#ocula.com

[nununiverse]

Albarrán Cabrera The Mouth of Krishna #790, 2019 Pigments on Japanese gampi paper and gold leaf, edition of 20 17 x 25 cm

[lawrenceleemagnuson]

Sally Ross (Australia b 1969) Landscape (étoile) 2022 oil on wood panel 100 x 80 cm https://ocula.com/artists/sally-ross-(1)/

[artthatremindsmeofhannibalnbc]

Dongwook Lee, Sailor, 2004 Mixed media

https://ocula.com/artists/dongwook-lee/

[campsis]

THE GREAT CHAPBOOK 4 - HOLY by Noh Sangho at Arario Gallery

[davidpaulross]

https://ocula.com/art-galleries/xavier-hufkens/artworks/christopher-wool/untitled-2022/

[williswillkillus]

Paintings by Fiona Rae.

https://ocula.com/artists/fiona-rae/artworks/medium/all/order/recent/1/

[jordi-gali]

ocula.com

Antoni Tàpies Artworks

[eucanthos]

Katrien de Blauwer   (BE, 1969)

"I’m a photographer without a camera"

Painted Scene 28 (2018)

She applies old and worn materials very sparingly for her exceptional pieces of art!

Using magazine images from the 1920s until the 60s, De Blauwer cuts, reframes, pastes them together with others, or with monochrome strips from those same magazines. A spontaneous process, kindred to the methods of surrealist painters [setting free the subconscious]

[ she makes me appreciate surrounding space too ]

https://www.katriendeblauwer.com/work/scenes

https://ocula.com/artists/katrien-de-blauwer/

https://www.gallery51.com/artist/katrien-de-blauwer/

[mybeingthere]

https://ocula.com/artists/suzan-frecon/

"Suzan Frecon’s handling of color and densities of oil paint is particularly distinctive. She favors unnameable deep reds, red oxides, terre vertes, ochers and variations of a very special ultramarine blue, working her magic in surfaces that range from nuanced, luminescent ultra-glossy to uninflected, light-absorbent matte. The works were shown at Zwirner, according to Frecon’s preference, with no artificial lighting during daytime hours, only illumination from skylights, so that the surfaces flickered and changed with passing clouds. Even the passage of gallerygoers in front of the paintings noticeably affected their tonality. Though probably fairly direct, the exact colors are difficult to identify (similar to the green-blue-grays in Brice Marden’s 1971-72 “Grove Group”) because of their physical composition, including the ratio of linseed oil to pigment. (Frecon has secret recipes.) Knife-sharp edges are contrasted with areas of see-through color and dense, even flatness." 

By Stephen Mueller

[yama-bato]

Paul Morisson

https://ocula.com/art-galleries/paragon-gallery/artworks/paul-morrison/calathidium/

[formlab]

Wolfgang Tillmans https://ocula.com/art-galleries/maureen-paley/exhibitions/wolfgang-tillmans-%281%29/

[nununiverse]

https-//ocula.com/art-galleries/bildhalle/artworks/albarran-cabrera/the-mouth-of-krishna-177/.jpeg

[acrosstheuniverse02]

Xenia Fuentes [*] The Woman Next Door -03-, 2022

da: https://ocula.com/artists/xenia-fuentes/

[davidpaulross]

https://ocula.com/art-galleries/galerie-greta-meert/artworks/john-baldessari/rhino-building-man-x-4-car/

[williswillkillus]

Paintings by Margaux Williamson.

https://ocula.com/artists/margaux-williamson/

[jordi-gali]

ocula.com

Numbs (Narcisse) by Mimosa Echard