#kanako murakami

[myjunkisyuzuruhanyu]

Kanako Murakami on Shoma's retirement

Shoma

Thank you for your hard work! It feels like just the other day when I was skating at the Osu rink wearing my light blue classroom sweatshirt and red gloves bigger than my hands.

After that, we made games together and practiced together, and we played catch while making ice...For some reason, there was a time when he ignored me, probably because I was in a rebellious phase...

Even in those happy memories, we risked our lives to practice together.

During my active career, I have many fond memories of practicing with Shoma, and he is an important younger brother to me.

After all, when I watch a match, I worry about it like I'm watching a relative...lol

I feel a little sad when I think that Shoma is going to start a second life, but I also look forward to seeing what kind of life he will lead.

I also think that I have to work hard so that I can be a big sister that you can always rely on lol.

I hope that the second chapter of Shoma's hard work will be filled with happiness.

#ShomaUno

#good job

(Google lense translation)

(From Kanako's Instagram)

[flapper-dai]

Kassouya滑走屋　

[alwayshappyhoursomewhere]

Kassouya cast rehearsal photos (bonus content for people purchasing the program booklet) part 2

[rabidline]

2023 Ice Explosion: Fukuoka Rehearsal - May 11, 2023 Kanako Murakami

[rikabauer]

[madetolove]

Kanako Murakami

Think of Me

Tosca

Prayer for Taylor

[elitamango]

野辺山ジョニー

[submission4]

Two Minutes To Save The World

“We took too long tying him up!” Japan Airlines stewardess Ayaka Sakamoto told her colleague Kanako Murakami desperately as she jabbed urgently at the keyboard the two women had commandeered from the watching evil programmer John Harris. The embittered former employee of Metatek Armaments may have been bound hand and foot but he chuckled to himself from underneath the tape gag pressed over his mouth as he watched the two women who had overpowered him attempt to ruin his plan of vengeance. ‘Those witches will never work out the code in the time they’ve got!’ he gloated to himself. ‘Central Tokyo will soon be laid waste!’

The digital clock ticked down to 00.3.00. “We just don’t have enough time to halt the launch!” Ayaka cried out in anguish. Kanako frowned and then her eyes widened. “Try the prototype number again, Ayaka, but this time with that idiot’s initials attached.” the woman suggested hurriedly. Ayaka paused but then heard an unmistakable groan of despair from the gagged prisoner behind them. Even as the clock ticked down to 00.2.50, she smiled in triumph and jabbed in X459-JH. The sequence stopped immediately; the message device disarmed flashed onto the screen and the two stewardesses turned to face their crestfallen captive. “Tokyo saved with two minutes to go! Curses, foiled again, Mr Harris?” Kanako volunteered with a relieved grin as Harris bowed his head in defeat.

Sources: retrorope and Pinterest

[imasallstars]

INTERDIMENSION FESTIVAL: IDOLM@STER★♥LOVE LIVE! UTA GASSEN

Information regarding the first IJIGEN FES 2023 live has been revealed! The live will occur in the TOKYO DOME on the 9th and 10th of December 2023. This first fes will feature three branches of IDOLM@STER performing with four branches of Love Live!

The voice providers participating in this stop are as follows:

DAY 1 ONLY

IDOLM@STER CINDERELLA GIRLS 　Kotomi Aihara (Shiki Ichinose), Hiromi Igarashi (Anzu Futaba), Asami Takano (Frederica Miyamoto), Yuki Nakashima (Yuuki Otokura), Yuko Iida (Kanade Hayami), Honoka Inoue (Nanami Asari), Sumire Uesaka (Anastasia), Aya Suzaki (Minami Nitta), Miyu Tomita (Akira Sunazuka), Ru Thing (Syuko Shiomi), Teru Ikuta (Natalia), Hina Tachibana (Nagi Hisakawa), Nanami Yamashita (Yui Ohtsuki) IDOLM@STER MILLION LIVE 　Haruka Yamazaki (Mirai Kasuga), Azusa Tadokoro (Shizuka Mogami), Machico (Tsubasa Ibuki), Momo Asakura (Serika Hakozaki), Kotori Koiwai (Tomoka Tenkubashi), Atsuki Nakamura (Roco Handa), Emi Hirayama (Reika Kitakami), Yui Watanabe (Nao Yokoyama) IDOLM@STER SHINY COLORS 　Karin Isobe (Kogane Tsukioka), Chisa Suginuma (Mamimi Tanaka), Anna Yamaki (Sakuya Shirase), Shio Watanabe (Yuika Mitsumine), Yuina Mizuki (Kiriko Yukoku), Honoka Kuroki (Amana Osaki), Ryoko Maekawa (Tenka Osaki), Noriko Shibasaki (Chiyuki Kuwayama), Yuu Wakui (Toru Asakura), Rio Tsuchiya (Madoka Higuchi), Saran Tajima (Koito Fukumaru), Miho Okasaki (Hinana Ichikawa), Azusa Shizuki (Nichika Nanakusa), Aya Yamane (Mikoto Aketa)

DAY 2 ONLY

IDOLM@STER CINDERELLA GIRLS 　Ayaka Ohashi (Uzuki Shimamura), Ayaka Fukuhara (Rin Shibuya), Sayuri Hara (Mio Honda), Amina Sato (Arisu Tachibana), Tomoyo Kurosawa (Miria Akagi), Hana Tamegai (Risa Matoba), Makoto Koichi (Haru Yuuki), Asaka Imai (Chie Sasaki), Natsumi Haruse (Kaoru Ryuzaki), Misaki Kuno (Nina Ichihara), Yuri Komori (Koharu Koga), Mina Nakazawa (Yukimi Sajo), Maki Hanatani (Kozue Yusa) IDOLM@STER MILLION LIVE 　Aimi (Julia), Miku Itou (Yuriko Nanao), Ibuki Kido (Kana Yabuki), Arisa Kori (Kaori Sakuramori), Yuri Komagata (Sayoko Takayama), Rie Suegara (Fuka Toyokawa), Saki Minami (Tsumugi Shiraishi), Rikako Yamaguchi (Rio Momose) IDOLM@STER SHINY COLORS 　Hitomi Sekine (Mano Sakuragi), Reina Kondo (Hiori Kazano), Mayu Mineda (Meguru Hachimiya), Hiyori Konno (Kaho Komiya), Haruka Shiraishi (Chiyoko Sonoda), Mariko Nagai (Juri Saijo), Wakana Maruoka (Rinze Morino), Akiho Suzumoto (Natsuha Arisugawa), Yuki Tanaka (Asahi Serizawa), Eri Yukimura (Fuyuko Mayuzumi), Sayaka Kitahara (Mei Izumi), Rina Kawaguchi (Luca Ikaruga), Haruna Mikawa (Hana Suzuki), Rena Ozawa (Haruki Iketa)

DAY 1&2

AQOURS (LOVE LIVE! SUNSHINE!!) 　Anju Inami (Chika Takami), Rikako Aida (Riko Sakurauchi), Nanaka Suwa (Kana Matsuura), Arisa Komiya (Dia Kurosawa), Shukai Saito (You Watanabe), Aika Kobayashi (Yoshiko Tsushima), Kanako Takatsuki (Hanamaru Kunikida), Aina Suzuki (Mari Ohara), Ai Furihata (Ruby Kurosawa) NIJIGASAKU SCHOOL IDOL CLUB 　Aguri Ohnishi (Ayumu Uehara), Mayu Sagara (Kasumi Nakasu), Kaori Maede (Shizuku Osaka), Miyu Kubota (Karin Asaka), Natsumi Murakami (Ai Miyashia), Akari Kito (Kanata Konoe), Coco Hayashi (Setsuna Imura), Maria Sashide (Emma Verde), Chiemi Tanaka (Rina Tennoji), Moeka Koizumi (Shioriko Mifune), Shu Uchida (Mia Taylor), Akina Homoto (Zhong Lanzhu). 　Support Member: Hinaki Yano (Yu Takasaki) Liella! (LOVE LIVE! SUPERSTAR!!) 　Sayuri Date (Kanon Shibuya), Liyuu (Keke Tang), Nako Misaki (Chisato Arashi), Naomi Payton (Sumire Heanna), Nagisa Aoyama (Ren Hazuki), Nozomi Suzuhara (Kinako Sakurakoji), Akana Yabushima (Mei Yoneme), Wakana Okuma (Shiki Wakana), Aya Emori (Natsumi Onitsuka), Yuina (Wien Margarete), Sakura Sakakura (Tomari Onitsuka) HASUNOSORA SCHOOL IDOL CLUB 　Nirei Nozomi (Kaho Hinoshita), Kokona Nonaka (Sayaka Murano), Nina Hanamiya (Kozue Otomune), Kotoka Sasaki (Tsuzuri Yugiri), Kanna Kan (Rurino Osawa), Kona Tsukine (Megumi Fujishima)

[sumire-no-nikki]

「Murakami-san’s Place」 Advice Column Translation

Answered by Haruki Murakami Illustrated by Masaru Fujimoto

Entries #001 - #005

#001: Please tell me, Murakami-sensei!

◎ Murakami-sensei, I would like for you to answer these four questions! First, out of all the narrators you’ve written, which main character do you resemble the most? Also, how many novels have you modeled after yourself and your wife? Second, when does a “boy” become a “man?” How did you become a full-fledged grown up? Third, is a lifestyle that doesn’t involve women (in other words, without a woman) a failure of a lifestyle for a man to live in his twenties?Fourth, regarding a recent terrorist attack against a French publication in Paris, of course a terror attack is a horrendous act, but do you think “freedom of expression” should be guaranteed to caricature-like publications such as CHARLIE? That is all. (I am currently studying Japanese so there might be parts that come off rude or weird. Please forgive me.)

— GEGE, M, 23 y.o., student

◉ Congratulations! You should commemorate this because this is email number 1! For that reason, I’m answering this. But four questions is too much, so I’ll just answer one. Regarding your first question, there are parts of myself that resemble the first person narrators that appear in my novels, but there are even more ways I do not resemble them. And I feel like for each novel, the parts that are similar and dissimilar vary in different ways. Or rather, it may be better to think of those narrators as “the me who I had the potential of being.” This is called “subjunctive past perfect” in English. It’s “the one I could have been, if…” Perhaps the fun in writing novels is trying out this subjunctive mood. Because it’s something you can’t do in real life.

#002: If I wrote it now, I could have written it better…

◎ My favorite work of yours is “Hardboiled Wonderland and the End of the World.” I met this book in January of 2014. It was written almost 30 years ago yet it hasn’t lost its freshness. In fact I think there are a lot of things in it that still resonates with present day society. My heart trembled when I finished reading it.

I have since reread it a number of times.

You often say in interviews and such that you could have written that work better if you wrote it now. If you don’t mind sharing, could you please tell me which parts of the book you would write better? As a reader of yours who favors this work the most, I would be happy to have my imagination encouraged even more.

Please take care of yourself. I wish you the best with your writing. I’m rooting for you even from a far.

— Tonkotsu, M, 23 y.o., college student

◉ Have you ever thought to yourself “I wish I could have acted better that time” when you think of an ex-girlfriend? I do, constantly. It’s the same as that. I wish I did it better. But I did the best I could do at the time.

#003: It’s not like a horse race.

◎ About the big deal that’s made out of who gets the Nobel Prize every year, what do you actually think about it?

— Kanako, F, 36 y.o.

◉ Honestly, it’s quite a nuisance. Because it’s not like you could become an official finalist for it, and it’s just private bookmakers who decide on the odds. It’s not like a horse race.

#004: I suck at writing.

◎ I’m currently a graduate student and I have to write a lot of reports, presentation drafts, emails to professors and such. Anyhow, I’m really terrible at writing. But if I don’t write then I won’t be able to graduate and that would be troublesome. Since it can’t be helped, I go on writing while moaning and grumbling. Is there a way to make writing go easier? If you have any instructional-type writing advice, I would greatly appreciate it.

— Sakurai, F, 23 y.o., graduate student

◉ Writing is like courting women. You could get better to an extent by practicing but fundamentally speaking, you’re working with what you were born with. There are those who were born good at singing and those who were were born tone deaf (I, for one, am tone deaf). It’s the same as that. That’s a rather brutally honest way of putting it, but at any rate, please do your best.

#005: I was born in 1995.

◎ I was born in 1995 and in two months I will be 20 years old. The year I was born marks 50 years after WWII. It is also the year in which events such as The Great Hanshin Earthquake, Tokyo Metro Sarin Gas Attack occurred and which remains in the memory of plenty of people. Lately, as I’m coming of age, I’ve come to think that perhaps the year I was born has some sort of meaning in relation to my fate or future. Your works “After the Quake” and “Underground” pertain to The Great Hanshin Earthquake and the Tokyo Metro Sarin Gas Attack. And war related topics are featured in “The Wind Up Bird Chronicle.” From your point of view, how do you think such big events would affect the world, or how do you think it should affect the world going forward? Also, do you have any thoughts about the present generation such as ours who will live on beyond these events? How do you feel about our present generation? Please tell me.

— Nozomi, F, 19 y.o., college student

◉ You’re 19, right? This is pretty obvious to say but I too was 19 once. It was a terrible period in which the world felt like it would turn over. And yet the world is not something that could easily be turned over. At that time, I think the most important thing in my life was to take in as much material as I could, and analyzing all that material took many years. That's why I think the most important thing for you now is to gather as much material and to store them neatly. You can think about what these experiences mean in your own time later on. For now I think it would be good for you to read lots of books, meet as many people as you can, fall in love deeply if it’s possible, and worry to the point of not understanding anything anymore. That's what I did back then.

[ translated entries masterpost ]

Please Note: This is an unofficial translation. I do this in my spare time and at my own pace. This is for my personal use. Please do not repost or reproduce this without my permission.

[vm4vm0]

NIKE JUKU Ft.「WOO! GO!」by ATARASHII GAKKOU from Mackenzie Sheppard on Vimeo.

WINNER - Ciclope Asia GOLD 2022 - Best Director WINNER - Ciclope Berlin SILVER 2022 - Choreography 1.4 Awards - Flying High, Shortlist, Longlist - Branded

Nike Juku music video I directed [Woo! Go!] by Atarashii Gakkou. Credits below!

WIEDEN+KENNEDY TOKYO @wktokyo Creative Director Curro de la Villa (クーロ・デ・ラ・ヴィラ) @currodlv Senior Copywriter Nedal Ahmed (ネダル・アハメド) @nedallll Yumiko Ota (太田祐美子) @yuninota Senior Art Director Kazuhi Yoshikawa (吉川一陽) @kazuhi_yoshikawa Lead Producer Kosuke Sasaki (佐々木洸介) @kosukelawrence Account Director Jordan Cappadocia (ジョーダン・カパドーシャ) @jordancap Account Supervisor Chelsea Hayashi (ハヤシ・チェルシー) @chelseamiwa Kaede Ose (大瀬楓) @kadesyrup Account Executive Ryu Kaida (海田隆) @ryukaida727 Producers Ty Demura (出村太) @tydemura Yoko Onodera (小野寺陽子) @choco2910 Comms Planning Director Justin Lam (ジャスティン・ラム) @justinclam Comms Planner Joanna Fukae (深江ジョアナ) @joyofu Strategic Planning Director Thijs van de Wouw (タイス・ヴォン・デ・ウォ) @thijs.vandewouw Strategic Planner Rina Deguchi (出口莉奈) @rinadagucci Studio Designer Akane Yasuda (安田茜) @akaa.ne Shotaro Tomiyama（富山庄太郎） Studio Manager Aiwei Ichikawa (市川愛維) Agency Editor Vinod Vijayasankaran (ヴィジャヤサンカラン　ヴィノド) @videovinod PR Midori Sugama (菅間碧) @midorisugama Translator Mako Tomita (富田万木子) Executive Creative Director Scott Dungate (スコット・ダンゲート) @scotty_fingers Managing Director Yosuke Suzuki (鈴木洋介) @mrnobody8695

WELCOME FILM PRODUCTION

PRODUCTION COMPANY AOI Pro. Director Mackenzie Sheppard (マッケンジー・シェパード) @mackshepp Creative Assistant w/ Mack - Kai Sandy Producer Daisuke Misu（三須大輔）@misu_da Director of Photography Mikul Eriksson（マイケル・エリクソン) ＠_mikul Line Producer Anna Liu（アンナ・リュウ）/ Sumire Matsumura（松村すみれ） Production Manager Kazuki Omi（近江和希）/ Kanako Sato (佐藤果南子) Assistant Director Hideaki Jimbo（神保英昭）/ Kai Hoshino Sandy (サンデイー・ホシノ・カイ) Production Designer Masami Tanaka（田中 真紗美）@masamit0125 Casting Director (for Atarashii Gakko!) Shohei Ueno (上野昇平) @shohey02 Casting Director Mai Ikeda（池田舞）/Misaki Matsui（松井美咲）/Rikiya Takano（髙野力哉） Lighting Director Arata Ijichi（伊地知新） Stylist YOPPY（よっぴー）@yoppy0123456789 Hair & Make up PHOEBE（フィービー）@feebz_ Choreographer Nozomi de Lencquesaing (ド・ランクザン・望) @nozominski

STUDY BREAK PRODUCTION

PRODUCTION COMPANY AOI Pro. Director ZUMI（中角壮一）@zoomin.graph Producer Daisuke Misu（三須大輔）@misu_da Production Manager Kai Tsuyuguchi（露口 凱）@kai_0425 /Yurika Yamada (山田 百合佳) Director of Photography Shun Murakami（村上 俊）@shun_murakami_ Casting Director Mai Ikeda（池田 舞） Lighting Director Yamato Watanabe（渡邉 大和）@yamato0326_ Wardrobe | Costume | Styling YOPPY（よっぴー）@yoppy0123456789 Hair & Make up PHOEBE（フィービー）@feebz_ Production Design Masami Tanaka（田中 真紗美）@masamit0125

POST PRODUCTION

Editor Sachi Sasaki @ssachi0528 Assistant editor Tomonori Watanabe @_tomostudio Sound Designer Mike Regan (マイク・リーガン) @mikeregannoise Sound Mixer yoshizaki.masaaki（吉崎 雅章）/Hiroki.Okumura（奥村 宏貴） Colorist Mikey Rossiter (マイキー・ロシター) @mikolour / Haruka.Okutsu（奥津春香） Film Transfer Metropolis Post (メトロポリスポスト) Compositor Murata Chitoshi（村田 千登志）/ Yamaguchi Sakiyo（山口 紗清） FX Artist Naomi Hayashi（林 直美） Animation Takashi Ohashi (大橋史) @ohashitakashi

STILL PRODUCTION Photographer Masumi Ishida (石田真澄）@8msmsm8 Assistant Photographer Ryuji Tamaki (玉城竜次) Retoucher Takuya Tsugane (津金 卓也)

STUDY BREAK - LA TEAM Production Company Couscous @couscous Executive Producer Bear Damen @beardamen Producer Salim El Arja 1st AD Kat Nguyen @katnguyenfilm Line Producer Po-Wei Su @poweisub Production Accountant Neil Engelman Locations Manager Tom Macdonnald DoP Logan Triplett @logan_triplett 1st AC Mike Lemnitzer @hellyeamike 2nd AC/Loader Vinnie Bredemus @vinniebredemus Key Grip Shun Goldin Grip Oscar Matute Audio Mixer Jeremy Emery @jeremyemery Medic / CCO Chris Serafin Driver PA Alessandro Sassi Processing/Scan Fotokem @fotokem_la Dailies Producer David Boito

TIKTOK FILTERS

Illustrator Audra Furuichi（古市オードラ ）@kyubikitsy

[montysworld]

NIKE JUKU Ft.「WOO! GO!」by ATARASHII GAKKOU from Mackenzie Sheppard on Vimeo.

WINNER - Cannes Lions 2023 - FILM | Silver Nominated - the One Show 2023 - Best Director WINNER - Spikes GOLD 2023 - Best Director WINNER - Spikes SILVER 2022 - Best Casting WINNER - Ciclope Asia GOLD 2022 - Best Director WINNER - Ciclope Berlin SILVER 2022 - Choreography 1.4 Awards - Flying High, Shortlist, Longlist - Branded

Nike Juku music video I directed [Woo! Go!] by Atarashii Gakkou. Credits below!

WIEDEN+KENNEDY TOKYO @wktokyo Creative Director Curro de la Villa (クーロ・デ・ラ・ヴィラ) @currodlv Senior Copywriter Nedal Ahmed (ネダル・アハメド) @nedallll Yumiko Ota (太田祐美子) @yuninota Senior Art Director Kazuhi Yoshikawa (吉川一陽) @kazuhi_yoshikawa Lead Producer Kosuke Sasaki (佐々木洸介) @kosukelawrence Account Director Jordan Cappadocia (ジョーダン・カパドーシャ) @jordancap Account Supervisor Chelsea Hayashi (ハヤシ・チェルシー) @chelseamiwa Kaede Ose (大瀬楓) @kadesyrup Account Executive Ryu Kaida (海田隆) @ryukaida727 Producers Ty Demura (出村太) @tydemura Yoko Onodera (小野寺陽子) @choco2910 Comms Planning Director Justin Lam (ジャスティン・ラム) @justinclam Comms Planner Joanna Fukae (深江ジョアナ) @joyofu Strategic Planning Director Thijs van de Wouw (タイス・ヴォン・デ・ウォ) @thijs.vandewouw Strategic Planner Rina Deguchi (出口莉奈) @rinadagucci Studio Designer Akane Yasuda (安田茜) @akaa.ne Shotaro Tomiyama（富山庄太郎） Studio Manager Aiwei Ichikawa (市川愛維) Agency Editor Vinod Vijayasankaran (ヴィジャヤサンカラン　ヴィノド) @videovinod PR Midori Sugama (菅間碧) @midorisugama Translator Mako Tomita (富田万木子) Executive Creative Director Scott Dungate (スコット・ダンゲート) @scotty_fingers Managing Director Yosuke Suzuki (鈴木洋介) @mrnobody8695

WELCOME FILM PRODUCTION

PRODUCTION COMPANY AOI Pro. Director Mackenzie Sheppard (マッケンジー・シェパード) @mackshepp Creative Assistant w/ Mack - Kai Sandy Producer Daisuke Misu（三須大輔）@misu_da Director of Photography Mikul Eriksson（マイケル・エリクソン) ＠_mikul Line Producer Anna Liu（アンナ・リュウ）/ Sumire Matsumura（松村すみれ） Production Manager Kazuki Omi（近江和希）/ Kanako Sato (佐藤果南子) Assistant Director Hideaki Jimbo（神保英昭）/ Kai Hoshino Sandy (サンデイー・ホシノ・カイ) Production Designer Masami Tanaka（田中 真紗美）@masamit0125 Casting Director (for Atarashii Gakko!) Shohei Ueno (上野昇平) @shohey02 Casting Director Mai Ikeda（池田舞）/Misaki Matsui（松井美咲）/Rikiya Takano（髙野力哉） Lighting Director Arata Ijichi（伊地知新） Stylist YOPPY（よっぴー）@yoppy0123456789 Hair & Make up PHOEBE（フィービー）@feebz_ Choreographer Nozomi de Lencquesaing (ド・ランクザン・望) @nozominski

STUDY BREAK PRODUCTION

PRODUCTION COMPANY AOI Pro. Director ZUMI（中角壮一）@zoomin.graph Producer Daisuke Misu（三須大輔）@misu_da Production Manager Kai Tsuyuguchi（露口 凱）@kai_0425 /Yurika Yamada (山田 百合佳) Director of Photography Shun Murakami（村上 俊）@shun_murakami_ Casting Director Mai Ikeda（池田 舞） Lighting Director Yamato Watanabe（渡邉 大和）@yamato0326_ Wardrobe | Costume | Styling YOPPY（よっぴー）@yoppy0123456789 Hair & Make up PHOEBE（フィービー）@feebz_ Production Design Masami Tanaka（田中 真紗美）@masamit0125

POST PRODUCTION

Editor Sachi Sasaki @ssachi0528 Assistant editor Tomonori Watanabe @_tomostudio Sound Designer Mike Regan (マイク・リーガン) @mikeregannoise Sound Mixer yoshizaki.masaaki（吉崎 雅章）/Hiroki.Okumura（奥村 宏貴） Colorist Mikey Rossiter (マイキー・ロシター) @mikolour / Haruka.Okutsu（奥津春香） Film Transfer Metropolis Post (メトロポリスポスト) Compositor Murata Chitoshi（村田 千登志）/ Yamaguchi Sakiyo（山口 紗清） FX Artist Naomi Hayashi（林 直美） Animation Takashi Ohashi (大橋史) @ohashitakashi

STILL PRODUCTION Photographer Masumi Ishida (石田真澄）@8msmsm8 Assistant Photographer Ryuji Tamaki (玉城竜次) Retoucher Takuya Tsugane (津金 卓也)

STUDY BREAK - LA TEAM Production Company Couscous @couscous Executive Producer Bear Damen @beardamen Producer Salim El Arja 1st AD Kat Nguyen @katnguyenfilm Line Producer Po-Wei Su @poweisub Production Accountant Neil Engelman Locations Manager Tom Macdonnald DoP Logan Triplett @logan_triplett 1st AC Mike Lemnitzer @hellyeamike 2nd AC/Loader Vinnie Bredemus @vinniebredemus Key Grip Shun Goldin Grip Oscar Matute Audio Mixer Jeremy Emery @jeremyemery Medic / CCO Chris Serafin Driver PA Alessandro Sassi Processing/Scan Fotokem @fotokem_la Dailies Producer David Boito

TIKTOK FILTERS

Illustrator Audra Furuichi（古市オードラ ）@kyubikitsy

[myjunkisyuzuruhanyu]

Several skaters are saying their "Good luck" wishes to Yuzu

Here is some of their pictures shared by Miki Ando, Koshiro Shimada, Yuma Kagiyama, Jason Brown, Nam Nguyen, Maxim Kovtun, Kanako Murakami and Morisi Kvitelashvili

(I didn't include their full posts, there are a lot more pictures and I expect more skaters to say "good luck" via SNS)

[alwayshappyhoursomewhere]

Kassouya cast pictures (bonus content for people purchasing the program booklet)

[rabidline]

2023 Ice Explosion: Fukuoka Rehearsal - May 11, 2023 Kanako Murakami

[prfm-multiverse]