#jellylorum hates pubs | Explore Tumblr Posts and Blogs

sevenkittensinatrenchcoat · 3 years

Text

You See: Jellylorum’s Arc and Why It’s the Best Grizabella Arc

Yeah, so, I got writer’s block trying to organize and write this properly, so I’m just writing off the top of my head. I can only hope that any of it makes sense.

I said that I might elaborate on Jellylorum’s hatred of pubs and Grizabella, and I decided to go ahead and do it, even though literally no one asked.

So, the general arc with Grizabella for most characters, especially Munkustrap and Bombalurina, is that Griz did something to offend everyone and they still hold a grudge, so they won’t let her back into the tribe, even though she might be literally dying. Then Grizabella sings Memory and everyone’s moved and they learn to forgive and Grizabella goes to the Heaviside Layer, which was probably Old Deuteronomy’s plan all along.

However, many people, even if they like Memory as a song, don’t really follow the Grizabella story. I’ve gotten the feeling that she’s not a popular character on this site, which is not helped by Munk and Bomba, much more popular characters, being against her for most of the show. The main problem with the forgiveness story is that the audience lacks any context. We don’t know what happened, so we don’t know if this is a story about forgiving someone for something petty, or forgiving someone who seriously wronged you. Most attempts to solve this problem fall flat. The 2019 film said that Grizabella went off with Macavity, but the movie had to alter the roles of several characters to get that to work. Mungojerrie worked for Macavity, and the tribe took him back. Demeter and Bombalurina had some sort of relationship with Macavity, and the tribe took them back. So, the movie makes Jerrie and Bomba more villainous and removes Demeter’s connection to Macavity, so Grizabella stands out. If you have to throw out large portions of what’s interesting about three characters to make your backstory make sense, it’s not a good backstory.

But, the show already sort of has a built in solution to this problem. While most of the characters hate Griz because of some past incident, there’s still at least one character arc about accepting Grizabella that’s based entirely on what the audience can see and hear.

This is where Jellylorum comes in.

If you pay close attention to how Jellylorum reacts to Grizabella, as well as to several other characters, you’ll notice that, though I’m sure she’s upset over whatever Griz did too, Jelly is not motivated by a grudge. It’s not about Grizabella’s past. It’s about her present.

Grizabella the Glamor Cat

Jellylorum, for the first few numbers, doesn’t really stand out. She’s always part of a larger group. In Gumbie Cat, she’s in a trio with two other queens. At this point, the audience really wouldn’t know what makes these characters stand out from one another. In Tugger’s number, Jelly is one of four older cats who are shocked and offended by Tugger’s antics, but the reactions of all four characters serve the same purpose. Jelly, Jenny, Skimble, and Asparagus are part of an older generation and they don’t get the things kids are into these days, finding them downright offensive.

If isn’t until Glamor Cat that this starts to change. At first, Jelly’s still the same as Jenny and Skimble, an older cat who stops the kittens from touching Grizabella. What’s different is how Griz reacts. Skimble leads Jemima away and Griz doesn’t comment. Jenny slaps Electra’s hand away and Griz doesn’t comment. But, when Victoria and Etcetera crawl towards her and Jelly runs in to stop them, Griz turns on her. Up until this point, the song has been fairly quiet. This is the first time Griz raises her voice, taking the orchestra with her.

You see the border of her coat is torn and stained with sand

Grizabella is dirty and beaten up by life and she accuses Jellylorum of responding to that, assuming that someone in Griz’s condition must be a threat to the children. This isn’t about a grudge. It’s about judging by appearances, specifically, the appearance of poverty, which will become more clear as we go.

When Demeter starts singing about Grizabella, she doesn’t sing about her glamorous past:

She haunted many a low resort

Near the grimy road of Tottenham Court

Tottenham Court Road, at the time this poem was written, was associated with crime. It’s a street in a lower class neighborhood which was infamous for theft and prostitution. So, Griz has been seen in a place where bad things happen. To think of her as a criminal is guilt by association.

The play decides not to tell us what Grizabella did to become an outcast, but it does tell us about her life as an outcast. From her character design, we can also see that Griz is in poor shape. This is the information the audience is actually given.

Bustopher Jones

Bustopher is easy to compare to Tugger, since the cats that don’t like Tugger all adore Bustopher. But, because we met Grizabella right before this, he can be compared to her too. Bustopher is everything the older cats see as ideal, while Griz is the opposite. Bustopher spends time among the rich in gentlemen’s clubs. Griz spends time in a working class neighborhood with a high crime rate. Even though they’re both probably strays, Bustopher presents as rich and Grizabellla presents as poor.

Just as different cats have different reasons for hating Grizabella, different cats have different reasons for liking Bustopher. For some, it’s his skill and gaining access to good food. Jenny has a crush on him. Misto likes that they look similar and that he’s the mature and sophisticated adult Misto wants to be. But, though Jellylorum’s part in the number is small compared to Jenny’s, the first thing she has to say about Bustopher is:

He doesn’t haunt pubs

Unlike gentlemen’s clubs, which are exclusive, pubs are everywhere and are for everyone. They’re frequented by the working class. Bustopher is only seen in the upper class parts of town.

Meanwhile, some of the locations Demeter mentions in Glamor Cat, The Rising Sun and The Friend at Hand are pubs. Bustopher doesn’t haunt pubs. Grizabella does.

The Glamor Cat Reprise:

So, a lot’s been implied about Jellylorum and how she admires things associated with the upper class and has disdain for things associated with the working class. But, this is where it all comes together. Grizabella accuses Jelly of treating her as someone to be feared and shamed because she’s from the bad side of town and looks it. Here, by repeating Grizabella’s words, Jelly confirms the accusation:

You see the border of her coat is torn and stained with sand

Jellylorum turns to Victoria, the pure white Symbol of Innocence who wears a sparkly pink collar, implying a wealthy owner, and points out that Griz is dirty and is both someone Victoria should avoid and strive not to be like. Victoria ignores her. Victoria is the feline equivalent of the sheltered princess, a proper young lady from a good family who hasn’t seen much of the world. But, Victoria is unaware of the implications of her status and sees someone like Grizabella as an equal. She doesn’t acknowledge class and doesn’t listen when adults try to explain it to her.

When Jellylorum pulls a kitten away from Grizabella, it’s always Victoria. The first time, it was Victoria and Etcetera, but Victoria is always involved. Victoria is never stopped by any other adult either. She seems to be Jelly’s responsibility, which creates and interesting contrast.

Gus: The Theatre Cat

After the Grizabella Reprise confirms that Jelly’s prejudice against Grizabella is based in classism, it would be easy to see her as a villain. The unspoken grudge of Munkustrap and Bombalurina is more sympathetic.

But, very early on in act two, Jellylorum is given the spotlight, and we can see her good side. Gus is a lot like Grizabella. They’re both old and past their prime, but they once were stars of some sort. But, Gus is loved and cared for by everyone. Grizabella is one her own.

Gus meets with his friends at the pub to tell theatre stories. You can tell from Jelly’s delivery when she brings it up that she’s not happy about this. But, she loves Gus anyway. Gus is old, his coat is a mess, and he hangs out in working class pubs, but Jellylorum loves him anyway. She’s perfectly capable of seeing beyond classist prejudice when it’s someone she already likes. She just hasn’t realized that Griz and Gus are the same. She can learn the lesson she needs to learn. She’s not a villain. She’s antagonistic, but she’s redeemable.

Memory

Griz appears one last time, Victoria tries to touch her, Jelly stops her. Same old, same old. Things don’t get interesting until everyone sits down. Jellylorum, along with Victoria, sits with Old Deuteronomy and Munkustrap. She’s right up there with the leaders of the tribe. This puts her on the same level as Munkustrap, who has his own lesson to learn from this.

Memory makes Jellylorum realize how much Grizabella is suffering. She’s not on Tottenham Court because she does bad things. She’s there because she’s in a bad situation and has nowhere else to go. Griz is also caught up in memories of her past like Gus is. Jelly, like everyone else in the tribe, figures it out.

When Victoria gets up to touch Grizabella, she looks back to the adults to get permission. Old Deuteronomy nods, letting her go ahead. But, it looks like all of the adults in that corner consulted each other. Munkustrap, at this moment, makes the decision to forgive Grizabella. Jellylorum, at this moment, makes the decision to accept Grizabella as an equal. She’s no longer beneath someone like Victoria.

Then, when all the cats greet and welcome Grizabella, Jelly looks very guilty, more so than the other older cats do. She’s realized just how petty she was being, that she was even worse to Griz than most of the tribe, because they either had a more emotionally-charged reason, or they just didn’t know any better.

Jelly’s story arc is a classic “don’t judge a book by its cover” story, with the symbols of class being the cover she judged.

In Conclusion:

Everything about this arc is based on information the audience is given. We can see that Grizabella is in bad shape. We know where she’s been spending her time because Demeter tells us. We can confirm Jelly’s motivation with the Grizabella reprise. We can compare how the characters of Gus and Griz are described:

You see the border of her coat is torn and stained with sand

vs.

His coat’s very shabby, he’s thin as a rake

Jellylorum sings the former line with disdain, but she sings the latter line with sympathy.

Jelly’s arc is where Grizabella stands out the most. Griz calls her out on her bullshit, is shown to be completely right in her judgement of her, and then is able to change her mind.

And, the emotional impact is all there, because no important information is hidden from the audience. The arc begins with the words “you see”, because you can.

#cats 1998 #jellylorum #grizabella #cats victoria #gus the theatre cat #bustopher jones #i did an essay #i had a surprising amount to say about that #jellylorum hates pubs #and it's actually important #class consciousness #but with singing cats #don't be a dick to poor people #this isn't edited #so i have no idea what typos it has #and i don't care right now #it's two o'clock in the morning #i give my last fuck at midnight

36 notes · View notes