#nobody call me cringe i'll accept critique i'll even accept 'i disagrees' but if you call me cringe or bully me you're getting blocked

[solarpunkani]

Sonic the Hedgehog and Solarpunk Ideals

Alright, it's June 23rd which means not only is it Solarpunk Aesthetic Week, but it's also Sonic the Hedgehog's 32nd birthday. Let's all say Happy Birthday Sonic the Hedgehog.

Overall, that means it's time for me to do something I usually don't do on this blog--talk about Sonic the Hedgehog, one of my favorite series of all times. Specifically, how I feel it embodies Solarpunk at least a little bit. Hopefully you'll see where I'm coming from by the end of this.

Real quick though, special shout out to @modern-solarpunk for being my beta reader 100/10 owe you my life.

Alright let’s make one thing clear. I’m a Sonic nerd. I’ve been a Sonic nerd since at least the 5th grade. Sonic the hedgehog is one of My Things. IDK if I’d call it a hyperfixation, but it’s definitely one of My Things, and it’s been one of My Things longer than gardening or even Solarpunking and all the other stuff y’all know me for has been. I am about to talk y’alls ears off. Buckle up.

With that in mind, I’m not going to pretend that the Sonic franchise is a perfect franchise made by perfect people working under a perfect corporation. Even ignoring the timeline disasters, retconning, and rushed projects (*cough cough Sonic 06 and Sonic Boom cough cough*), Sonic the Hedgehog is made by a corporation in a capitalistic world who has done some… iffy things in the past, present, and likely the future. We are, here, today, strictly talking about two things--the creation of Sonic and the creation of Dr. Eggman. There will be a super special third topic I bring up later, but that's gonna be its own post. I’ll bring up a handful of things from the shows, comics, movies, etc. If I finish writing and editing and posting this whole lengthy diatribe and someone ignores this paragraph and brings up some inane unrelated shit that the Big Corporation Guys did That One Time Months/Years Ago I might snap. Yes, corporations are bad. Yes, I like Sonic. Let’s establish that.

Ok let’s actually get started.

Sonic the Hedgehog the Dude, Tiny Rebellions, and Freedom

Alright, so Sonic the Hedgehog is a series of games, movies, comic books, TV shows--it's a whole thing, it's an entire franchise. The basics of what you need to know here is that a little 3’3” superpowered anthropomorphic blue hedgehog dude and his array of equally-animalian and equally-colorful friends are ruining the robotics-based evil world takeover plans of a 6’1” egg-shaped human dude on the regular. Occasionally, there are other villains, and other storylines, and sometimes the motivations change, but that sentence boils down the Sonic the Hedgehog storyline to its base essentials. 

The Sonic franchise was dreamed up in 1990 when SEGA needed a new mascot to compete with Nintendo’s iconic Mario. Personality-wise, he’s said to have been inspired by “a modern sensibility of wanting to get things done right away, righting wrongs as they presented themselves instead of letting them linger.” As we currently know him, with Sonic “What you see is what you get--just a guy who loves adventure.” He’s a free-spirited drifter who goes with the flow, valuing freedom above all else and wanting nothing more than to live by his own rules and whims rather than bowing to the expectations of others. He loves interacting with the many cultures on his planet (which we mostly see in Sonic Unleashed, but still), trying local dishes with friends frequently. Overall, Sonic is driven by a strong sense of justice and fairness, fighting for the ideal of freedom rather than the name of the law--and he always fights for the underdog. He likes to handle things on his own, but he isn’t above looking to his friends for help when needed--and acknowledges their role in his life and achievements regularly (if he can be a bit smug at times). He appreciates scenic views and nature, with a special fondness for places filled with plants--we see him do this lots in the series--and he hates when people destroy it for their own gain. He doesn’t hate cities, though, and finds they have their own beauty.

So what’s Solarpunk about this? In my eyes, a good bit. If you don’t know what Solarpunk is, it’s described on Wikipedia as ‘a literary and artistic movement that envisions and works towards actualizing a sustainable future interconnected with nature and community.” Aesthetically, I like to describe it as a mix between sci-fi and cottagecore, with a particular leaning towards some steampunk and some cyberpunk elements, but in a brighter, cleaner, more hopeful way. It's important to note, however, that Solarpunk is also a practical and political action mindset--as much as Solarpunks dream of a hopeful future and work to visualize it, we also work to learn the concepts and take the actions needed to make it a reality. I’m not going to sit here and pretend that Sonic is super politically revolutionary, I’m here to talk about how Sonic fits into the aesthetics of Solarpunk.

As such, lets get into the point--I feel like Sonic is pretty Solarpunk, personality-wise. He just fits a lot of the core tenants--wants to right wrongs ASAP, whether they’re his wrongs or wrongs of the past. He values freedom, traveling, and beautiful natural places--a big chunk of Solarpunk is learning to appreciate and protect the natural species around you, and plenty of people have dreamed up nomadic Solarpunk societies. Even Sonic living by his own rules instead of bowing to expectations fits in Solarpunk--A Solarpunk Manifesto states that “the ‘punk’ in Solarpunk is about rebellion, counterculture… and enthusiasm. it is about going in a different direction than the mainstream…” People in the Solarpunk movement care deeply about freedom, justice, fairness, and fixing the broken systems we deal with today--and often start the legwork by forming or taking part in community-based movements and initiatives. We lean onto those around us for strength and courage, to work as a group to think of solutions to problems, whether that be something small like trading DIY patch instructions to bigger things like planning and creating community gardens to even sharing news about unionizing and more. There’s acts a Solarpunk can do alone--like guerrilla gardening, or moss graffiti, or drawing and writing concepts of a brighter future--but we all know we’re at our strongest when we’re not just one, but many. 

But one of my biggest arguments to Sonic being Solarpunk actually centers around his nemesis--Doctor Eggman.

Doctor Eggman as the Antithesis of Solarpunk

After all, it’s pretty hard to talk about how a hero of a series is Solarpunk without discussing the people and forces he fights against, and most of the time that’s Doctor Ivo Robotnik--better known to most as Dr. Eggman. He was developed more or less directly alongside Sonic the hedgehog, and as such the notes about his creation not only influence his character, but the character and vibe of most of the franchise so far. So who is Doctor Eggman?

Doctor Eggman is often described as the World’s Vilest Person--he’s evil, mean, cruel-spirited, and a self-proclaimed genius scientist who only really thinks about what he wants and what he needs to do to get it--getting pleasure in crushing anything that gets in his way. His main goal is to establish his Eggman Empire across the entire planet and build his own version of a utopia, Eggmanland--usually taking the form of a polluted, smog-filled city or a robotic theme park. His plans have varied from excavating natural spaces and turning woodland creatures into robotic slaves (Sonic 1, 2, 3), using doomsday devices to threaten nations and blow up the moon (Sonic Adventure 2), tie down planets for his own purposes (Sonic CD, Sonic Colors), or even using cosmic forces beyond his comprehension to flood metropolises or literally rip the planet apart (Sonic Adventure, Sonic Unleashed). In the comics and some shows, he even takes it a step further--a common theme with him is Roboticization, wherein people are forcibly turned from organic beings into robot slaves. Sometimes its a machine fulfilling this sometimes-irreversible process (Archie Comics, Sonic the Hedgehog Cartoon, Sonic Underground), while other times its an all-consuming virus that grows out of his control and turns almost the entire planet into raving robotic zombies (IDW Sonic Comics issues #12-29). He’s fueled by delusions of grandeur, believing that all of the world’s problems would be solved if he specifically were in charge of everyone all the time and had things his way, and makes robotic inventions and weapons to obtain power. He’s overflowing with self-confidence and pride, highlighting his ‘scientific genius’ whenever he can. He’ll leave temporary allies to rot if it gives him a chance to take all the credit and power for  himself, he looks down on everyone else and sees them as insignificant, only interested in what benefits him. Fairness and community? With Doctor Eggman? Forget it, he’ll steal candy from a baby and then turn it into a robot if given the chance. And even with robotic helpers he makes himself, he quickly gets sick of them--Eggman doesn’t do friends. 

I’d compare him to Elon Musk, but at least Dr. Eggman is actually a genius.

A Solarpunk Manifesto was published in 2019, describing Solarpunk as “A movement in speculative fiction, art, fashion, and activism that seeks to answer and embody the question ‘what does a sustainable civilization look like, and how can we get there?’”. Eggmanland is not how we get there--Doctor Eggman is an embodiment of everything the Solarpunk ideology stands against, and not entirely by accident. Here’s a quote from Yuji Naka, one of the creators of Sonic the Hedgehog.

“Robotnik was created to be the opposite of Sonic, and to be the bad guy. At that time, there was opposition between "developers" and "environmentalists", and Robotnik was created to represent machinery and development.”

He represents it pretty well--his common motifs are imperialism and pollution, and his version of a utopia is often reminiscent of pre-EPA photos of US cities. Sometimes its done to a cartoonish level--but the point still stands. Whenever we catch glimpses of Eggman’s ‘Home Bases,’ whether its Scrap Brain Zone in Sonic 1, Chemical Plant in Sonic 2, Metallic Madness in Sonic CD, or elsewhere, we’re always seeing tons of mechanization, smog, pollution, and death robots.

Solarpunks aren’t opposed to technology--not in the slightest. But I feel its safe to say that any Solarpunk would be opposed to the over-industrialized, hyper-mechanized, pollution-riddled empire hellscape that Eggman would call heaven. (And you know damn well he'd be all over those Boston Dynamic robot dogs if he were real). To me, Eggman represents the grim-dark futures that apocalyptic stories tell us we’re barreling towards--the darker, less sunny side of the already dystopian cyberpunk genre. Solarpunk is the sun that burns away at smoggy futures, the light that reveals what we can have instead, the ideas that lead to actions to secure it. Its hope in a bottle--hope that we can enjoy and add to, a dream that we can help make into a reality. The ideals are chock full of resisting the real-life Eggmans who want to send humanity into a nose-dive of mechanization and energy-burning self-destruction for the sake of short-lived profits and smug ego-trips. 

Is Sonic a strictly Solarpunk series? I wouldn’t necessarily say so. But I think if the themes and terms had existed in 1990, it certainly would have been cited as a bit of an inspiration. Whether the Solarpunk community would have been chill with a corporation citing the term as inspiration is a whole other deal.

Stay tuned for this posts' sequel, where I talk about how I feel my favorite game in the series--Sonic Colors--is Solarpunk.