Part 2 of whatever. Continuing on with Tadfield Manor scenes, we get to the infamous "Wall" scene. I know it has been analyzed by many so far, but that's never stopped people in the world of literary analysis from spewing their own thoughts on well-reviewed texts. Also, I just want to.
Okay, so once they enter the manor building and see the management training branding, Crowley decides to "help out" and make all of the paintball guns into real machine guns. He snaps his fingers and points double finger guns at the passing "soldier".
Aziraphale is dumbfounded. "What the hell did you just do?
Such language, Angel! And no physical reaction to it like Crowley did when he said "Heaven's sake" in E6. Huh.
Crowley, meanwhile, is thoroughly pleased with himself. They want to battle? He's happy to oblige.
This plus the scare in the courtyard lets us see Crowley enjoying the few perks of being a demon. It's fucking adorable.
Aziraphale cannot comprehend how Crowley - who just miracled a stain away on his coat because it bothered him - could do something so thoroughly evil. And with a jaunty step!
If Aziraphale had pearls, he'd be clutching them so hard.
To which Crowley takes the opportunity to once again point out the flawed binary system of morality. We the audience will see this argument again in the Body Snatcher minisode, so it's fun to see how these two keep having the same old debates throughout time just with different causes with which to start from.
Pointing out hypocrisy while slinking down a hall? Crowley, you delicious tramp.
Aziraphale is still thoroughly horrified, but Crowley concedes with a sigh that everyone will, in fact, be fine. To me, his tone is a mix of disappointment at him not being quite as much of a bastard as he paints himself. He can't really hide his true self from Aziraphale.
I love how he can't stop moving his body. Snakes gonna slither.
Then here is it. The big moment. Smug little Aziraphale feels the need to mention how nice Crowley is underneath his demonic persona.
We now know that this is a reoccurring exchange, where Crowley must defend his title of Big Bad Demon in front of Azi's kind compliments. There's serious consequences to Crowley being labeled "nice" and Azi knows this by now. So why does he keep bringing it up? To provoke Crowley? To finally break him into admitting Azi is right? It's not like Azi can protect Crowley from Hell's wrath, but he pushes anyway.
I thought Crowley was the shit-stirrer in this relationship.
And now my favorite part. Sister Mary shows up and rightly implies these two are about to nail each other through the drywall. But when she recognizes Crowley, he stops her in her tracks.
The sass! It's off the fucking chart! Only an Angel could withstand such a display!
Aziraphale just straightens his clothes and lets the sass go unchallenged because he's still has a bit of self-preservation instincts left.
So I already talked about the "Luck of the devil" line from Aziraphale here, but it truly is a fun moment in the context of the whole scene. Crowley is worked up from the "nice" comment and Aziraphale's seeming refusal to stop analyzing him.
Horny Aziraphale is sassy and Crowley looks like he wants to bite through a door frame.
So, obviously, I've spent way too much time rewatching these scenes, but I do find it so interesting how we see so much of their relationship on display within just a few minutes. The different personality traits to draw them together while also pushing them apart.
The way Aziraphale knows how to work Crowley, who in turns knows how to indulge appropriately. (*cough* bullet catch *cough*)
The way Crowley happily taps into his demonic toolbox to spread a bit of chaos without actually causing serious harm. (*cough* Job *cough*)
The way Aziraphale reflexively tows the party line of Heaven even in the face of Crowley's demonstrations of humanity's instincts. (*cough* all of time *cough*)
And basically the way they bring out the best (and sometimes worst) of each other. Some might say they're a team. Or a group. A group of the two of them.