#one of the best films of the year and after all the KOTFM love (ugh) this gets CRICKETS? NOTHING? fuck y'all

[lesbiancolumbo]

As Indigenous woman filmmakers, we knew that our path through the industry would be narrow and that our film, Fancy Dance, would have a small window for success based on the abysmal record of representation for Indigenous folx in Hollywood. As such, we channeled our collective wills as granddaughters of Dust Bowl survivors, descendants of genocide and avowed followers of the indomitable Merata Mita to give this film the best shot possible. If there existed a “how to make a successful movie in Hollywood” checklist, we followed it to a tee. Step one: Create a compelling script (after her sister’s disappearance, a hustler kidnaps her niece from the child’s white grandparents and takes her to the state powwow in hopes of keeping what’s left of her family intact) – check. Step two: Find top-tier producing partners (Nina Yang Bongiovi, Tommy Oliver) – check. Step three: Cast amazing actors at the top of their field (soon-to-be Oscar nominee Lily Gladstone) – check. Step four: Premiere and screen at world-renowned festivals (Sundance, SXSW, BFI London) – check. Step five: Receive excellent reviews (THR called it “exceptional”) and festival prizes (Hamptons, L.A. Outfest, Mill Valley, NewFest, Sun Valley, Tacoma) – check. Step six: Get a distribution deal – …crickets.