#i think hes nishi? who cares hes akagi. they put akagi in gantz. hes besties w the ball

[nicomrade]

i didnt read nearly as much this year (2023) compared to last, i mostly re-read my faves that ill maybe post about one day and i read non-fiction from libraries. I am a Communist by Park Kun-Woong and Ichi-F by Kazuto Tatsuta are the two that id say stood out the most in that regard, but i kinda wanna keep these retrospective posts to fiction only so lets go for my actual 6 picks naow

Poison City - Tetsuya Tsutsui (2014-2015) opening with my favorite author, poison city is about art censorship- specifically of mangas in japanese libraries- how it happens, why, by and for whom, who it affects, how it shapes the publishing industry and so on. it was written after tsutsui found out his own work (manhole) had been banned in a prefecture, without him ever being notified. its only 2 volumes but the most nuanced discussion of the topic ive seen. like all tsutsui work it is in my brain forever like a worm and if i see it IRL i get an urge to reread it right there right now. which happens often cuz french libraries (justifiably!) love it

Gekiga-Yose: Fallen Words - Tatsumi Yoshihiro (2009) i got into a little gekiga rabbithole sometime last spring that segued really nicely into a rakugo moment for me. Fallen Words is neatly at the junction of the two and maybe the best way to experience rakugo stories if you cant watch performances? its not rakugo but it tries really hard to make the original jokes work in a new medium. fascinating project that i really enjoyed and laughed outloud at while reading. it also helps other rakugo-based fiction have more context and depth for a non-rakugo liker audience

Blood on the Tracks / Chi no Wadachi - Oshimi Shuzo (2017-2023) "this is not a work that wants to teach you how to heal, how to cope, or give you catharsis, or tragedy." chi no wadachi is about parental abuse and keeps to following the protagonist for as long as his mom has influence over his life, in all of the ways that she does, and nothing more. its heavy, its hard, and its something you need to meet halfway. not the oshimi shuzo work id necessarily start with but its the one i read fully this year and also the one i got into comment fights on mangadex about lol

Billy Bat - Naoki Urasawa & Nagasaki Takashi (2008-2016) billy bat is about art and its about making art and its about what if there was a bat on the moon that gave you catharsis. its got historical fiction its got protagonist changes its got walt disney its got an insane amount of historical research put in. its got two bats. its art as an universal language, as something its artist owns but that also belongs to everyone who's ever connected with it, art as the root of humanity, as the lense through which people view and shape the world. and its about a japanese-american artist named kevin.

Bokurano: Ours - Kitoh Mohiro (2003-2009) bokurano is about kids who are roped into a mecha war for earth's survival. it questions whether you can live without harming others, the nature of remorse, childhood trauma, and so on. its dubiously a death game- i count it as one but its also explicitely interested in this very question- "is this a game?". is bullying a game? Is csa a game? Is parental abuse a game? Neglect? Sibling violence? War? Is that what a game is? anything that children do?

Undercurrent - Toyoda Tetsuya (2004-2005) its easy to say reading undercurrent feels like youre drowning because the water motif is already omnipresent but this really is a piece where the story and the artistic motif are just in symbiose. undercurrent explores one woman's life managing her bathhouse almost on her own at the same time as she's dealing with more personal issues, and my first instinct upon seeing the cover is always to hold my breath. cannot say anymore just read it

+ bonus mention to Gantz - Hiroya Oku (2000 - 2013) for ruining my whole life. i didnt start it in 2023 but i was overcome by some sort of fever in january that made me finish this fucking manga and it hasn't left me since. don't read gantz. you can watch the live action movies they cut out 95% of the manga and make it actually good also akagi's actor (kanata hongo) plays my fave character in them. but whatever you do, don't read gantz.