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ofdianaes-blog · 5 years

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DIANA ARCHIBALD [ VIRGINIA GARDENER ] is a JUNIOR at Broadripple Academy. She is SEVENTEEN years old, from BOSTON, MASSACHUSETTS and has been at Broadripple Academy for HALF A year.

hiya all ! i’m meredith, i’m 18 and i never learned how to fucking read i’m super excited to be here ! feel free to slide into my ims if you want to plot at all, i’m down for whatever and am super excited to get to plotting with you all, and i hope you love/hate my new baby, diana just as much as i do. i’ve included some stuff about her under the cut, as well as some plot ideas i’d like to see. y’all can also message me on discord if you want for easier plotting, i’m meredith#3445

okay, her bio is all the way at the end of this just in case it’s posted on the main by the time i post this and i don’t wanna make anyone suffer through it. if you haven’t seen it, just scroll on down and it should be there for you to learn all about my girl. now for wanted plots/plot ideas ( i’m like, zero percent limited to any of these )

BLACKMAIL OR SYMPATHY? THE WORLD IS YOUR OYSTER basically, this plot is someone knowing that diana is a big fat faker. maybe they went to middle school with her, or one of her many different personalities in high school before they both ended up at broadripple. with all the times she’s moved, as long as it was in state ... it might very well be a possibility she knows one person. maybe they read her diary, she keeps it under her mattress. maybe they just caught her mouthing the words to a billboard top 100 song and her cover is blown. who knows! we can sort all that out. this person can either hold this over diana’s head, or they’ll feel bad for her and attempt to show her the ropes of everything and keep her secret on the dl. the first is more fun for me, the second is more fun for diana. your pick.

YOU’VE_GOT_A_FRIEND_IN_ME.mp3 someone that sees through that pretentious candy shell to the mediocre chocolate that’s beneath. i imagine most people have a low tolerance for when diana gets into one of her real cinema is dead, i was born in the wrong generation moods, but this is the person that sticks by her, reminds her she’s being obnoxious, and she can still listen to the smiths in 2019, no one is stopping her. did they meet in english class, sharing an illicit cigarette, bonding over how diana is always getting a coffee? it’s all up to you, but partners in not really crime is something i’d love to see for her. she gets lonely, y’all.

RIVALS TO ENEMIES TO RIVALS (100k, F/?) i’m running out of creativity for these plot ideas, okay? anyone who dare insinuate (or outright say) diana is wrong about, ahem, anything, or has poor taste or whatever is bound to be at the receiving end of her wrath. and by wrath, i mean glares across the hallway and the angry writings in her journal. don’t call it a diary, even though it really is, she’ll get mad. if this person wants to share passive aggressive quips and feuds, then ooh boy, is diana the enemy for them. this can be someone who’s uninhibited by her desperation for the cool factor and is just themselves, or someone who thinks she isn’t cool enough. either one will make her skin crawl.

FILM PROTEGE / HER YOUNG PADAWAN they don’t even necessarily have to be into the same shit she is, or film at all, though they could want her to teach them about shitty foreign films and 80s sadgirl music. if she sees anyone shy or meek or just not with big enough of a personality, she’ll ceaselessly volunteer to show them to the world of not knowing how to shut their damn mouth. god knows that’s the world she’s living in. while she isn’t necessarily a rebel (she always recycles and does her homework), she does partake in habits such as [ gasp ] swearing and the devil’s lettuce. whether this person is shy or just extraordinary strait-laced .... let diana ( holes voice ) fix that

okay, now her bio is below this line. enjoy !

Though Diana Archibald is indisputably a firecracker, to say she came into the world with a bang would be a bold faced lie. She was born to the archetypical white picket fence, upper middle class family. She donned pink onesies and cooed alongside family pet golden retriever, a friendly, brown-eyed creature named Max — Diana would vomit at how the stereotypes seemed to stack so neatly. Tragedy and betrayal, however, can taint even the most normal of lives, and with her mother’s cancer diagnoses, her father was out the door before she could toddle. Hindered by the cost of medical bills, Elizabeth Archibald, Diana’s partial namesake, withered away into nothing. With her father unable to be located for child support or to take her in, who was once a perfect, porcelain blonde baby doll became red faced and tearful toddler — a ward of the state, sent on the pipeline from foster home to foster home.

Diana was raised on half rewound VHS tapes and scratchy, skipping DVDs that she was shoved in front of to keep her docile and occupied. Her obsession with stories didn’t stop there, as she stumbling through the minimal words in picture books turned into devouring novels with a wind up flashlight under the thick covers of her bunk bed. She saw herself in the pages of protagonists burned by tragic backstories, of boys and girls who rose from the ashes and became strong and willful and exactly who she wanted to be. She wanted nothing more than to satiate the hunger she felt to be like them: to be something. And so, the lies began: carefully crafted, always a new story wherever she went.

The first half of freshman year, she was a bubbly cheerleader in a tiny town on the Connecticut border, where she reeked of bubblegum and painted her nails bright pink in class, doodling the names of the cutest boys in school amongst her math notes. Second half, she was a band geek in Cambridge, with grades imbalanced to direct her towards the arts as she nervously learned to play the clarinet, swapping spit under the bleachers with pimple faced boys who played the drums and frizzy-braided girls in the brass section. The first half of sophomore year she lived in the suburbs of Boston, where she had heavy black eyeliner and a permanent scowl on her face, she recited poetry and wrote her own, deep and dark. She got a stick and poke on her ankle in her best friend’s garage, and shoplifted religiously. Once January hit and she was somewhere else, demanding she was referred to only by her last name. She wore flannel and beanies and refused to speak in class, passing a joint back and forth around in the basement of a senior who looked at her with leering eyes. The first half of her junior year, she was the perfect church girl, her hair always in neat braids and a smile on lightly glossed lips as she perfectly enunciated hymns and messages of peace be with you. A golden cross hung loosely around her neck, and she meticulously frosted cupcakes for the school bake sale and highlighted passages in her bible.

That’s how she supposes, she ended up at Broadripple. After she was shoved out of that town, that school, that family, her newfound love of religion was deemed of enough importance: Diana was a lovely candidate for the philanthropy of Broadripple Academy, and they would be so happy to have her attend. She was used to moving, but not into buildings with ivy covered walls and pleated skirts being added to her wardrobe. The sudden, abrupt change unlike any other had left her floundering for a new personality to latch onto, a new story to spin: until she came up with the best one yet. The perfect story was a story maker, pathological liar turned into filmmaker. Polaroid camera is always tucked into her backpack, and phone is always ready to film. She’s no longer a participant: she’s an observer. Her father was an important producer in Hollywood, she told everyone in her science class. Her mother was a retired soap opera star, but she was just as beautiful as she was in her haydey. No one cared enough to Google, and ambiguities and carefully placed anecdotes were her specialties — it worked. Now, she was the creative, wide eyed and quiet, journaling late into the night and always with a cup of coffee in hand, contraband cigarettes kept in her bottom dresser drawer. She reads classic literature and insists music sounds better on vinyl, carefully critiquing the film taste of her peers.

No matter how carefully crafted, aren’t all ruses bound to end?

and her personality section !

She’s black coffee and vinyl records, she’s the crunch of fall leaves under your shoes and absent sharpie doodles up and down your arm. She’s ballpoint pens and perfume that smells like vanilla, she’s the big glasses perched on her nose that she doesn’t really need, she’s cheeks carefully dusted with blush to make her look kissed by winter air. She’s cinnamon bubblegum and sitting cross legged in the grass, snapping photos of bunnies as they trot between trees.

DISHONEST: There’s an itch that can’t be scratched away, and it’s to tell another lie. One more won’t hurt. She tells herself, in fact, it might just help. She’s lived in Beverly Hills and Brooklyn, she tells them, twirling her hair nervously around her finger. She’s never even left the state.

ASTUTE: There’s no denying Diana is smart. One has to be, to stop themselves from getting tangled in a web of dishonesty. Math and science aren’t specialties of hers, but they still come easily, and her natural flair for artistry and the dramatics has made her an excellent writer and creative student. Good grades are easily achieved, and Diana easily takes notice of things other people try to hide.

SELF-IMPORTANT: Diana does everything better, she’s sure of it. After all, she’s had to put in the research into how exactly to do things right. This new personality of hers only amplifies the airs of betterness she seems to put on — though there’s no cracks shown in confidence, it certainly is a facade.

GREGARIOUS: Even in her quite states, it’s always been easy for Diana to make friends. She’s naturally empathetic, and has no issue molding herself to suit what the conversation needs. She’ll donate to charity or talk shit behind your back — whatever the conversation calls for. She’s a social butterfly that can never seem to settle on a hive, and that leaves most of her relationships at surface level.

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