#kate= orpheus and eva= eurydice

[beheadedcousins]

saw hadestown last night and i can't stop thinking about kate and eva as orpheus and eurydice

[averlym]

ASHJDSAHLKGJ WAIT I NEVER THOUGHT ABT LUMINE THAT WAY

but yes omg lumine paimon found family much beloved. (i actually can't ever bring myself to use the emergency food dialogues because paimon is just. too precious.)

also. yes i have a pair of jeans and ever since i read that pun i have been making the same pun NONSTOP my friends are sick of me now but that was pure comedic genius omg.

aiyaaa no don't say that about your writing >:(( self-deprecation is banned in this household tumblr i am sure it is amazing!!! and either way beauty is in the eye of the beholder. in this scenario i am the beholder and everything you make is amazing. tis facts.

ganqing though.... beloveds.... i am such a multishipper it is a serious problem but BELOVEDS... i have too many fic ideas and no time :c

WATT HADESTOWN AU??? IM INTERESTED ??? that would be SO cool like honestlyyyyy

that reminds me i was toying with the idea of a jeanlisa/beiguang hadestown au once upon a time but extracurriculars got in the way sob

I hope you have a wonderful day!!!!! *more hugs 'cause they make the world go 'round*

-the one and only teanon <3 (i'm on an old pc that is extremely scuffed and has no emojis sob)

as per usual, most rambles are in the tags,,, but also here are some doodles from the watt hadestown au it all fits in my head somehow so idk how clear these are

more info on the general story under the cut: but also, read the existing tags for this post first!

sign on the line 'cause you're running out of time

a/n: a scene from watt/hadestown (but i go off on too many tangents in brackets)

riley steps forward. 'she can't go. she signed a contract. she belongs to the team.'

kate stares between eva and riley, and back to eva. "is it true?"

they speak in unison. 

"she does." "i do."

(kate thinks, sometimes, about eva and 'i do's and their wedding song. this is not the 'i do' she wanted. this 'i do' she dreamed of only in her nightmares, on the track to here, this hell.)

"i can't leave the team," says eva, "i signed. 90k, my scholarship, for me to be on the team. climatology, kate! any way the wind blows," she sings bitterly.

"you can't leave- please not you- not you too-" comes kate's response, words spilling, falling from her lips, the same ones she said to chess before she left and never came back and now eva is going too- there isn't even a promise to skype, to keep in touch, to let her follow- "come home with me," she begs, "we can fix it-" 

(she knows they can't. riley is the richest girl in the area. the school can't afford to lose her. 90k scholarship, fancy gym- giles corey would bend over backwards for this girl.)

eva laughs sadly. "you don't know what it's like to be hungry." 

(i have worked so hard for so much less, eva thinks, remembers being unable to study for college because she was always working, how the stress got to her. thinks about how annleigh said kate would make her feel alive- but she can't quite remember how it felt. being a tiger has dulled her inside. riley is rich, and she knows how to use the money and power she has- a world where all the wrong kids keep getting all the nice things, she thinks wildy for a moment, watching kate stare at her brokenly, and she loves kate but sometimes she doesn't get it, lost in her music, lost in her grief.)

from the side, cairo watches. 

(the memory of seeing eva flashes through her head. up on top for spring, above and away from this basement, pouring drinks for everyone in the sunshine. kate had cried, "she will always fill our cups," a praise, a challenge, a reassurance to the girl next to her, staring at this bringer of life with skepticism. cairo had noticed, and looked directly at this girl, hungry and tired, and chimed in with "i will," watching her face grow hopeful. kate grinned, strummed her song and toasted, "and we will always raise them up!")

(growing up, despite appearances, kate never hated cairo. "i'll play my song and you and riley can kiss and make up," she told cairo as a child. cairo looked at this mortal girl, fingers red from holding guitar chords, and scoffed a disbelieving "sure.") there was a frenemy sort of passive-aggressiveness between kate and cairo, and out of all the gods, cairo was one of the rare few she trusted to help. like now.

(she thinks to annleigh turning to her, looking haunted, saying that cairo and riley were behind chess's death, and her immediate reaction being to defend cairo- "cairo never hated chess!")

kate turns her head to the side, and cairo, lost in the tumultuous thoughts of an immortal who has lost so many (her mind, right now, is thinking of farrah) looks up. "cai," kate pleads, and cairo steps forward, into the dull glow of riley's basement, so different from sunlight above. riley's voice hums, a calming technique cairo taught her long ago, and cairo can nearly hear the words with the tune. "please forgive me for doing what's best for you," echoes riley's voice in her head, sad and desperate.

"riley," she starts, and her friend looks to her. riley's hands are shaking, something cairo remembers from fourth grade. "make this easier" riley sings softly, voice trembling, and looks at her.

"eva means nothing to me!" says riley, defensive, mind whirling with 'cairo must think i have a crush on eva or something and now she hates me just like i got mad at farrah when cairo started spending so much time with her but farrah was bad for her they kept getting drunk and please forgive me for doing what's best for you i love you i love you i love you please she means nothing to me it's always been you-'

and maybe the two of them know each other too well, maybe they're too in sync, because cairo looks at riley and sees how much riley cares for her, and also thinks of farrah, and the suspicions she has, and her heart breaks because she knows how to fix this and she doesn't want to do it.

"i know," cairo says (reassuring, i care for you too, do this to please me) and then, "but she means everything to her."

riley is beset with phantoms that take cairo's voice and face and rip them off, because suddenly, even though she is looking at her best friend, all she can see are ghosts.

chess floats near her face, and riley can almost feel her nonexistent breath beside her cheek. "damned if you don't", she sings, hauntingly persuasive. let them go. the guilt claws at riley's chest. she can't breathe. 

chess then glares at farrah as her double braids flop onto riley's head. with fake cheer, she somersaults through the air and grins at riley upside down. "damned if you do!" mocking, taunting. you can't win.

clark appears, broods by her side. choruses with the other two before they fade- "whole damn nation's watching you."

even as the apparitions subside, drifting in front of her instead, their song continues around riley- "what you gonna do when the chips are down, now that the chips are down?"

"here's a little tip," farrah hums, sing-song, and a bottle of belladonna wine appears in her hand.

"word to the wise," sighs chess, and suddenly her hair is filled with poppy red, flowers blooming and covering the blood from an inconspicuous stab hidden beneath her jacket.

clark, instead, seems to be spiralling, twisting the ring around his finger until it warps into a bloody knife. "here's a little snippet of advice," he sings.

three fates, always singing in the back of her mind, in front of her vision. here, they mock her. clark places the knife he is twisting before riley, and it hovers there as the spirits disappear. "men are fools, men are frail, give them the rope and they'll hang themselves."

[sxnyarostova]

ABOUT ME

I’m Amity; nice to meet you! I use she/they pronouns, and I’m bisexual! I also have scoliosis!!!

Note: I use words like “dude” in a gender-neutral way, please tell me if this makes you feel uncomfortable!

I also use other names (please see below) so feel free to call me any of those!!

Xenophobes, transphobes, and homophobes are not welcome.

I like:

In The Heights

Rent

Hadestown

Wicked

Hamilton

Six

Brooklyn 99

Moulin Rouge

Sherlock

The Band’s Visit

Glee

ATEEZ

Greek Mythology

Lore Olympus

Anything Marie Lu

The Grishaverse

West Side Story

Oklahoma! (2019)

Obsessed with:

Eva Noblezada

KO

Katrina Lenk

Amber Gray

Names that I go by:

Amity (NOT LIKE AMITY BLIGHT)

Val

Percy

Comfort Characters!

Vanessa (In The Heights)

Nina Rosario (In The Heights)

Eurydice (Hadestown)

Orpheus (Hadestown)

Carla (In The Heights)

Roger Davis (Rent)

Jesper Fahey (Grishaverse)

Isabela Madrigal (Encanto)

Kate Bishop (MCU)

Peter Parker (TASM)

Amy Santiago (B99)

My other accounts:

@alinastarkovstruenorth (grishaverse acc)

My AO3 link:

https://archiveofourown.org/users/seonghwazz

You can find my writing on Tumblr under the tag ‘amity writes’ !

[caddyheron]

here is a reminder!! i am a romance-averse acespec and will literally only be comfortable writing four ships (i can make an exception for maybe three).

I will ALWAYS write: - clark x annleigh, we are the tigers - orpheus x eurydice, hadestown - lafontaine x perry, carmilla - dee x rachel, couple-ish

(clark x annleigh is ALWAYS my preference and literally my favourite ship ever.) Some days I will write: - kate x eva, we are the tigers - carmilla x laura, carmilla - persephone x hades, hadestown

PLEASE do not request any other romantic ships! Please!

[the-quiet-winds]

I’ll just do a ton haha (it’s fine if u don’t know some :) Mamma Mia Hadestown Phantom The prom West side story Evita Kiss me kate Wicked Waitress Great comet Ok this is enough for now haha

okay i’m only going to do the ones i’m really familiar with

mamma mia

donna - abby

sophie - andrea

rosie - anna

tanya - sam

---

hadestown

eurydice - andrea

orpheus - courtney

hades - adrianna

persephone - nicole

hermes - anna

---

phantom of the opera

phantom - anna

christine - brittney

raoul - nicole

meg - abby

---

evita

eva - samantha motherfucking pauly

---

wicked

elphaba - sam

g(a)linda - brittney

fiyero - courtney

nessarose - mallory

boq - anna (it’s funny cuz christopher fitzgerald originated boq and ogie)

[broadwaycom]

Here's What the Broadway.com Staff Is Looking Forward to Seeing in 2019

January 8 - Choir Boy Opens on Broadway

Moonlight scribe Tarell Alvin McCraney's 2013 drama Choir Boy will reunite stars of the acclaimed off-Broadway debut production, including Jeremy Pope, Tony winner Chuck Cooper and Tony nominee Austin Pendleton with original off-Broadway director Trip Cullman. The story centers on Pharus (Pope), a talented student has been waiting for years to take his rightful place as the leader of the school's legendary gospel choir.

February 19 - Merrily We Roll Along Opens Off-Broadway

The innovative company Fiasco Theater will present a new production of George Furth and Stephen Sondheim's iconic musical Merrily We Roll Along. Fiasco's Co-Artistic Director Noah Brody directs the show, which revolves around a former composer named Franklin Shepard, who has abandoned his friends and music career to become a Hollywood producer. The musical goes backward, showing snapshots of his life.

March 14 - Kiss Me, Kate Opens on Broadway

Time to brush up your Shakespeare! Kelli O'Hara and Will Chase are set to star in the Roundabout Theatre Company's revival of Cole Porter's Kiss Me, Kate at Studio 54. The story centers on a cast putting on a musical version of William Shakespeare's The Taming of the Shrew and the conflict on and offstage between Fred Graham (Chase), the show's director, producer and star, and the leading lady, his ex-wife Lilli Vanessi (O'Hara).

March 21 - Ain't Too Proud Opens on Broadway Get ready 'cause here the Temptations musical comes! With a score filled with Motown classics, Ain't Too Proud chronicles the life and times of The Temptations, one of the greatest R&B groups of all time. The musical stars Derrick Baskin as Otis Williams, Ephraim Sykes as David Ruffin, Jarvis B. Manning Jr. as Al Bryant, James Harkness as Paul Williams and Jeremy Pope (yes, from Choir Boy) as Eddie Kendricks.

April 11 - Gary Opens on Broadway

Tony winners and comedy royals Nathan Lane and Andrea Martin return to Broadway this season in Gary: A Sequel to Titus Andronicus, a new comedy by Pulitzer Prize finalist Taylor Mac. Gary is set during the fall of the Roman Empire, when the years of bloody battles are over: The civil war has ended. There are casualties everywhere, and two very lowly servants (played by Lane and Martin) are charged with cleaning up the bodies.

April 17 - Hadestown Opens on Broadway

Hadestown, the new musical by singer-songwriter Anaïs Mitchell and directed by Rachel Chavkin, follows the mythical quest of Orpheus to overcome Hades and regain the favor of his one true love, Eurydice. Casting has yet to be announced for Broadway, but original stars of the 2016 off-Broadway premiere Patrick Page and Amber Gray as well as Eva Noblezada, André De Shields and Reeve Carney are currently appearing in the London production.

April 18 - Hillary and Clinton Opens on Broadway

Laurie Metcalf and John Lithgow will star in Lucas Hnath's Hillary and Clinton, which examines the politics of marriage, gender roles and the limitations of experience and inevitability in a look at a dynasty in crisis. During the early days of 2008, former First Lady Hillary (Metcalf) is in a desperate bid to save her campaign for President. Her husband, Bill (Lithgow), sees things one way; her campaign manager sees things another.

April 25 - Beetlejuice Opens on Broadway

Beetlejuice, the stage adaptation of the Tim Burton film, spotlights teenager Lydia Deetz, who calls on a ghost-with-the-most to scare away her insufferable parents: Beetlejuice! He comes up with the perfect plan, which involves exorcism, arranged marriages and a girl scout who gets scared out of her wits. Tony nom Alex Brightman was praised for his performance in the titular role during Washington, D.C.'s pre-Broadway run.

July 25 - Moulin Rouge! Opens on Broadway

The musical based on Baz Luhrmann's 2001 film stars Tony winner Karen Olivo opposite Broadway favorite Aaron Tveit as the dazzling, entrancing chanteuse, Satine and lovesick writer, Christian, respectively. Their lives collide in Paris' Moulin Rouge with its many characters. The cast includes six-time Tony nominee Danny Burstein, Tony nominee Sahr Ngaujah, Robyn Hurder and Tam Mutu.

December 10 - West Side Story Bows on Broadway Something's coming, something good! Tony winner Ivo van Hove will helm a new Broadway revival of Arthur Laurents, Leonard Bernstein and Stephen Sondheim's West Side Story that will begin performances next year at a theater to be announced. For the first time ever in the United States, this production will feature all-new choreography by the internationally acclaimed Anne Teresa De Keersmaeker.

[thedesperatehousehusband]

It’s Gonna Be May

May. May. May. She is a wild and crazy gal. And she is zipping by.

But there are a couple of constants regardless of crazy schedules, travel, work insanity and general bullshit.

Mother’s Day. My mom’s birthday. Juan’s birthday. Upfronts. The Indy 500.

Happy Birthday and Mother’s Day to Phyl. This year both were the same day.

Juan attended the Upfronts this year. He loved it. Truly one of the coolest things. We are beginning to watch pilots. Does it say we are getting older when we are excited about shows on CBS?? For the past few years, we have coupled Upfronts with an NYC theater weekend to commemorate Juan’s birthday. These things always coincide. So we try to take advantage of that.

We took a vacation day on the Friday before Upfronts and then went bananas. We shopped until we dropped. We did very bad very good things at a place that sounds like Susan Lucci. Without the Susan. And replace the L for G. Shoes are our babies.

Then we began our theatrical endeavors. On Friday night we saw Tootsie. There’s a new musical version featuring Santino Fontana as Tootsie. We looooove us some Santino. The show is really quite delightful. The time has been updated to a more modern day and some aspects of the plot have been modernized but the story is generally the gist of the movie of same name starring Mr. Dustin Hoffman. We laughed a lot. Highly recommend. It’s a fun romp and something the whole family can enjoy.

On Saturday we enjoyed a classic. Roundabout Theater Company is currently staging a revival of Kiss Me Kate at Studio 54. It features Kelli O’Hara. We loooooove us some Kelli O’Hara. Revivals are interesting. Some are staged very classicall. As originally concepted. While others are reimagined and reengineered. This particular version is a big ass classic. Choreography, orchestra, set, cast. It’s a big honkin’ Broadway show. It’s fun. There’s great music. I’d like to sup, y’all. Potentially with my baby tonight, y’all. It’s too darn hot, y’all. Plus Kelli O’Hara. She’s butter. She can come to the Cabaret whenever she’d like. Please and thank you.

Then on Sunday we saw something special. Something truly original. It’s called Hadestown. So basically the mythological tale of going to hell. Orpheus, Persephone, Hades, Eurydice and Hermes. But set in a New Orleans jazz club with a full jazz score and orchestra. My god. Juan and I were both so moved. It’s really very powerful. The ensemble is absolutely incredible and the Muses are basically narrators in three-part harmony. My god. It’s just cool. Incredibly original. The set is nuts. The lighting is amazing. The singing is so very good. My god. Andre De Shields (Google it....) plays Hermes. He is a gahtdamn living legend. He is nearly gahtdamn 80 years old and he still got it all. The singing, the dancing. He owns the stage. But the rest of the cast is right on time. Eva Noblezada is incredible. Reeve Carney is great and is making up for that Spider-Man: Turn Off the Dark fucking bullshit nonsense. Amber Gray is the real deal. We loved her in Natasha, Pierre and the Great Comet. And the man who played Hades is a man named Patrick Page. He has the deepest bass voice I’ve ever heard. (That’s what she said.) I cannot stop gushing about this show. I don’t know if it will tour. It’s possibly a commercial stretch but I would just love for people to experience this wonderful show.

And now we are at the end of May. Memorial Day weekend. The weekend when the masses descend upon Indianapolis. Allegedly the best strippers from Vegas and NYC are flown in to entertain the high rollers. That may or may not be true but what is true is we are getting the fuck out of Indy. We’ve done this race thing a couple of times and it’s just too much. I know many of you love May at the track. Too much gen pop. Too much MAGA. I don’t need it. I prefer May in Cali so we are off to visit Mr. Martin Robert Kator. We are going to whoop it up in Monterey, Pebble Beach and Carmel-By-The-Sea. Which sounds fancy AF. It’s going to be an awesome weekend of Pacific Ocean highjinks. Beer, wine, good food, good fun and an aquarium. Bring it.

But for real...how is it the end of May? It is unclear where 2019 has gone. We will just keep on living our best lives. That’s really all we can do.

#blessed

[toldnews-blog]

New Post has been published on https://toldnews.com/technology/entertainment/hadestown-leads-tony-award-nominations-with-14-nods/

'Hadestown' leads Tony Award nominations with 14 nods

“Hadestown,” singer-songwriter Anaïs Mitchell’s Broadway debut, earned a leading 14 Tony Award nominations Tuesday, followed by the jukebox musical “Ain’t Too Proud,” built around songs by the Temptations, which received a dozen nominations.

The musical “Hadestown,” which intertwines the myths of Orpheus and Eurydice and Hades and Persephone, bested more familiar names, including stage adaptations of the hit movies “Tootsie” and “Beetlejuice,” which both also got best musical nods. The giddy, heartwarming “The Prom” rounds out the best new musical category.

“Hadestown” also was the only new musical on Broadway directed by a woman, Tony Award nominee Rachel Chavkin, who earned another one Tuesday.

“I’m trying not to swear, but I am so proud of the 14 nominations. There is just not a weak spot on the team. There is no place where we haven’t all been working our asses off to make this show feel as ancient and as ‘now’ as possible, simultaneously,” she said by phone.

The best-play nominees are the Northern Irish drama “The Ferryman,” from Jez Butterworth; James Graham’s “Ink,” about Rupert Murdoch; Taylor Mac’s Broadway debut, “Gary: A Sequel to Titus Andronicus”; Tarell Alvin McCraney’s “Choir Boy”; and Heidi Schreck’s “What the Constitution Means to Me,” a personal tour of the landmark document at the heart of so many American divisions.

Des McAnuff, who directed “Ain’t Too Proud,” pointed to the timeliness of his musical, which charts the rise, sacrifices and challenges facing the 1950s group that sang “Baby Love” and “My Girl.”

“I think when people come to the Imperial Theatre, they’ll find that the story is as pertinent now as it was when they lived it,” he said. “It applies to Black Lives Matter and what’s going on in this country in terms of the tensions today.”

Theater veterans were surprised to see Aaron Sorkin’s adaptation of “To Kill a Mockingbird”; “Hillary and Clinton,” about Hillary Clinton’s 2008 presidential campaign; and the stage adaptation of the media satire film “Network” not getting best play nods, though they did earn recognition in other categories.

McAnuff said it has been a strong season for plays and wildly eclectic. “To me, that’s what the American theater’s about,” he said, adding he was surprised that Sorkin wasn’t recognized for his “brilliant” adaptation but “that speaks to the fact that there’s so many worthy works out there.”

The nomination for “Tootsie” means composer and lyricist David Yazbek could be one step closer to getting back-to-back wins. His show “The Band’s Visit” won best new musical last year.

Laurie Metcalf got an acting nod for “Hillary and Clinton” and if she wins the Tony this year, she will be the first person to win acting Tonys three years consecutively. (She won in 2018’s “Three Tall Women” and “A Doll’s House, Part 2” in 2017).

A sweet “Kiss Me, Kate” and a dark “Oklahoma!” make up the best musical revival category; they were the only eligible nominees. The best play revival nominees are “Arthur Miller’s All My Sons,” ”The Boys in the Band,” ”Burn This,” ”Torch Song” and “The Waverly Gallery.”

Ali Stroker, the first actress who needs a wheelchair for mobility known to have appeared on a Broadway stage, earned a Tony nomination for “Oklahoma!”

Nominees for best actor in a play include Paddy Considine from “The Ferryman,” Bryan Cranston in “Network,” Jeff Daniels in “To Kill a Mockingbird,” Adam Driver from “Burn This” and Jeremy Pope in “Choir Boy.” Pope is also up for a featured role in “Ain’t Too Proud — The Life and Times of the Temptations.”

The category of best actress in a play includes Annette Bening in “Arthur Miller’s All My Sons,” Laura Donnelly in “The Ferryman,” Elaine May in “The Waverly Gallery,” Janet McTeer in “Bernhardt/Hamlet,” Metcalf in “Hillary and Clinton” and Schreck from “What the Constitution Means to Me.”

Those nominated for best actor in a musical are Brooks Ashmanskas from “The Prom,” Derrick Baskin in “Ain’t Too Proud — The Life and Times of the Temptations,” Alex Brightman from “Beetlejuice,” Damon Daunno in “Rodgers & Hammerstein’s Oklahoma!” and Santino Fontana in “Tootsie.”

Patrick Page, who has appeared in over a dozen Broadway shows including “Dr. Seuss’ How the Grinch Stole Christmas!,” ”The Lion King” and “Spider-Man: Turn Off the Dark,” earned his first Tony nomination for playing Hades in “Hadestown.”

“I think I just appreciate it more than I can say really. It’s something I wanted. It’s hard to want something,” he said. “There have been a lot of times where I have been in the mix and haven’t been nominated. So it’s just a wonderful feeling and frankly a bit of a relief. And especially for such a wonderful show.”

Nominees for best leading actress in a musical are Stephanie J. Block in “The Cher Show,” Caitlin Kinnunen and Beth Leavel both in “The Prom,” Eva Noblezada in “Hadestown” and Kelli O’Hara in “Kiss Me, Kate.”

Leavel, who earned a Tony in 2006 for “The Drowsy Chaperone,” joked by phone that she paced “about 4 miles” waiting for the live announcement: “I got my steps in!” Her musical, about four fading stars whose desperate need for a new stage leads them to protest a small-town prom, earned seven nods. She expects an especially fun performance Tuesday night following the nominations: “It’s just a special evening,” she said. “We get to share this moment. It’s really cool.”

Block, a veteran of Broadway shows such as “The Mystery of Edwin Drood” and “Falsettos,” got her third nomination for playing one of three actresses who portray the title character in “The Cher Show.”

“Stepping into the life of Cher each night and getting to tell her story eight times a week is a one-of-a-kind experience I will always cherish. This show has truly changed me,” she said in a statement.

Hollywood A-listers Cranston, Driver, May and Daniels made the cut but some of their starry colleagues did not, including Kerry Washington, Armie Hammer, Ethan Hawke, Joan Allen, Michael Cera, Lucas Hedges and Keri Russell.

For a few theater veterans behind the scenes, the nominations were doubly good: Ann Roth was nominated for creating the costumes for both “Gary: A Sequel to Titus Andronicus” and “To Kill a Mockingbird,” while William Ivey Long earned nods for both “Beetlejuice” and “Tootsie.”

The awards will be presented June 9 at Radio City Music Hall in New York City, airing on CBS. James Corden, the host of CBS’ “The Late Late Show” and a Tony winner himself, will host.

———

AP National Writer Jocelyn Noveck contributed to this report.

———

Mark Kennedy is at http://twitter.com/KennedyTwits

http://platform.twitter.com/widgets.js

[cosettescloset-blog]

E - K

Evita Falsettos Finding Neverland First Date Frozen

Hadestown

Hadestown | Broadway | January 2020 | MP4

Cast: Reeve Carney (Orpheus), Eva Noblezada (Eurydice), Patrick Page (Hades), Amber Gray (Persephone), André De Shields (Hermes), Jewelle Blackman (Fate), Yvette Gonzalez-Nacer (Fate), Kay Trinidad (Fate)

Notes:  Shot from the front mezzanine, front of stage action is captured great from between the bar. The bar obstructs a bit when performers are on the upper levels of the stage but overall very watchable. Capture includes the entire show, including partial curtain call (missing We Raise Our Cups). With my other master, you can get a great visual of the entirety of the show's beautiful choreography and staging.

Master: everyturnandtwistNotes:

Hamilton

Heathers If Then Into the Woods Jagged Little PillJekyll and HydeKinky BootsKiss Me Kate

[sincerely-michael-mell]

My video list

[Title of Show] OBC

Dear Evan Hansen

Date:11-15-16

Cast: Ben Platt, Mike Faist, Will Roland, Laura Dreyfuss, Michael Park, Jennifer Laura Thompson, Rachel Bay Jones

Date: June, 2018 (Audio)

Cast: Taylor Trensch (Evan), Rachel Bay Jones (Heidi), Laura Dreyfuss (Zoe), Jennifer Laura Thompson (Cynthia), Asa Somers (s/b Larry), Phoenix Best (Alana), Alex Boniello (Connor), Sky Lakota-Lynch (Jared)

​Anastasia

​Date: 5-16-2016

Cast: Christy Altomare, Derek Klena, John Bolton, Mary Beth Peil, Caroline O'Connor

Mean Girls Musical

Date: xx-xx-2018

​Cast: Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed, Grey Henson, Kerry Butler, Rick Younger, Kyle Selig,

Waitress

Date: Unknown

Betsy Wolfe, and Sara Bareilles as Jenna

Hamilton

Date: 12-29-2015

Cast: Lin-Manuel Miranda, Leslie Odom Jr., Christopher Jackson, Jonathan Groff, Phillipa Soo, Renee Elise Goldsberry, Anthony Ramos, Daveed Diggs

The Book of Mormon

Cast: Andrew Rannells, Josh Gad, Nikki M. James, Rory O'Malley, Michael Potts,

and

​Cast: Nic Rouleau (Elder Price), Ben Platt (Elder Cunningham), Syesha Mercado (Nabalungi), Pierce Cassedy (Elder Mckinley), James Vincent Meredith (Mafala Hatimbi), Christopher Shyer (Missionary Training Center Voice, Mission President, David Aron Damane (General)

Be More Chill (Video/Audio)

Date: Unknown (Audio/Video)

Will Connolly as Jeremy, Eric William Morris as the Squip, George Salazar as Michael, and Stephanie Hsu as Christine, as well as Katie Ladner, Lauren Marcus, Jake Boyd, Gerard Canonico, Katlyn Carlson, and Paul Whitty.

and

Date: xx-xx-2019

Will Roland, George Salazar, Stephanie Hsu, Jason Tam, Gerard Canonico, Katlyn Carlson, Tiffany Mann, Lauren Marcus, Britton Smith, Jason Sweettooth Williams,

​Something Rotten

Date: 3-28-2015

Cast: Brooks Ashmanskas, Peter Bartlett, Heidi Blickenstaff, Christian Borle, John Cariani, Brian d'Arcy James, Brad Oscar, Kate Reinders, Michael James Scott, Gerry Vichi, Linda Griffin, David Hibbard, Jenny Hill

​Bandstand

Date: Unknown

Cast: Corey Cott, Laura Onses, Beth Leavel, Joe Carroll ​

Hadestown (West End)

Date: Unknown

​Reeve Carney (Orpheus), Eva Noblezada (Eurydice), Patrick Page (Hades), Amber Gray (Persephone), Andre de Shields (Hermes), Carly Mercedes Dyer (Fate), Rosie Fletcher (Fate), Gloria Onitri (Fate)

Ben Platt (Chicago)

(Concert)

Date: May 3, 2019

Beetlejuice

(HD) There is a very tall man in front if the camera

Date: Unknown

Cast: OBC

Aint Too Proud (LA)

Date: Unknown