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#not tagging this with poldark or character names because i don't wanna be sucked into fandom bullshit
blu-b · 7 years
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Cornish funny farm, a review (Poldark S3 E8)
I usually don’t do this kind of comment / summary, but after today’s episode let me chime in with a few things….
Behind a cut, for reasons.
Ross & Elizabeth 3.0: Oh finally, those two get to talk in private, and like adults. Yay! Now everything will be rectified…right? Right?
Ooooh far from it! They talk and talk and…. never come to the actual point?? Elizabeth hints at Valentine’s parentage, Ross asks if he’s his, Elizabeth says she doesn’t know - cue a brief hysterical fit where Ross accuses her of not wanting to tell (to what point and purpose should she?? Also Ross, mate, if you have any basic knowledge of how reproduction works, you’d know that this is not an exact science, at least not in your times), Elizabeth once again defending herself for something that is not her fault, Ross wanting to know what exactly George suspects…and the conversation starts all over again. Hello?? Get to the fucking POINT, people!
OK Ross basically apologizing for what he did was VERY relieving, as was seeing that they still have some sort of fondness for each other, albeit a sad one; but what was that bullshit about “never injure the woman I loved” - remember you kicked in her door and broke into her bedroom? Also, I’m not a fan of his borderline aggression when he says “You WON’T tell!”…too many bad memories of that one night™ .
And then, the weirdest and wildest thing ever: So the only way to save her marriage to George is by “giving him another child” and make it look like it’s premature as well. “When there’s some confusion about the date…” Yes Ross, really, are you happy to help out again?
ARE YOU KIDDING ME, DEBBIE H.?? What’s this bumfuckery?? Why is Ross suggesting such a thing to her?? I can’t believe it…I was literally yelling at the TV like: “Ross…..Roooooss…..no, you didn’t..ROSSSSS ROOOOSSS NOO ROSS!!” What in fuck’s name did I just witness???? This can’t be serious. I’m still speechless.
Also, Ross, your many “all in good friendship” kisses to Elizabeth’s face are cute, but did you check if she really wants that? No? Ah, I’m smelling a pattern here. 
And, what’s all that guesswork about who told George of their night together? 
R: Have you never hinted to him….? E: How could I?? But maybe you said something to him….? R: Asjsalmnkbjamff!!! E: Oh, but who could have told him? Hmmmmm. Who else was in the house….. ………… ……….. ……….. Both, looking ominously out to the graveyard: ………………..could it be? Agatha….?
I mean, how stupid is that? Agatha basically told Elizabeth on her dying bed (stool) that she had spilled the beans to George, so…..dafuq?
I liked what they did with Ross “confessing” his feelings to Demelza, it explains a lot about his later actions and why he’s trying to hard to stick to his promise. It doesn’t matter that he didn’t say it in the end - of course he should, but for his character development it’s not important whether he says it out loud or just in his head; the main thing is that he has reached that conclusion and is coming to terms with his own feelings that were so unclear to him not too long ago. I really like season 3 Ross so far with the exception of the above examples, so yeah…there’s still hope.
Insert obligatory timeline glitch: “And for the first time in years, we talked. ” - Ross meaning Elizabeth. Ummm. Years? Valentine is like what, 2 years old? And there was that incident with the horses at the cliffs, he spoke to Elizabeth there, albeit briefly, but he did speak to her. “For the first time in years” makes it sound like they haven’t talked for a decade. Meanwhile, Jeremy Poldark has aged one day. 
So, back to the talk. So the plan is to seduce poor George every day so that no one can tell exactly when a possible new baby was conceived? Very clever. Good luck with that.
Speaking of George….and ok yeah I’m biased here, but still….my poor precious darling boy! :’( The small victory of the election is tarnished by his family affairs. He so wants to believe little Valentine is his, but he just can’t get over old Agatha’s cruel words. Played to perfection by Jack, the internal struggles of a man who doesn’t know if he’s being lied to by the woman he loves, or has just been led on by an old woman’s spite. I liked to see that his nervous little habits increase, and it’s also quite telling in this context that it’s George who first loses his nerve in the dispute with Ross, not the other way round as usual (note to self: I do love when George results to cursing, shouting, or a threatening purr ^^). And that image of him sitting alone in his carriage almost broke my heart :-(
What was stupid though was that they put the confrontation in after Ross spoke to Elizabeth. He knows that George is suspicious of her and of Valentine’s parentage, and still he says something stupid like “…and so is her son!” - meaning Geoffrey Charles, of course, but it’s just such a cheap and obvious way of creating suspense. George very obviously and understandably thinks Ross is - in anger - referring to Valentine, and how can he not think that? Ross of course doesn’t say it with that intention, but it’s just stupid because he usually either says “Francis’ son” (because that’s what makes GC a Poldark in the first place), or simply “Geoffrey Charles”, not “Elizabeth’s son”. It would have made A LOT more sense to put this BEFORE the conversation with Elizabeth, so that Ross actually realizes that he has said something incredibly stupid to George and put Elizabeth under even more suspicion. The way it is, it’s just another cheap “Poldark vs. Warleggan” moment.
Then, Demelza. I almost felt sorry for her when yet another man tells her “You’re not perfect, but I’m not looking for perfection anyway…” - like seriously? Is Hugh actually getting her with the same superficial crap that Ross told her? Ugh. Don’t get me wrong, Hugh is cute and I like him, but I’m not sure I like / understand the way his attraction to her is portrayed. It’s all a bit too obvious and too much and…well, yeah. I don’t really care enough to delve deeper into it.
Morwenna’s storyline is finally getting a bit interesting, after endless hours of her looking at Drake like a moon calf and swooning over some flowers and standing at the window looking longingly out to…whatever. Worse that what they did to Elizabeth in s2, imho. She still doesn’t do much but sit there and suffer, but this time I’ve actually shed a tear for her because I’m finally beginning to feel a bit more for this character than just “ugh…!”.
Also, I get that Osborne is a horrible man that we shouldn’t come to like, but I’ve got to admit that he does have some comical moments, and especially perfect timing, so kudos to Christian Brassington for this portrayal.
Also, I kind of like Rowella. I wasn’t too into any of the “young generation” and I still don’t care a damn for Sam Carne and his what’s-her-face, and neither for Drake for that matter, but the way Rowella plays the fat vicar’s vices is kind of entertaining (and makes one wonder why her sister never thought of similar tricks, but she was possibly too busy looking out the window…). 
Final conclusion: Almost every marriage in Cornwall is beyond botched.
One ray of light though, Dwight. Dwight is always right. Hahaha, I loved how he stuck it to fat Ossie ^^ But in general, he and Caroline don’t get nearly enough screen time in this season. 
Elizabeth was again reduced to little else but holding Valentine and looking ominous, but I did love how in two scenes she got to actually decide something for herself, and how she takes on responsibility, not only of Morwenna, but in general. She seems more like the lady of the house now and issues commands, and she’s not afraid to use the differences in their rank to put Osborne into his place. Well done, lovely lady! *applauds* Also, I like how her feelings for George seem to have developed into something more than convenience.
Finally though, Ross and Demelza. Oh my. What a clusterfuck of bullshit. It all boils down to:
“My heart will always and forever belong to you…but, actually, trying out another man for a day would be kinda cool, and once I did that I’ll happily return to you and go on as if nothing happened, also btw you cheated on me so you are morally obliged to grant me this favour." 
Wow. Kudos to Ross for his self-control and his patience with her. I’m not getting into the discussion whether cheating out of revenge is okay or not, and neither into any other for that matter, and while I admit that Ross has some horrible flaws and did abysmal things in the past, he’s trying so hard this season, especially with Demelza. That he makes a few remarks the like of “Not every man in Cornwall is in love with you” doesn’t really come as a surprise after the Fucky McMustache episode, but all in all and given that it’s Ross we’re speaking of, he’s basically snuggly as a kitten. Whereas my understanding for Demelza shrinks with every episode since season 2 tbh. OK so he doesn’t write her poems, so what? He doesn’t care what dress colour she wears, so what? She could be stuck in a FAR worse marriage with a far worse man (think Osborne), and also some of her antics are really rather pointless and just feel like random bitching because she doesn’t get what she wants (a large part of which seems to be the “ploughing” of a certain “field” if I’m reading this correctly; at least that seems to be what the script is hinting at). 
Don’t get me wrong, I understand that they’re working through a difficult time in their marriage, and both of them are not easy persons, but - citing the books - all of this is about eventually understanding that there’s more to love and marriage than what convention teaches us and that in order to understand a partner and truly love them, you need to let go of them sometimes. And there would have been so many more ways to bring that across in film, instead of having Demelza be randomly angry with Ross and paying him back by cheating with the next best man who babbles romantic nonsense at her. 
This was one of the more powerful episodes in s3, and still the overall feeling I’m left with is one of being sorry for all the persons who’d deserve more happiness than what they’re currently getting: Elizabeth & George, Morwenna & Drake, and Ross….
Oohooo and edit: No Ross, Elizabeth is actually not "the only person" who can do something about this spiderweb of lies you're both entangled in (especially not by telling another lie!). YOU could walk up to George and tell him face to face that Elizabeth is innocent, that you slept with his fiancée against her will and that you're sorry for what you did, and if Valentine should turn out to come after you, that you'll help support the child (even though George and Elizabeth surely don't need the money). That would come very close to a suicide mission, but it would be honest for once and you'd not be using Elizabeth to cover up your own mistakes.
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