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babyawacs · 2 years

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#trace: #which #laws #did #they #change #had #to #because #of #how #them #rule #d # all #along @hrw .@hrw .@who .@amnesty @turtle .@slow @law .@law @harvard_law @laws @a p @reuters @bbc_whys @france24 @who @snowden @haaretzcom .@sun @judge .@judges @scot usblog .itis not only rediscover 20years agoitis whatthem did whatthey imagined durign whatthemdid to whoelse including mothr and howthem coveredup thesethings and retwist ed aaaaaaaaalltheywanted afterwards intel how them rule ingermanytwisted as word vs wo rd or agreenotagree helmet by clowns/////@law @harvard_law .@sun .@all .@world .@bbcw orld .@bbc_whys .@gchq .@nsagovlisten tomy jungleboysong early2000slikesome #asianmom s ings @SpiderMan #spiderman song in 2003spiderman2?////@deutschland aaach dasist doc h alles nur weilihr ein totaler schweinestallseid regiert von aeh sueddeutschen minidi ktatoren und daseuchnuichteinmal gegenseitig zugeben koennt .@karlsruhe @deutschland @bild @law @harvard_law @all @world #nice #to #them #at #certain #timeframes #is #stock holm #syndromeitisjustnot ungesuehntitis each and literally e a c h and every dirty trickthey had while addingmorecrimesdown to yomama was so nuts and criminally insane c lan rommmanian and wanted to be secretary of europenow quick!!! madhouse thatguy last surviving son to forcharging intelcoma rapesthe aerh aeh aeh the sssexxxxmember sssexxp rostitute worstpaideverwithg ssselfconfirmatory germaness‎even intelcoma repeat cri mes of t h e i r s fortheir experimentsused the chance toI am C hristian KISSBabyAWACS – Raw Independent S ophistication#THINKTANK + #INTEL #HELLHOLE #BLOGhttps://www.BabyA WACS.com/[email protected] / FAX +493212 611 34 64Help ful? Pay. Support. Donnate.paypal.me/ChristianKiss/////@bild @law @harvard_law @all @world how them ruleis not howthem fake it once you forced them in to humaneas they reframe their trickery lateras that noone stops em from mixing poiso n the other wall adjacent to try sth fortheir german ////#nice #to #them #at #certain # timeframes #is #stockholm #syndromeitisjustnot ungesuehntitis each and literally e a c h and every dirty trickthey had while addingmorecrimesdown to yomama was so nuts an d criminally insane clan rommmanian and wanted to be secretary of europenow quick!!! madhouse thatguy last surviving son to forcharging intelcoma rapesthe aerh aeh aeh the sssexxxxmember sssexxprostitute worstpaideverwithg ssselfconfirmatory germaness‎even intelcoma repeat crimes of t h e i r s fortheir experimentsused the chance toI am Chr istian KISSBabyAWACS – Raw Independent Sophis tication#THINKTANK + #INTEL #HELLHOLE #BLOGhttps://www.BabyAWACS.com/Inquiry@BabyAWAC S.comPHONE / FAX +493212 611 34 64Helpful? Pay. Support. Donnate.paypal.me/ChristianKiss

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pollypurplehorse · 7 years

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Today I have mostly been a purple glittery Flamingo with butterfly wings.... Well why not!!?? Imagination inspired by @trimcraft . . . . . . . #trimcraft #DesignTeam #SneakPeek #Dovecraft #MiniDies #Glitter #purple #butterfly #craft #imagination #freeyourimagination #create #papercraft #cardmaking #creativemindisahappymind #LiveToCraft #cards #makeit #creative

#glitter #cardmaking #purple #makeit #creative #butterfly #papercraft #minidies #creativemindisahappymind #sneakpeek #imagination #designteam #dovecraft #freeyourimagination #craft #create #trimcraft #livetocraft #cards

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kumpulanberitadunia · 3 years

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KEJUARAAN ONLINE DUNIA S19 WPT: YASHCHUR MEMENANGKAN PERBURUAN PRO WPT; PEMBUKA SEDANG BERLANGSUNG

Akhir pekan pertama Kejuaraan Dunia Online S19 World Poker Tour di platform partypoker sudah selesai dan mempunyai dan juga analisis dari $33 WPT Pro Hunt pada hari pembukaan. Selanjutnya, penerbangan awal pertama dari ke dua edisi Pembuka WPT sudah menentukan mereka yang selamat selagi festival bersiap untuk sorotan pertama.

Sergiy Yashchur Memenangkan WPT Pro Hunt

Salah satu turnamen yang terlampau dinanti dari seluruh jadwal memberi pemain dari seluruh dunia kesempatan untuk bertarung melawan duta partypoker di WPT Pro Hunt. Turnamen ini menampilkan jaminan buy-in sebesar $33 dan $30k, yang bersama enteng dilampaui berkat 1.374 keseluruhan entri untuk kumpulan hadiah sebesar $41.220. Hadiah khusus ada di kepala setiap pemain yang disponsori partypoker dan Louise Butler dari Irlandia pergi terjauh ke daerah ke-23 yang mengesankan.

Untuk setiap bagian Team partypoker yang tersingkir, hadiah tambahan seperti tiket $109 ke final satelit untuk Acara Utama WPT WOC 2021. Dengan eliminasi Butler, satu hadiah tambahan dibiarkan untuk diperebutkan tak hanya duwit tunai dan hadiah KO progresif. Pemenangnya dijadwalkan untuk memperoleh entri langsung ke Acara Utama senilai $ 5.300 unggulan dari partypoker.

Turun ke sembilan pemain terakhir, Brasil dan Rusia miliki dua pesaing di dalam campuran. Fernando Lima dan Felipe Francsco Ferraz adalah dua orang pertama yang berangkat. Jack Morris dari Inggris muncul di daerah ke-5 bersama hadiah $ 164 dan $ 751 di dalam wujud tunai, menegaskan gajian empat digit untuk seluruh empat finalis yang tersisa. Vitaliy Pavlov dan Konstantin Kostyakov adalah yang seterusnya jatuh, yang meninggalkan Laust Mejer Nielsen dan Sergiy Yashchur untuk memperebutkan gelar, kemuliaan, dan kursi tambahan.

Yashchur-lah yang pada akhirnya memperoleh yang terbaik. Pemain dari Ukraina kebanyakan dapat ditemukan di turnamen freeroll dan centroll partypoker yang terkenal dan memperoleh hadiah $27,36 untuk pergi bersama hadiah duwit tunai $2,596. Dia akan terima trofi khusus untuk kemenangannya dan dapat mencoba kejayaan di Main Event WPT WOC secara gratis. Bagi Nielsen, hadiah hiburan sebesar $877 di dalam wujud bounty dan $2.591 di dalam wujud tunai tidak terlampau jelek untuk pembelian sebesar $33.

Lima hari pertama festival termasuk menampilkan batch awal penerbangan Pembuka WPT $215 dan Pembuka Mini $22. Masih ada sebagian kesempatan untuk meraih Hari 2 dikarenakan masih banyak penerbangan yang tersisa hingga Senin, 23 Agustus, untuk memperoleh jaminan $1 juta dan $200 ribu.

Acara #1 $215 Pembuka WPT

Turnamen pertama dari festival bersama jaminan tujuh digit di mulai bersama awal yang solid. Sepanjang seluruh penerbangan yang diselesaikan pada selagi penulisan, 265 pemain dari 1.801 entri mengamankan kursi mereka untuk Hari 2 dan duwit tunai. Setiap penerbangan menawarkan satu opsi masuk kembali dan memainkan hingga 15% teratas bidang.

Aleksandr Shepel dari Rusia memimpin sejauh ini, sesudah merubah tumpukan awal 100.000 jadi 2.359.838. Dia adalah tidak benar satu dari tiga pemain Rusia di dalam sepuluh besar dan baru-baru ini berpartisipasi di dalam festival S19 WPTDeepStacks Sochi. Seiring bersama tumpukan besarnya, Shepel termasuk sudah menyatukan $912,50 di dalam hadiah, yang cuma tertinggal dari Bryan Robitaille-Fequet, yang sudah memperoleh hadiah $975. Di antara tokoh-tokoh di dalam 10 besar termasuk ada Matias Ruzzi dari Argentina, yang miliki 1.804.435 yang dimilikinya.

Shawn Buchanan duduk pas di luar puncak bersama 1.571.767 chip, Luis Faria (1.491.649) mengikuti tidak jauh di belakang. 50 tumpukan teratas termasuk dimiliki oleh Henning André (1.360.029), Erik Von Buxhoeveden (1.332.016), Simon Lofberg (1.328.259), dan Jessica Teusl (1.149.847).

Acara #1 $22 Pembuka Mini

Di samping pembelian $ 215, Pembuka Mini berjalan bersama label harga $ 22. Sepuluh dolar dari setiap entri akan masuk ke kumpulan duwit tunai dan sisanya $ 10 akan diperebutkan di kumpulan sistem gugur progresif. Turnamen tawar-menawar berkunjung bersama kumpulan hadiah yang dijamin sebesar $200,000 dan sudah lebih dari setengah jalur sepanjang lima hari pertama.

Louise Butler dari team partypoker melanjutkan awal yang terlampau baik ke festival bersama penampilan bagus lainnya. Dari 886 pemain yang lolos ke Hari 2 sejauh ini, dia duduk di posisi 10 bersama tumpukan 2.159.599. Dia barangkali cuma menyatukan $ 21,87 di dalam hadiah tetapi sudah menetapkan daerah utama untuk lari jauh di Pembuka Mini.

Empat pemain selesai bersama lebih dari 25 tumpukan awal dan pemain Brasil Ohana Alves Garcia Vieira adalah pemimpin chip keseluruhan selagi ini. Dekat di belakangnya adalah Maksim Aboimov, Jiri Dusek, dan Robert Green. Claas Stoob dari Austria duduk pas di luar 10 besar bersama tumpukan 1.974.137 dan tokoh lainnya di 50 besar termasuk Zbigniew Gorzycki (1.847.298), Mick Holt (1.679.161), dan Sergei Chudapal (1.579.202).

Seperti yang disebutkan sebelumnya, banyak penerbangan awal untuk Pembukaan $215 dan Pembuka Mini $22 selamanya ada hingga Senin, 23 Agustus. Semua pemain yang mengantongi dan menandai chip di akhir penerbangan akan memperoleh duwit dan kembali untuk hari terakhir turnamen awal minggu depan.

#poker #pokertournament #togel 2d

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monitorpc · 5 years

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GeChic 1303i 13.3 inch 1080p Touchscreen Portable Monitor with HDMI, VGA, MiniDi https://ift.tt/2XC7YFu

#monitorpc

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sub-media · 6 years

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Sony Mz R909 Minidis https://ift.tt/2p0MvDi

#Retro Tech

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thetechnews24-7-blog · 7 years

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Overlooked sound configurations: Digital minimized tape An account of digitalization, Britpop, underhanded promotions, and, at last, better beer.

The rise and fall of the advanced smaller tape remains a healthy lesson for tech titans—it demonstrates how you can get about everything right, yet still bomb gravely. Like Britpop, whose 1993-1996 prime parallels DCC's short life, the arrangement ascended with much buildup, a couple brags, and a nervy advert or two....only to fall because of an impeccable tempest of showcasing intrigues, tight-fisted PRs, and sparkling new opponents.

In one route in any event, DCC was an extremely overcome move—in the former decade, Dutch combination Philips had effectively propelled the billion-offering CD design, in addition to CD-ROMs, and the start of CD-I. Obviously, the sum total of what this had been done in conjunction with Japanese Sony. However for its computerized tape wander Philips suddenly chose to desert Sony and entered a totally new union with a best in class Japanese firm: the Kadoma-based Matsushita (the Japanese mammoth that is currently known as Panasonic).

Their joint mission was to make an excellent advanced recording medium that would be moderate, in reverse perfect, conceivably convenient, helpful both in recording studios and locally—but additionally be a configuration that punters would have the capacity to purchase prerecorded tapes for; ideally in the a huge number of record stores that then still existed.There are two fundamental reasons why Philips didn't simply pick to push its fresh out of the plastic new CD-Rs as a definitive home/studio organize; right off the bat CD was just 16-bit—not exactly appropriate for the most noteworthy of hello there fi, or for the all the more requesting outside the box studio. Also, besides, CD-Rs then were still genuinely costly to make, and mindblowingly costly to purchase, notwithstanding when bought discount at expert studio stores. A studio design once disclosed to me how he chose to cut some CD-Rs for his better half's birthday—a gathering of their most loved tracks, normally—path back in the mid 1990s. The cost now for a clear CD-R can be as low as 2p for every unit. The cost then, including the copy, was an eye-watering £200 (nearer to £450 in this day and age)— and that was for only a solitary CD-R. A decent CD copier could cost you thousands in those days.

DCC appeared the consistent approach to bring top-quality sound into the world's front rooms—with a framework that could even now play the countless simple tape tapes that shoppers officially claimed around the world, and which they and their folks had been utilizing since the 1960s.

So in what capacity can old-style tape ever be computerized? The appropriate response is very straightforward. Computerized data is recorded or "set down" onto the attractive tape as digi code, much the same as it is engraved onto a layer on a CD or DVD. The player then peruses the code off the tape as it goes through the heads, and translates it over into a sound music stream.

The tech was truly great for the time. The 18-bit computerized tapes had two stereo sides of four tracks each and were up to a hour and a half long. The decks themselves could even now play ordinary tapes that may have been purchased 20 or 30 years prior.

Furthermore, DCC recorders could track from an advanced source utilizing the S/PDIF standard at 32KHz, 44.1KHz or even 48KHz. When recording from simple, it must be at 44.1 and, on account of the low tape speed—4.8 cm for every second, according to the old tapes—the bitrate that could really be accomplished was to some degree limited.To attempt and compensate for this, Philips made another sound pressure codec, like MPEG-1 Audio Layer or mp1. It was given the moniker PASC (Precision Adaptive Sub-band Coding). PASC could bring down the bitrate of a CD recording of, say, 1.4Mbps directly down to the immeasurably diminished bitrate of only 384Kbps, a genuinely amazing pressure rate of roughly 4:1.

Numerous intellectuals even trusted that PASC yielded a superior nature of sound than the 5:1 pressure accomplished by the ATRAC pressure framework utilized by Sony's new MiniDisc design (more on that later). Philips fanboys would brag that a DCC recorder could recoup all the missing information from a DCC tape regardless of the possibility that one of the eight sound tracks was totally muddled, or if the majority of the tracks were totally mixed up more than 1.45 millimeters of tape.

The DCC tape itself was indistinguishable in size to the more established organization, with the principle distinction being that it just had spool gaps on one side, in addition to it had a perfect sliding steel way to secure the tape when it wasn't in contact with the deck's two nine-track heads—which recorded and played back the computerized data that the deck then transformed into sound signs.

Furthermore, the subsequent sound could be really damn great, if on occasion somewhat cool. I saw one DCC deck being utilized for mixdowns for the Britpop band Panic at the Acid Jazz studios in London's Denmark Street in 1995—and this was, I later discovered, a transitory stop-hole measure on one specific end of the week. Be that as it may, even this demonstrated DCC's potential; no genius studio in those days would have even considered a mixdown to a conventional cassette.So, what turned out badly with DCC?

Hello fi makers, for example, Marantz, Optimus, Technics, and America's Radio Shack quickly joined Matsushita and Philips in turning out an assorted scope of DCC decks—and the Spanish TV advert (installed above) for the last's first machine brought on a tad bit of media discussion with its, ahem, innovative utilization of normal substances.DCC propelled in late 1992 with significant record marks, for example, Warners and EMI being allured into issuing a genuinely extensive variety of prerecorded DCC tapes—everybody from Diana Ross to Lou Reed to the then-energetic new young men U2—and things quickly looked ruddy. There was a whirlwind of a couple of thousand deals, and some response on the "prosumer" studio advertise. Philips looked set to make a fortune. Be that as it may, cash, entertainingly enough, turned into its first obstacle.

The principal issue to hit DCC recorder deals was the general population's response to the cost—just into four figures in today's cash. The DCC playback-just decks were less expensive, actually, yet a non-recorder invalidated the general purpose of the activity for most hello there fi oddities and music mates—and positively for anybody with a free or home studio. In the mean time the UK was itself blundering towards Black Wednesday, a subsidence, and loan costs of 15 percent. A terrible time for a private company, similar to a studio, to get cash. The costs far from sham Britain were lower, obviously, however even in the US the value spread of the DCC range was a genuinely weighty $600 to $1,700.

This underlying stun was aggravated, in the UK in any event, by a foolhardy bit of advertising penny-squeezing. The showcasing men were regularly hesitant to give out—or even loan—the main influx of DCC recorders. To give one case: at the time there were nearly 75 full-time, low maintenance, and independent writers keeping the IPC music titles out and about, these being NME, Melody Maker, and Vox magazine. These mags had add up to retail offers of more than 350,000 (when the last paid issues of NME hit the newsagents a year ago, their flow had dropped from quarter of a million to well under 25,000). Assist deals went to opponents, for example, Q, Mojo, and Word. The majority of these had by then swelled into vast productions that surveyed the entire media field—singles, collections, gigs, books, recordings, movies, PC recreations, and hello there fi.Yet the PR men Philips enlisted grudgingly apportioned an amazing aggregate of two audit DCC decks for the entire of IPC and its staff and specialists. In the event that Philips' turn specialists were attempting to get music and way of life journos to truly cover the new stable sensation they were doing it in excessively tightfisted a way.

Besides, DCC decks soon started to get a terrible notoriety for head-obstructing. In the event that you were simply playing DCC tapes things ordinarily wouldn't be excessively dangerous with the playback head, however cleaning it needed to occur increasingly regularly. Or, on the other hand on the off chance that you adhered to utilizing old simple tapes then, once more, things were tolerable.

In any case, the general purpose of the DCC deck was that it could record carefully and after that play computerized and simple tapes; yet when you did that and exchanged tapes consistently, you could wind up utilizing a head cleaner on a hourly premise (I compose from intense experience). Some portion of the issue was that the record and playback heads were fixed, as with a simple deck, which gave more prominent strength yet brought on more drag and a greater development of oxide—which is the reason the staple of expert sound studios, DAT recorders, utilized a turning drum helical output framework similar to those that been utilized by VHS and S-VHS players. DCCs utilized astounding tape obviously—Philips got that privilege—yet even the well done will inevitably lose rust as tapes get worn and, with DCC, they appeared to get worn speedier.

Another, lesser, misfortune came when punters found the most difficult way possible that DCC decks never should be demagnetised—and on the off chance that you used a tape demagnetiser, the heads would normally be harmed or even discounted.

These issues could have been overcome if the field had been clear—and the business figures higher—however they weren't on the grounds that, for all intents and purposes from the begin, DCC had a genuine opponent: Sony and its new MiniDisc format.Just as VHS wasn't exactly in the same class as Betamax yet won the race, so MiniDisc, with its constrained ATRAC pressure framework, wasn't generally up to DCC's measures in entirely sound terms, yet at the same time triumphed. Also, however MiniDisc wasn't in reverse good with anything, it was a considerable measure littler, less expensive, and speedier. As a magneto-optical circle based information stockpiling gadget, it had no enormous cleaning issues either.

The light that consumes twice as splendid...

In the most recent week of November 1995, amid the HCC Dagen PC expo in Utrecht, in the Netherlands, Philips exhibited the DCC-175 convenient recorder, a machine that could be associated with any IBM-good PC utilizing a connection link. The DCC could be controlled by the PC and it was, as it were, the trailblazer of each.

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