#open to discussion; I know inland empire can also fit jane but

[anotherclassicpretence]

The original 5 + dominant Disco Elysium psyche skill

[mshelenahandbag]

2017 - Year of the Laura Dern

Laura Dern is having the best year of her career, or anyone else’s for that matter. 

I could just end this article here, but you know I have to tell you WHY. Laura Dern has, for me, been constantly impressive with her acting prowess from a young age. My first memory is seeing her as Dr. Ellie Sattler in Jurassic Park, and even back then, little didn’t-know-I-was-gay-yet me loved the cool female paleontologist. (Looking back she also had THE best lines (“we can discuss sexism in survival situations when I get back!”), most famous of them all being during Goldblum’s “Man creates dinosaurs” soliloquy – “Dinosaurs EAT man….woman inherits the Earth.”) She’s always played interesting characters, but, for me, has never really had her breakthrough with mainstream television and film.

Until this year where Laura Dern has excelled in four projects and netted her first Emmy victory!

Sure, she’s had her accolades with David Lynch’s Blue Velvet and Wild At Heart and her notable appearance as the woman Ellen DeGeneres came out to on Ellen. But never anything truly concrete to make a large cross-section of people go “wow.” She’s always, at least to me, been good for niche groups.  Her last Golden Globe win was for the HBO series Enlightened where she played self-destructive executive Amy Jellicoe, and she got an Oscar nomination for 2015’s Wild as Reese Witherspoon’s mother.

Wild director Jean-Marc Vallee is one of the main reasons we’re buzzing about Laura Dern’s 2017 renaissance. He definitely saw something in Dern, and her chemistry with Witherspoon, because the two would reunite and butt heads in HBO’s Big Little Lies – exhibit A in her best year. While everyone was obsessed with the performances Witherspoon, Nicole Kidman and Shailene Woodley gave as the main trio of Madeline, Celeste and Jane (as they rightly should because the series is just that flawless), my focus was on Laura Dern embodying Renata Klein, queen of the helicopter moms in Monterey.

Dern’s Renata had me shouting EMMY long before others jumped on the bandwagon. There’s a scene in the second episode where the birthday party for Amabella, Renata’s daughter, is derailed by Madeline - out for blood when Renata didn’t invite Ziggy, Jane’s son. So Madeline comes back and gets plenty of comped tickets for Disney on Ice so everyone cancels on the birthday party. Renata hits the ceiling, calmly, telling her friend Harper (who bears the unfortunate duty of informing Renata) “Ok. Thank you.”

Harper tries to mediate with “Let us all get along-”

But Renata comes back with the AMAZING over the top…well…this.

“I SAID THANK YOUUUUUUUUUUUUUUUUUUUUU!”

Whether ad-libbed on the spot or script, this moment of hilarity, for me, from Renata made her one of the best characters this year on any show. Showing perfectly poised Renata lose it time and time again, especially when threatening her husband (“I will take my hands and put them around your throat!”) or Madeline (“I’ll even get Snow White to sit on your husband’s face. Maybe Dumbo can take a squat on yours”) was a highlight week after week. The entire series was worth of every Emmy it garnered and survived a potential shutout from FX’s Feud: Bette and Joan but if anything, Laura Dern was the only one out of those nominated that truly deserved to win.

From here, Laura Dern turned from psycho mom to plain old psycho in Netflix’s Unbreakable Kimmy Schmidt as Wendy Hebert – who’s set to marry Kimmy’s old pastor. It’s a brief guest starring role, but Dern adds so much in those 20 minutes and delivers a fully-formed character. Wendy starts off so innocent, but the more we spend time with her and Kimmy (Ellie Kemper), the more we realize how unstable she is. Plus she helps Kimmy to confront some real traumas the reverend has inflicted on her, and she also delivers one of my favorite lines in the three seasons of the show as she confides in Titus (Tituss Burgess): “If we only see each other one hour a week, he’ll never realize what a useless piece of crap I am and he’ll love me forever, and that’s what I deserve!” In short, Dern’s portrayal of a woman with absolutely zero self-worth is hysterical.

And from here, Laura Dern’s year hits its zenith with Twin Peaks as she plays long-heard-about-but-never-seen Diane: Agent Dale Cooper’s secretary to whom he has dictated all of his many tapes. Laura Dern’s work with David Lynch has always been fantastic: whether in Blue Velvet, Wild at Heart, Industrial Symphony No. 1, or Inland Empire – it’s clear that Lynch knows how to get the best results out of her craft. And that’s the reason why her work as Diane is probably a role we will be talking about for years to come.

We meet Diane Evans as a chain-smoking foul-mouthed goddess who was my favorite part of the mindfuck of this 18-part opus. I seriously loved every time Dern, in her platinum bob wig would take a drag off her cigarette and generally her conversations would consist of “Fuck you [insert name here].” She played so well off her director Lynch as FBI agent Gordon Cole and the late Miguel Ferrer as FBI agent Albert Rosenfeld. But one of my favorite moments came when newbie Tammy Preston (Chrysta Bell) tries to thank Diane for helping them, only to be met with this-

Diane: “What did you say your name was again?”

Tammy: “Tammy.”

Diane: “Fuck you, Tammy.”

I laughed way too hard at this, for way too long. Diane’s modus was basically this for a few episodes but about halfway through the series, her mood changed. We saw her visibly uncomfortable speaking with Mr. C, Cooper’s evil doppelganger BOB created. She revealed that Cooper (Mr. C) had come to see he years ago, but refused to elaborate. We later her she and Mr. C were in cahoots, via text. Was THAT why Diane was so crazy? Diane seemed to be cool when Gordon Cole offered her a slot on the infamous Blue Rose team – investigating supposed paranormal encounters.

“Let’s rock.” Diane said, her index and middle fingers down.

Here is where I said “Something’s up.” You could easily explain her wayward associations with Mr. C, but those two words were uttered by The Man From Another Place in the original series. It’s not just a nudge-wink happenstance, it’s a deliberate clue from Lynch that something is off with Diane. And that comes to fruition twice as the series comes to a close. In part 14, we learn that Dougie Jones’s fingerprints match Cooper’s, and Diane reveals that Janey-E, Dougie’s wife is Diane’s half-sister. No simple coincidence, again.

In part 16 when the actual Cooper emerges from a coma (long story….), Diane receives another text from Mr. C. She goes to meet with Cole, Albert and Tammy and finally reveals what happened the night Mr. C came to see her. He raped her – and it affected her. Dern’s face telling this story is so genuinely pained and she just nails this. Then Diane begins to act odd….really odd, even for this show. She convulses and says “I’m in the sheriff’s station. I’m in the sheriff’s station. I sent him those coordinates, because…I’m not me.” Diane eyes the gun in her purse, Albert’s on edge and Diane pulls hers out only to be shot by Albert and Tammy before being whisked away by some unseen force. Tammy remarks she’s seen a real tulpa (a manifestation) and we cut to the Red Room in the Black Lodge. Yep, Diane was “manufactured.” But what about her cryptic statement “I’m in the sheriff’s station”? Well as luck would have it, we wouldn’t have to wait long to find that out.

In the finale of the series, we learn that the eyeless Naido who helped Cooper out of the Lodge and who Andy rescued, was actually our Diane. A quick fight took care of Mr. C and once the genuine article Dale Cooper lays eyes on Naido, she becomes our Laura Dern again and they kiss.

Then it gets weird.

Cooper pulls a Back to the Future Part II seeing the events of Fire Walk With Me play out – only this time he stops Laura Palmer from being murdered. We cut to the Black Lodge and Cooper and Diane are both there. Then they’re driving on a highway for 430 miles, cross over an electrical grid and check into a motel to have sex.

This is Diane’s final scene of the series and I love how Dern hearkens back to what she told Cole and the FBI earlier about her rape. You still see the pain and confusion on Dern’s face, especially because we’re unsure if this is OUR Cooper, Mr. C or a hybrid of the two. It’s such a fitting end for her work on one of the best shows of 2017, and her exit opens a whole new mystery.

The next morning, Diane’s gone and a note from “Linda” to “Richard” is left for Cooper and leaves us wondering if in a world where Laura Palmer has been saved – has absolutely everything changed? Is Dale Cooper now Richard and is Diane Evans now Linda? (Way more to say on this for a Twin Peaks fan theory thesis later, especially with the role of Carrie Page.)

I didn’t even need to see Laura Dern in Star Wars Episode VIII-The Last Jedi in her role as Vice Admiral Amilyn Holdo to know it will be amazing. I knew that from the casting, from her stills with the late Carrie Fisher (something I’m eagerly looking forward to) and the gorgeous Annie Leibowitz photos in Vanity Fair revealing that gorgeous lilac hair. But upon seeing Rian Johnson’s masterpiece that has become the crown jewel for me and many other (but not all) STAR WARS fans, I got to see Dern cap her banner year off in the most fabulous and wonderful style.

When General Leia Organa is unconscious from a First Order attack on the Resistance, command falls to Holdo. Dern and Oscar Isaac’s Poe Dameron immediately clash, and it’s breathtaking to watch. Holdo wants to load unarmed transports to try and escape to nearby Crait – home of an abandoned Resistance base – and Poe so strongly disagrees with her that he mutinies and relieves her of command (only for himself to be relieved by General Organa stunning him). Holdo remains on ship while the remaining Resistance flee to Crait, and as the First Order begins firing on transport ships. Holdo decides to make a stand and engage the ship to lightspeed, directly at the First Order’s ships. Hyperspace jumps only work when a ship is totally free and clear to maneuver. So if a ship’s in the way, it’s not gonna be pretty.

And it isn’t. Rian Johnson shows the devastation in a soundless scene that cements Holdo’s beautiful and poignant sacrifice. Dern’s time in the Star Wars universe may have been brief but Holdo is a character anyone should be proud to look up to: willing to step up when it matters and sacrifice everything for the needs of the many (…Wait that’s Star Trek…)

Laura Dern’s 2017 is something that won’t be duplicated any time soon, and it’s a career testament to one of Hollywood’s best actresses finally getting the recognition she has beyond deserved.