#i learned how to write trying to sell original scifi/fantasy short stories to online magazines and the pacing there has to be super tight

[isocrime]

Isozyme, your hrpf is so tight and snippy, you pace it all so well. Yoy have the plot so well tied to each scene. My question for you is, how do you do it,? Is it a matter of planning the end to end story before starting to writing? Thank you for your ficts!

Thank you!! This is a good question and very gratifying because one of the things I aim for with my fics is to always be compulsively readable no matter where in the story you’re at.

I don’t actually know the story from end-to-end at a high level of detail when I start out. Usually I know about how long the story will take to tell, the setup, and then the next couple things after that. As I write I sort of build the track ahead of me, so I’ll often have a detailed outline for the next scene, a couple bullet points for a handful of scenes after that, and then a sort of general vibe for anything farther away. (With a few exceptions, like I knew Matthew was going to get a supportive phone call from Sid in LMLAY for ages and ages before I finally got to write it.)

Basically my pacing philosophy is that every scene should have a job to do, and ideally also have some side hustles, and I sort of build it up layer by layer as I come up with each upcoming scene.

Let’s spitball a scene as an example. Hypothetically let’s give me a mcmattdrai wip where they’re all training with Scary Gary and in the scene in question Matthew is trying to figure out if Leon is sleeping with Connor. Maybe they’re waiting for the elevator together after a workout, that’s a good setting for two people who sort of know each other to have a stilted conversation. Matthew can joke that his legs are too tired to take the stairs and Leon can complain that he doesn’t know where the stairs are yet (this establishes their different levels of comfort in the setting in addition to giving some character notes). Leon probably also looks hot and sweaty, Matthew can notice that several times during the scene to amp up the sexual tension while he asks Leon awkward questions. A nice thing about elevators is that they have a timer, so I get to control when the elevator arrives and cuts off their conversation; probably right around when Leon reveals that he’s not sleeping with Connor (one mystery tied up, that’s the big job done by the scene) but now Matthew wants to know why Leon’s not sleeping with Connor (another mystery opened). They could keep talking about that inside the elevator but I don’t like that because I think that mystery should stretch out into the next couple of scenes, so to fix that (and add comedy) just as the elevator door is starting to close Connor can obliviously run up and join them. Now Matthew can’t ask Leon any more questions about Connor but he can observe the two of them together and start making some theories. However now that I have Connor in the scene, I should give him something to do from his plotline as well. Maybe I can make him talk about his struggles with a fundraiser for sick kids he’s trying to organize. Naturally Matthew volunteers Leon to help, which leads to Leon volunteering Matthew to also help as revenge, and that leads me neatly into the next scene (3 idiots struggling at event planning together in between their workouts).

I don’t know anything else about this fake story or where it’s going, but the scene is still dense and feels connected to a plot because all the elements are doing some kind of work on behalf of the story. And that’s pretty much how I do it when I’m actually writing something with a lot of plot — come up with what the main goal of a scene is, and then while achieving that goal try to have the stuff happening in the background work to move along side plots and set up the next thing.

Pacing is like a tricky little puzzle and it’s hard but I think it’s worth it when the work pays off; very glad you’re enjoying my hockey fics!