#modern angella looks so weird

[n7punk]

All Fics Extra #6: Races

This is going to be a weird mix of reboot canon, original canon, fanon, and personal headcannon. I used to cover this partially in my AU Constants fic extra, but I wanted to make things clearer.

This is specific to my fics and not fact/correct, just worldbuilding I’ve done based on what the show provides us and general fanon. That said, some of these terms (or similar ones) are widely used across the fandom.

Note: I will use race and species somewhat interchangeably in this post. Race is a social construct that I think would form differently in a world with multiple sentient species, and also I feel weird using species a lot because it's such a scientific-feeling term to me.

Intro

Though we can get more information from show materials/Crew-ra, inside the show itself, species aren’t often named. Angella is immortal, Adora is a First One, there are humans, and everyone else on Etheria is indistinct. It isn’t even clear if First Ones and immortals are actually separate races from humans. It can be inferred that First Ones are in some way distinct as the Sword of Protection only responded to a First One, and thus likely relied on something similar to a DNA marker to identify them, but this is conjecture and it could have used some kind of magical signature.

ND stated (I don’t remember where for sure, but my instinct is to say the BLM livestream) that a history for Etheria that the crew came up with was that Etheria was a melting pot planet of various immigrant races. This can be seen in the show when Mara (via hologram in S3:EP3) says that “we [the First Ones] were the first ones to settle Etheria - to really study this planet’s magic.” Thus, the great diversity of sentient life on Etheria is likely due to many alien species arriving as explorers and settling there before the planet was put in Despondos by Mara. This means that a term like “Etherian” would be closer to a nationality than anything else.

There are species from other iterations of the franchise that have canonical names which can be extended to the reboot. Please check out this amazing chart that clarenecessities/birdindale put together to reference those. While the names here are researched and have canon sources, that’s not research most of the SPOP fandom has done, especially early on, so there are common fanon names for several species that developed. Many of us built on each others’ ideas to flesh out the world in writing. It’s easy to not mention a character’s race in a visual medium when you can see that they are a satyr, but in writing we usually need names. 

Species/Races

Humans: (EX: Bow, most of the princesses, etc). Humans seem to be found in large congregations in Bright Moon, Plumeria, and the Kingdom of Snows. There are many characters that are “questionably” human as well, such as Glimmer (one of her parents is “immortal”, and thus she could be human or demi-mortal). I consider the princesses (and Adora/Mara) to be human in most AUs.

First Ones: (EX: Adora, Mara, etc). As discussed above, this could be distinct from the humans of the show, an ancestor race humans descended from, or merely the nationality for the humans that come from the First Ones’ homeworld. This homeworld is Eternia, and thus the term Eternian might be used instead of First One depending on the story.

Elves: (EX: Shadow Weaver, Entrapta’s busgirl, etc). Elves are seen mostly in the background. I state Hordak’s race as dark elf for fics where he isn’t a clone, though he looks the same. Dark elves are different from other elves due to having skintones in either monochromatic or blue/purple colors, which range in saturation from white to dark blue/black. They also generally have varying degrees photosensitivity, which is why Shadow Weaver wears a veil or mask to protect herself from burns even in modern AUs.

Hybrids: (EX: Catra, Scorpia, Rogelio, etc). Hybrid is a term that I believe originated with the fandom/fic writers. It describes the races in the show that don’t fall neatly into human or some other common fantasy species. These are the alien species that show both human and animal characteristics. Hybrids are commonly found in the Crimson Waste and the Fright Zone.

Magicats: (EX: Catra). Magicats are a named species from previous iterations of the franchise. In the original they resembled furry, anthro cats that walked both on hind legs and all fours, but in the reboot they are mostly-human in appearance but with the addition of fur, fangs, cat ears, and cat tails. They have various coat patterns/colors and some cat characteristics in personality and traits (examples from Catra in canon include: grooming her arm with her tongue, her tail reacting to her emotions, hissing, growling, purring, etc). In the BLM charity stream, ND stated their headcannon is that magicats were an explorer race who came to visit Etheria, but that the magicats seen on Horde Prime’s screens are intended to be from the magicat homeworld. They are found in very limited numbers on Etheria (in fact, only two are seen on Etheria throughout the entire show that I could find - Catra and an unnamed background character in S5EP7 - with an additional two from the homeworld seen on the screens). There are other feline background characters that are visually distinct from Catra, however. These characters have cat-like head shapes and more closely resemble the magicats from the 80s original. Whether they are intended to be magicats as well (or related to them) is unclear. Note: Catra was human in the original 80s show.

Scorpioni: (EX: Scorpia). Another highly-rare species as of the time of canon, though this is explained by the Horde’s base having been built on top of their conquered kingdom.

Lizardfolk: (EX: Rogelio, Tung Lashor, etc). I believe this is a term that originated with the fandom to describe the lizard hybrids in particular (I've also seen variants of it, such as lizardkin). Some lizardfolk seem incapable of human speech (Rogelio), or perhaps just don’t speak it as a first language, while others use the human tongue (Tung Lashor).

Finfolk: (EX: Octavia, Salineas background characters, etc). This is a term used to describe supernatural/magical creatures related to the sea IRL, and is an umbrella term I use to refer to any ocean-related hybrids such as Octavia or the many sea-based people of Salineas. I think they are canonically called Merfolk, but I leave that term to describe more strictly mermaid-based/sea-bound characters. Therefore Merfolk might be used to describe Mermista (I mean, she can literally turn into a mermaid) but it wouldn’t be used for Octavia since she primarily lives above ground and far from water.

Other Species/Terms

Krytian: (EX: Melog). We don't really have a name for Melog's race, so I just call them krytians, or perhaps more generically shapeshifters, but they are very distinct from say, whatever shapeshifting race DT is, so krytian works best.

Fae: We see what appear to be fairies, elves, satyrs, mermaids, etc in the background or in recurring cast characters. I don’t use this a lot, but it’s included here because some of the races we see could fall under it as an umbrella.

Orc: Apparently Huntara's race has a name (from Clare's chart), but I've always just called them orcs in my fics since it fits with their general look.

Satyrs: (EX: background characters, such as in Thaymor). Satyrs are definitely present in the world of Etheria, though I don’t know if any actually speak in the show. They are, of course, human-goat hybrids.

Moth hybrids: This is what I believe the leader of Elberon is supposed to be.

Bull hybrids: Seen in the Crimson Waste. See Clare’s chart for possible names. I believe taurus-based terms are used by furries for this kind of character? But that's coming from like, one tweet, I don't know shit about furries, so take that with a grain of salt.

Fairies: Again, this is what I think Flutterina is supposed to be (or maybe she’s some kind of butterfly hybrid, but clearly her race exists out in the world or the Alliance would have been more suspicious of her).

Canidae (Lycans/Vulpes): A term I’ve used before but decided not to really again because it caused confusion in the two fics where I did. These are the canid-based hybrids seen in the Crimson Waste (Lycans: dogs/wolves. Vulpes: foxes). Based off terms I think furries use once again, but I only asked one person.

Squamagica: (EX: Double Trouble). This term probably hasn't appeared (yet?) and I think is the main reason I drafted this fic extra a year ago and forgot about it, but I like what I came up with, so I'll leave it in. As said above, there are multiple shapeshifting races, so referring to DT’s race as simply that (even if it is what's used in canon) and nothing else isn't a perfect solution, especially for AUs where magic doesn't exist. In those AUs, they don't have full-on shapeshifting powers (some ability to manipulate their forms, maybe, but not total reformation), so I’ve settled on the name squamagica for them, based off squamate (the largest order of reptiles, which DT’s design seems inspired by) and the precedent from magicats. I think it sounds like something that could be from the franchise, but I just pulled it out of my ass and worry it would cause confusion once again, which is the main reason I haven't actually used it yet.

[meg-noel-art]

Glimmadora Week Day 6: Family Dinner

So... When NSA-Verse Glimmer and Adora go out to dinner with Angella, antics ensue (Glimmer does not make it easy on her fiance :---))

This is an illustration of a fun oneshot @etherianfrigatebird and I are working on for the ‘No Strings Attached’ universe. It will be absolutely chaotic. Please check out her art HERE (and also thank her for the beautiful background/hot pot that I completely stole...)

[acephysicskarkat]

Redemption, Forgiveness and She-Ra S5

So just to spite the anon who told me to stop posting my opinions, I’m gonna post another opinion!

This will contain spoilers for SPOP, Avatar: the Last Airbender, The Good Place, and Steven Universe.

So the most common take that I’ve heard about S5 from Catra stans is that it’s a story about redemption and forgiveness and that if I’m in any way critical of it then I’m saying abusers can never redeem themselves.

To which I say: the second part is a strawman argument, and the first part doesn’t help because it’s a bad story about redemption and forgiveness.

Part 1: Redemption

The problem with S5′s stories about redemption is that they are, universally, undercooked.  For things that the fanbase had been wanting for months, they’re surprisingly lacking in meaningful impact.

Catra’s is the least bad, because Catra is at least on-screen long enough to tell us that it seems to be sticking, but it’s still not good.  It’s rushed, it’s weightless, and it feels like they didn’t even check what she’d done in the past three seasons that she would need to find redemption for.

At no point does she meaningfully confront her actions (which, in case you’ve forgotten, ranged from bringing about the death of Queen Angella (S3E6), to repeated attempts to murder or permanently harm Adora (S1E11, S1E13, S2E5, S3E4-6, S4E3), to bullying Scorpia (present throughout but most obvious in S4E6), to taking part in a war crime (S4E8)), nor does she really confront the jealousy and spite that drove them.  Indeed, the episodes that could have been spent showing us her character development are spent showing us that she still has a very unhealthy attitude towards Adora (S5E6) and telling us that she underwent her character development offscreen, while we were distracted by Double Trouble (S5E8).

Hordak’s is even worse, because Catra at least admits she wronged people, even if the focus is put almost entirely on Catra feeling bad about it.  Hordak realises, accurately, that being made into a cog in a machine of conquest is bad (S5E13)...but he never makes the leap onscreen to it still being bad when he did it to other people, as he did to Adora and the other Horde kids (S2E7).  It treats Hordak’s decision to break free of Horde Prime as if it in and of itself makes him good, overlooking that the life he’s trying to go back to was the one where he ruled over an empire of stolen children.

I don’t even want to get into Shadow Weaver.

AtLA gave a compelling redemption arc to Zuko by having him confront the consequences of his actions.  SU gave a compelling redemption arc to Peridot by showing us, in great detail, her evolution from antagonist to ally.  SPOP just kinda tells us that characters are good now and expects that to work out okay.

And the really depressing thing is that both these characters actually could have sustained really compelling redemption arcs!  I would have loved to see Hordak meaningfully realise onscreen that the universe does not consist of him, Horde Prime, Imp, Entrapta, and a bunch of largely interchangeable pawns for him to treat as he sees fit.  I would have loved to see Catra wrestle with and overcome her resentment of Adora, maybe come to understand that being Shadow Weaver’s favourite fucking sucked actually.  The show just didn’t bother, and so what we got was on par with a bad fanfic or the backstory for a D&D character.

Part 2: Forgiveness

For my money, one of the best stories about forgiveness in modern media is in a third season episode of The Good Place called “A Fractured Inheritance”.

Explaining it with as few spoilers as possible, protagonist Eleanor Shellstrop discovers that her cartoonishly neglectful mother Donna faked her death and seems to have built a new life where she’s a good stepmother to a child.  Eleanor spends most of the episode convinced that her mother is running a scam, but eventually concludes that this does appear to be sticking and gives up her plan to reveal Donna’s secret, cautioning her not to go back to how she used to be.  At the end, she opens up to a friend about the trauma she sustained as a result of her upbringing.

SPOP could never.

"A Fractured Inheritance” tells a more compelling story about forgiveness in 15 minutes of screentime than she-Ra S5 managed in four and a half hours because The Good Place cares about Eleanor’s trauma.  It’s portrayed as pretty understandable that she has a grudge against her mother, and working through that takes time and sustained proof that Donna has changed.  More than that, forgiveness isn’t portrayed as a magical button that instantly solves Eleanor’s issues; just because she’s letting go of her anger towards Donna doesn’t mean that the harm she suffered as a result of Donna’s neglect goes away.  Her fear of opening up or being vulnerable, stemming from a childhood of constantly being shat on when she did, is still there, even after reconciling with her mother.

Contrast this to She-Ra S5.  The second Catra says she’s sorry, Adora is willing to forgive her and go across the universe to help her (S5E3), even though in their last interaction, back in S4E3, Adora actively tried to kill her for pretty darn compelling reasons (you may remember those reasons from S3E4-6).  Adora gets, like, a brief rant in S5E4 where she seems to be confused about this, but there’s never a point where she meaningfully seems to process the trauma she’s suffered as a result of Catra’s treatment of her, which we know has been toxic, controlling and unhealthy since they were kids (S5E3).

More than that, there’s never really a point where any of the people Catra victimised in the first four seasons gets to deal with that.  Glimmer seemingly never realises that Catra is why her mother is dead (S3E6), which is especially jarring given that the effects of Angella’s death on Glimmer drove the entire previous season; Entrapta barely remembers that Catra betrayed her and sent her to her presumed death (S5E6); Bow thinks someone who’s done nothing but attempt to hurt his friends for as long as he’s known her is adorable (S5E8); Scorpia forgives her before she even finishes saying sorry (S5E13); and both Frosta decking her in S5E9 and Perfuma’s understandable irritation with the woman who bullied her GF in S5E10 are portrayed almost as jokes, the latter never escalating beyond mild rudeness.

This also extends to Hordak, who, after his tissue-thin face turn in S5E13, gets a baffling montage that tries to portray his picking up an abandoned child and indifferently turning her over to an abusive sorceress (S2E7) as somehow heartwarming and a big bonding moment, and then the notion that Mermista might have some grudges against the guy who burned down her home and displaced her people (S5E7-8) is framed as comic.

I’m not even saying that neither of these characters should never be forgiven by anyone!  Just that the forgiveness they get in the show is lacking in dramatic weight, because the actions that are being forgiven don’t feel like they mean anything.  Catra has hurt Adora, Glimmer, Entrapta, Scorpia, Mermista and countless unnamed innocents, and it’s all treated like it has the same impact as borrowing Adora’s Xena DVDs and forgetting to give them back.  Hordak should be considered Etheria’s greatest monster given the number of people who’ve died as a result of his actions and maybe one person is slightly irritated at the prospect of having to send him a Christmas card this year.

(This is without getting into the fact that Glimmer and Entrapta are expected to deal with the consequences of their actions to some degree, with each getting an episode focused around that (S2E2, S2E4).  It’s kind of wild that Glimmer nearly destroying the world because she took a reckless risk in a desperate gamble to try and save the people she cares about from the Horde blitzkrieg, a gambit that she immediately tried to fix when she realised she’d fucked up (S4E10-13) is treated as something that causes a notable rift in her friendships, but Catra nearly destroying the world because she was just that jealous of Adora (S3E3-6) is breezed past with an “I’m sorry.”  Entrapta building the robots causes the Alliance to hold grudges; Hordak waging 25 years of warfare is [shrug] Just Horde Clone Things.)

3. Salvaging These Plot Points

Now, as I implied above, the notion that I think these characters are irredeemable is a bullshit strawman, a thought-terminating cliche that Catra stans use to dismiss criticism without processing with it.  So how would I go about it?

Catra

I would start by having Catra and Glimmer be in the same escape.  Having her attempt to sacrifice herself in S5E3 had some weird thematic issues given her previously established self-destructive streak (S2E5, most of S3).  If we have to keep the bad plot point where Adora recovers the friend who loves and cares for her and immediately goes “well, we gotta leave our friends back home to deal with a colonial invasion while we charge across the universe to save my abusive stalker ex who’s never respected my personhood or autonomy”, I’d probably look at the two biggest missed opportunities in the season: S5E6 and S5E8.

S5E6 is terrible, and should just be expunged mercilessly with fire for its baffling endorsement of the sentiment “yes i abused u but now u hate me so i’m the victim really”.  Its replacement should probably be focused around Adora genuinely processing the harm she’s sustained as a result of Catra’s treatment of her, probably deciding at the end that she’ll accept Catra’s help but is still understandably suspicious of her given the established mistrust (S1E8) and hostility (S4E3).

S5E8 is easy to fix, though; instead of it mostly being the characters bumbling around a haunted house, I’d make the setting actually do stuff for the characters’ arcs.  We already know that First One ruins can bring up memories, so I’d turn it into a reversal of S1E11 where Adora and Catra’s friendship can actually be rebuilt, probably culminating in Catra saving Adora from falling off a cliff as a symbolic rejection of the resentment she would have been struggling with throughout the episode.  This is probably where Adora starts to actually believe that Catra has become a better person.

Basically, the goal here is to show the audience that Catra is working to overcome her issues and become a better person, instead of telling us that it happened offscreen.

Hordak

The problem with Hordak’s face turn is that at no point in the show, including after we’re supposed to treat him as Good Now, does he seem to give a shit about anyone not on a list that contains maybe 4-5 names.  I’d probably put in some scenes earlier where his experiences seem to be actually changing him for the better: maybe his response to Entrapta asking him to spare Catra isn’t to commute her sentence to a suicide mission, or he feels a sudden sympathy with a captive Etherian after the fall of Salineas, as the shared feelings of loss line up, and orders their release.  Basically, the idea is to put in some groundwork so that it actually feels like he might be safe to have around, instead of him betraying his tyrannical overlord because he misses his life where he was, himself, a tyrannical overlord.

I also would not play the idea that people might be a little bit suspicious of a man with a 25-year history of ruthless oppression, colonial violence and unprovoked warmongering as a joke.  Just one of those personal quirks.

4. Summary

In conclusion:

S5 is a bad story about redemption because it doesn’t give the characters being redeemed engaging or compelling redemption arcs, favouring a blind rush to the ending, and it’s a bad story about forgiveness because it treats the actions that are being forgiven as though they don’t mean anything, even when episodes or entire seasons have been built on the effects of those actions.  It’s not that these ideas are bad in general, that these characters axiomatically couldn’t be redeemed or that forgiveness is problematic; it’s just that the execution is bad.

Anyway, thanks, jackass anon, for inspiring me to set down my thoughts in detail like this!