#im probably actually queuing this to send after midnight

[networksupported]

@sorceryparable (continued)

> not that i blame your guy. i would also hate to be in here if i didn't have to.

he manages a sort of reedy whine- and, in true cas fashion (or perhaps true cat fashion, it was hard to distinguish the two) looks incorrigibly proud of himself for it.

> then again, whoever 'she' is- uh- i don't wanna know her either. whoever gets that amount of stress put on their pronouns is not someone id wanna...you know, meet in a dark alley. not that there's any of those around. don't wanna run into her in the employee lounge, if you get my drift- no, that doesn't have nearly the same ring to it.

> whoever 'she' is sounds scary as fuck. there we go. that's what i'm tryna say.

the next three notes are almost a scale- and, failing that only slightly, are not...wholly horrible to hear.

> oh, god. well, telling you now, 'pleasant' and 'musical' are not words ever used to describe me. so. sorry. in advance. um.

more by luck then judgement, he almost manages to harmonise with batt for a whole four seconds. that, or he simply excels at also playing with no real key or signature to follow. probably a mixture of both.