#jason is starting to sound like those dudes who read exactly 1 book and somehow convince everyone around them that they are a huge bookworm

[365days365movies]

February 5, 2021: The Notebook (2004)(Part 1)

...Do I have to?

...The year was 2004. I was 13, my Mom was still into romance movies, and we had a Hollywood Video nearby. God, I miss Hollywood Video, you have NO idea. Anyway, I obviously didn’t watch this movie (or I wouldn’t be watching it now), but I do remember kissing in the rain...or was that just the DVD cover? Other than that, I got nothin’. Still, I like both Rachel McAdams and Ryan Gosling in other works, so I guess we’ll see.

I also can’t start this without acknowledging the fact that this is based upon a Nicholas Sparks book, and...I’m not into that. Sparks sucks, man. Sappy, overemotional, and constantly predictable folderol.

OK, Nicholas Sparks, let’s get this over with. SPOILERS AHEAD!!!

Recap

We start with scenic shots of a boat rowing through a marsh, being visited by a flock of snow geese. As they fly off, an elderly woman (Gena Rowlands) looks out of a window over it. The woman is in an old-folks home, and is visited by Duke (James Garner), another resident. He’s here to read from a book, despite it not being a “good day,” according to the woman’s attendant.

The story in the book begins on June 6, 1940, at a carnival in South Carolina. There, Noah Calhoun (Ryan Gosling) sees Allie Hamilton (Rachel McAdams), and it’s infatuation at first sight. He’s a lumber yard worker, and she’s a rich heiress. He’s also EXTREMELY forward, and she’s EXTREMELY not interested. He approaches her for a dance (at a...carnival), and she says no, having literally never seen this guy before. He responds to this rejection by...butting into her date with another dude of a Ferris Wheel? 

And when she once again rejects his offer for a date...he, uh...he threatens to kill himself off of the Ferris Wheel?

Um. Yeah, no. That’s a new level of manipulation. She pants him on the Ferris Wheel and humiliates him, but JESUS CHRIST, this dude is a lot. That’s compounded the next day, when he continues to pursue her, and she continues to be EXTREMELY not interested! DUDE. GET A GODDAMN CLUE HERE, she is NOT INTERESTED IN YOUR SHIT.

Is Noah the first simp? Because he’s really starting to seem like it. Anyway, Noah and his friend Fin (Kevin Connolly) basically set her up to go on a double date with Noah, and he continues to be overly forward. Maybe this is supposed to be romantic, but it definitely doesn’t feel like it to me.

We find out that Allie is a quite well-educated young woman, whose schedule is basically completely controlled by her parents, who want her to go to college as well. Noah questions why her life is so restrictive, nothing that she should be free, which she insists she is. He then lies down in the middle of the road, watching the street...lights…

Holy shit, he’s a manic pixie dream boy. HOLY SHIT HE’S A MANIC PIXIE DREAM SIMP. He does all these quirky things, and breaks the girl in the restrictive lifestyle out of said lifestyle. Even if his dumbass actions nearly get him and Allie killed. See, she lies down in the street with him, and they nearly get run over by a car. And this second near-death experience is apparently SO romantic, that Allie’s won over, and they...just dance in the middle of the street. Because Ryan Gosling has no idea where to dance, apparently.

Billie Holiday sings “I’ll Be Seeing You” in the background (which, yes, I love), and we cut back to Duke reading to the elderly woman, who correctly guesses that they fell in love. And yeah, they go head-over-heels, apparently. Which is symbolized by, just, the most graphic of PDAs over, lord. 

Allie meets Noah’s father, Frank (Sam Shepard), a seemingly nice man and poetry fan (he’s a Tennyson man apparently). He asks her if she wants breakfast-for-dinner, and he’s my favorite character so far.

However, as if to set up the conflict to come, we’re reminded that this is a summer romance, and that they come from two different classes and worlds. Because of course they do, but whatever, moving on. That is when the following scene takes place.

...Look, I’m a bird guy by trade, and even I think that was weird.

We get more glimpses of their romance, including them dancing at a gathering with...a bunch of black peopNOPE. HOLD YOUR TONGUE, 365, WAIT FOR THE REVIEW TO TALK ABOUT THAT SHIT. At the end of this montage, we meet Allie’s father, the uppity and rich John Hamilton (David Thornton), and his GLORIOUS mustache (mustache). 

He invites Noah to Sunday brunch, which is being attended by...black servaHOOOOOOLD. NOT NOW 365 NOT NOW. We also meet Allie’s controlling mother, Anne Hamilton (Joan Allen). When Noah tells them how much money he makes, they immediately look down on him and his poor, poor ways. Anne reveals that Allie is headed to Sarah Lawrence, an all-girl’s school in New York. Which is, uh...NOT close.

Anne very much disapproves of her relationship with Noah, seeing him as a low-born of little consequence. Not that it matters, because the two head to a DEFINITELY HAUNTED house in the woods one night, which overlooks the marshlands. The bats from the Scooby-Doo intro fly by as the two walk in to, again, AN ABSOLUTELY HAUNTED HOUSE. This is the 1772 Windsor Plantation, home to...the Swamp Fox? Huh. Didn’t expect a crossover with the Mel Gibson movie The Patriot, but OK then.

The two talk about their house in the future, and somewhere in the house, a painting’s eyes move mysteriously. Allie plays a tune on the piano, which 1) sounds AMAZINGLY creepy, and 2) I’m pretty sure is the opening song, which is a neat touch. Guess that’s the theme for the movie, or possibly Allie’s leitmotif.

Anyway, it seems that the ghostly wails of Old Man Marion have gotten them both all hot and bothered, and they prepare to make love, right there in the old haunted house. The two undress while social distancing, then approach, significantly raising their risks of contracting COVID-19. Allie is CLEARLY very nervous, and as they attempt to begin the dirty deed, Allie can’t stop rambling about the current situation. Which is clearly putting Noah off the mood, but the two still clearly care about each other. It’s weirdly sweet, considering the fact that there’re, like, 50 ghosts watching, and God knows how many of those are slaaaaaaaAAAANYWAY

Fin suddenly bursts in, as it would appear that Allie’s parents have every policeman in town looking for her. Her parents are clearly upset, and her mother demands that Allie stops seeing Noah, whom she literally describes as “trash.” Jesus. And they aren’t exactly quiet about it, as Noah hears the entire conversation. He understandably leaves, and is also clearly disheartened by the whole situation. 

When Allie catches up to him, he says he has to think about this whole thing, including the fact that she’s going to Sarah Lawrence, and he’s staying behind. And I’m not gonna lie, he’s actually being realistic about this whole thing, and she’s acting FAR less rational. She actually breaks up with him right then and there, and as she’s literally physically assaulting him, I realize that SHE is actually the psychologically unstable one, HOLY SHIT. Emotionally compromised or not, Allie goes BONKERS here.

The next day, her folks decide that they’re leaving, that very day. Allie doesn’t want to leave without making amends with Noah, and she’s regretting her actions the previous night. She goes to Fin, and tells him to tell Noah that she loves him, and that she’s sorry. Noah shows up a little too late, and goes to return the comments, but Allie’s already gone.

Noah somehow gets her address, and writes her 365 letters, one letter every day. He never gets one in response, so he gives up and moves with Fin to Atlanta. Allie’s mom is seen getting the mail, so we know EXACTLY what happened to those letters. Meanwhile, it’s now 1941, and it’s time for World War II for the USA! Fin and Noah fight with Patton’s troops, and Fin doesn’t make it.

Allie, meanwhile, is in college, and works as a Nurse’s Aide for war veterans. She sees all of them as Noah,,,which is weird because she hasn’t gotten any of his letters, so she wouldn’t know that he went to war, but whatever. One of these injured men is Lon Hammond, Jr. (James Marsden). And...aw...AWWWWWWW. Did I just type James Marsden? GODDAMN IT HE’S GONNA GET CUCKED

James Marsden seems to have only one role in movies, and that’s to be overshadowed by another dude, even though in many instances, he’s a totally fine guy. The X-Men films, Superman Returns, Enchanted, the Westworld series in a way, TELL ME I AM GODDAMN WRONG. Dude’s always in movies where he plays the love interest to a girl, and that girl is pursued by another guy, and he ALWAYS LOSES TO THAT GUY. You could argue that Cyclops in the X-Men escaped that fate, but need I remind that first, Jean died, and then she came back AND KILLED HIM. STOP SCREWING OVER JASON MARSDEN’S LOVE LIFE, MOVIES!!!!

Seems like we’re once again headed down that path, though, as the very injured Lon asks Allie out on a date while in recovery, then takes her out once he’s healed. And, since he’s about as forward as Noah was, but less crazy when asking her out, she falls in love with him quickly. And it’s Duke that makes that assessment, not me. And, OF COURSE, he’s a rich Southern boy, meaning that her parents are going to approve.

At a dance club in the city with...black performDEAR GOD IT’S GETTING HARD TO HOLD ON BUT I GOTTA DO IT MOVING ON

He proposes to her, with her parents’ full permission (of course, because he’s rich and southern, gross), and she gladly accepts. He jumps on stage and announces to the entire club that they’re getting married. However, she’s still missing Noah subconsciously.

Speaking of, Noah comes home from war, presumably in 1945, and finds that his father sold him the house in order to buy the Windsor Plantation. Around the same time, Noah finds out that Allie’s moved on, and is with Lon. So, what does he do? The only logical thing: he restores the entire plantation by himself in order to win Allie back FUCKING REALLY?

Dude, you rebuilt an entire house on your own, your father died, and you could EASILY get rich off of selling the house and continuing to restore other derelict properties in the area! Upwards mobility, my man! You don’t even need to stay in town anymore! Hell, THAT’S a better plan to win both Allie’s AND her parents’ approval! STOP SIMPIN’, AND IF YOU’RE GONNA SIMP, DO IT RIGHT!!!

He’s also sleeping with a war widow, Martha Shaw (Jamie Brown), and STILL thinks only of Allie, and her sweet, sweeeeeeet bathwater, probably. Speaking of, Allie’s trying on a wedding dress, when she sees a photo of Noah in the paper in front of the plantation, which certainly shocks her. Confused, she goes to see Lon at his job as a stockbroker, and laments to him her lost romantic whimsy, brought up by seeing Ryan Gosling (AKA a natural response). She tells him that she’s going to Seabrook to “clear her head.” Lon asks if he should be worried. She says no. SHE LIIIIIIIIIIES.

Halfway mark, and this is a good place to cut! See you in Part 2!