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#kiof addition
capitalstargirl · 4 months
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★ . . . . iko in shhh era
more info on her solo song or bye my neverland
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highlights !!
oh this girl had the time of her life
ko was convinced she was literally going to die before their media showcase
the last time she had performed live publicly was gp999 so she was a bit extremley nervous
she almost forgot just how much she loved performing on a stage
alot of kissys said you could see just how much she genuinely loves performing
she used a hand mic for their dancEAR performance and vowed to never do that again
miss extrovert got to work on tiktok collabs. skz leeknow, oec jinsoul and nmixx haewon to name a few.
she tried to do one with ningselle but their schedules just didn't line up
the lino collab is how fans found out ko and him are related
the it's live video was probably one of her favorite schedules
it is some of her fave content to watch herself so being able to do one was a full circle moment for her
she and natty went semi viral for doing zoe baptiste's barbie world choreo
the amount of love ko got was a bit overwhelming
during their first video call event, a fan read her a letter, telling her how they had been supporting her since the first round of gp999 voting and how proud they are that she had finally debuted
the poor thing was a mess lol
overall 10/10 debut experience
time to get to work preparing for the next cb
mv styling !!
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outfits for the audition + the roller rink
photocards
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red, white and black vers
lines !!
shhh
0:11 - 0:17 (original: belle) ★넌 원하게 될 거야 that girl like me 꿈에서 깨 we’re just here to vibe 0:32-0:34 (original: haneul) ★ 너만 알고 있음 된 거야 1:34 -1:39(original: belle) ★ 잊지마 you’re so special one thing i know about you 1:50 -1:53 (original: belle) ★ i wake u up up up up 1:58 -2:02 (original: belle) ★ it’s so sweet 날 따라 당당하게 네가 상상한 대로
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©︎ capitalstargirl, all rights reserved. pls, do not copy or repost my work.
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asystol · 2 months
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KISS OF LIFE at WATERBOMB SEOUL 2024
✩ ⌒ . HIGHLIGHTS
nakyung’s first time at waterbomb and she had so much fun!!
though her main concern was not falling when the stage got too wet😭
she was super excited to perform the original choreography in front of ppl like idk she LOVES LOVES performing she loves hearing ppl cheer and scream her name
fans posted her reaction to julie taking her shirt off😭 she gasped, fanning herself before reaching for her own shirt
also dw she had like a skin colored bandeau top under her bikini top similar to julie i just didnt feel like finding one and adding it
her part of sticky in the last part with her in the center also went viral
literally give this girl any opportunity and she WILL be shaking her ass
girl she almost got stung by a bee while on stage… she kept backing away and almost fell into the backup dancers but they caught her😭 she does not like bugs…
i want to say the most important thing for after the performance . She had so much fun watching shinee’s minho perform in the crowd like she pushed herself up to the front
and fans that were there posted videos and pics of her singing the lyrics with kiof surrounding her sjdjdndj
eunbi had her come up on stage with her 🥺 hate using that emoji but thats how her fans im just going to name them nakoritas felt
she also stayed to watch natty with jay and then left after natty left the stage and sunmi and yugyeom!!
the next day she went and basically watched the entire thing like she loved the entire lineup for that day fr
she didnt go to the first day but wishes she did so she could see fromis, hwasa, chungh, kang daniel, and chuu :( and CHA EUNWOO?? girl she was pissed
she made a lot of tiktoks during waterbomb and more than half are of her in the bathroom or dressing room sjfndjdj
all in all, a very fun time for nakiof! 10/10 would do again
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hongtyong · 1 month
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if anyone has any ideas to give me for my oc that’s a 5th member to kiss of life, please feel free to send me some asks!!
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kioqing · 6 months
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𓈃 ZHANG KEQING ( PRINCESS / FAIRY / STAR )
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You see, i got that MIDAS TOUCH . . .
⠀⠀ ⠀⠀﹒ ✿﹐ ZHANG KEQING [ 张刻晴 ] more commonly known by her stage name NALA [ 날라 ] is a fictional Chinese singer, songwriter. Debuting on July 5, 2023 with the mini album KISS OF LIFE she is the lead vocalist and sub rapper of the girl group KISS OF LIFE.
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﹒💋 masterlist, library, taglist, about the authorㄑ﹕ꕀ
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pupyuj · 4 months
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@wonysugar force-fed me kiof content last night to start my kissy conversion process so if i start tweaking and writing about the girlies (minus haneul—she is instead the newest addition to ena’s nieces/daughters line), blame ha!
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aohisworld · 5 months
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okay!! i'll type put my questions. if answering some questions will lead to a spoiler, you need not answer that question!!
so i was wondering how the songs will be performed in concerts and stuff? because for the first few albums xiuhi were not present... so they are assigned a part, or do they not perform in those songs?
and you've shown us a gist of how enha members feel about the addition, what about the fans? like what was the percentage of fans who were enthusiastic about the addition, the fans who didn't know what to feel and the fans who outright hated the change?
and do you have ideas of how xiuhi's autographs look like?
will xiuhi get any unit songs?
and last one, what are xiuhi's mic colours?
curious being anon
Me jumping for joy— I love answering questions about my ocs she’s basically my babie TEEHEE — let’s answer these questions in an organized way!
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How does enhypen’s concert performances work now with Xiuhi?
So, I'd imagine them like Seventeen's concerts, I'd say different units would appear and get off of stage.
For example, The boys would be able to play their songs from before the girls' debut with them, and the girls would be able to do their songs from their sub-unit [L!ON3SS].
This gives either the girls/boys some time to relax while either group performs. Seventeen does this with their sub-units!
I'd also see them be able to take over one of the boys' spot if one of the male members couldn't perform for any reason. Sometimes they kind of just harmonize with the boys.
What did the fans think of Xiuhi's addition to ENHYPEN?
I think about ¾ of the fandom either doesn't care, became fans when Xiuhi were already in the group, or supported the co-ed change. Obviously there will be some fans who don't like the addition and would preferred ENHYPEN as a boy group, but you know, what can they do?
Honestly Xiuhi doesn't bother with the fans who don't enjoy their presence within enhypen because frankly there's nothing they can do, even if the girls understood their dislike for them, this is Xiuhi's careers, they love all of their fans, even the ones who don't want the girls in the group, but some things are inevitable.
What do Xiuhi's Autographs look like?
I actually did have some idea of what I wanted their autographs to look like! Spoiler warning, I do like Xiulin's better.
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See, Xiulin's signature has a specific X, the roman numeral for Ten, that is to say, she's always 10/10, ya know? Honestly, Xiulin has a better handwriting than I do HAHAH
Aohi's signature could be interpreted two different ways, one as a star, two as a flower. One, Aohi's vibe is kind of, galaxies, stars, rockstar, out of this world-esque. It was fair to match her with a star.
Secondly, a flower, specifically a Hibiscus, in the Philippines, they're called gumamela. (goo-mah-mel-ah) Aohi's childhood home was filled with these shrubs that grew them, and she incorporated those flowers into her signature.
Will Xiuhi get any unit songs?
Actually, I do have a playlist for Xiuhi's sub-unit, but it's unifinished, despite this anyway, I'll share -> here!
Xiuhi's sub-unit is mix-up, just like nmixx, with a dash of KIOF and XG.
What are Xiuhi's mic colours?
Lavender and Mint! Lavender for Aohi's signature colour, and Mint for Xiulin's signature colour!
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minjv · 3 months
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na - nayeon
initial thoughts: from the teasers + highlight medley, i already know this isn’t really an album for me, but i’m still excited to experience this project + i love that nayeon had so much input and got to express what she wanted so well. the creative direction for this + teasers + packaging definitely feels like a step up from some recent jype projects whic is super encouraging. my most anticipated track is halligalli bc i like akmu’s music a lot + magic bc i think nayeon + julie will play off each other soo well
abcd: i’ve listened several times and it’s definitely grown on me. i like it more and more with each listen. it does seem a bit pieces, like the different parts are a little too distinct + it could benefit from a smoother flow. i also would have liked an additional chorus + proper outro more like the audio that we got from the mv bc that felt more complete tbh. the choreo feels the same way, a bit stiff + disconnected sometimes, but i think it will improve a lot as she becomes more comfortable over the next several performances. i do like the live stages more. the mv was a bit disappointing to me, but i don’t like most jype videos bc i prefer storylines over just glamour shots + choreo, which they tend toward. the quality was good though + felt v nayeon ^^
butterflies: ohh her voice is so pretty. her rapping sounds a bit like chaeyoung sometimes.. the lyrics are a bit cheesy but it's cute
heaven (ft. sam kim): this sounds suits her voice really nicely
magic (ft. julie of kiof): they play off each other really well. julie was definitely a great choice to feature on this song. it'd be fun to see them perform it together i think they'd have great performance chemistry
halligalli (prod. by lee chanhyuk of akmu): super cute + fun lyrically. the comparison of falling in love to a game where you're constantly aware and making careful, deliberate choices feels more mature, which aligns with her current stage of life. i think it matches well with her vibe + the song is catchy and fun
something: my favorite so far. i really love the chorus it's so smooth and groovy. her voice sounds sooo nice too
count it: looooove. tied with pop! for my favorite nayeon track for sure
misc thoughts:
it definitely feels like it's marketed toward western audiences, which is fine + makes sense considering where she's at with her career rn
lyrically it's v consistent with the ideas each song is conveying + the sound feels cohesive overall and has a natural progression of brighter -> richer and laid back
the album shows off her voice so well. it doesn’t have any crazy vocal moments, but instead shows off how consistently pretty her voice is.
overall thoughts: i love that she went full in with a sexy, mature concept. she stayed true to her personal charms + expressed herself as a soloist well. even though it’s not a project that i personally resonate with, i think she did so well and it’s something to be so proud of
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satogumis · 4 months
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Stop yall are making me wanna make a kiof addition…
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yeoufic · 9 months
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hi sasha hope you're doing well! jumping on flow of addition asks for a min 🤭 what groups (bg and gg) do you think natty from kiof could fit in? ty!! 💕
hi nonnie. 🌸 my semester is ending so, i'm doing pretty well and i hope you are too. ✨ sure, let's dive into the addition asks flow! 🌊 so, here are seven potential groups for kiss of life's natty. i hope it helps!! 💖
cignature
enhypen
epex
loossemble
nmixx
one pact
triples
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capitalstargirl · 4 months
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★ . . . . kiss of life 'naughty (iko solo)' mv
more info on 'kiss of life' coming soon
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oh, baby / i dreamed a little dream, i'd be your baby / "give a little time", is that a maybe?
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mv storyline: iko's parents are not around much. because of this, she is essentially raising her two younger siblings while working and being a student. this leaves her no time to indulge in her passion for dancing, making her feel trapped in her life.
LYRICS BY: SUMMER, IKO COMPOSED BY GRAY (South), IKO, SUMIN (South) ARRANGED BY: GRAY SONG THEMES: love and longing SONG CLAIM: naughty (devita)
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©︎ capitalstargirl, all rights reserved. pls, do not copy or repost my work.
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asystol · 3 months
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KISS OF LIFE
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HIGHLIGHTS
their debut showcase was the first stage nakyung’s been on since iz*one disbanded and she was just shaky with nerves the entire time.
the members were all equally nervous though so they all comforted one another.
with a few exceptions, some of her iz*one members did come to the showcase and visited her backstage!! due to schedules, some weren’t able to such as j-line besides sakura 😕
yunjin also came as they were pledis trainees together!
for those that couldn’t come, she, of course, got a kkt from them congratulating her for her re-debut <3 iz*one girlies aside, she also got messages from idols like chungha, itzy’s ryujin and chaeryeong, fromis_9’s nagyung, and chuu.
it made her super emotional as she missed them a lot and wishes they could’ve all still been together in a group but also she really likes where she is now. she’s more than content with her present and future path.
nakyung had changed so much from her iz*one days, she thought fans wouldn’t like her anymore or forgotten about her since it’d been so long😭
but she did get a lot of support from fans all around the world and in korea
her intro ment. <3 “hello, i’m kiss of life’s nakyung. it’s nice to finally be on stage again and i’m so excited to be here with my members. thank you for being here. we’ll work hard so please take care of us!”
she was soo overwhelmed by the amount of support and the change from what it used to be but she was certain she’d get used to it again.
as every stage went by and their fanchants got louder, she got visibly so much happier !!
she made sure to read every letter she got from a fan, even if it made her lose sleep. she was determined lmao
for her solo song, it’s named heart attack <3 she had a lot of fun with this song and she didnt participate in the lyrics (PUBLICLY!!) but she had fun filming the mv and even performing it when she did
her solo lore is about how she ‘fell in love’ with performing. the mv focuses on her chasing after her idol dream !!
heart attack was reallyyy well received by the public!! it gained kiof more attention, especially with intl fans
she made sure to do shhh challenge with chaeyeon, chaeryeong, newjeans’ danielle, zerobaseone’s hanbin and matthew, and literally anyone she managed to meet during music shows
also she was promoting kinda at the same time as bts’ jungkook and was lowkey freaking out every time they were in the same vicinity. somehow it felt different seeing him than any other time back in iz*one.
i feel it’s also important for everyone to know that natty is the reason she joined s2 lol
also her hair was blonde/honey blonde very important idc
nakyung showed up for kiof’s episode on ITSLIVE !!! like she was rehearsing over everything she was so excited
she also went solo on youngji’s nothing much prepared and it was fun, she doesn’t like drinking alcohol a lot so she’s kind of a lightweight which is how she announces to youngji and the viewers that she collects her bias’ photocards 💀
she regretted it so much the next day.
they also got to perform shhh at seoul fashion week?? crazy
as the era came to an end, she was sad about it but knew this was only a new beginning. and it could only get better.
PHOTOCARDS
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POPULAR FANSITE SHOTS
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HEART ATTACK OUTFITS
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( FIRST IS AT KARAOKE, SECOND IS AT AUDITION, THIRD IS ‘ON STAGE’, FOURTH IS THE STUDIO, FIFTH IS FANSIGN )
HEART ATTACK MV
the mv starts with nakyung entering a karaoke bar with her friends, arms linked with another brunette girl.
the scene leads to her performing on the karaoke stage as the song ‘heart attack’ starts, a surprisingly upbeat song for the dark atmosphere of the karaoke bar.
she’s having fun! the crowd, however… is not enjoying it. her friends are torn between cheering her on or having secondhand embarrassment before the brunette girl she was with pulls her off the stage and out the karaoke bar. the song abruptly cuts off before the first verse ends
she’s confused and slightly angry, wanting to go back and finish her performance but the friend pulls her back. the viewers can’t hear what the friend is saying, hearing muffled sounds of water instead. but nakyung is visibly getting more upset and angry, tears rising to her eyes but refusing to fall.
she takes off, walking home in the dark in angry and upset silence until she catches sight of an audition flyer for a company. she tears it off the wall and the scene ends.
the scene starts with nakyung nervously staring at a door before following an older man inside. a camera is facing the wall, three people, one man, two women, are behind the camera, facing her.
with a deep breath, she bows and introduces herself. this is the first time the viewers have heard her voice. the woman tells her to start when she’s ready.
nakyung starts to sing heart attack again and the background changes from the room to a large stage, now changed into different clothes than before.
the viewers are shown a large crowd, all holding red lightsticks in the air but too blurred they barely even look like lightsticks— all you can see is the red glow.
nakyung is dancing to the choreo along with other girls dressed in simple black clothes; her backup dancers.
the scene switches to her in a recording studio, still singing heart attack. it turns to the staff behind the window, nodding in satisfaction.
the scene switches again to nakyung holding fansigns, talking to fans and signing albums.
the viewers are shown nakyung performing on stage in the same red outfit, the song and fanchants coming to an end as she smiles at the crowd/camera.
the viewers hear the crowd roar with screams before the scene switches, changing back to the green screen and same room before.
the woman raises her brow expectantly, “well? are you going to start or continue wasting our time?”
nakyung stares at her before bolting from the room, tearing her audition paper off her body and aiming to throw it in the trash but it bounced off and fell to the ground.
as she runs out of the building, she bumps into another girl. it’s natty. they stare at one another before nakyung runs off again.
natty turns, looking at the paper and picking it up. it focuses on the name— 이나경.
BYE MY NEVERLAND OUTFITS
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BYE MY NEVERLAND MV
nakyung trips as soon as she’s out of sight from natty. when she gets up, her knees are bleeding. she hisses at the pain and walks faster to get home.
a car passes by nakyung, splashing water on her from the previous rain. she gasps in shock, looking up and making eye contact with julie who is looking back in concern before the car turns the street quickly.
she has a solo shot of her, still wet and shivering only in a shirt and skirt, walking past belle, who is on the ground with her head in hands. she hesitates as if debating on whether to ask her if she’s okay or not, but ultimately continues walking away. belle looks up in time just to see nakyung walking away, back facing her.
she’s seen looking up at the fireworks in awe along with the rest of the members.
somehow she’s made her way back to the girls and back to where the audition was— showing up just in time to watch julie’s car hit natty. her mouth drops open, watching natty try to walk it off.
the mv ends but i imagine julie offers her a ride home seeing she’s soaked and cold </3 she also felt bad
SHHH OUTFITS
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( FIRST IS IN KITCHEN, SECOND IS AT PARTY, THIRD IS WHEN THEY’RE DANCING/DEBUT SHOWCASE, FOURTH IS DANCE PERFORMANCE VIDEO )
SHHH MV
along with julie, nakyung walks through the door in the morning. she’s putting the groceries away, noting that the fridge is empty. she turns her head, making eye contact with belle as she walks in the door.
nakyung nudges julie, nodding her head to the bruises and scrapes on natty’s body. she shakes her head, watching as julie just wraps the bandages over her limbs.
nakyung hugs natty around the shoulder as they start having a mini fashion show, getting a black dress thrown at her head.
she’s changed into her jean dress, pulling belle by the arm when she stops in the doorway.
the next scene, she’s on the other side of natty and looking off.
nakyung’s back is facing haneul, but she turns around when julie does. she spots the boy following after haneul, immediately taking off after them with the girls.
nakyung reaches the boy first, shoving him back and letting natty push him into the stall while belle grabs the trashcan and dumps it over his head. she turns and follows behind natty and haneul.
nakyung’s running with belle and julie, and sits in the middle of the backseat with belle and natty.
nakyung adds the heart on haneul’s finger with nail polish.
at the gas station, she tries on sunglasses and grabs a keychain to … “buy” before heading to the gas pump with natty, handing her a candybar.
in the parking lot, natty pulls nakyung up to dance. she dances to the correct part of the choreo, following the rest of the girls to the railing at the end of the song.
nakyung meets natty and the rest of the girls at the top of the stairs, eyebrow raising expectantly with a small smile on her face before they all get into position.
TRACKLIST
쉿 (Shhh)* TITLE
안녕,네버랜드 (Bye My Neverland)
Sugarcoat (NATTY Solo)
Countdown (BELLE Solo)
Kitty Cat (JULIE Solo)
Play Love Games (HANEUL Solo)
Heart Attack (NAKYUNG Solo)
LINES
SHHH
잊지 마 You’re so special
One thing I know about you [ 0:25 — 0:29 ]
It’s so sweet
날 따라 당당하게 네가 상상한 대로 [ 0:48 — 0:53 ]
알잖아 We want it more [ 1:27 — 1:29 ]
I wake u up up up UP [ 1:48 — 1:51 ]
Just like this
내 꿈은 On your lips [ 2:00 — 2:05 ]
[NAKYUNG/BELLE/HANEUL] And we going hard, Cuz we are [ 2:28 — 2:35 ]
날 따라 당당하게 네가 상상한 대로 [ 2:48 — 2:51 ]
Bye My Neverland
시계 위로 달려 장면을 넘겨
멈추고 싶지 않아 [ 0:45 — 0:51 ]
난 더 숨고 싶거나
감추지 않아
Don't wanna stay more [ 1:35 — 1:40 ]
So, I won't stop my time
아파도 자라고 싶어 난
I get a little bit lonely [ 2:16 — 2:23 ]
(Ooh, yeah) [ 2:53 ]
I’ll never come back [ 2:55 — 2:56 ]
Heart Attack (NAKYUNG Solo)
[ 0:00 — 3:14 ]
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release-info · 5 years
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Early public stations were operated by state colleges and universities, and were often run as part of the schools’ cooperative extension services. Stations in this era were internally funded, and did not rely on listener contributions to operate; some accepted advertising. Networks such as Iowa Public Radio, South Dakota Public Radio, and Wisconsin Public Radio began under this structure.[18]the United States, other than a few direct services, public broadcasting is almost entirely decentralized and is not operated by the government, but does receive some government support. The U.S. public broadcasting system differs from such systems in other countries, in that the principal public television and radio broadcasters – the Public Broadcasting Service (PBS) and National Public Radio (NPR), respectively – operate as technically separate entities. Some of the funding comes from community support to hundreds of public radio and public television stations, each of which is an individual entity licensed to one of several different non-profit organizations, municipal or state governments, or universities. Sources of funding also include on-air and online pledge drives and the sale of underwriting “spots” (typically running 15–30 seconds) to sponsors.[26] Individual stations and programs rely on highly varied proportions of funding. Program-by-program funding creates the potential for conflict-of-interest situations, which must be weighed program by program under standards such as the guidelines established by PBS.[27] Donations are widely dispersed to stations and producers, giving the system a resilience and broad base of support but diffusing authority and impeding decisive change and priority-setting.[28] U.S. federal government support for public radio and television is filtered through the Corporation for Public Broadcasting, which operates as a separate organization. Public broadcasting is sometimes also referred to as public media, in an effort to capture the expansion of public broadcasting content from radio and television into digital technologies, in particular the web and mobile platforms. While some consider public media to be analogous to public broadcasting,[29] others use the term more broadly to include all noncommercial media.[30] Public radio and television stations often produce their own programs as well as purchase additional programming from national producers and program distributors such as NPR, PBS, Public Radio International (PRI), American Public Television (APT), American Public Media (APM), and Public Radio Exchange (PRX). Public television and radio in the U.S. has, from the late 1960s onward, dealt with severe criticism from conservative politicians and think-tanks (such as The Heritage Foundation), which allege that its programming has a leftist bias. Partly because of this belief, although it accounts for only a small fraction of government spending overall, some conservatives (including Presidents Richard Nixon, Ronald Reagan, George W. Bush and Donald Trump, and former Speaker of the House Newt Gingrich) have made various efforts to defund or privatize the Corporation for Public Broadcasting through federal budget legislation. Support for continuing CPB funding by liberals, independents and many conservatives in Congress has led to many of these efforts being defeated at the federal level, although there have been successful attempts to reduce – though not eliminate – funding for public television stations by some state legislatures.[31] Arts advocates and media observers opposed to defunding the CPB argue that PBS provides educational and arts programming that have limited availability on American television, even as the advents of cable television and online streaming have led to the development of similar content, including to viewers in rural areas where educational funding is even lower than that of urbanized areas and do not have access to arts education. Previous estimates by the Corporation for Public Broadcasting have illustrated that removing federal funding to the CPB would severely hamstring rural PBS, NPR and independent public broadcasting stations, and may result in the gradual collapse of the public broadcasting system. Comprehensive studies by the Government Accountability Office and other organizations have concluded that private financing would not be universally available to public television and radio stations in less densely populated areas to sufficiently replace taxpayer funding that makes up 40% to 50% of the annual budgets of some stations, and ensure universal access to public broadcasting services.[32][33][34] Radio Edit The first public radio network in the United States was founded in 1949 in Berkeley, California as station KPFA, which became and remains the flagship station for a national network called Pacifica Radio. From the beginning, the network has refused corporate funding of any kind, and has relied mainly on listener support. KPFA gave away free FM radios to build a listener base and to encourage listeners to “subscribe” (support the station directly with donations). It is the world’s oldest listener-supported radio network.[35] Since the creation of the Corporation for Public Broadcasting, Pacifica has sometimes received CPB support. Pacifica runs other stations in Los Angeles, New York City, Washington, DC. and Houston, as well as repeater stations and a large network of affiliates. A public radio network, National Public Radio (NPR), was created in February 1970, as byproduct of the passage of the Public Broadcasting Act of 1967. This network – which replaced the Ford Foundation-backed National Educational Radio Network – is colloquially though inaccurately conflated with public radio as a whole, when in fact “public radio” includes many organizations. Some independent local public radio stations buy their programming from distributors such as NPR; Public Radio International (PRI); American Public Media (APM); Public Radio Exchange (PRX); and Pacifica Radio, most often distributed through the Public Radio Satellite System (PRSS). Around these distributed programs, stations fill in varying amounts of local and other programming. A number of public stations are completely independent of these programming services, producing all or most of their content themselves. Public radio stations in the United States tend to broadcast a mixture of news and talk programs along with music and arts/cultural programming. Some of the larger operations split off these formats into separate stations or networks. Music stations are probably best known for playing classical music, although other formats are offered, including the time-honored “eclectic” music format that is rather freeform in nature common among college radio stations. Jazz is another traditional, but declining, public radio programming staple.[36] Cultural Native American and Mexican American music and programming are also featured regionally. The U.S. government operates some limited direct broadcasting services, but all are either highly specialized (and, since the dawn of the millennium, automated) information services (WWV/WWVH time service, NOAA Weather Radio) or targeted at foreign audiences like Voice of America. From 1948 to 2013, foreign-targeted broadcasts, many of which were intended as propaganda, were barred from U.S. audiences because of the Smith–Mundt Act, a restriction that has since been lifted. While NOAA Weather Radio has individual terrestrial repeaters across the United States (albeit on a special band reserved for such broadcasts), WWV, VOA and others operate from single shortwave facilities; none of these services can be heard on the AM or FM bands most common on U.S. radio. In early 2016, KIOF-LP (97.9 FM) in Las Vegas, Nevada began airing VOA News hourly, and is the only known public radio station in the United States to broadcast the VOA news service since the Smith–Mundt Act restrictions were lifted. Local stations derive some of the funding for their operations through regular pledge drives seeking individual and corporate donations, and corporate underwriting. Some stations also derive a portion of their funding from federal, state and local governments and government-funded colleges and universities, in addition to receiving free use of the public radio spectrum. The local stations then contract with program distributors and also provide some programming themselves. NPR produces its own programming (PBS, by contrast, does not create its own content, which is instead produced by select member stations and independent program distributors). NPR also receives some direct funding from private donors, foundations, and from the Corporation for Public Broadcasting.[37] http://bit.ly/2Wdc6a4
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capitalstargirl · 4 months
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★ . . . . iko with other idols
some of ko's idol friendships
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nmixx haewon
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introduced by their mothers
clicked instantly
they talk about each other all the time
someone get them on a variety show together PLZ
#sowon
phone contact: wonnie 🎧🤍 / jaja 🎱
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stray kids minho
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everyone’s fave cousins
only child + youngest child dynamic
ko is very appreciative of minho as much as she refuses to admit it.
being without her siblings for the first time was a big adjustment for ko when she came to korea and he really filled in that older sibling role
minho tends to nag ko to make sure shes taking proper care of herself
#minko
phone contact: min 🐈🤍 / seongja
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aepsa ningning
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inseparable since trainee days
they bonded over their shared music taste (frank ocean fans korea)
they were convinced they were gonna debut together :(
literally each others biggest fans
#soning
phone contact: my ning 🦋🤍 / nia
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aepsa giselle
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another predebut bestie
the shoppers fr
helped ko IMENSELY with her japanese
#gija
phone contact: aeri 🌙🤍 / himiko <3
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nct haechan
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introduced by ningning + chenle over quarantine
ningning wanted to get ko into pubg so she invited her to play with chenle and he invited hyuck
they compliment each other well
fans thought this was a vvv unexpected friendship, but makes sense yk
their love lauguage is shared meals
bicker 25/8
#seonghyuck
phone contact: leehyuck 🧸🤍 / naekko
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blackswan nvee
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nvee grew up not too far from ko
when ko found another idol from the dmv (dc, maryland, virginia metro area ) she HAD to get her number
a fairly new friendship
#alenia
phone contact: lena 🪱🤍 / sonia ☀️
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©︎ capitalstargirl, all rights reserved. pls, do not copy or repost my work.
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capitalstargirl · 4 months
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★ . . . . iko in 'bye my neverland'
styling !!
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lines !!
0:20 - 0:25 (original: belle) ★ 아플 바엔 잊혀지려 했어 wait why am I afraid? oh why 1:10 - 1:16 (original: natty) ★ 겁 많던 아이 뒤에 사라진 꿈 눈 감지 마 now I can make it new 2:05 - 2:15 (original: belle) ★ and they all lived happily ever after 그딴 건 없어 뻔한 행복을 바라지는 않아
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©︎ capitalstargirl, all rights reserved. pls, do not copy or repost my work.
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capitalstargirl · 5 months
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★ . . . . iko in 'shhh dance practice"
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©︎capitalstargirl, all rights reserved. pls, do not copy or repost my work
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capitalstargirl · 8 months
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★ . . . . masterlist !!!
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ᯓ☆ ABOUT. . profile . . background . . height comparisons . . likes / dislikes . . iko's style . . her phone . . what's inside iko's bag
ᯓ★ RELATIONSHIPS . . kiofies . . family . . friends . . others
ᯓ☆ DISCOGRAPHY. . group discography . . solo discography
ᯓ★ ERAS . . kiss of life . . born to be xx . . midas touch
ᯓ☆ CAREER . . tours . . acting . . photoshoots . . collabs . . stages
ᯓ★ CONTENT . . fansites . . variety shows . . articles . . interviews . . scandals & rumors
ᯓ☆ SOCIAL MEDIA. instagram . . twitter . . b.stage . . tiktok . . youtube
ᯓ★WRITINGS. . find all writings here
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