#personal horror canon‚ but as it is the flaws are too notable‚ the limitations too numerous. has the look and feel at times of a student

[hxmosuperior]

for the silm ask meme, 14, 17, 19, 21, 22, 23, and 24?

14. Saddest moment in The Silmarillion?

Fingon's death, I think, cause you have the sense that they are trying so damn hard to prevail against Morgoth, his cry when greeting Turgon's troops is "Behold, the day is come!", and then he dies, and it's like, idk not to get fake deep but the hope of the Noldor sort of dies with him, he's the Valiant one, the one who long before Beren and Luthien has already snuck into Morgoth's lair and took back what was dear to him, really the closing out on an age of Kings (Turgon didn't have authority outside Gondolin, and Gil's Kingship didn't come really to full potential till the Second Age), "and death was his reward" for his bravery, his estel, so to speak.

17. Are you glad the Last Battle isn’t in the published Silmarillion?

Yeah, I prefer it without because it feels more "living" without it? Because we already have the Doom of Mandos that shadows over the entire book; the Second Prophecy of the End of Days feels too limiting, as if everyone's actions will have to fall to that inevitable conclusion, but if it were only alluded to and not included in full, it makes it feel as though it gives more interpretations more room to breathe and stuff.

19. You get to save one character from dying. What would they do instead?

I would save Feanor probably, because I feel like he's very much a person who seeks to defy fate, and if he were still alive, I feel as though it would definitely change the sociopolitical landscape of Beleriand drastically. He would be on the front lines (and his sons would likely serve as his lieutenants). His paranoia is likely a big snarl to work through, but I feel like Fingolfin's crossing the Ice would assuage that fear of his somewhat, as it proves that those who crossed have enough gumption or devotion (even if they only wished to rule their own lands or confront him, they still willingly damned themselves by the decree of Mandos for it).

As for the High Kingship, it'll likely be a reversal of the canon Silm, with Feanor as High King but the Nolofinweans and Arafinweans doing their own thing, so long as it doesn't oppose Feanor's own mission. Maedhros is likely the diplomat in this situation, which is definitely going to be an overtime job. I feel like his presence might even be enough to offset the potential Thingol intended with a Quenya ban, as he is notably very much a stubborn linguist, though there's likely less reason this time around for the Arafinweans to keep the Kinslaying a secret from Thingol, and the ban might be enacted even earlier if only because the secret was revealed out of their spite for Feanor.

It might even lead to full-blown conflict between the Sindar and the Noldor, but on a characterization level, I feel as though the Nolofinweans and Arafinweans would have caught more of their deserved culpability this time around. The Arafinweans would have to acknowledge they were willing to follow the person who killed their mother's kin into exile (and use the boats that Feanor procured through Kinslaying). Likewise, it's possible the Nolofinweans would have to confront their own role in escalating the Kinslaying (iirc, the Feanorians were pushed back twice by the Teleri when they tried to steal the ships; not until the Nolofinweans joined the battle did it become a full-on Kinslaying.) It's hard to scapegoat a man who's still alive, and ready and willing to vehemently defend himself after all.

Political issues with the Sindar aside, one thing's for sure though, Feanor would absolutely adore the dwarves, and like Curufin and Caranthir, would definitely learn Khuzdul even if he acts like a nerd without social graces meeting the Dwarven lords. As for humans, they do possess a distinct lack of reverence for the Valar as Feanor himself does, and I think he would feel some degree of connection for them to that extent, especially considering his views of death as something of permanence due to Miriel's death, even if philosophical conversations might end up devolving into sort of a mutual feedback loop affirming the flaws of the Valar.

I think another main difference is probably in what happens during the Siege, as it is mentioned that the Bragollach occurred after the Noldor grew complacent. I feel as though Feanor would have been far more proactive, even the appearance of Glaurung might be pretext for him to push for full-on invading Angband, or at least striking preemptively against Morgoth. Say goodbye to the Long Peace, but at least we have more Feanorian shenanigans. Or, in a more whimsical universe, Feanor (likely with Celegorm's help) manages to capture Glaurung and train/tame him, and turn him against Morgoth.

22. What is your opinion of Fëanor?

He did nothing wrong.

23. Do you have pity for Melkor?

Yes, absolutely. I'm like, really baffled by him as a concept, in general, I suppose, like, if Eru created him as is, if all Melkor did was through Eru, does Eru sanction the horrors Melkor committed on Arda? If Melkor was created thus by Eru, and all Melkor did was through Eru, how much free will was he accorded? Was there a line between his evil as Eru decreed it, and his malice as he chose to be? Did he have a choice? Was he always destined to end up as Morgoth, Black Foe of the World?

24. Your job is to write The Silmarillion: The Musical. What is one of the songs?

This is a hard one,,,, I don't listen to many musicals lol

I think I mentioned on Twitter once that I really liked Marie Josee-Lord's cover of Les Sans-Papiers from Notre Dame de Paris as the vibe of a song about the Bragollach. It feels like there's this sense of foreboding looming underneath, and the lyrics lend themselves well to what it must have felt like for the people of Himlad and Dorthonion and Tol Sirion and Thargelion to see the fire rising on the horizon, and decide either to make their last stands, or flee south into the unknown, hoping desperately that Doriath will show mercy and let them through (they don't).

[thoughtsonargentdawn]

On the potential of greener pastures.

While I don’t see the need to beat the dead horse that is the incelery of Blizzard Entertainment’s treatment of women and gay men - still holding out for the claims of transphobia, don’t worry it will be there - One thing I have noticed lately is the increasing willingness of long term WoW players moving to other realms and universes of fantasy.

But the question, is it the right thing to do?

Obviously no one reasonable to advocate for you to stay playing something you find uncomfortable - that is insanity and inhuman. But, is Tamriel, Eorzea or the Galaxy Far Far Away really the type of place that the average Argent Dawn player will feel at home in? I’ve had many discussions with my fellow CoAD team friends and we all have our opinions on the matter. While we all agree that as a creative medium, we as players should reclaim World of Warcraft as something that works for us all - not all of us are particularly comfortable in remaining on the game considering what type of behaviour paying for that subscription enables. ---------------------------------------------------------------------------- So first up on the list. Tamriel,the main setting of the Elder Scrolls universe. As a whole I would say the Elder Scrolls Online thematically matches many popular brands on Argent Dawn. It ticks the boxes of House/Noble Roleplay, Military, Intrigue and “Race War Now!” - all fairly popular areas of roleplay on Argent Dawn. ESO also boasts a far more vigorously designed world compared to current WoW, a considerably more consistent lore and player housing that is very generous. The downsides? There always are downsides... ESO is shackled with an insular community that much like Guild Wars 2 - another former contender to WoW - has a somewhat small town Alabama mentality towards new players. This is also combined with a recurring problem of a number of players using their characters to effectively further their own real life politics or ideologies. In particular the crypto-fascists are very drawn to the Aldmeri Dominion faction, with the prominence of the Thalmor - yes the same elf supremacists from Skyrim - being a key factor. Thanks to blatant racism being a canonical factor of the setting many have gotten away with effectively using their character as a smokescreen. Alternatively the Neo-Roman Imperials also are a popular second choice for your standard chauvinistic “ew women” basement dwellers who would shrivel at the first touch of a real woman. Community issues aside, ESO also has system problems with a very awkwardly designed UI that is unintuitive to someone used to the traditional hotbar system present in many MMO games. Perhaps a minor problem in the long term as you get used to it but be prepared for heavy frustration and awkward handling. ----------------------------------------------------------------- Second up we have the supposed rising star of the genre, in the gleaming world of Eorzea, the primary setting for Final Fantasy 14. The setting is very conducive for Adventure type RP in particular, but by no means limited. The worldbuilding of Eorzea is very elaborate, with analogues to many real world cultures being present, Norse, Franco-German, Middle English, Levantine/Mediterranean and Far Eastern with smaller groups being present too. The lore is watertight, with very few inconsistencies - the few are merely a player issue of doing class quests in reverse order to the story quest mostly - and the setting is shown rather than explained through out of universe books. Player housing is rather advanced as well, with both personal and guild varieties being present in four capital cities so far.

Things are not always sunny however. Some glaring errors are present in the game. The UI and general intuitiveness of the systems present are incredibly dated and arcane. This is likely due in part to the need to keep things workable for the console players, and probably Square Enix not understanding their playerbase, especially in the West. In addition, due to how the story is the main system of progression, for those wanting to roleplay with a full understanding it is effectively mandatory to do the main story questline to completion before taking part in substantial or heavy roleplay. Finally and probably the most glaring problem is the issue of the community itself. While the general projection is that the FF14 community is very welcoming and kinder than the WoW community, this is only really applicable to the US servers. Both Crystal and Primal - the main ones - are highly active, busy and brimming with both helpful people and roleplay, so much so it spills out into the open world and cities. Crystal in particular is the most analogous to “golden age” Argent Dawn. The only major issue is the “problem” of ERP being quite acceptable and open in the games RP community, no weirdly KKK cosplaying attempts to shut it down will work here, unfortunately for some. That said it can be ignored and the players soliciting can be reported if they persist - and square enix is very good at customer support. However, the European servers are a whole other beast. Light has no roleplay of any major or notable amount, and half of the servers on it are not even populated. Outside of Lich, Shiva and Odin there are scant few players around. Chaos has more people on it, but the wrong kind of people. I have spoken to a now silly number of people on Crystal and to a lesser extent Primal giving abject horror stories they have brought from the Chaos server group. Most of the RP happens on Omega, with some smaller level on Moogle and Ragnarok. Though to call it RP is generous. Their “roleplay” consists of generally playing self-inserts in Second Life tier social roleplay. Those few who engage in actual roleplay often find themselves ostracised or even - subtly - harassed - remember, square enix are very good at customer support - for trying to roleplay within the setting they are in. It is no surprise then that there are more European players playing on the US server groups than on their own. -----------------------------------------------------------------------------

Finally the old man, though potentially most balanced of the three is the well established Galaxy Far Far Away - the setting of Star Wars: The Old Republic. With a colossal lore from both in game and the extended Old Republic universe itself the game has tremendous potential for all manner of RP, from your traditional Sith or Jedi RP to space Criminals, Military, space Researchers/Academics, Political RP and most things in between. The Stronghold System, while dated compared to the others does allow for expansive and varied environments to do both public and private roleplay within, with a whole catalogue of venues being available for perusal. Besides that, the planets themselves are highly expansive and massive in terms of scale, easily twice the size of major zones in WoW often with a variety of environments that make the planets seem like an actual world, or part of at least. Hoth really does have the sensation you are on a frozen tomb in the Outer Ring. The downsides of the game however are rather heavy. Roleplay is almost entirely guild centric, though not hidden away by any means. Competing “headcanons” have been know to create problems, but as the Galaxy is big enough it really boils down to a matter of taste rather than sociopathic cult leaders attempting to control the roleplay for everyone. In addition, the system of the game are woefully clunky, with the worst customisation for characters present, even if the transmog system is better than WoW’s. Thankfully the new expansion for it is coming soon which promises to revamp both character agency and customisation and fix systems that are horrendously out of place in 2021. Finally the other main issue of TOR is the presence of the free to play, but pay and get more model. Freemium is neither the F2P that ESO offers or the simple subscription model FF14 offers.

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With all that said, each game has its flaws and perks. Considering there loudest voices seem to be indicating either a shift towards ESO or FF14, it will be interesting to see if these become permanent converts - with all the moral grandstanding about how terrible Blizzard is - or they will quietly slink back to Azeroth once the dust settles and nothing sadly is done about the appalling corporate problems in Blizzard. I personally will remain engaged on Argent Dawn. WoW itself is a product that is shaped by its community more than its sleazy developers and strangulating Blizzard over it is realistically likely to cause more harm long term. Besides, how can we reclaim the setting for the players if we all decide to jump ship?

[yandere2me2]

Hi there! First, I just wanted you to know that I really enjoy your writing. I don’t know most of the characters you write for, but I still am able to understand who they are as people from your works which is really cool!! Secondly, I was hoping I could hear your thoughts on the Obey Me characters? You can do as little or as many as you want, whatever you’re comfortable with. And finally, I just wanted to say I hope you have a good day!

Thanks anon! So far I’ve only written a few things, but if you wanna check out what characters I’ll write for, check out my newly posted rules post - for any fandom listed, I’m good writing any character so long as the other rules are followed (ex: any Obey Me character but Luke since he looks and acts like a child).

Since no limit was placed, I’ll just do some general headcanons for the first 4 brothers for now. Know that I’m willing to write about any other characters in Obey Me aside from Luke for future requests :)

So without further ado, some yandere Obey Me bros (under the cut because this got LONG)!

TW: implied/mentioned forced captivity, manipulation, unhealthy relationship standards, non-con/dub-con, degradation, voyeurism  

Lucifer

Sadistic - but that’s a given with the game information. To be more specific, he sets strict rules for his darling and is very much a control freak; he has so many things going on in his life that he has to manage out of necessity, but his darling is a special case he’ll gladly take on 

If his darling breaks a rule, he enjoys doling out punishments. What type of punishment depends on his mood, the type of incident his darling caused, and if their actions affected Diavolo. God help them if if they insult Diavolo

Possessive with a capital P. His darling is his. No one gets to see them fall to pieces under his hands but him. No one gets to bring them to the peak of pleasure but him. They will fear him the most above all others if that’s the way his darling must cope with his methods. Lucifer would prefer an amicable relationship, but he understands he’ll be met with resistance with the standards he has

Praise will come rarely, so any darling that craves it will have to earn it by being on their best behavior. If his darling does manage to get him to praise them, he’s in a very good mood and will be more open to requests (he won’t let them go, but some new books, hobby materials, or food options are fair game)

He’s a yandere that will lock his darling away for their safety as well as his own comfort and ease. Dangers are everywhere in Devildom, and he knows his darling will manage to find trouble if left to their own devices or with his brothers. He’s not going to risk it. Besides, he’ll have a better hold on his darling if he’s the only one they interact with daily

Going off the last point, Lucifer would also hide his darling away to avoid Diavolo’s attention. By my read on their relationship, Lucifer holds little power to oppose Diavolo thanks to their pact, and Diavolo wanting in on Lucy’s darling would frustrate him beyond words - can’t he have just one thing for himself? I’ll be writing more on a Diavolo/Lucifer/Darling situation after requests are filled, but BOY do I wanna write about this now

Mammon

He’s needy. Mammon craves affection from his darling in any amount they’re willing to give. He’ll be the first to deny it if his darling or someone else points it out, but everyone knows

He Does Not Like To Share His Darling! At all!!! He will pout and whine and get even more clingy if he thinks his darling so much as looks at someone else with interest (imagined or not) - especially his brothers

His punishments are usually to reassure himself that he’s in charge, that his darling did him wrong and they should be grateful he’s their protector, that he even bothered to notice them in the first place. Any other demon would have left them to fend for themselves; he is the best demon a puny human like his darling could ask for

That said, when he isn’t worked up he’s very much a sub in his relationship with his darling and aims to please them. Praise doesn’t come too often for him, and he loves when he can get any positive affirmation. He’ll get testy if his darling outright insults him

He wouldn’t think about locking his darling away until much later. After his darling grows accustomed to living in Devildom, after Mammon starts realizing and (unwillingly) accepting his feelings, he notices how close his darling is with his brothers and the others, how easily they could be stolen away from him… he doesn’t like it one bit

Mammon wouldn’t think much about his plan before he sets things in motion by making a deal with some witches to set up a private space for him and his darling that no one can reach without his say-so. This of course incurs a ton of debt that he’s confident he’ll pay off in a jiffy (he won’t) and he only leaves when he needs to handle paying off his debts or deal with some Devildom official business - he’s the second most powerful demon brother under Lucifer, so as obnoxious as Mammon could be about how “important” he is, he’s not entirely wrong

If he’s in a good mood, he’ll spoil his darling as best he can with any material good he can think they’ll like. Just name it and it’s theirs. Unless of course they upset him, then he’s just as quick to take any privileges he gives away and remind them who’s in charge. It makes him hurt to have to punish his darling, so he tries to avoid it unless he thinks they need a reminder of who has to make the rules around here

Leviathan

Levi doesn’t have much experience with darlings compared to his brothers - throughout the thousands of years he’s lived alongside his brothers, he prefers to shut himself away most of the time. He’s had the least amount of darlings in his lifetime, and when they pass on he secludes himself to fantasize about his perfect darling (who’s usually based on a combination of anime characters and past darlings he’s had)

He’s so insecure, constantly worrying how he isn’t good enough that he bullies his darling into having them convince him that he’s who they want. His darling better be convincing though; if he senses pity or fear or anything else that takes away from their sincerity, he won’t be kind when he’s punishing them

He’s almost as overbearing as Mammon - that’s a feat in itself. Levi won’t isolate his darling though; he’ll manipulate and guilt his darling into wanting to stay with him to avoid his ire. They’ll manage to step on his toes in one way or another, finding some unspoken overstep as an excuse to point out their flaws

Honestly the “transport yourself into a video game” trope opens up so many fun options for Levi to play with his darling. He has games (similar to the one we witness in canon) where he and his darling can spend virtual weeks together without anyone to disturb them. He has games he knows his darling hates - horror games that are gruesome for demons, let alone a human, where his darling can’t escape and can die as many times as it takes for Levi to be pleased before he transports them back out. He has naughty games for when he wants to import his darling to watch them endure whatever scenarios fit his fancy - anything from tentacle porn to gangbangs. By the end of it, his darling will be so grateful to be back in the real world they’ll be begging to stay with him, just as long as they don’t have to go back in a game. Levi uses the affection to his advantage

He forces role play on his darling - Levi as the Lord of Shadows and his darling as his precious Henry. His darling better learn their lines and how Levi likes them to respond if they want to stay on Levi’s good side

His darling’s wardrobe consists of mostly Ruri-chan and Henry cosplay Levi purchases for them. No you can’t change my mind

Of course, if his darling isn’t in a game or reading some top manga series, Levi’s talking about it to them or having them watch/read along with him. He just wants to share what he enjoys with the person he treasures, even if they’re just a simple normie human

Satan

Earlyon, his darling is warned by the other brothers that his smile is fake, that he’scynical and shouldn’t be trusted. But out of all the brothers, he comes acrossas one of the least intimidating, so it’s easy to gravitate towards him

Tbhhe’s likely not interested in his darling at first – humans are lessercreatures to demons, food for most and potentially nuisances when one makes apact with a powerful demon. Until he finds something noteworthy, like how quicklyMammon forms a pact with this human, he doesn’t see much potential

He’s pretty reasonable up until he’s angry; for a darling surrounded by dangers and demons,he appears to be the least likely to harm them, and they accidentally push one of hisbuttons at some point. Once his limit is reached, he is terrifying – wrath isin his name and he lets his darling know when he’s displeased

After the first time he loses his temper, he’ll givehis darling clear warnings before he punishes them. He uses his darling’s fearof his punishments to his advantage, encouraging “good” behavior with thethreat of “or else” in the background

He has some notable similarities with the eldest brother: a sadistic streak a mile long and a preference to dominate/need for control to ensure his darling is undoubtedly his. How Satan shows these traits is different in key ways, however

Satan is sadistic more often when he’s feeling neglected, miffed, or bored with his darling. He’s not as strict as Lucifer, actually allowing his darling the freedom to act on their own accord in most cases. It gives his darling the chance to show him how much devotion they are willing to give him without him commanding it. If he gives an order, however, he expects his darling to obey

Unlike Lucifer, Satan doesn’t have the risk of things going Bad if something doesn’t go his way; Lucifer needs to please Diavolo or risk failing on his end of the pact, and so control is key for him. Satan likes control, but to the extent of knowing he has the final say. Satan doesn’t want to control every aspect of his darling - at the end of the day he wants his darling to voluntarily choose him, even if only out of fear of his displeasure - but he will have them

Satan has his own possessive habits - he needs affirmations that his darling is his. Either he’s marking them in some primal way or he has his darling reassure him through their actions

He stalks his darling. Have you seen how aware he is of his brothers’ activities in-game? It’s almost unnerving in some situations - and that’s just canon material. Satan watches his darling out of curiosity at first before it grows into an obsession for him. After a while he knows every little detail, every mannerism, every preference. All those outings he asked his darling to join him on before he actually clarifies he wants to date them? They’re all used as opportunities for Satan to review later

Advice to any darling of his: Do NOT compare him to Lucifer if you know what’s good for you. Just. Don’t. He won’t kill you, but you will wish he did by the time he’s through with you

I say this as several of my points are comparing his similarities/differences with Lucifer hahaaaaaaaa sorry Satan

[zenosanalytic]

4/20/19 HSE 8

Ok back at it

MEAT 15

Cool Fight; Not terribly surprising.

MEAT 16

Dirk’s as much Rose’s father as Rose is his Mother. I guess maybe it’s more convenient, psychologically, to choose a causative direction and stick with it, rather than accept the Mobial nature of their genesis, but for some reason it bugs me this keeps getting overlooked.

Dirk’s over here talking about how right he is all the time and I dont think he was ever right about anything even once in canon(aside from certain aspects of his talk with Dave, and choosing not to kill Hal) XD The only “plan” of his to work was the one re: entering the Session, and 1)he outsourced it to Hal and 2)it only worked because he managed to improvise his way through every aspect of it failing to go the way he thought it would, and even that probably had more to do with their entry being part of HiC’s plan to use them, so she wasn’t trying to wipe them.

Another Thing: I dont think the Ascent Differential is Aspect so much as Personality.

Another Another Thing: That Rose, when discussing her life-long fear of knowledge as a corrupting and ruining outside force(this being a person who always felt her mother wasn’t her mother, in some sense, and responded to that fear by rejecting emotional intimacy with said mother), doesnt see the connection between that life-long fear and her fear that Ascending will be bad, damaging, and corrupting, is Notable. Perspective continues to be important, and lack of self-awareness continues to hamstring ppl in this narrative.

MEAT 17

I feel like this new narrative belligerence on Dirk’s part isn’t going to work out too well for him with a person as aware and recalcitrant to narrative meddling as John. It’s going to be John and WV all over again. This is also a wonderful example of how personal flaw and specificity isn’t solved by Godhood in HS, and can really trip you up; basically all of this, including the “impotence” applies to Dirk, too, when others disagree with the direction he’s trying to push them in, and this whole rant may be meant, ironically, as an example of dramatic irony: basically, that Dirk’s rant about total control and knowledge reveals the limits of his knowledge and will be followed by examples of how limited his control is, which he can’t be aware of, but which the “impotent” audience will.

MEAT 18

...And, almost immediately, John’s objecting to the narration and doing things before Dirk “writes” him doing them(the sigh).

MEAT 19

“So yeah, I’m gonna allow it” Notice how he asserts power over situations he does not, in fact, have power over.

Which is kind of an interesting dynamic to bring up in the context of authorship? I mean: in the realm of nonfictional works an author can’t “make” things happen, only alter for their audience what DID happen. In some respect this is being written as equivalent to that dynamic; the simple admission in M17 that Dirk is misrepresenting events also admits those events happened another way than he’d prefer, meaning it’s also an admission of his lack of power over actual events. And, of course, all the other things I’ve been talking about, and the fact that everyone’s “character” is rooted in natures established in the original work. But in a fictional work an author’s creative power is absolute, and this is a fictional work; though I suppose a derivative or transformational one, which accounts for the shortfall. Another interesting aspect of this is that the “Author” is presented as a Narrator; Narrators merely describe what happened, they don’t create it. I was going somewhere more concrete with this but it popped out of my head >:T >:T

Ok so other aspects of this: I agree that Jane’s been established as a pretty ambitious person, but she was also always a pretty moral person and the way she’s going about this so far doesn’t seem to be in keeping with that part of herself. And also: she literally wants to create shortages, and thus the suffering shortages will cause, for... what? Nostalgia? Because she think she can run Capitalism better than the adults from before all this?? Because Hierarchy is Neat??? Seems like a whole handful of really petty, selfish, and juvenile reasons to me. Also one guaranteed to cause social conflict; I doubt a civ that’s never known material want is going to react too well to sudden starvation and financially-manufactured forced-labor(which, lbr, is what most work in our world is).

Obvsl, as a snake and member of the storied gens Atheris, I agree with Roxy&Calli that patriarchal human concepts of gender are not the end-all-be-all of identity, but what really jumps out to me here is Roxy’s description of the nature of their love for, and previous sexual interest in, Dirk which I find really True. Like: the sentiment of wanting to see children of a person because you really like that person and think they should continue, or of thinking having the kids you might have with another person would be pretty interesting. Also that loneliness is a hell of a drug 8T

I’m trying to figure out why this conversation would be circumstantially simultaneous with The Furthest Ring being “destroyed”, but I got Nothing :T :T :T

MEAT 20

So yeah, Jade’s merging with her Alt!Selves, not too surprising since it was heavily foreshadowed in Endgame.

Given that Sessions are located IN the Furthest Ring, and Sessions MAKE new multiverses, I find it being made out of “negative potential. The absence of a future” pretty ironic :p I wonder if the tentacle hair bit is a nod towards the Horror-Terrors, and theories about them being Players? Rose and Dirk’s view of Ascension would seem to suggest HTs might be SUCCESSFUL players who eventually abandoned their universes out of fear of the damage they’d do misusing their godhood(as it doesnt solve your personal problems), rather than the old HC of them being failed Players.

MEAT 21

My theory about “The Economy” being code for sex doesn’t stop feeling ever more confirmed by this narrative :|

Dirk’s anger at the idea of anyone not thinking he’s right about everything is Palpable on this page. Also I’d just like to note that This:

Is being said by a person currently in the middle of metaphysically manipulating a friends towards her worst impulses(and also potentially some amounts of self-hatred, give her thoughts re: femininity) for the sake of establishing a dictatorship through which she, as his agency-dimmed puppet, will enforce his personal politico-philosophical preferences regardless of what anyone else thinks and he’s saying it about people who just said This:

which is to say: a bunch of political pluralists who are NOT seeking to impose their morality on anyone but rather to establish a system where EVERYONE can SHARE their moral understanding of policy issues and come to a consensus decision on them, within the context of a political society DEFINED by the equality of all as political actors. There’s just so much that’s wrong, weak, and easily dismissable about Dirk’s argument here. Not to mention his obvs, undisguised, physical disgust for trolls >:T

And he’s doing all this Purely because, given his fixation on “Winning”, he wants to Win. Like: he’s not actually even pursuing what he considered good policy; he is, literally, doing this all for Pure Ego, which he has the gall(and lack of self-awareness) to accuse others of acting from. And this self-deluding buffoon is a person who believes himself “Ascended” and therefore possessed of a “higher” and “clearer” perspective on matters above their “petty” concerns about, oh non-humans being allowed to live as they like, or practice any political agency at all, and all ppls being spared unnecessary and pointless suffering due to entirely manufactured shortages. So much (real, actual)Irony, of so many types, in all of this, all at once.

An aside: I am really liking the political-mindedness of these Epilogues so far; really playing to my Interests uwu

The bit about Hybrid babs and shipnames is funny, and it doesn’t read like a shot at the fandom to me at all; it’s more a joke at Dave’s expense given the obvs distress Kanaya’s in and his inability to stop making the situation more awkward(itself prob the result of Bro’s neglect/abuse)

Oh hey look: it’s Dirk the “Omniscient” being distracted, caught unawares and off-guard by the actions of others, unable to handle the role&work he’s chosen for himself(ie “out of his depth”), unable to split his attention between even just two conscious ppl at once, and not knowing what others are thinking. Given this and his handling of Jade’s thoughts in the last section, I kinda feel like it’s less he can actually sense the thoughts of others, and more that he gets some kind of inkling or hunch, or maybe that’s it’s purely just him guessing(that’d fit real well with his comments on Roxy being “inscrutable” to him), or even just having an awareness of the plot he is narrating(and thinks he’s writing). Of course it could also be some kind of Heart thing; not really even access to their thoughts at all, but a sort of awareness of their Agency? Like: Heart is The Self and The Self is expressed through Agency, so he has, in some way, developed an awareness of “Self-Action”, which is to say, Agency? Kinda like how Dave “feels” Time and Jade “feels” Space and Rose “feels” Relevance. Which, just as an asnide, would be something super-basic powers-dev wise, since Dave started having a sense of Time way back in the early Acts, long before godhood. Though I can see how Dirk developing an awareness of OTHERS intentions(and feelings, potentially, given Heart’s other associations) would seem like a big step for him, given how self-absorbed he is.

Ok that’s it for this one I think. I know I’m not being terribly kind to Dirk in all this but, tbf, he’s being kind of a huge snide Dick in basically every respect, and I also don’t have a lot of Chill in me when it comes to 1)arrogant people or 2)manipulators (:T

[ghoultyrant]

Dawn of War II

At one point I watched a Let’s Play covering Dawn of War II, starting from the base game, going through Chaos Rising, and then doing the Marine campaign in Retribution. The excruciating stupidity on display lead me to A: decide I didn’t want to buy the game, even though I love the original Dawn of War, and B: write the following semi-coherent ravings of a madman.

They are slightly edited for comprehension and I made a little to clarify what any given thing is alluding to, but not much. I had vague notions of posting this to Vigaroe once upon a time, but it really doesn’t fit the tone I’m trying to maintain on that site. Tumblr, meanwhile, I’m perfectly happy to dump things that may or may not be insightful or entertaining and move on with my life.

Here we go.

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Broadly: Let's take steps to scale down the player's troop count, and still end up with hundreds of Space Marines dead before the end of the campaign. Also broadly, let's have our special snowflake characters have squads (66% of them, anyway) but have the special snowflake character be the only one that counts: not only do your battlebrothers sensibly wearing helmets not count against your score at the end of the mission for dying, but if the special snowflake moron dies his goons instantly die too. I thought we were fighting against the Tyranids, not as the Tyranids? The score mechanic in general, as well as secondary objectives in general. They don't commit to the score mechanic as mattering, and secondary objectives seem absolutely worthless. In Dawn of War 1, secondary objectives were more like advisories: here's something you might want to deal with, but it isn't mission failure if you ignore it, hope you appreciate the heads-up. In II, they seem to be plotty things with no functionality and not much plot either, present because?... Also: WHY BRING BACK ANGELOS WITH THE WRONG VOICE? (fixed for Chaos Rising, to be fair) I'm a character narrating at another character completely unironically. The Tyranids are MYSTERIOUS AND DANGEROUS OOOOOHHHHH. I AM THE BOX GHOST! BEWARE!

(It’s a constant thing with the game to treat the Tyranids as mysterious and much more scary than anything else in the 40k setting. It falls flat, in spite of the heroic efforts on the voice actors’ parts)

HEY BOSSMEN SPACE MARINES FUCK YOU YOU AREN'T THE BOSS OF US EVEN THOUGH YOU ARE AND WE AREN'T FILTHY HERETICS GO RUN SOME ERRANDS FOR US AND WE MIGHT MAYBE IF YOU SAY PLEASE DO AS YOU ASK. (Derosa’s initial interaction is idiotic) SCALE? WHAT'S THAT? TINY RAIDS BY A FEW HUNDRED GUYS CAN TOTALLY COMPROMISE AN ENTIRE PLANET'S SECURITY. AND NOT BY SECURING A LANDING ZONE OR WHATEVER. (What, exactly, are the Eldar supposed to be doing here?) Psionically gifted individuals. Because we aren't Blizzard fanboyz or NUFFIN. PSYCHIC GODDAMMIT. PSYCHICALLY GIFTED INDIVIDUALS. Furthermore, 40k is a setting in which psychic powers make you a reviled pariah who counts themself LUCKY to be treated as a subhuman tool. IT'S NOT A GIFT.

(Maybe ‘psionic’ has become the 40k default term since I wrote this back in like 2013. I stand by it anyway)

Naturally, It's A Girl Who Doesn't Do As Told was ENTIRELY to then bitchslap her for being bitchy. Admitting her error just leads to her begging you help them anyway, rather than assuring you that Angel Forge will be accessable to you since your need clearly is urgent. In other words, the entire sequence is mental masturbation with a very tiny helping of plot. Yaaaay.

(Still Derosa, only now I’ve shifted from hating her to hating the writer) Angel Gate fails in open mode! Because everyone knows all devices automatically stop doing what they're designed for if denied a continuous supply of electricity! Rather than ceasing moving. Like in real life. Incidentally, how does a GATE protect a PLANET?

(Angel’s Gate is retarded. And not the 40k funny/grimdark retarded, but “does anyone on this team understand anything?”) The Eldar are trying to blow up the subsector's planets to SOMEHOW stop the Hivefleet from... going towards the Craftworld. Not, like, weaken them, or something. Somehow the writer thinks this should redirect them from Ulthwe, instead of HURRYING THEM ALONG.

(This is dumb) WHERE ARE THE BLOOD RAVENS GETTING THEIR INFORMATION. SERIOUSLY.

(Once you’re more than halfway through the game, people just... know things, without any greater explanation than ‘scouts report things they can’t possibly know’) Hey, Force Commander, let's monologue at you why you're here AT THE END OF THE GAME AS PART OF AN OPTIONAL SCENE.

(Yes, you only learn at the end of the game why your avatar is in Sector Aurelia. What?) Derp final mission derp stupidly designed uberbosses in general. Also, thinking the Avatar of Khaine can burn down an entire world, and also EFFORT: THE GAME in terms of... rampaging godmonster patiently waiting in an arena to be killed. Yay.

(I boggle every time I remember this) Chaos Rising PLANET AURELIA IN SUBSECTOR AURELIA. What, is it capital Aurelia on continent Aurelia in hemisphere Aurelia?

(Real life can be like this. There’s still a reason for the One Steve Limit) Personal drop pods because reasons except Cyrus with Commander Hairgel because reasons on the first mission. (No explanation is provided for this) Traitor Guard calling the position, rather than the time or just saying "THEY'RE IN POSITION OPEN FIRE!"

(They’re scripted to only fire on a handful of locations on the map. Come on, writer, help me suspend my disbelief) EVERYTHING IS BUILT INSTANTLY. EVERYTHING. FORGET THAT THIS GAME HAS NO BASEBUILDING MECHANICS TO JUSTIFY THIS NONSENSE, BAD GUYS HAVE INSTANT CONSTRUCTION SPEED. In general, everything happens in implausibly short time periods: when did the traitor get to Aurelia before everyone else? How?

(Chaos Rising’s plot is slipshod nonsense from step one, and it never improves. If anything it gets worse) What is the point of bringing back Eliphas WITHOUT HIS VOICE ACTOR?

(I don’t get this. Bring back arguably the single most popular character from the original game, who was so amazing due to his voice, and then... don’t bring back the voice actor? I really hope they tried and failed to get the man, rather than just failing to realize the voice mattered) "Most notably, the Blood Ravens have-" OUR BATTLEBROTHERS YOU FUCKER. "I must tend to one of the generators, Spess Mahreens-" BROTHERS. To be entirely fair, he's the pure run traitor, BUT COME ON MARTELLUS. (Why does Martellus talk like he’s some outsider? Who thought this made sense?) Of COURSE bitchslapped Derosa is a pseudo-love interest. OF COURSE. (I’m sorry, creepy writer, but this is fucked up in addition to being stupid nonsense. Why are you even writing a Space Marine having a romantic interest? And why does treating a woman like shit act as a vital part of your courtship ritual?) Some Corruption-if-failed-to-deploy missions are vaguely plausible. Sure, Thaddeus hates your guts forever and goes EEEEVVVILLL if you don't let him protect the home he so dearly loves. But Tarkus corrupting for not punching Eldar is dumb and Jonah corrupting for not going on the Space Hulk is DUMBER. HE SHOULD CORRUPT FOR GOING ONTO THE SPACE HULK.

(Corruption is a cool idea. Missions Corrupting someone because they get super-pissed makes sense. Your Psyker Corrupting for failing to go into a Warp-infested horror show is such a basic fail I have no words and cannot imagine how this got conceived of, let alone made it into the final product) Really? Araghast and Eliphas are Bale and Sindri again? REALLY?

(I don’t mind re-doing a cool character dynamic, and Sindri and Bale were great. But Eliphas was more interesting than that. You don’t bring back a cool character so they can do that less-cool thing some other characters did!)

Ulkair is pretty much a Slaaneshi demon with a good laugh and the wrong body. Fuck.

(I liked that Dawn of War II tried to give Nurgle representation and Slaanesh representation, since the original game was basically all Tzeentch and Khorne. It was undercut by making our Greater Demon of Nurgle a straightforward sadist having nothing to do with Nurgle values. Either do the new thing and get it right, or go back to the old thing you were fine at doing. Don’t write the new thing the exact way you wrote the old thing and pretend it’s different) RETRIBUTION Tutorial still sucks, albeit with less narrating at each other. Khornate Noise Marines!

Khornate Noise Marines in Alpha Legion colors. Relic, what?

(It’s baffling how Relic has a clear grasp on most of the lore, up to and including some fairly esoteric stuff, and then they cram in nonsense anyone who’s only peripherally familiar with 40k could probably tell you is wrong) "This is the Ascendant, Azariah Kyras." This is the shitty dialogue, unnatural speech.

(That’s Kyras talking, if you hadn’t guessed) I realize Kyras is supposed to be crazy, but... really? Nihilism? Khornate let's-Tzeentchian-plot nihilism, at that?

(I’ve seen other people point out how it’s questionable to have a Khornate psyker eg in Winter Assault’s campaign, but I’m personally willing to let that pass because that’s one piece of canon that’s always seemed flawed to me. That doesn’t mean Kyras actually makes sense. He doesn’t. At any point) why does kyras tell you his weakness

(It’s like the writers have utter and total contempt for their player base. You couldn’t have one of our dudes take a guess that the demonic artifact of empowerment might, maybe, when destroyed, stop empowering him? Or even have Kyras do 5-year-old levels of cunning and try to pretend very hard that it’s not important? I mean the game wants us to think Kyras is Very Smart and then he tells you his weak point for no actual reason. The writing in Dawn of War II: bonkers to the very end)