand of Darkness - Ursula K. Le Guin

Wow, where to even begin. This was the first full-length novel by Le Guin that I read, by Suri's recommendation, and it completely blew me away with what Le Guin had the ability to accomplish in her worldbuilding. I truly don't think I've ever encountered another science fiction story that utilizes its genre to encapsulate such a sincere and complex reflection of humanity and society that The Left Hand of Darkness achieves. For one thing, Le Guin's background in anthropology shines in the way she positions Genly as a lens through which the reader similarly takes in such a vastly different alien culture, at times grappling to understand them and at other times seeing them as though through a mirror reflection of ourselves. Genly's dynamic with Estraven, in particular, and the way it changes over the course of the story, acting as the emotional current of their combined journeys, was most captivating part for me. I know TLHoD has sort of become more widely known on tumblr for the way it explores gender and sexuality, which it does quite extraordinarily. But I think, at the heart of it, TLHoD is a story about storytelling, the way it promotes understanding in a way that ascends scientific observation of another culture. This is certainly a book I will be re-reading many times in the future, absorbing more new tidbits each time.

SEPTEMBER

Killers of the Flower Moon - David Grann

The one non-fiction book I read this year, and what a fascinating one. Placing it in the genre of true crime seems somewhat inaccurate, as this story is so much larger than the narrative of murder and corruption, but a real life horror story of the violence wrought by white supremacy. Killers of the Flower Moon covers only part of a historical era that saw a widespread conspiracy to seize the headrights of Indigenous people from the Osage nation, who after being forcibly displaced and moved to a reservation, were found to be on land that was rich with oil. Needless to say, this is not a part of history that gets taught in American history classrooms. So I found Grann's relaying of the Osage murders to be educational as it was gripping, sorrowful, and meticulous in its outlaying of all the different factors that went into this tragedy, the disenfranchisement and dehumanization of an entire group of people, all for the sake of sating the avarice of another group of people. Since the film adaptation's release, I have seen some members of the Osage community, as well as other Indigenous people, critique both the film's and novel's centering of white characters in the story. I can certainly see how Grann spent a lot of the novel focused on the early FBI's involvement in the investigation, at the detriment of making Osage characters like Molly more prominent. If anything, I think KotFM works as an effective starting point for anyone wanting to learn more about this part of history, passing from this work to those written and spoken by Osage voices.

The Haunting of Alejandra – V. Castro

Okay so as soon as I saw the premise of this novel announced, and from an author whose other works I really enjoyed, I was sold right away. Anyone who knows me knows I'm obsessed with the ever-evolving figure of La Llorona and her tragic, haunting narrative. And this take on La Llorona, as with many of Castro's other decolonial reimaginings, was amazingly refreshing. For one thing, it blew me away how Castro's Llorona was not just a ghostly figure, but almost more of a demonic entity - only to then be revealed to be something so much stranger, an interdimensional being that feeds on grief. I also found the titular character of Alejandra to be just as refreshing of a heroine - older, anxious, in an unhappy, thankless marriage. She's worn out in the beginning, fractured by trauma and disconnected from her heritage, her family history. Castro has a way of using horror and subjects of trauma in her novels to be transformed into something cathartic, and it's no different here as Alejandra finds healing and strength in order to protect her children from this monstrous Llorona, to save herself from the same fate. I 100% recommend this one to anyone else who grew up with folktales of La Llorona and other boogeymen, this version is definitely worth the read!

OCTOBER

She Who Became the Sun – Shelley Parker-Chan

Every now and then, I come across a book that I can clearly see is good, but just not for me. I finally read She Who Became the Sun after seeing a lot of hype on social media, and plenty of rave reviews from some people I follow on here. But as much as I really wanted to like, even love, this novel, I just could not get myself into it. And as for why I couldn't get into it, I have to admit I'm still not entirely certain; you would think that a fictionalized queer drama based on Chinese history with fantasy elements would be the very essence of my cup of tea. The prose was beautiful, the dialogue flowed well. I think the major issue for me, however, lies in the pacing. At the halfway mark of the book, I still really wasn't captivated by any of the characters very much, or the plot - the latter hadn't actually moved along very much, in fact. Even at three-quarters of the way through, I was still desperately waiting for something to grip me by the shoulders and make me pay attention. Additionally (and others who read and loved this novel may disagree with me on this), I actually think much of the first chunk of the book could have been heavily edited down, or even just cut away entirely and relayed through flashbacks. Most of Zhu's time at the temple during her childhood could have been mentioned elsewhere, or visited briefly as she senses herself becoming more ruthless later on (really, the two most important scenes in that whole section were when Ouyang burned down the temple, and earlier when she thought of murdering one of the teacher monks). The way that the sudden rebellions were so quickly squashed, the way characters were swiftly and brutally removed from the story, seemed more like an attempt at shock value than actually serving to raise the stakes or move the story forward. But anyways, to conclude this off: I can see why lots of people did enjoy this novel, it certainly has all the right the elements of tumblr's next favorite book, after Captive Prince and The Raven Cycle. But I think in order for me to have liked it, it would have required a different editor behind the writing process, someone who encouraged Parker-Chan to cut down the excess and make the story flow better overall.

NOVEMBER

Guardian / Zhen Hun (Vol. 1) – Priest

I had heard of this series when it was a live action drama you could find on youtube, but reading the translated first volume this year has made me totally head over heels for the story and characters. Guardian has quickly become one of my favorite Danmei, set in a world where the mundane and the supernatural frequently collide and it's up to a paranormal detective agency to handle these matters. I especially love the way Priest balances the setting with dark, macabre subjects with moments of light-hearted humor. But amid the adventurous aspects of the story, the central conflict mainly involves the budding romance between Zhao Yunlan and the mysterious Shen Wei. The romance is delightful to read, and I think their personalities are what make them really compelling, when they're apart and when they're together. I'm excited to read more of this series when the English versions get released ^^

DECEMBER

Vampires of el Norte – Isabel Cañas

Another Isabel Cañas novel, and just as enjoyable of a read! Just like The Hacienda, Vampires of el Norte blends history and horror, portraying the Mexican-American War through its effect on hacendados being violently forced from their land by Anglos - and also being preyed on by vampires. Even more so than in The Hacienda, Cañas has a masterful way of building and sustaining suspense in this story. Despite it being a non-traditional form of horror, the danger looming all around of vampires, and also of violent Anglos, persists throughout. As someone who loves vampire literature, I was really impressed with how Cañas uses vampires here as an allegory for colonization/displacement, and the way that several characters in the novel at first mistake vampirism for a kind of susto. Furthermore, I thought it interesting how the vampires of this world are much more animalistic than the suave, intellectual type of vampire you see often in vamp literature. Rather than being evil or demonic, they're almost neutral in their methods of hunting, more like predators that are solely motivated by hunger, as one would view a wolf or puma. The way that these vampires are weaponized by Anglos almost seems to reference the way that Spaniards would train their large, European breeds of dogs to maul Indigenous peoples during the conquest - a connection that remains in line with Cañas's decolonial themes. Also like The Hacienda, the characters here are written wonderfully, their dreams and fears focusing the reader in with their emotional currents. Nena and Néstor's tumultuous romance takes center stage, the novel opening on the tragedy that splits them apart for nine years. I loved that there were so many layers to their love for each other, the sweet and innocent puppy love they had as children, the different ways they felt anger and betrayal by the parts of their lives around each other that they couldn't control, the moments of heady sensuality and heated bickering while on their journey home, and the fact that they both have to literally and figuratively fight to be with each other. I think Cañas had a lot of fun writing Nena and Néstor's relationship, and it was definitely fun to read ^^

Those were the books I read in 2023! For 2024, my main goal is to read through all the Danmei I've been piling up 🤭

#personal #book reviews

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