#king has no happy medium between 'I destroy everything I touch' and 'my way or the highway babey!!!!!'

[annabelle--cane]

oh stede. a man who's been so thoroughly starved of self-confidence for his whole life that every time he gets a morsel of it he blacks out and enters a fugue state of hubristic bravado and commits interpersonal atrocities.

[bamf-jaskier]

I’m reading a non-canon short story written by Andrzej Sapkowski about Geralt and Yennefer’s wedding called Something Ends, Something Begins and my heart is literally so full. Even Asaps has to get tired of having so much angst so this short story is a literal fluff-fest and I love it so much. 

So I thought I would share some of my favorite quotes from the story and if you all want to read it, here is the link. 

"One day she'll break her neck," growled Yennefer, watching Ciri galloping in the splashing water, bent, firm in the stirrups. "One day your crazy daughter will break her neck."

Geralt turned his head and without a word looked into the sorceress's violet eyes.

"All right, then," smiled Yennefer, without averting her eyes. "Sorry, our daughter."

She hugged him again, pressing herself against him firmly, bit him in the arm again, kissed him, and bit him once more. Geralt touched her hair with his lips and carefully pulled her gown over her shoulders.

I am literally...I swear, we finally get domestic Yenralt and it isn’t even in the canon universe. I am literally going to fight someone. This is so damn cute and the way Yennefer is like “our daughter” my goddamn heart. 

The list of the guests wasn't that long. The engaged couple compiled it together and charged Dandelion with sending the invitations. Soon it turned out that the troubadour lost the list before he could even read it. Because he was ashamed to confess, he used a cheap trick and invited whomever he could. Of course he knew Geralt and Yennefer well enough that he didn't miss anyone important, but it wouldn't have been him if he didn't enrich the list of the guests by an admirable number of quite random persons.

Why does it just make sense that Dandelion would fuck this up? It’s so in-character, putting him in charge of the guest list was the first mistake. 

No one invited the golden dragon Villentretenmerth, because no one knew how to invite him and where to look for him. To the general astonishment the dragon turned up, of course incognito, in the form of the knight Borch Three Jackdaws. Of course, where Dandelion was present, one could not speak of any incognito, but even so few believed when the poet pointed at the curly-haired knight and claimed it was a dragon.

The image of Dandelion just pointing at this dude and yelling “He’s a dragon!” is fucking hilarious, especially when you consider most people don’t know dragons can shapeshift. 

"Was it you who invited

Triss Merigold?

"No," the witcher shook his head and silently praised the fact that the mutation of his blood system didn't allow him to blush.

"Not me. I think it was Dandelion, even though all of them claim to have learned about the wedding from the magical crystals."

"I don't want Triss to be present on my wedding!"

"But why? She's your friend."

"Don't make a fool out of me, witcher! Everyone knows you slept with her!"

"That's not true."

Yennefer's violet eyes narrowed dangerously.

"It is true."

"Is not!"

"It is!"

"All right," he turned around angrily. "It is true. So?"

The sorceress was quiet for a moment, playing with the obsidian star on the black velvet ribbon around her neck.

"Nothing," she said at last. "I just wanted you to admit it. Never try to lie to me, Geralt. Ever."

I love the little bickering. Also, like, even though Triss and Yennefer are friends try valid of her to not want her at the wedding. She slept with Geralt!! Love how Geralt tries to deny it at first but gives up ten seconds later. Geralt really tried to pull the “just friends” card and Yennefer was having NONE of it. 

The doppler accused Villentretenmerth of racism, chauvinism and lack of knowledge on the discussion's topic. Therefore, the insulted Villentretenmerth changed for a moment into his natural dragon form, destroying several pieces of furniture and causing a general panic. When the situation calmed down, a fierce quarrel began, in which humans and non-humans accused each other of lack of open-mindedness and racial tolerance. 

A quite unexpected twist in the discussion came from the freckled Merle, the whore who didn't look like a whore. Merle announced that the whole debate was stupid and pointless and didn't concern true professionals, who don't dinstinguish between such things, which she was willing to prove on the spot (for an adequate reward, of course), even with the dragon Villentretenmerth in his natural form. 

In the silence that fell abruptly in that instant they heard the female medium proclaim that she's willing to do the same, and for free. Villentretenmerth quickly changed the topic and began discussing safer topics, such as economics, politics, hunting, fishing and gambling.

Everything about this sequence is perfect, absolutely prime. Dragons and Dopplers fighting, Merle saying she would fuck a dragon in dragon form. This has EVERYTHING. 

"I'll get going right after the feast," Ciri repeated. 

"I want... I want to feel the wind in my face on the back of a galloping horse again. I want to see the stars on the horizon again, I want to whistle Dandelion's ballads at night. I'm longing for a fight, the dance with a sword, I'm longing for the risk, for the delight victory brings me. And I'm longing for solitude. Do you understand me?"

"Of course," Geralt smiled sadly. "Of course I understand you, Ciri. You're my daughter, you're a witcher. You'll do what you must. But I must tell you one thing. One thing. You can't run away forever, even though you'll always try."

"I know," she replied and cuddled herself closer to him. "I still have hope that one day... If I wait, if I'm patient, then I, too, perhaps will live such a beautiful day like this... Such a nice day... Even though..."

"What, Ciri?"

"I've never been pretty. And with that scar..."

"Ciri," he cut her off. "You're the most beautiful girl in the world. Right after Yen, of course."

"Oh, Geralt..."

"If you don't believe me, ask Dandelion."

"Oh, Geralt."

Ciri telling Geralt she wants to travel and move on is just heartbreaking but it makes sense. She has more adventures to go on. Geralt’s story is ending. Hers is beginning. Also Ciri feeling insecure about her appearance and Geralt being a good dad and comforting her? Amazing. 

"I have unfinished business there," she hissed. "For Mistle. For my Mistle. Even though I avenged her, but for Mistle one death is not enough."

Bonhart, he thought. She killed him out of hatred. Oh, Ciri, Ciri. You're standing on the edge of an abyss, daughter. Not a thousand deaths would avenge your Mistle. Beware of hatred, Ciri, it consumes like cancer.

"Watch out for yourself," he whispered."I'd rather watch out for others," she smiled ominously. "It pays off more, it works better in the long run."

I will never see her again, he thought. If she leaves, I will never see her again.

"You will," she answered unexpectedly and smiled with a smile of a sorceress, not of a witcher. "You will, Geralt."

When Geralt asks what Ciri plans to do on her travels she literally says: I am going to avenge my dead girlfriend and murder some people. Which is not a healthy coping mechanism but damn if the idea of a gay revenge story doesn’t sound good to read. 

The priestesses Iola and Eurneid also sobbed, when Yennefer refused to put on the white wedding dress they had made for her. Not even Nenneke's mediation helped. Yennefer cursed, threw around hexes and dishes, while repeating that she looks like a fucking virgin in white. 

The enraged Nenneke began yelling, too, and told the sorceress that she behaved worse than three fucking virgins at once. Yennefer responded by conjuring a ball of lightning and demolishing the roof of the corner tower, which had its good side, too. The crash was so terrible that Caldemeyn's daughter got shock from it and her diarrhea stopped.

Once again, this scene has EVERYTHING. Yennefer getting so pissed it demolishes a tower. The shaking being so bad it stops diarrhea. Also, why does Asaps use diarrhea so often in his books? You know what, I don’t want to know. 

Triss Merigold and the witcher Eskel from Kaer Morhen, were seen again, sneaking, arms linked, into the garden summerhouse.

Is that...IMPLIED TRISSKEL?? OKAY THEN. All the Trisskel friends out there: They hooked up at Geralt and Yennefer’s wedding I don’t make the rules. 

"Yen..."

She looked breathtaking. Black wavy locks, curled up with a golden tiara, fell in a shining cascade over her shoulders and the high collar of a long white brocade dress with black-striped sleeves, pulled together on a bodice with countless drapes of lilac ribbons.

"Flowers, don't forget the flowers," warned Triss Merigold, all in dark blue, and handed a bouquet of white roses to the bride. "Oh, Yen, I'm so happy..."

"Triss, darling," sobbed Yennefer all of a sudden, upon which both sorceresses embraced and kissed the air around their ears and diamond earrings.

"Enough of those endearments," ordered Nenneke, smoothing the folds on her snow-white priestess dress. "We're going to the chapel. Iola, Eurneid, hold her dress, or she'll kill herself on the stairs.

Triss and Yennefer’s friendship is so sweet sometimes. Like, they would literally murder each other but they would also murder FOR each other too. 

Yennefer approached Geralt and with a hand in a white lace glove she straightened the collar of his black cloak, embroidered with silver. Geralt offered her an arm.

"Geralt," she whispered into his ear. "I still can't believe it."

"Yen," he answered her in a whisper. "I love you."

"I know."

I don’t know is Asaps is purposefully referencing Star Wars here but either way this had me tearing up. Geralt and Yennefer deserve a happy ending and even if it’s not officially canon the author wrote it so this is canon in my head. 

The wedding was splendid. Ladies and maidens cried collectively. Herwig was the master of ceremony, a former king, but still a king. Vesemir from Kaer Morhen and Nenneke stood in as parents of the betrothed couple, Triss Merigold and Eskel as witnesses. 

Okay but why is Asaps sneaking in the Trisskel? I want more of it and this pairing definitely intrigues me. Also Vesemir and Nenneke as their parents? That’s so damn sweet. I swear to fuck this entire short story is too damn cute and I want more of it. 

I cannot stress how much I love the energy Merle brings to the table. Saying she would straight up fuck a dragon. The power of it all. 

[darkarfs]

My 10 Favorite WWE Matches of All Time (updated)

10: The 2001 Royal Rumble No matter how daft and stupid the product gets, I will never not stoke my head in around January. The Royal Rumble is my favorite match, but this one is my favorite favorite instance of that match. The pacing, the beautiful endurance of Kane, the hardcore interval (which Kane just decides to destroy), the Big Show returning after 4 months just to get shit-canned a minute into his run. There is so much to love about this mess. The preview of Rock and Austin that year for their Wrestlemania showdown. The fact that 4 or 5 of them (Rock, Austin, Kane, Undertaker, even Rikishi) could have been main event contenders. The best midcard in WWE history. Scotty 2 Hotty having the worst night of his life. Drew Carey just showing up. Bradshaw just cliffing everyone, because he's gotta get his shit in. Good Rumbles are like a 3 course meal, and this one is like all your courses at once, and then dessert is a treat you could die on. 9. Tyler Bate vs. WALTER - Takeover Cardiff Crowds make a lot of matches for me (thanks, 2020) but this crowd is especially electric, and for 24-year-old Tyler Bate, who is taking on a TANK, and that tank's name is WALTER, a TANK. But I will never not be a sucker for a David vs. Goliath story, and it was never better told than the boy made of thighs vs. the destroyer made of shattering palms. It is SO CARNY, so many feats of strength, so many OOOOOFS AND UUUUUURGHS that make this so great. Tyler was a hero on this night, but everyone knew he wasn't ready to win. Every feat is a magnificent reach. And it all means something to everyone. Make them what they know SHOULD happen and still surprise them with it. His "refusing to quit!" only to get shut down by a fucking chop. HE STANDS but is immediately ruined. It makes me. This shit fucking makes me. 8. Sasha Banks vs. Bayley, 30-Minute Iron Woman Match - Takeover Respect Most of this is just a remix of their epic and warranted classic in Brooklyn. but then Sasha takes the headband off of Izzy. And then they both stepped it up and were *amazing*. We somehow lost Bayley's "RAAAAAH'S and that's sad for me. But then they RAMP IT UP. NOBODY LIKES YOU. FUCK YOU. WE'RE HAPPIER NOW. (WE'RE NOT.) But seriously, Sasha taking Izzy's headband and then THROWING IT AT HER started something special, something grand. THE OUTRAGE. The bastion of heel heat. And then the match got better. They hugged at the end of their encounter in Brooklyn, but then they started poisoning one another. And it all started with this amazing match. (Also, Bayley's amazing red and gold robot tights.) 7. Kurt Angle vs. Shawn Michaels, Wrestlemania 21 Listen. HBK's 'Mania outings with the Undertaker are solid "match of the decade" contenders, piss-easy. They are peerless, they are in a league of their own. But saying they're your favorite? Unless you are an actual wrestler, that's like saying "UH, MY FAVE BAND IS THE BEATLES." Ya boring, ya basic, and we can all do better. And seeing how I'm in my late 30s, I understand wrestling a little different than I did when I made this list in...2016??? Christ. I bet AJ Styles vs. John Cena was on it that year. Two of the best performers, both in their prime, and looking back on it, I just prefer the mix of character dynamics at play. Angle is easily one of the best in the world, but he has such an inferiority complex, because he's an Olympic gold medalist who is told *nightly* that he sucks, and he CAN'T best Michaels. He keeps coming back, and he's so charming, so effortlessly good at this whole "wrestling" thing, and it's slowly making Angle, who SHOULD be all of those things, absolutely *spare.* And that informs so many spots and story moments in the match itself, specifically when Angle LOSES it and starts shouting at him, only to have a superkick partied under his face. Angle is one of the best ever because his wrestling acumen served his character, never once defined it. 6. Vince McMahon vs. Shane McMahon, Wrestlemania 17 I haven't gone back to watch the whole of Vince vs. Shane THAT many times. What I have done is watch the finish about 65 times. There is something so addictive and magical about that one pop, when Linda stands up from her chair, and the ENTIRE crowd stands with her. And I'll 100% agree that Vince's comeuppance - one slap, one hoof to the balls, a Mandible Claw and a Coast-To-Coast dropkick - is not NEAR the actual comeuppance he should have gotten for some of the deplorable shit his character got up to from around the Rumble to this match (two of which they've done their very best to scrub from history, they're THAT bad.) But it's the purest example I can think of, of that pantomime aspect of wrestling. Vince McMahon is a deranged bastard. He likes dumb, cruel, crude things, but his commitment to being the world's 2nd-worst lizard man makes some of the stuff that happens to him more richly rewarding than almost any retribution in any medium, ever. The final 4 minutes of that match, the crowd is a fireworks display. They rise, they explode, they rise and explode, over and over. And again, shoutout to my boy 2020 for making me miss a crowd THAT big having THAT good a time. 5. Adam Cole vs. Johnny Gargano - 2 out of 3 falls - TakeOver New York Now look, I'm not saying that NXT is essentially perfect for me, in terms for what I look for in wrestling. What I will say is that when it cooks, it combines the very best of indie stamina, choreography and stunt work with something WWE sometimes gets VERY right, and that is unabashed, unironic emotion. And it's not even that the intimacy of NXT being a smaller promotion has a denser, more specifically passionate fanbase. It's just the fact that NXT understands that so often, nuance and drama in wrestling doesn't come from promos, or swerves, or endless escalations of said drama, but from getting the FUCK out of the way and letting two of the best in the world *wrestle.* NXT is so good for providing context for the acts of jealousy, pride and entitlement, and then laying out a match that touches on all of these emotions throughout. This main event, built in two weeks, after a terribly-timed Ciampa injury, is actually VERRRY clever booking...disguised to look really simple. Cole starts the match as the crowd favorite, because he's the cool tweener everyone likes (with a catchphrase) to Gargano's unironic Disney prince. Over the course of Cole going all out, making subtle references to Johnny's feud with Ciampa, Gargano fighting from underneath, total fuck-off bastardry from the Undisputed Era (making poor Mauro Ranallo yell "YOU SNAKES!!") Maybe Cole WAS the better choice, but by the end of it, you didn't care. On that night, Johnny refused to lose, and the constant, exciting, *involving* wrestling dragged you to that emotional place. Damn right, you deserve it. 4. CM Punk vs. John Cena, Money In the Bank 2011 It might be a simple choice, but also, sometimes, it's really really gratifying to see a crowd who wants something get what they fucking want for once. A hot crowd makes a good match great, and a great match THIS. A crowd united, either for one guy, and against another, and in this case, BOTH. It makes every. Move. Matter. Trying to find a new angle on this match is like trying to find a new way to say fire is warm. And this crowd created a CAUSE. The no-sold pinfall, the attempted rehash of the Screwjob. Point out the botches if you must. The angle, the promo...it got my friends back into wrestling, a reason to care until the Shield. It's not the best, but it deserves to be. There is no wrestling crowd I wish I was more a part of. And I was at King of the Ring 1998. 3. Kurt Angle vs. Brock Lesnar, 60-Minute Iron Man match, Smackdown of September 18, 2003 It MAYBE was a bit of a "hipster" choice to name this my number 1 in 2016. But you know what? Bloody holds up. Two performers who feel "destined to do this forever," like a Triple H/Shawn Michaels, or a Kevin Owens/Sami Zayn. Possessed of freakish physical charisma, could go for days if pressed. Brock Lesnar, literally at the time ONE OF THE BEST ATHLETES in the WORLD being a lazy fucker and taking DQ points, laying the foundation of what Brock Lesnar would come to be known as. And Angle, in that rare position of everyone knowing he's the best thing going. Brilliant Lazy Asshole Brock and Certified Wrestling Machine Angle are two of my unironic favorite characters in all of wrestling, and it's a buffet of THAT. Like a Royal Rumble, only it's just two dudes, being the best they've ever been. 2. DIY vs. the Revival - 2 out of 3 falls - TakeOver Toronto "Tag team wrestling?" says main roster WWE. "What is this...tag team wrestling?" Well, this is it, at its absolute best. It's up there with Rey Mysterio and Edge vs. Chris Benoit and Kurt Angle from No Mercy 2002 for just brilliant, rock-solid tag team psychology. There are more story opportunities when there are more rules to break, how can WWE *not get behind that?* In terms of chemistry, both between opponents and between teams, in terms of callbacks like Johnny muscling through the exact same inverted figure four that lost them the belts in Brooklyn. It is a perfect match. Not an ounce of fat on it. And that closing sequence, of each member of DIY locking the Revival in their signature holds, and the men now known as FTR clinging to one another. It's probably the best tag match in the history of the WWE, and considering the caliber of tag matches on TakeOvers, is FUCKING saying something. 1. Daniel Bryan vs. Brock Lesnar, Survivor Series 2018 This match is everything I always hoped for. For the longest time, after the 2015 Royal Rumble debacle, when Reigns won, when simply everything we knew about storytelling said "no, of course it should be Bryan," I wondered what that 'Mania match would look like. If it were anything like this, I would have died a happy man. But then again, what makes this match so GOOD is that Bryan had just come back from an early retirement caused by head and neck surgery, and here he is, being dropped on his head and neck by Brock Fucking Lesnar, aka what would happen if the concept of "not giving a shit" gained corporeal form and starting shilling for Jimmy John's. The match gets really ugly, really fast, and Bryan takes us to uncomfortable places with his selling. It wasn't just the retirement angle, it was also the fact that Brock had turned out some REALLY lazy shit by that point in his career, so we had all mentally prepared for another finish-spamming early night. And then. AND THEN... Bryan hoofs him in the walnuts, hits the running knee, gives us the absolute closest 2-count of the decade, and then the fight is fucking on. Bryan went, over the course of 2 minutes, from never having a chance against Brock Lesnar to it being an *absolute certainty* that he was going to BEAT BROCK LESNAR. Anytime you visibly leave your seat every few seconds during a match, you know it's a special one. Again, it took me away, had me absolutely *screaming* at my monitor, elated, invested, and I don't know what more your favorite match can ask of you. But what happens when your favorite match isn't a match at all? No. 0: The Firefly Funhouse - Wrestlemania 36 I'm not kidding, it actually might be my favorite thing. It could be just my brain latching onto the Cult of the New, but I don't think so. It's not a match, I get it. It exists in a weird null-void outside of time and space, but mostly I am floored that they would broadcast something so virulently anti-WWE. Like, we talk of CM Punk and how WWE let him get away with all his little jokes and cut his little Pipebomb promo. But then WWE signed off on Bray Wyatt tearing the soul out of their business. Burying the biggest star of this generation, skewering and laying bare all of terrible WWE's terrible priorities, and also celebrating insider knowledge, wrestling history, and I just...love it. Right now, it's my favorite thing WWE have ever put out, because it did something they've never done before, told a story I didn't think they were capable of telling. And sure, it was Bray who told it, but I still can't believe it aired. But I am endlessly thankful that it did.

[drsilverfish]

The Man Who Would Be King - Edlund’s Literary Allusion and 6x20

If you’ve not read Rudyard Kipling’s short story “The Man Who Would Be King” (1888) you can do so here:

https://www.gutenberg.org/files/8147/8147-h/8147-h.htm 

It’s a story about the wild adventures, utter folly, criminal chutzpah, catastrophic hubris and thus, inevitably gruesome downfall, of two itinerant British conmen on the Indian subcontinent, during the time of the British Empire. 

The short story was also made into a film, starring Michael Caine and Sean Connery (1975), which, given the two actors and the medium, ennobles the characters rather more than the original story did. 

Ben Edlund borrowed Kipling’s story title for his Cas-centric episode,  6x20 The Man Who Would Be King, and the original tale has some particular elements that resonate for the Supernatural episode:  

1) The power of an alliance between two men, to wind each other up towards great achievements/ great folly

2) The sheer hubristic (colonial) over-reach of their plans

3) The way the alliance is broken between them

The two men in Kipling’s story, Peachey Carnehan and Daniel Dravot, parallel Crowley and Castiel respectively (not exactly, but somewhat) in Edlund’s tale. 

Peachey and Daniel plan to trek to the remote (imaginary) kingdom of Kafiristan (adjacent to Afghanistan) and become Kings there. They sign a contract to back each other up in pursuit of their goal, and, in it, they swear off liquor and women the while (both being historical drunkards and dissolute con-artists).

This parallels what Crowley offers to Castiel - the defeat of Raphael and their own inaugurations as the new Devil and the new God respectively. 

CROWLEY: “I'm talking about Raphael's head on a pike. I'm talking about happy endings for all of us, with all possible entendres intended. Come on. Just a chat.”

Peachey and Daniel do become Kings. In fact, they become more than Kings, they become understood to be “Gods” amongst the locals in Kafiristan (Edlund, in choosing this literary reference, thus alludes to the developing Godstiel arc).  The two con-men do this by teaching a bastardized version of Freemasonry to the local priests. 

DRAVOT: “A god and a Grand-Master of the Craft am I, and a Lodge in the Third Degree I will open, and we’ll raise the head priests and the Chiefs of the villages!”

“‘It’s against all the law,’ I says {PEACHEY, narrating] ‘holding a Lodge without warrant from any one; and we never held office in any Lodge.’”

“‘It’s a master-stroke of policy,’ says Dravot. ‘It means running the country as easy as a four-wheeled bogy on a down grade. We can’t stop to inquire now, or they’ll turn against us.”

Similarly, we see Castiel being heralded as “God’s chosen” in Heaven by some of the angels:

RACHEL: “Castiel, we saw Lucifer destroy you.”

CASTIEL: “Well, I came back.”

RACHEL: “But Lucifer? Michael?”

CASTIEL: “They're gone.”

RACHEL: “It was God, wasn't it?”

CASTIEL: “No. It was the Winchesters. They brought down the Apocalypse.”

RACHEL: “But you beat the Archangels, Castiel. God brought you back. He chose you, Cas...To lead us.”

And we see Cas being seduced by Crowley into believing the same, in spite of his own better judgement.

CROWLEY: “You can save us, Castiel. God chose you to save us. And I think...Deep down...You know that...”

Back in Kipling’s tale, all goes well enough, until Daniel Dravot decides they are settled enough in their God-King positions, that he wishes to ask the locals for a wife:

“There’s another thing too,’ says Dravot, walking up and down. ‘The winter’s coming and these people won’t be giving much trouble, and if they do we can’t move about. I want a wife.’

“‘For Gord’s sake leave the women alone!’ I says [Peachey is narrating here]. ‘We’ve both got all the work we can, though I am a fool. Remember the Contrack, and keep clear o’ women.’

“‘The Contrack only lasted till such time as we was Kings; and Kings we have been these months past,’ says Dravot, weighing his crown in his hand. ‘You go get a wife too, Peachey — a nice, strappin’, plump girl that’ll keep you warm in the winter. They’re prettier than English girls, and we can take the pick of ’em. Boil ’em once or twice in hot water, and they’ll come as fair as chicken and ham.’”

This element of the narrative is paralleled in Edlund’s riff on Kipling by Castiel’s concern for the Winchesters, and for Dean in particular (who, in this parallel is equivalent to Dravot’s “wife”). 

CROWLEY: “The point is...You're distracted, and that makes me nervous.”

CASTIEL: “I am holding up my end.”

CROWLEY: “Ah, yes. But is that all you're holding? See...the stench of that Impala's all over your overcoat, Angel. I thought we'd agreed - no more nights out with the boys.”

The wife Dravot insists on being given, is so terrified of being married to a God that, in her wedding finery, she bites him when he tries to kiss her. This draws blood, alerting the locals to the fact that Dravot and Peachey are in fact not Gods, but mere mortals (who can bleed). Dravot is then executed by the now thoroughly rebellious locals, by being cast into a deep mountain gulley from a rope bridge (a symbolic fall from great heights) whilst Peachey is crucified by pine trees, but survives, and is thus set loose to beg his way back to India and tell his tale.

Crowley and Castiel’s alliance is likewise, eventually, blown apart by (in subtext) a “love interest” - Castiel’s complex, continuing care for the Winchesters in the midst of his betrayal of them. 

CASTIEL (to Crowley): “I'm only gonna say this once. If you touch a hair on their heads, I will tear it all down. Our arrangement -- everything. I'm still an Angel, and I will bury you.” 

But the significance of the “love interest”? 

Well, in Kipling’s world of men, she is a possession, a gift to be given, the cause of the breach of contract between the two con-artist “God-Kings”, someone who weeps but who is given no lines, “...covered with silver and turquoises, but white as death”. 

In Edlund’s story, because the (subtextual) “love interest” is also a man  (SPN also being a world, predominantly of men) he is someone with far more agency. 

And so, in 6x20, we get a final confrontation, a final emblem of mourning, not between Castiel and Crowley (Dravot and Peachey) but between Castiel and his “love interest”, at the end of the episode:

DEAN: “How'd you get in here?”

CASTIEL: “The angel-proofing Bobby put up on the house -- he got a few things wrong.”

DEAN: “Well, it's too bad we got to angel-proof in the first place, isn't it? Why are you here?”

CASTIEL: “I want you to understand.”

DEAN: “Oh, believe me, I get it. Blah, blah, Raphael, right?”

CASTIEL: “I'm doing this for you, Dean. I'm doing this because of you.”

DEAN: “Because of me. Yeah. You got to be kidding me.”

CASTIEL: “You're the one who taught me that freedom and free will --”

In Kipling’s tale, we have a bromance and a (fatal) love-story between Peachey and Dravot. Peachey emerges broken from their time in Kafiristan as (temporary) “God-Kings”, bearing the wizened, severed head of his nemesis and friend, Dravot. 

But in Edlund’s tale, we have a love-triangle. The threads of which, eventually play out over a much longer SPN arc, leading to Crowley’s “summer of love” in S10 with Demon!Dean and thus, to Crowley’s, inevitable, demise. Because, as lain down here so beautifully in 6x20, it’s abundantly clear that Crowley is the third wheel. And, despite the betrayals, the “affairs” with Crowley, it is the angel and the man who belong together.