#really the hardest part about doing this is not crying while screencapping and doing the gifs

[xuefangfei]

We wanted you to live proudly without feeling discouraged out in the world... So Myeong, if someone asks where you belong to, say, "Me? I belong to Hyungnim." Okay? Whether you went to college or not, no matter where you were born, and whether your name is known or not, say, "I forever belong to my Hyungnim." Got it? Congratulations on graduating, little brother. You did so well.

TMS tearjerker series 3/?

The Sixth Shot: We'll See Each Other Tomorrow

[overthinkingkdrama]

Jona’s Top 10 Dramas of 2019

A couple words about how I do these lists. Firstly, I only count as “2019 dramas” shows that finished airing in 2019, therefore dramas that started airing in 2018 but finished in the early months of 2019 have been included in my process, but dramas that are currently airing and will finish in 2020 have not been included. Secondly, this list is more based on my subjective experience with each of these dramas than my objective assessment on things like acting, writing and production values, though naturally I take the latter into account when forming my opinions.

Also: Yay! This year I managed to write a full review on every drama that wound up in my top ten, so feel free to click the link on each title and check those out if you want to read my detailed thoughts.

10. Hotel Del Luna

I have a somewhat Stockholm Syndrome-y relationship with Hong Sisters dramas. Though a lot of them are not excellent, or stumble a bit in the execution, I can’t seem to stop watching them. And yes, I’ve seen them all. Something about their particular blend of fantasy, romance and camp just works for me. I do think Hotel Del Luna plays to their strengths. Somewhat like if they got to take a second run at Master’s Sun but with their dream budget, and it’s just fun. This drama is gorgeous to look at. However, it is Lee Ji Eun, aka IU, who carries the entire drama on her lovely shoulders with her mesmerizing presence as Jang Man Wol.

Bottom Line: It shouldn’t be this way, but it’s so rare to get a mainstream drama where the female lead is allowed to be truly dark and flawed, or for a drama to fully focus on its heroine’s journey through the whole run.

9. Encounter

I was somewhat disappointed by the ending of this drama, and I think that might have made me unduly harsh when I looked back at it earlier in the year. However, I got the chance to rewatch episodes with a friend and was reminded of the soft, romantic escapism of this drama. Ultimately that’s the reason this ended up in the list. I like that it plays the rich woman/poor man, noona-romance tropes entirely straight and I liked the quixotic fairy tale it was unapologetically trying to sell me. Park Bo Gum and Song Hye Gyo are a noona-romance dream team up that I’m glad I got to see at least once in my lifetime.

Bottom Line: If you don’t like your dramas slow-paced and highly sentimental then this might not be the show for you, but I can appreciate a drama that knows exactly what kind of show it is and tries to do one thing well.

8. The Light in Your Eyes

If there’s any common theme to these favorites lists in previous years, it’s that they usually include dramas that took me by surprise and did something I haven’t seen before. The Light In Your Eyes fits that description so well, not just because of oddly dark tone or the quirky premise it presents in the first episodes, but because it’s a drama dedicated to showcasing the talents of the veteran actress, Kim Hye Ja, with whom the lead character shares a name. Of the dramas on the list this one made me cry the hardest.

Bottom Line: The Light In Your Eyes is a drama that has a greater emotional coherence than it does logical sense. In fact, if you think about the plot too hard it falls apart entirely. But it feels true, and that’s why it hit me so hard.

7. Search WWW

In my review I called Search a “female power fantasy” and I still think that’s a good description. It’s also sexy romantic fantasy, twice a noona romance, and a corporate drama focused on the very contemporary issues of powerful search engine companies and how they affect the information we see and the way we view the world. I think any of those is an interesting enough angle to make a drama about, maybe several dramas. If this show has one major flaw, it might be trying to wear too many hats at once. But I salute the creators for trying to make us something different than the typical pretty boy chaebol story, and giving us not one but three female characters filling those typically male roles.

Bottom Line: I do believe this drama deserves more love and respect than it got from a fandom that at least in theory cares about women’s stories. But I also understand why a lot of people didn’t connect with the lead character or the business stuff. But for me there was something about the lead couple that rang true and resonated with me.

6. WATCHER

Every time I watch a thriller, I’m hoping for something like WATCHER. Something with deep, complex, gray characters and a story full of twists and turns that keeps me engaged and guessing from episode one until the finale. Add on top of that a powerful cast who can really do justice to these substantial characters, you’ve got a winning recipe. OCN produces a lot of dramas in this genre, and they seem to be more prone to produce sequels than most other networks. Unfortunately, that also means a lot of the dramas they make feel paint-by-numbers and empty on the inside. WATCHER is one of those shows that reminds me why I keep coming back to this network and this kind of story time and again.

Bottom Line: This is one of those dramas that has you second guessing yourself even when they come right out and give you the answer, keeping you in a perpetual state of distrust along with the characters. But it’s built on the strong backbone of complicated and dynamic character relationships, which is why it is one of this year’s best.

5. Be Melodramatic

The higher I get up this list the harder time I have boiling down my thoughts on these dramas to one pithy paragraph. Often even I don’t know what kind of dramas are going to steal my heart. I have a particular weakness for dramas that can make me both laugh and cry, and then laugh through the tears. Dramas like Go Back Couple and Matrimonial Chaos that have deep heartache folded into the shenanigans. I love a funny drama. I like to laugh, but that doesn’t count for much unless I really care about the characters and their lives at the end of the day. That’s what makes me go from liking a drama to loving it, and that’s ultimately what I’m going to remember about a drama when it’s over. Be Melodramatic is special for the way it deals with heavy subjects in a gentle and lighthearted way, and somehow without losing the emotional impact.

Bottom Line: Be Melodramatic is a drama with tongue firmly planted in cheek, lots of laughs, lots of clever dialogue as well as a meta look at the drama industry from the inside, but the reason it works so well is the vein of heart, love and loss that runs all through the story.

4. One Spring Night

It’s so gratifying when a drama delivers exactly the experience you hoped it would. One Spring Night was a drama that ended up on my radar on the strength of the previews and posters, which promised me understated, romantic slice-of-life. I’d really enjoyed Han Ji Min in The Light in Your Eyes and have been fond of Jung Hae In since While You Were Sleeping. The pairing immediately seemed to have potential, but because the drama was picked up by Netflix, in the US I had to wait until it finished airing before I could give it a shot. A lot of the time when that happens, I see enough of the drama through gifs and screencaps that my interest fades. In this case I was only more intrigued. I’ve still never watched Something In The Rain but watching this drama has made me consider that might have been an oversight on my part. And yet I worry that if I watched it now I wouldn’t be able to help unfavorably comparing it to One Spring Night. This drama is truly something special.

Bottom Line: Because of the restrained, faithful realism of this drama and the two leads who seamlessly embody their characters, this drama has the almost voyeuristic quality of peeking into something intimate and private. It’s a palpable and thoroughly involving love story.

3. Nokdu Flower

I can hardly recommend this underrated gem of a show enough. I know nearly every historical gets compared either favorably or otherwise to Six Flying Dragons, which is kind of the recent high-water mark of sageuks, and I’m going to do that again here because Nokdu Flower is really the first historical drama I’ve watched since SFD that is at the same level of quality. One thing that sticks out about my experience watching both dramas is getting actual shivers watching these charismatic leaders rally their followers around them, and understanding at least in some small part why someone would leave behind everything they knew, pick up arms, and risk their lives for an ideal. Nokdu Flower captures the fearful power of revolutionary ideas in the hands of common people, but doesn’t descend into mere jingoism or sand off the rough edges or try to white wash the dark parts of human nature while it’s at it.

Bottom Line: At its most basic level Nokdu Flower is a story of revolution, and one of flawed characters either finding their humanity or having it burned out of them in the crucible of war. As that description would suggest it’s not an easy watch, but it’s a good and worthwhile one and definitely one any sageuk fan should check out.

2. My Country: The New Age

Compared to the far more traditional and grounded Nokdu Flower, My Country is almost fantastical in tone and at times eschews logic and realism for set pieces, sword fights and close range shotgun blasts of pathos. That’s probably why I love it. The larger-than-life sensationalism of this drama is what pushes it higher on this list than the carefully crafted Nokdu Flower, because this drama appealed to me on a more primal way. It’s so unrestrained and epic in everything from the set design, the soundtrack, the cinematography to the characters themselves and the performances of the actors playing them. Lurid, melodramatic, passionate, intense, suspenseful, romantic, raw, angsty, dark...I’ve basically run out of new adjectives to use while describing this drama elsewhere on this site. Basically, My Country is my id on a plate. Bon appetit.

Bottom Line: While there are definitely misguided and flawed elements to the writing and execution in this drama, somehow all of that is swept away in the sheer pleasure of watching it. If it had been specifically designed to appeal to every narrative kink I have, they couldn’t have made a more perfect drama for my tastes.

1. Children of Nobody

I finished my favorite drama of 2019 back in January, and then got to wait around 11 and a half months to see if anything else I watched last year would knock Children of Nobody from the top spot. It’s a mixed blessing to peak that early in the year. On the one hand, there was nowhere to go but down from here. On the other, I’ve had a lot of time to digest this very heavy show, which is something I definitely needed. I mentioned in my original review of this drama that each of the characters is an iceberg, so much more going on beneath the surface than what we can see. And what I’ve realized over the course of the past year is that the whole drama is like that, in a way. It’s an iceberg of a story, and I was able to pour a lot of myself into it, to try to understand it, and that’s part of the reason it was such an emotional watch for me. I don’t know when or if I’m going to be able to rewatch Children of Nobody, but I hope I can do it some day because I feel certain I would appreciate it even more upon a second viewing.  The fact that this is a murder mystery and a thriller is almost incidental to the emotional core of the story, which is deeper and more lingering than that. The secrets, once revealed, do not diminish the story but only turn it slightly so that you can see it from a different angle.

Bottom Line: This drama is certainly not going to be for everyone. I don’t know if I would say it was underrated so much as it’s niche. The difficult subject matter is naturally going to narrow its appeal. But I do think that dramas that require the most from me, mentally and emotionally, are often the ones that stick with me the longest and make me bend and grow as a person.

I sure hope you’ve enjoyed my top 10 list this year and I wish you joy, success and profound wellbeing in 2020. Thank you again--and thank you always--for following me. I’ve got great things planned for us this year.

Jona

[vrainsrewatch]

episode 19 thoughts

this is... the most screenshot heavy post i’ve made so far, lmao, so please bear with me. as i’ve said, this is one of my favorite duels, and there’s a lot that gets covered here. like, seriously, i haven’t written this post out yet but i can guarantee this will be my longest so far lmao.

the beginning of the episode starts off fairly standard, and mostly dueling:

i really do love the pacing of this duel. i was glued to the edge of my seat while watching these episodes. i remember it so clearly, too, because i’d been binge watching from episode 16 that day, and got to like, 24 by the time i stopped, lmao.

ai does a lot of cute/funny stuff this episode, to help break up some of the more dark tones of the rest of it, like this:

it really makes me miss hi in this form :( i really like his soltis form, don’t get me wrong, but i miss him on yusaku’s wrist lol. i would say when things were less angsty, but, well. lmao.

we very quickly get akira’s rad boss monster summoned out:

and seriously, i just love the animation for it. it’s so sick. the door, the fire, how it looms behind him at first.... aaaaaa. so cool.

and of course the classic:

the worst part about this line is it’s said so often (esp in arc v LOL) that i actually. have slipped up and said it in normal, day to day conversation before. my boyfriend looked at me for like a minute and gave me the deepest sigh i’ve ever heard the first time i did that pff.

also:

i couldn’t not screencap this, given what my blog is for LOL

every time something reminds me of that painful final duel, i have to screencap it and make you guys sad with me. if i have to be sad seeing all this stuff, knowing where their relationship goes and how the series ends, so do you.

also, though, i forgot how often this was brought up before the bohman duel lmao. it makes that theory look a lot more credible, so it’s cool that it had all these little hints towards it, even if it ultimately wasn’t true.

seriously, my heart. i don’t think i need to talk much about this scene to make y’all sad, but really. they went from this to i loved you. ugh, god, i’m so sad thinking about it lmao.

there is so much to talk about between akira and playmaker and even blue angel in this episode, so i guess we’ll start here.

it is hard to decide that you want to take control of your trauma and do something about it. it is not easy. to see yusaku fight for that right so thoroughly is incredible, and really, really validating.

more sadness! seriously, this is too much. this deck was created specifically for him by ai. i don’t like this anymore lmao

but even besides that, often times the protag’s decks mean a lot to them, obviously, but i love that it wasn’t built strictly by yusaku. his cards were literally made by ai, and i think that’s such a cool twist. 

but then, akira’s speech:

i talked last time about akira wanting to handle things himself, and i briefly touched on him thinking he knows best...

but i really admire how calm yusaku stays at that tbh. he gets angry, reasonably so imo, but he takes this so well. i know i was a much more volatile kid then he is, so respect lol

i’ve spoken at length already about akira, but i also want to talk again about how oblivious he is. he is so blinded by his own thoughts and feelings on the situation that he doesn’t stop to think about how yusaku might be feeling -- and worse, honestly, how his sister might be feeling.

it was why he was so visibly shocked when emma mentioned a few episodes ago that aoi wasn’t just a little kid anymore. it’s so clear that he still, at the moment, sees her as the six year old girl he swore to protect, and not the sixteen year old person she’s become. he doesn’t think about how she might be feeling towards his actions, or why she does what she does.

this is highlighted as early as episode 6 iirc, when he asks her why aren’t you happy? as much as i, personally, dislike his character, i can’t deny it’s very realistic and well written.

speaking of aoi:

i love how she’s written in this episode, too. but her entrance here is great, and i love how she stands up to him about this. it’s minor, but it’s still a good step. when she’s blue angel -- or blue girl, or blue maiden -- she feels comfortable doing that. at least a little, and it obviously grows throughout the series. i hope that transfers over to the real world for her, too.

and then, we finally get the full story:

i remember flinching when he started talking about it, remembering the shots of yusaku getting electrocuted from his duel with revolver.

i really love this. i said it last episode, but vrains handles yusaku’s trauma so realistically and it’s amazing.

i remember originally staring open mouthed at my tv screen while this part played. we got a bit of it from the other episode, but the full context truly shocked me. where’s that post that says “who thought this was an acceptable backstory to give to a card game protag” bc honestly??? YEAH

it’s still hard to watch. it’s still hard to see play out, even if it’s only fiction. even though i’ve seen these clips so many times, and written about them in detail a few times too. doesn’t matter lol. watching it in context actually still made my stomach drop.

which leads me to talk about reactions to this, actually:

the two that vrains focuses heavily on are blue angel’s and kusanagi’s, and they contrast really well here imo.

blue angel’s is a normal reaction. it’s horrified, both at the thought of it happening and at the fact that someone would actually do that to another person -- a six year old child, no less.

kusanagi’s is strained. he is angry hearing about this, thinking about jin. we’ve been told, and have seen in the last few episodes, how much the lost incident impacted kusanagi and his brother, but i really love that the show tells us that here, too, and shows the difference between hearing about a tragedy and being involved in some manner.

i did not expect it at all when first watching vrains, and honestly, it still impresses me how gracefully they handled it coming off of arc v (cough, shun i love you but really cough cough). no hate on arc v at all, it’s my third favorite ygo very close behind gx, but the difference between the two on how they handle these things is staggering.

this whole section makes me thing that ryoken talked to yusaku fairly often, after the first time. which is something i don’t see brought up often? but that’s so important imo. it meant that yusaku had someone encouraging him not just once or twice, but on the regular, but also it meant that ryoken was constantly risking himself to comfort that child. 

we don’t see too much of ryoken when he’s a kid, but we do see him scared and crying over the lost incident. the fact that he was able to talk calmly to this child so many times is really amazing. it also makes more sense as to why ryoken feels so guilty over calling the police -- he probably felt that maybe if he had just kept up his encouragement, the kids would’ve all gotten out okay and his father wouldn’t be in a coma. 

this was so powerful. it’s obvious, and i think anyone with half a brain would understand that the LI isn’t something that a kid would recover from easily, but i love this anyways. 

he wasn’t saved. and even if he was in body, it’s still something he and all the other victims will live with for the rest of their lives.

this also is something i don’t feel like people bring up enough, but does this mean that yusaku went around asking the kids at the hospital when he was rescued? it’s not hard to believe they were all put together, at least for a short amount of time, but it’s still something i feel like people overlook. 

i also love this, because it’s nice foreshadowing to how revolver feels. he’s not captured, not like yusaku and the lost kids were, but he is a prisoner. and just like ryoken saved yusaku, way back then, he is determined to repay the favor.

not just because of that, either. because that voice meant so much to him. because that voiced saved him. because that voice understood him, and was there for him in his hardest moments. god i love them.

i love this shot. it’s so dramatic, how the match the drum beats with flashes of everyone’s reactions.

but it drives home his point, and while i know most of akira’s development came through emma and aoi, i’m sure this helped, too. 

i’ve sung vrains praises this entire post, but i’ll do it again -- this is incredible. this is so realistic. it’s so well portrayed. and it’s really honest to god incredible that we got a protag in ygo who was shown going to therapy. 

ygo has always dealt with some pretty dark subject matter, and it’s never really been shy about showing it on screen. i’m not saying that at all. arc v obviously dealt with some pretty heavy stuff, and while i haven’t seen zexal (keep shaming me please) i know it does, too. 5ds obviously has the dark signer arc, and the later arcs concerning bruno and also yusei’s father, and gx has... well, it’s entire third and fourth season. 

but we see everyone healing via card games. we see those shows talk about these things, but kind of at the same time, skirt around the subject matter; or if they do go deep into it, they pull out (ie 5ds) or the characters don’t get resolved properly (ie arc v). 

idk where i was going with this but i just really love that this happened, this was shown on screen, and they stuck to yusaku’s character. they didn’t just... up and make his trauma and his world view disappear at the end. he has a bittersweet ending, but it suited him and his development. a lot of people were mad about it, and i get it -- i wanted him to be happy, too.

but that’s not always the case, and it’s really important to me that vrains doesn’t pretend it is.

anyways, though, i’m almost done with this episode i promise lmao. before the episode ends, we get this:

and i think it’s honestly kind of cruel that akira says this, after everything, and still maintains his point of handling it himself. he has heard, first hand now, how horrible the incident has scarred yusaku for life. and yet, he still is stubborn in refusing to relate or at the very least empathize.

what i mean by that, since we obviously see him attempt to last episode, is he refuses to look at it from someone’s else’s perspective or in a way that might make him uncomfortable. the way my boyfriend describes these kinds of people is that they “haven’t had their bubble popped”.

everyone has a bubble when they’re born, and that bubble shields you from realizing that the world is a cruel and hard place. even if you go through hardships, sometimes your bubble stays put, and you think that is the worst of what can happen. 

i’m explaining this very poorly, because i’m running on not much sleep and i’ve been typing about this episode for like, far, far too long, but essentially, he refuses to step out of his comfort zone and recognize, in playmaker’s case, that he doesn’t have a right to interfere and that playmaker’s desire to handle it himself is justified and helpful for his healing. and in aoi’s case, that just because he does a lot of good for her doesn’t automatically mean ignoring her for work and keeping her locked in their house is an okay trade off. and also that she’s not a child anymore -- she’s nearly an adult and she deserves to be treated as one. 

those thoughts seem to unsettle him. you can kind of see it in how detached he is after hearing all that come from playmaker. blue angel is visibly shaken up by what he’s said. akira doesn’t even flinch, because he’s not really listening right now. 

i’m glad he learns to, or at least learns how to start, later on.

anyways, i think that’s enough for this post lmao. this took forever to type up, so let’s hope i actually have time to cover up to 21 here today LOL. if you read all that, thank you for your time on my kind of dumb vrains thoughts :’)

[thatsamoireh]

Moncton show and meet & greet recap! I put together my thoughts about the show, my meet & greet experience, photos of the things I made them, and their reactions. It got wordy.

Here’s a preview in the form of some bald skater babies pre-hair styling.

Thoughts about the Moncton show:

We were in the third row but I was behind/between two incredibly tall women. I could see if I moved my head a lot and I still ultimately had a fantastic view but it made photos and videos pretty impossible. A couple sort of came out so I’ll post those later.

 I knew I couldn’t keep myself entirely unspoiled but I wanted to enjoy the show in the moment as much as possible. I’d let myself watch videos of VM’s solo things as much as I wanted, the group numbers fully exactly once each, and no one else’s solos at all though I knew what the songs were.

Tessa and Scott skating live in person was still a thing I wasn’t prepared for because can you ever be? They are so in tune with each other. They have to be able to do programs like MR in their sleep at this point but there were little moments and touches and looks that made it seem like a brand new unique experience at both shows I went to. MR was so intense, 4 Minutes was so playful, and Diamonds was so... elegant? Graceful? Regal? Tessa is a queen. Scott knows it, we all know it, and that dance showcases her so breathtakingly. The gasps when she skated out in her diamond bodysuit. I’ll never forget that.

I can’t get over how much FUN Scott was having, particularly during group performances and the moments that he could interact with the audience. That boy is having the time of his life and he deserves it.

I was particularly blown away by two non-VM things that took me by surprise: First, Patrick is unreal on the ice in person. Wow. WOW. Videos don’t do him justice. W O W. Second, I loved Weapo’s I Wanna Dance With Somebody so much. It’s my favorite thing they’ve ever done. More of this from them, please.

One of the best parts was my friend’s reactions during the show since she had no idea at all what was going to happen and was mostly there to humor me. After Moulin Rouge: “...Um. Okay, yeah. I ship it.” After Phantom: “Has Patrick Chan ever fallen once in his life? It feels like he was born ice skating.” After I Weapo’s I Wanna Dance With Somebody: “Okay, so now I’m crying.” After Sweet Dreams: “That was cool. Scott definitely had the best sunglasses.” She was so concerned for Meagan’s safety whenever Eric spun her around that she kept making these little alarmed noises. 

After the dance off as Elvis was talking to the crowd, Scott skated up behind him in the way that I could just tell was going to be a last show prank situation. For a hot second I thought he might pants him which would have been a terrible idea but he either poked his sides or pulled UP on the back Elvis’ pants instead. Elvis startled and turned and shot him a look that meant Scott might pay for that later. I am SO sad that Scott’s back was to me because I would have loved to have seen his face during all that.

The cheering was pretty equal so Meagan said Elvis should break the tie since it was his last show which got Elvis a big cheer too. He couldn’t/wouldn’t declare a winner so Meagan went into Dancing Queen.

Elvis got standing ovations after his skates and he was clearly getting emotional and taking it all in as his last show on the tour. I’m not sure if the crowd even really knew it was his last show after his Dragon skate yet (Meagan said it during the dance off and the crowd reaction kind of implied they maybe didn’t know), which means they all just really appreciated him that much. MR, Patrick’s Phantom, and Eric/Patrick’s Storm all also got standing o’s to my recollection. Plus the finale of course.

During the encore after a moment when they were all grouped together at center ice, Elvis started skating out like they’re supposed to but everyone else stayed put and did some ta-da arms to give him a special little last show send off. He put his hand on his heart and knelt down and it was all so sweet.

There are more things that I’m forgetting right now probably. Oops?

My Moncton meet & greet experience:

Okay. So. I make and sell amigurumi crochet dolls. Here are my Hamilton and Hocus Pocus dolls, to give you an idea of the kinds of things I make.

I decided before the tour that I’d make the nine of them to give the cast at my meet & greet in Moncton. (Thanks to @peacefulboo for the cheerleading along the way!) Here they are done but still hairless, which in my opinion is peak cuteness honestly. Please, please don’t repost any of my doll or m&g photos anywhere, thanks!

And fully done. Photos never do my dolls’ hair justice, I swear. They’re better in real life I promise. (I’ll put more close ups at the end of the post in case anyone is interested.)

I’d decided to do everyone’s Pyeongchang free skate/free dance costumes but wasn’t sure which to make for Elvis until I saw he was doing Dragon for the tour. So I did his Olympic Dragon costume, complete with his 1994 hairstyle. He was so nice and as he was putting the doll down on the table he noticed the hair and pointed it out, laughing. When he got home, he regrammed his wife’s Instagram post featuring my doll (!!!) and their dog’s reaction made my LIFE. (Screencaps near the end of this post.)

Kaitlyn and Andrew got so excited about the dolls. I told Kaitlyn that her dress ended up being the hardest by far to recreate in doll form and she slapped her hands on the table, leaned in toward me, and said, so earnestly, “IT WAS SO HARD TO MAKE IN REAL LIFE TOO!” Meanwhile Andrew was smiling hugely and moving his doll’s legs to make him dance. I love them both so much.

Meagan wondered at me about how I make things like this (which like, it’s all relative I guess because I wonder at how she can do the things she does on the ice) and Eric got a little grin and told me that he loved that I did his sheer sleeves. (I think Eric’s doll might have secretly been my favorite, or at least tied with Tessa. The stubble really made it.)

Just as we were about to get in Patrick and Kaetlyn’s line Tessa went hurrying past us out of the room with someone in a tour jacket. She was smiling, so my guess is that nature called and she couldn’t wait anymore to answer. (No idea if that’s true, just a guess.) I looked over at Scott and he didn’t look concerned, was just wandering around, joking with Patrick, drinking a smoothie.

As the cast members near the start of the lineup finished up with fans they were leaving. The m&g music was excellent (my friend got confirmation from Scott that it was Andrew’s playlist that night) and Kaitlyn was dancing as she headed for the door just as Tessa was coming back in a few minutes later. They had a little dance party (the song was Hey Ya I’m 98% sure) as they danced toward each other, danced together for few seconds laughing, and then Tessa danced all the way back to her signing table. Scott loudly announced, “MS. VIRTUE HAS RETURNED!”

Before he sat down again, Scott crept silently up behind Patrick and poked him in both of his sides, making him jump mid-sentence while talking to the fan at his table. Scott grinned, so proud of himself, and it was pretty amazing.

I stayed with my friend L in Fredericton during this trip. We’ve known each other for 18 years and she’s in the States a lot so I’ve seen her in real life several times over the years but this is the first time I’ve been able to go visit her. Due to a last minute emergency my other friend that was going to drive up from NY for the shows with me couldn’t come, so L humored me and came along since I had the extra tickets. She remembered Elvis from her childhood skating phase and she knew who VM were in the casual way many Canadians do. So she wanted photos with those three but otherwise was perfectly happy to volunteer to be my mom friend and hold the little gift bags with the dolls and the Orlando postcards I’d made up for them.

I mention this because there was someone working for the venue/tour at the head of each line to use our phones/cameras to take our one photo per person for us in order to keep the lines moving along relatively quickly (note: I never felt the slightest bit rushed and everyone was lovely). When we got to the front of Patrick and Kaetlyn’s line the woman there had apparently seen me give the others their dolls and sort of wink-wink said that if my friend wasn’t getting a photo with Patrick and Kaetlyn she could “donate” it and that I should definitely take a second photo with the two of them and their dolls, too. It was so sweet of her to suggest and the photo came out so cute that I’m gonna share it.

Most of the designated camera people actually did take multiple photos, which was nice. Before my first photo with Patrick and Kaetlyn (before I gave them the dolls) Patrick had looked over at Scott and started laughing at something he must have said that I couldn’t hear. In my couple photos, Patrick went from laughing-at-Scott smiling to normal smiling and it’s quite an adorable progression.

My friend L went up to Tessa and Scott before me. Go Your Own Way was the song currently playing and we had been dancing to it in line. As L went up for her photo she joked to Scott that she should probably stop dancing now. He got this shocked look on his face and said, “NO! Never stop dancing!” She joked that she’d be blurry for the photo if she didn’t and he admitted that she had a point.

Can I just say that Tessa Virtue is radiant in person? Like, I expected it and they are all strikingly attractive humans, but Tessa just… glows or something. And Scott’s eyes are so kind. I can get very awkward turtle meeting people I admire but Scott and Tessa have this warmth that just puts you at ease right away. 

(Please, please don’t repost any of my doll or m&g photos anywhere, thanks!)

While Tessa and Scott were signing my flag I told them I’d come up from Florida to see them and how it was the first time I’d been able to visit L in our 18 years of friendship. L and I thanked them for putting together the tour so I had the excuse. Scott perked up and said, “Oh yeah? Where in Florida?” (I’m guessing he was curious if it was near where he’d recently visited so he’d have a frame of reference? Idk.)

I gave them the dolls and they both smiled so big while examining them intensely. I was a little overwhelmed so I can’t remember what Scott said to me exactly but part of it was, “You made this?” Tessa said something about how amazing it was that I could make them and I told her I had a little business, which I thought she would appreciate in a girl power kind of way. I told her that I’d made her doll first since I suspected it would be the most complicated (little did I know how Kaitlyn’s dress would prove me so, so wrong there) and it would make or break if I was going to be able to make the rest. She said she loved the details on the dress a lot and was going to show Mathieu and that he’d love it too. (!!!)

In conclusion they are all lovely, talented angels. I had such an amazing time and the show alone was 110% worth my trip to Canada, plus I still had another show in Saint John on Tuesday and all the adventures/hangouts with L over the long weekend too.

Okay, some closeups of the dolls and progress shots. I didn’t get every angle I’d have liked and photos don’t ever do their hair justice, but in case anyone is curious. Also, pardon my crafting mess in the backgrounds.

Seventeen little ice skates starched (so the blades stay semi-firm) and drying. The eighteenth was already dry and had a leg crocheted to it as a proof of concept that it would work. It would eventually become Tessa’s leg and skate, which seemed fitting.

Details on still-headless Tessa. I used sheer organza ribbon for parts of Tessa, Scott, Eric, and Kaitlyn’s costumes.

Details on still-headless Scott.

Tessa and Scott. Tessa has a bun like Kaetlyn’s but low on the back of her head.

Some screencaps from Elvis’ regram of his wife’s Instagram post. His dog’s reaction made my LIFE.

Kaitlyn and Andrew. Andrew was the easiest doll to make, while Kaitlyn was the hardest. Oh, Weapo.

Kaitlyn’s hair, which I think was my favorite hair.

Meagan and Eric. Meagan’s back was entirely covered in those jewels and I didn’t realize I never got a photo of it.

Kaetlyn. Her dress was fun to do but the embroidery thread stitching took forever.

Kaetlyn from the back. (Her bun looks lopsided from the angle of the photo.)

Patrick. I tried my best to recreate the swoopy neckline from his free skate costume and... sort of succeeded?

If you made it this far, honestly I’m impressed. Possibly some show photos to coming soon, along with my recap/photos from Saint John. (I already posted two videos from that show in case you missed them.)

[souzoushin]

[Translation] IDOLiSH7: Rabbit Chat [Tsunashi Ryuunosuke - Märchen Dream]  Part 2

Title: Frankenstein

Participants: Ryuunosuke, Tsumugi

Source: Unlocked in game from the Tsunashi Ryuunosuke card released as part of the second Ichiban Kuji card set (September-October 2016), pictured here.

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*** [Previous: Part 1 - A New Project] *** [Next: Part 3 - Märchen Dream]

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(Ryuunosuke)

Tsumugi-chan, thanks for working hard! I heard the details for the First Lottery project. It seems that I’ll be Frankenstein!

(Tsumugi)

Tsunashi-san, thank you for your hard work. I’ve been informed as well. I can’t wait to see you dressed like Frankenstein!

I’ve seen the outfit as well, and it was very realistic-looking! There’s even a weight attached to your leg...!

(Ryuunosuke)

It is indeed realistic! This outfit doesn’t show very much skin, so I’m a little relieved lol.

I’ll have to research a bunch of things about Frankenstein now. Tsumugi-chan, do you have a favorite fairy tale?

(Tsumugi)

My favorite was The Little Mermaid! My father used to read it to me often... I get the feeling most girls probably like that story.

(Ryuunosuke)

The Little Mermaid, huh...! I read that one to my little brothers one time, too. But I was the one who started crying while reading it! Lol.

(Tsumugi)

It’s very sad, isn’t it... She turns into sea foam and vanishes...

(Ryuunosuke)

I got asked, “Big bro, are you crying?” And then my little brothers comforted me. This time, I want to look cool for them, so I’ll do my best with the villain role!

(Tsumugi)

I’m sure they’ll think that you’re very cool when they see you as Frankenstein, Tsunashi-san!

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>> 1. Do you have a favorite fairy tale, Tsunashi-san?

>>

(Tsumugi)

Do you have a favorite fairy tale, Tsunashi-san?

(Ryuunosuke)

Maybe this one fairy tale, called “The Star Money”. Anyone can find it pretty easy to just be polite to everyone, but the girl in that story gave away everything she had for the sake of other people.

Even when I was little, I felt that sort of thing is sure to get seen by someone up there, and it’ll come back to you.

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>> 2. How did you feel about being cast as the antagonists in the fairy tales?

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(Tsumugi)

How did you feel about being cast as the antagonists in the fairy tales?

(Ryuunosuke)

I’m uneasy since I don’t think I’m suited to be a villain, but Tenn is normally like a little devil to begin with, so I’m going to ask him for some tips as to what makes a bad guy! Lol. Or at least I want to, but do you think Tenn will get mad at me?

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>> 3. Was there any other outfit you would have liked to try on?

>>

(Tsumugi)

Was there any other outfit you would have liked to try on?

(Ryuunosuke)

I’ve seen everyone’s roles, and I’d say maybe Tamaki’s wolf outfit! The ears and tail were really fluffy and cute. I had fur on my outfit for the previous First Lottery project too, but this is because Tenn looked so happy while touching them!

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(Ryuunosuke)

By the way, generally speaking, just what kind of promotional video will we be filming? Our manager hasn’t said anything about that part yet.

(Tsumugi)

We have a bunch of separate stories like Little Red Riding Hood or Alice, but it seems like we’ll be producing an original drama that mixes all of the characters together!

(Ryuunosuke)

Eh--! That sounds so interesting! I thought the video for Little Red Riding Hood would be filmed with just the kids from Little Red Riding Hood.

(Tsumugi)

It’s really exciting, isn’t it! I hadn’t imagined we’d be shooting a drama with everyone together.

(Ryuunosuke)

Now I’m even more fired up about playing the villain!

(Tsumugi)

Back at the stage reinauguration too, in the role of Ten [1], you were very impressive as a demon, Tsunashi-san, and I got really absorbed in the performance. We’ll work our hardest as well, so that we don’t lose to TRIGGER!

(Ryuunosuke)

Thank you! Let’s all do our best.

It’s the first time I get to act in something alongside Yuki-san and Momo-san, too. Momo-san doesn’t really appear much in dramas, does he. I wonder what his acting will be like?

(Tsumugi)

It’s true, Momo-san does a lot of work hosting shows or starring in variety instead! I look forward to the final product!

(Ryuunosuke)

I also can’t wait for Mitsuki-kun as Cinderella, or Riku-kun’s Snow White! Please give my warmest regards to the kids in IDOLiSH7!

(Tsumugi)

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Note: I don't currently own this card; the translation was done using screencaps provided by a friend.

[1] -- the role of Ten In case you didn’t know, TRG’s “Last Dimension” was used as a musical performance during their stage, in which all three characters they’re portraying are named after the English word for their number. So Gaku is “Eight”, Tenn’s character is “Nine”, and Ryuu is “Ten”. In the plot, Nine is the protagonist, while Eight is an angel and Ten is a demon, both of whom are assisting him. Also if you’re wondering, yes, Ryuu did feel weird being named Ten (because Tenn, lol) and mentions this briefly in his own chat. One day I’ll translate the Last Dimension cards too.