#rustwizerd
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Do you have recommendations on reading sth more experimental? 👀
fair warning a lot of the experimental shit i've read i've read in art school context so i have no idea if the classmates who made it published it somewhere + it is kinda hard to recommend experimental shit by virtue of it being experimental so i'm going to rec stuff that i consider like. "mainstream" experimental as in yeah an author wrote this. also the "actually unconventional" bar is pretty low starting from the stuff i was moaning about so well also ☝ love pushing upon people books i've read + i know for a fact i've pushed them before lollll so
mainstream as it goes: House of Leaves by Mark Z. Danielewski. like you know?
unconventional in essence through shape. it is one book of ergodic literature and if you dig into ergodic literature you will find unconventionality that's kinda Its Thing. i understand by standards for "unconventional prose/pacing" get pretty high once you've put your eyes on this but like. i got more conventional in shape that still are unconventional in prose of pacing.
still mainstream-ish? if you're French? she was an author well-known and important in her time and place (she's still alive it's just that she was important as an author of the literary feminist wave in the 60s & 70s), Anankè by Hélène Cixous. i've read it in french and have no idea how it fares in english (or translated otherwise) but if you want unconventional pacing and prose you're getting unconventional pacing and prose. it is full to the brim with homonyms (hence why idk how it fares in english), of subject-to-attribute uncouplings (a verb conjugated for "I", a subject as "she"), words straight up made the fuck up through homonymy (like "téléfaune", from téléphone and faune [faun/satyr]). some sentences are 2 full pages long, reading them feels like trying to ride out an engine startle. it has no plot, it is about an internal trip, a self-actualization from girl to woman, or from chaperoned woman to free woman. you don't read this for plot, you read this to feel like you've traveled with your head through the open window, and for the imagery, god the imagery i find so very great. unlikely associations, quite sensorial. it's a short book but i've needed multiple tries to get through it because, as i've said, the long sentences feel like trying to hold onto a hand-cranked engine start. the pacing feels cyclical, like an endless stop and start, expressing the internal conflict. you have to hold onto it.
mainstream-ish again if you're french, Le Corps Lesbien [The Lesbian Body] by Monique Wittig. it's one of those where if you're not on that crazy shit you're gonna get yucked, it is endlessly violent in grotesque ways that make you horribly aware of all the anatomical details of your body. it alternates horrible and grotesque neverending violence with horrible and grotesque neverending tenderness (& sometimes neverending tenderness in/through grotesque violence or vice-versa). another one of those where the english translation cannot truly do it justice because french has "elles [female plural they]" and "ils [male plural they]" and wittig goes out of her way to never use ils [french has "masculine as default" grammatical gender]. in the french text, "je" (subject "I") is cleaved in twain: "j/e". In english, they've just italicized it; i think they'd have done well to use something like the polish ł to figure it. anyways barely a plot either. cyclical destruction in grotesque ways that both are anatomical impossible and yet horrifyingly anatomically-anchored. re:the violence in this i'm sure if you've read like. "extreme horror" novels by whichever male author of the month it is you probably won't flinch but i've read this after a long streak of nonfiction & poetry.
i think a bit less mainstream because i've been told about it in art school lol after i had partaken in a collective performance and my stuff had for base a poem about a roadkill that neverendingly dies then is reborn only to die again anyways Jaguar Harmonics by Anne Waldman. closer to poems than literature-in-prose (even if it is in prose instead of rhyme) it is about/from the yagé (ayahuasca) ritual by waldman, poet & buddhist & activist who brings in the text a lot of subjects and themes (the anthropocene, colonization, environmental and feminist concerns,...). it is poetry, so technicallyyyyyyy unconventional by nature as far as literature goes, + spoken poetry at that, i know for a fact there is a bandcamp where you can listen to the poems spoken/sung.
what else. since i'm on the topic of poetry check out Guillaume Apollinaire's Calligrammes i guess
you'll hate me for bringing it up again + it's poetry also againnnn LOL but The Oresteia as transladaptated by Tony Harrison. i find it's great english it uses words that brother i've never seen used. and i loooooove a made-up compound word the people know this about me. let's liven this shit up let's make words up!
French has l'Oulipo ("Ouvroir de littérature potentielle", "opener of potential literature") with representatives such as Raymond Queneau who made a book of poems that looks like this
OH AND HE MADE "EXERCISES DE STYLE" which i quite like also (99 times the same story written with different stylistic/literary constraints)
#rustwizerd#allô (answers)#cannot overstate how some of those are quite conventional in ways (conventional in use of words but unconventional in pacing or prose#conventional in pacing but unconventional in use/make-up of words) but :) fun reads.#also cannot overstate how low the bar is from what i was moaning about LOLLLL SORRYYYYY sorreyyyyy
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heyhoo
have you ever talked about your artistic inspiration? artists and pieces you like? idk i'd be curious c:
(ahh i'm so glad i found your account again btw?!! a joy to see your work around!! and ramblings also)
have a nice dayy
sent by — @rustwizerd
Hiiiii :3 (youtuber choice) Welcome Or Welcome Back To My Bog.... HAPPY TO HAVE YOU HERE.... and I have a few times, I've re-read my answers to make sure they were #uptodate and they are enough so linking the previous answers:
[this one] (oldest)
[this one]
[this one]
with my Going Back To College I also take inspiration these days from the works we seen in class, that'll depend from the time period. I'm routinely inspired by Ancient Greek art (mostly statues) [cf. my Apollo Sauroktonos-inspired Farkhad], my latest Maria was inspired by Romantic movement palette (mostly Géricault's) and stormy clouds. ooo he stealin 😈
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Happy Birthdayyy! Have a good one and better ones to come
THANK YOOUU and by the nines next year I Must Go To The Moors For My Birthday.... my slits in the rock come on now...!!!
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