#julien ceccaldi

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Julien Ceccaldi (Canadian, 1987), Secret Stairs, 2018. Acrylic paint on Plexiglas and canvas, 48 x 36 in.

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Cute exhibition 10/13.

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Pop-Punk Idol (2019) - Julien Ceccaldi

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julien ceccaldi

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The Antoine Doinel Cycle

Jean-Pierre Léaud in The 400 Blows (François Truffaut, 1959)

Cast: Jean-Pierre Léaud, Albert Rémy, Claire Maurier, Patrick Auffay, Georges Flamant. Screenplay: François Truffaut, Marcel Moussy. Cinematography: Henri Decaë. Film editing: Marie-Josèphe Yoyotte. Music: Jean Constantin. One of the unquestioned great movies, and one of the greatest feature-film directing debuts, The 400 Blows would still resonate with film-lovers even if François Truffaut hadn't gone on to create four sequels tracking the life and loves of his protagonist, Antoine Doinel (Jean-Pierre Léaud). There are, in fact, those who think that the last we should have seen of Antoine was the haunting freeze-frame at the end of the film. But Antoine continued to grow up on screen, and perhaps more remarkably, so did Léaud, carving out his own career after his debut as a 13-year-old. (It's hard to think of any American child actors who were able to maintain a film career into adulthood as well as Léaud did. Mickey Rooney? Dean Stockwell? Who else?) Having Truffaut as a mentor certainly helped, but Léaud had an unmistakable gift. He is on screen for virtually all of the 99-minute run time, and provides a gallery of memorable moments: Antoine in the amusement-park centrifuge, Antoine in the police lockup, Antoine on the run -- in cinematographer Henri Decaë's brilliant long tracking shot. And my personal favorite moment: when the psychologist asks Antoine if he's ever had sex. Léaud responds with a beautiful mixture of surprise, amusement, and embarrassment. It's so genuine a response that I have to think it was improvised, that Truffaut surprised Léaud with the question. But even so, Léaud never drops character in his response. This praise of Léaud is not to undervalue the magnificent supporting cast, or the haunting score by Jean Constantin. It's a film in which everything works.

Jean-Pierre Léaud and Marie-France Pisier in Antoine and Colette (François Truffaut, 1962) Cast: Jean-Pierre Léaud, Marie-France Pisier, Rosy Varte, François Darbon, Patrick Auffay, Jean-François Adam. Screenplay: François Truffaut. Cinematography: Raul Coutard. Music: Georges Delerue.  Four years after he made The 400 Blows, Truffaut was asked to contribute to an anthology of short films by directors from various countries to be called Love at Twenty. As he had with the first film, Truffaut drew on his own experience, an infatuation with a girl he had met at the Cinémathèque Française. And since Léaud was available -- he had worked with Julien Duvivier on Boulevard (1960) after completing The 400 Blows -- it made sense for him to play Antoine Doinel again. A narrator tells us that Antoine had been sent to another reform school after escaping from the first, and that this time he had responded well to a psychologist: After leaving school, he has found a job working for the Phillips record company and is living on his own. Then he sees a pretty young woman at a concert of music by Berlioz and falls for her. Colette (Marie-France Pisier) is not much interested in him, but she is evidently flattered by his advances. Her parents like Antoine and encourage him so much that he rents a room across the street from them. (Truffaut had done the same thing during his crush.) But one evening when he comes to dinner at their apartment, a man named Albert (Jean-François Adam) calls on Colette and she leaves Antoine watching TV with her parents. It's a droll little film, scarcely more than an anecdote, and the stable, lovestruck Antoine doesn't seem much like either the rebellious Antoine of the first film or the more scattered Antoine of the later ones in the cycle.

Jean-Pierre Léaud in Stolen Kisses (François Truffaut, 1968) Cast: Jean-Pierre Léaud, Claude Jade, Michael Lonsdale, Delphine Seyrig, Michael Lonsdale, Claire Duhamel, Daniel Ceccaldi. Screenplay: François Truffaut, Claude de Givray, Bernard Revon. Cinematography: Denys Clerval. Production design: Claude Pignot. Film editing: Agnès Guillemot. Music: Antoine Duhamel.

The Antoine of Stolen Kisses is in his 20s, but has reverted to the more haphazard ways of his adolescence: He has been kicked out of the army, and now relies on a series of odd jobs to get by. But he has also renewed acquaintance with a young woman he met before going into the army, Christine Darbon (Claude Jade). Like Colette's parents, hers are quite taken with Antoine, and they help him get a job as a night clerk in a hotel. He gets fired from that job after helping a private detective who is spying on an adulterous couple, but the detective helps Antoine get a job with his agency. While working for the detective agency, he has to pose as a clerk in a shoe store, and winds up in a liaison with the store owner's wife, Fabienne (Delphine Seyrig). When that ends badly, he becomes a TV repairman, which brings him back to Christine, with whom he winds up in bed after trying to fix her TV. At the film's end, a strange man who has been following Christine comes up to her and Antoine in the park and declares his love for her. She says he must be crazy, and Antoine, who perhaps recognizes his earlier infatuation with Colette in the man's obsession, murmurs, "He must be." Stolen Kisses is the loosest, funniest entry in the cycle, though it was made at a time when Truffaut was politically preoccupied: The film opens with a shot of the shuttered gates of the Cinémathèque Française, which was shut down in a conflict between its director, Henri Langlois, and culture minister André Malraux. This caused an uproar involving many of the directors of the French New Wave. Some of Antoine's anarchic approach to life may have been inspired by the rebelliousness toward the establishment prevalent in the film community. But it's clear that the idea of a cycle of Antoine Doinel films has been brewing in Truffaut's mind: There is a cameo appearance by Marie-France Pisier as Colette and Jean-François Adam as Albert, now married and the parents of an infant.

Claude Jade and Jean-Pierre Léaud in Bed and Board (François Truffaut, 1970) Cast: Jean-Pierre Léaud, Claude Jade, Claire Duhamel, Daniel Ceccaldi, Hiroko Berghauer. : François Truffaut, Claude de Givray, Bernard Revon. Cinematography: Néstor Almendros. Production design: Jean Mandaroux. Film editing: Agnès Guillemot. Music: Antoine Duhamel.  Antoine and Christine have married, and they have settled down in a small apartment. (There's some indication that it's paid for by her parents.) She gives violin lessons and he sells flowers -- carnations, which he dyes, using some environmentally questionable potions. But settling down isn't in Antoine's nature, and when Christine gets pregnant he looks for more lucrative work. He finds a curious sinecure in a company run by an American: Antoine maneuvers model ships by remote control through a mockup of a harbor. ("It gives me time to think," he says.) One day, a Japanese businessman comes to see the demonstration, accompanied by a pretty translator named Kyoko (Hiroko Berghauer), and Antoine is soon involved in an affair with her. Naturally, this precipitates a breakup, though by film's end they have seemingly reconciled. Still, it's obvious that the marriage is not destined to be permanent. They can't even agree on a name for their son: She wants him to be called Ghislain, and he wants to call him Alphonse. Antoine wins out by a trick: He's the one who goes to the registry office to legalize the boy's name. Antoine also spends time writing a novel about his boyhood, to which Christine objects: "I don't like this business of writing about your childhood, dragging your parents through the mud. I don't know much but I do know one thing: If you use art to settle accounts, it's no longer art." Truffaut had his own regrets about the portrait of his parents in The 400 Blows. Less farcical than Stolen Kisses, Bed and Board still has a strong vein of comedy tinged with melancholy.

Claude Jade and Jean-Pierre Léaud in Love on the Run (François Truffaut, 1979) Cast: Jean-Pierre Léaud, Marie-France Pisier, Claude Jade, Dani, Dorothée, Daniel Mesguich, Julien Bertheau. Screenplay: François Truffaut, Marie-France Pisier, Jean Aurel, Suzanne Schiffman. Cinematography: Néstor Almendros. Production design: Jean-Pierre Kohut-Svelko. Film editing: Martine Barraqué. Music: Georges Delerue. Truffaut admitted that he wasn't happy with the final film in the cycle. It's a bit too heavily reliant on flashback clips from the four earlier films, and if it's intended to show that Antoine has finally stabilized now that he's in his 30s and divorced from Christine, it doesn't quite make the case. He has a new girlfriend, Sabine (Dorothée), his novel has been published several years earlier, and he works as a proofreader for a printing house. He's on friendly terms with Christine, and agrees to take their son, Alphonse, to the train station when the boy leaves for a summer music camp. At the station, he runs into Colette, now a defense lawyer, who is on her way to confer with a client -- a man who has murdered his 3-year-old boy. Perhaps a little too coincidentally, Colette is involved with Sabine's brother, Xavier (Daniel Mesguich), and she has bought a copy of Antoine's novel to read on the train. Antoine impulsively boards the train, and sets up a meeting with Colette in the dining car, after which she invites him back to her compartment. All of this sets up a series of revelations: Colette's marriage to Albert broke up after their small daughter was killed by a car. She claims that she supplements her small income as a lawyer by prostituting herself with men she meets on trains. Antoine finally made peace with his mother after her death when he met her old lover, M. Lucien (Julien Bertheau), who persuaded him to visit his mother's grave. (There is a flashback to the scene in The 400 Blows when Antoine, playing hooky, sees his mother kissing a strange man on the street.) Antoine became infatuated with Sabine after hearing a man in a phone booth arguing with a woman on the other end of the line and then tearing up her photograph. Antoine picked up the pieces from the floor, put them together, and after some sleuthing, discovered the woman was Sabine. His marriage to Christine finally broke up after he slept with her friend Liliane (Dani), who he previously had thought was having a lesbian relationship with Christine. And so on. The result of all the flashbacks and revelations is not to round out the Antoine Doinel saga, but to make Love on the Run feel over-contrived.  

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how into Julien Ceccaldi do you think Karin Dreijer is

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Julien Ceccaldi

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Debating on going to this horrible exhibition just to see a julien ceccaldi peice irl

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Studio Ghibli e sua Influência

O Studio Ghibli foi criado por Hayao Miyazaki em 1985, tendo como seu primeiro filme “O Castelo no Céu” (Tenkū no Shiro Rapyuta). O estúdio foi responsável pela criação de diversas animações, incluindo “Meu Amigo Totoro”, “Sussurros do Coração”, “Princesa Mononoke” e “A Viagem de Chihiro”¹.

Filmes da Studio Ghibli, recentemente, tornaram-se um novo tipo de estética. A beleza da natureza, o estilo cartoon dos personagens, a gentileza dos sons, e em especial: a alegria de viver.

Com suas animações, Hayao era capaz de criar os mundos fantasiosos mais reais possíveis, trocando sua imaginação com crianças, de quem ele tirava boa parte de suas inspirações.

Miyazaki também serviu como fonte de inspiração para diversos artistas, como o ceramista Alex Anderson e a pintora Julien Ceccaldi, cada um retirando sua inspiração de personagens de filmes diferentes².

Os temas abordados por Miyazaki variam imensamente, do otimismo pelo futuro à fragilidade da vida, por causa disso, seus filmes ensinam algo diferente a cada pessoa, oferecendo novas perspectivas e lições, que serão mantidas na mente de todo o público, independente da faixa etária.

Em 22 de fevereiro, foi lançado “O Menino e a Garça”, o filme conta a história de um jovem em busca de sua mãe com a ajuda de uma garça. O filme foi mantido em segredo desde 2016, sabendo-se que Hayao havia abandonado a ideia de aposentadoria para trabalhar no filme. Esse foi o filme mais recente feito pelo estúdio, recebendo o Oscar de melhor animação de 2024³.

Larissa Miyuki Oizuni

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Octobre MMXXIII

Films

Le miroir se brisa (The Mirror Crack'd) (1980) de Guy Hamilton avec Angela Lansbury, Geraldine Chaplin, Tony Curtis, Edward Fox, Rock Hudson, Kim Novak, Elizabeth Taylor, Wendy Morgan et Margaret Courtenay

L'Homme de Rio (1964) de Philippe de Broca avec Jean-Paul Belmondo, Françoise Dorléac, Jean Servais, Milton Ribeiro, Simone Renant, Adolfo Celi, Ubiracy De Oliveira, Roger Dumas et Daniel Ceccaldi

Opération Dragon (Enter the Dragon) (1973) de Robert Clouse avec Bruce Lee, John Saxon, Jim Kelly, Ahna Capri, Shih Kien, Bob Wall, Angela Mao et Betty Chung

Le Grand Bain (2018) de Gilles Lellouche avec Mathieu Amalric, Guillaume Canet, Benoît Poelvoorde, Jean-Hugues Anglade, Philippe Katerine, Félix Moati, Alban Ivanov, Balasingham Thamilchelvan, Virginie Efira et Leïla Bekhti

Bernadette (2023) de Léa Domenach avec Catherine Deneuve, Denis Podalydès, Michel Vuillermoz, Sara Giraudeau, Laurent Stocker, François Vincentelli, Lionel Abelanski, Artus, Scali Delpeyrat et Barbara Schulz

Gaz de France (2015) de Benoît Forgeard avec Olivier Rabourdin, Philippe Katerine, Alka Balbir, Antoine Gouy, Philippe Laudenbach, Darius, Jean-Luc Vincent et Élizabeth Mazev

Mariage à l'italienne (Matrimonio all'italiana) (1964) de Vittorio De Sica avec Sophia Loren, Marcello Mastroianni, Aldo Puglisi, Tecla Scarano, Marilù Tolo, Enzo Aita, Gianni Ridolfi et Generoso Cortini

Adieu poulet (1975) de Pierre Granier-Deferre avec Lino Ventura, Patrick Dewaere, Victor Lanoux, Julien Guiomar, Pierre Tornade, Françoise Brion, Claude Rich et Claude Brosset

Des hommes d'honneur (A Few Good Men) (1992) de Rob Reiner avec Tom Cruise, Jack Nicholson, Demi Moore, Kevin Bacon, Kiefer Sutherland, Kevin Pollak, James Marshall et J. T. Walsh

La Vie de château (1966) de Jean-Paul Rappeneau avec Philippe Noiret, Catherine Deneuve, Pierre Brasseur, Mary Marquet, Henri Garcin, Carlos Thompson et Marc Dudicourt

Tout ce que le ciel permet (All That Heaven Allows) (1955) de Douglas Sirk avec Jane Wyman, Rock Hudson, Agnes Moorehead, Conrad Nagel, Virginia Grey, Gloria Talbott, William Reynolds et Charles Drake

L'Attentat (1972) de Yves Boisset avec Jean-Louis Trintignant, Michel Piccoli, Jean Seberg, Gian Maria Volonté, Michel Bouquet, Bruno Cremer, Daniel Ivernel, Philippe Noiret, François Périer et Roy Scheider

Chaplin (1992) de Richard Attenborough avec Robert Downey Jr., Geraldine Chaplin, Paul Rhys, John Thaw, Milla Jovovich, Moira Kelly, Anthony Hopkins, Dan Aykroyd et Marisa Tomei

L’Évadé d’Alcatraz (Escape from Alcatraz) (1979) de Don Siegel avec Clint Eastwood, Patrick McGoohan, Roberts Blossom, Fred Ward, Jack Thibeau, Paul Benjamin et Larry Hankin

Les Sorcières d'Eastwick (The Witches of Eastwick) (1987) de George Miller avec Jack Nicholson, Cher, Susan Sarandon, Michelle Pfeiffer, Veronica Cartwright et Richard Jenkins

Bird (1988) de Clint Eastwood avec Forest Whitaker, Diane Venora, Michael Zelniker, Samuel E. Wright, Keith David, Michael McGuire et James Handy

Wolf (1994) de Mike Nichols avec Jack Nicholson, Michelle Pfeiffer, James Spader, Kate Nelligan, Richard Jenkins, Christopher Plummer et Eileen Atkins

Séries

Brokenwood Saison 8

Du berceau au tombeau - Sortie de scène - Du rififi au paradis - L’homme qui valait 6 dollars - L’or ne fait pas le bonheur

Affaires sensibles

Massacre du Bloody Sunday : la vérité 38 ans après - Bobby Sands, destin tragique d’un héros de l'indépendance Irlandaise - 1979, ils ont assassiné l’oncle de la Reine Elizabeth II - Les Malouines : bataille navale dans l’Atlantique Sud - La chute de la Dame de fer - « La Dame de fer, le Roi Arthur et la grève des Mineurs » - Dr Goldman et Mister Sachs - Elizabeth Holmes, l’arnaqueuse de la Silicon Valley - 13 mai 1981 : le jour où on a voulu tuer le pape Jean-Paul II - Tuer de Gaulle, l'attentat du Petit-Clamart - Bugaled Breizh : un naufrage en eaux troubles - Le monstre du Loch Ness, un animal merveilleusement insaisissable

Inspecteur Barnaby Saison 13, 16

Meurtres sur mesure - L'épée de Guillaume - Du sang sur les éperons - Les Fantômes de March Magna - La Musique en héritage - Mort par K.O. - La Bataille des urnes - Régime fatal - Les meurtres de Copenhague

Coffre à Catch

#135 : Christian est de retour !!! - #136 - Christian veut le titre de Jack Swagger - #137 : DANS LE MAIN EVENT: Christian nouveau champion ECW ? - #138 : Kane contre le Boogeyman + Santino à la ECW ! - #139 : Le jour où Triple H débarque chez Randy Orton !

Happy Days Saison 3, 4

Un locataire encombrant - La Bécane de Fonzie - Fonzie le téméraire : première partie - Fonzie le téméraire : deuxième partie - Une de trouvée et dix de perdues - Œil pour œil, poing pour poing - Une famille contestataire - Les Quarante-cinq ans d'Howard - Fonzie fait la loi - Cours de drague - Les Vacances de Pâques - La Soirée hawaïenne - Quatorze ans trois quarts - Chagrin d'amour - Un tango pour Fonzie - Représentant ou dresseur de fauves - Baby sitting - Fonzie Superstar - Qui sera le pigeon ? - Le Concours de beauté - Spike fait des bêtises - Fonzie porte des lunettes - Le Mariage d'Arnold - Fonzie est amoureux : première partie - Fonzie est amoureux : deuxième partie - Fonzie est amoureux : troisème partie - Fonzie chez le psychiatre - Pas de panique, restons cool ! - Une dette envers Potsie - Richie s'émancipe - Marathon de danse - Richie grand reporter - Fonzie et le shérif - Nouvelle conquête - Le Rendez-vous de Fonzie - Nuit d'enfer dans une remise - La Soirée des records - La gloire est éphémère

Castle Saison 3

Un homme en colère - Tranches de mort - Eau trouble - Le Tueur de L.A. - Mort d'une miss / La Mort d’une miss - La Traque

Top Gear Saison 21

Nostalgie des années 80 - Road Trip à Tchernobyl - Abu Dhabi, Du Sable dans le Carbu ! - Mercedes, folle du désert - Destination Thaïlande - Un pont sur la rivière Kwaï

Alexandre Ehle Saison 4

Cœur de pierre - Puzzle au zoo

Sous contrôle Saison 1

Episode 1 - Episode 2 - Episode 3 - Episode 4 - Episode 5 - Episode 6

Parlement Saison 3

On ne peut plus rien dire - Le background - Ego to absolvo - Le grand départ - Super pro Brexit - Riders - You shall not pass - Comme le disait Jean Monnet - Fish and ships - Europe, the musical

Les Petits meurtres d'Agatha Christie 70's Saison 3

En un claquement de doigt

Kaamelott Livre III

Le Jour d’Alexandre - La Cassette II - Poltergeist - Les Paris II - Au Bonheur des Dames - Les Tourelles - Cuisine et Dépendances - Arthur sensei - Le Solitaire - Les Festivités - La Menace fantôme - La Coopération - L’Empressée

Spectacles

Les inoubliables : les plus grandes BO du cinéma italien (2023) par le Radici orchestra, Céline Laborie, Simona Boni et Rocco Femia

Livres

OSS 117 : Délire en Iran de Jean Bruce

Lucky Luke : Tome 26 : Nitroglycérine de Morris et Lo Hartog van Banda

Le Chat : Tome 4 : Le Quatrième Chat de Philippe Geluck

Détective Conan : Tome 14 de Gôshô Aoyama

Détective Conan : Tome 15 de Gôshô Aoyama

Spirou et Fantasio : Tome 7 : Le Dictateur et le champignon de Franquin

Astérix : Tome 40 : L'Iris Blanc de Fabcaro et Didier Conrad

Détective Conan : Tome 16 de Gôshô Aoyama

Jack Palmer : Tome 12 : L'enquête corse de René Pétillon

Détective Conan : Tome 17 de Gôshô Aoyama

[curatedfortheartist]

Julien Ceccaldi (@jlnccc)

An Obnoxious Customer

Acrylic on canvas

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Julien Ceccaldi

Rock N’ Roll Princess, 2019

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Julien Ceccaldi