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#like i hadn't thought of it that way but they're right cew IS known the way idols used to be known
waitingforminjae · 1 year
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came across this small opinion piece and they just said what i've been thinking so well:
In the episode of the podcast I just posted, one of my guests says that, traditionally, one of the important elements of Kpop was the intertextual relationships. We see group members on variety and dramas and commercials and get to know them through these lenses, adding another dimension to our enjoyment of their songs and performances. These media appearances also bring in new fans to the group. [...] This is a very traditional way for idol groups to become popular.
So, let’s circle back to Cha Eun Woo. He’s not a dance, rap, or vocal ace but he has something equally valuable to Astro--numerous and popular drama roles and brand endorsements. Cha Eun Woo is known the way idols used to be known. His extremely handsome face isn’t just some random idol on a birthday advertisement in the subway, it’s recognizable by normal people. Cha Eun Woo is a huge asset to a group like Astro. His popularity not only brings new fans to Astro but also helps open doors for other members. “Oh, he’s in Cha Eun Woo’s group” is a much more compelling hook for the average viewer than “Oh, he’s in one of the dozens of idol groups I’ve never heard of and have no connection to and whose name goes in one ear and out the other like a puff of smoke.”
I’ve written about this before but views, streams, physical album sales, etc. are transitory measurements. These numerics that the young generation of fans have been trained to see as the ultimate prize are just numbers. It’s understandable that fans are being encouraged to value numerics by the big Kpop companies because it keeps fans engaged on the fandom treadmill, buying and streaming and spending hours voting on music show apps like their lives depended on it. But it’s not all that valuable to the idols themselves--certainly not as valuable as having a member who is known by the general public for his drama roles and handsome face. I don’t know where the idea that every group needs to have attention evenly divided or that one member can’t have solo work if others don’t have solo work entered into fandom but I have my suspicions. While there’s nothing wrong with fans advocating for their favorite member to have more solo work, I do think there’s something wrong with fans advocating to hold a member back as I’ve sensed has been the case from certain corners with Cha Eun Woo. The long term health and success of a male idol group in the mold of SMAP--which is what very much Astro is--depends on the members having strong individual images and brands outside of the group. The idea that the members have to do everything together at all times is unworkable in the long run just as the idea that a group can rely completely on the obsessive streaming and viewing and buying of a core group of fans is unworkable in the long run. This new generation of foreign fans has lost those intertextual connections. “KPop” has increasingly become isolated not just from old subculture spaces where fans mixed with anime and Jpop fans but even from mainstream dramas and variety shows and Korean show business, generally. It’s led to this odd bubble where the most popular groups among stans barely even have name recognition in Korea outside of Kpop fandom. It wasn’t always like this.
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