#i want to draw or make somwthingndjdkdmdmdmmd

[lmaowh-at]

Actually no I'm not done talking about gesher ragad and it's stage because I was there yesterday again and I got seats on the opposite side of where I was sitting last time. And the way to those seats goes through the stage

Me fangirling at this fact alone aside, I was sitting in the first row. The stage is maybe 5 centimeters above the floor, so when Ros and Guil were standing on the sidelines, giving space for the events in Hamlet play out in front of them without interrupting and being part of the story, they were standing on the same floor my feet were touching. They were on the same level as me. They were watching the play the same way I was watching it. *explodes*

In general this production omits a lot of parts that are taken straight out of Hamlet, removes characters like soldiers, replaces scenes from the main play where there's actually dialogue with shortened versions that have less text and more silent, absurd depictions of them, changes the order of lines and jokes and other scenes, some would say bastardizes the original, but I like it. I really really like it. Maybe I'm biased because it was my first exposure to ragad and I've only skimmed through the original play and didn't like the movie too much (I just don't understand how you can move this play to a different medium since it's so reliant on the fact that its a play) but I legit don't care AT ALL lmao I get to choose how I engage with media and nothing's stopping me. Especially since this production IS good

Some more stuff they did thats worth noticing I think: instead of the pile of corpses coming after Guil's last words, everyone dies on stage after the Player says his "death to all!" Speech. The tragedians do perform everyone's deaths like written in Stoppards play, but they mirror the deaths of the main characters that pile up in the middle of the stage as Ros and Guil are watching. Like when the tragedian that plays Claudius dies- so does actual Claudius that walks to the stage- they mirror each other's moves. Horatio isnt there. After that Ros and Guil say their final words and leave the stage, revealing a pile of corpses and two hanged silhouettes behind the curtains on the two exists from the stage. Then the lights go out, all of the characters are gone and the Player, together with Alfred, walk in, put two signs that say "ROS" and "GUIL", sit down to rest for couple of minutes and walk out. The end

Also, while they start with the usual flipping coin shanenigans, after three or four coins Ros and Guil exit the stage, the music becomes louder and all of the characters walk through the narrow road- Polonius, Ophelia, Gertrude, Claudius, Hamlet himself- as if they're re-caping the events of Hamlet- showing us the main heroes- just to go back to Ros and Guil, who are now on the 85th heads.

Aaaand Ros and Guil have a fun little tune they whistle to each other and a little dance they do throughout the play and right before they walk out of the stage for the final time. They also do it when all the actors come in for the applaudisments. My heart :'))

Oh also, their Player fucking lives in my head rent free. Doron Tavory you one hell of a guy

That's all. Fuck . Watching it again knowing what's it all about and noticing how the Player is messing with them (im paraphrasing but "damn it, he knows all the exists!" "Well of course I do, I've been here before", or the insaneeee scene they made at the end of the second act when the tragedians are playing the murder of gonzago to Ros and Guil and then Guil says that it can't end abruptly like that and then he reads out the foreshadowing to the third act on the boat. Or, of course, the ending.) And how the narrative warps around them and appreciating more of Rosencrantz's slapstick moments (the actor is shorter than Guil's by like 20 cm) and generally just. Remembering how I felt back then. God what an insane play