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free-boundsoul · 6 months
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glynnisi · 3 years
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ShieldShock Holiday Fic 2020       FOR  @ava-rosier      
At Ao3:  Snowbound Christmas
Prompts:
-There's only one hotel room left and it's a blizzard outside and There Is Only One Bed.
-Either at a Mall or an Airport during the busy holiday season, a villain is trying to steal/ruin the holidays and Steve and Darcy, who are both there for Reasons, team up to foil the dastardly plot.
-When Darcy wore her new, risqué Captain America xmas/holiday sweater to work that day, she didn't expect that he would actually...y'know...SEE it.
---
So, it’s been a while since I wrote. Hi, friends!!! :)  But I adore ShieldShock still and will always adore @mcgregorswench and the ShieldShock Holiday Fic Exchange.  I tried to capture the feel of your prompts, @ava-rosier .  I’ve done holiday in the airport before but can NEVAH get too much of THERE IS ONLY ONE BED.  Hope you’re having a wonderful holiday, enjoying seeing 2020 finally end, and that you’ll enjoy your ShieldShock holiday fic gift!!! :)
---
Snowbound Christmas
Darcy startled as the car door scraped open over deep snow and a gust of wind blew in to steal her breath. It was even colder than the previous times. Steve could move fast, but not faster than the blizzard winds. He shook his head as he slammed the door closed behind him, sealing them in the relative calm. The only sound at first was the rustle of her shivering. He turned the car on again and they both savored relief as the air around them warmed.
She shifted position in her seat. “Steve, my friend! No room in the Inn?” Darcy tried to sound upbeat rather than weary. “I’d so hoped the eleventh try would be the charm. I mean, those two were raved over in Google as ‘simple’ and ‘budget’. You wouldn’t think that would draw a crowd.” She continued to watch the snow fall, eyes going out of focus.
Steve shook his head and pushed his snow-damp hair back. “I tried all five places in the village. Cut across town on foot rather than wasting gas.” He frowned. “I’m too stubborn. Should ‘a stopped twenty miles back where there were more possibilities. I’m sorry, Darcy.” He kept his eyes on the road as he started slowly moving. The snow was falling hard, gusting winds whipping it around them with abandon. Even with four-wheel drive, good snow tires, and perfect reflexes- Steve didn’t dare go more than fifteen miles per hour. Driving was hazardous, more by the minute.
Darcy shrugged her shoulders. “The forecast was off. I thought we had more time before it got bad, too. I swear! I only closed my eyes for like twenty seconds. When I opened them again it looked like I’d missed seeing three inches fall. You must be freezing. The other motels are two miles away, aren’t they?” She shivered, both sympathetically and because the car was still warming up.
“I’ll be fine.” Steve sighed again and glanced at Darcy’s phone before staring ahead of them again. “Any other ideas?”
Darcy squinched up her features, “well…” She was glad Steve focused his attention on the road. She worried that her idea wouldn’t be well received. “We could ask the others for suggestions? Surely Tony owns something between here and the City.” Darcy held her breath. She’d seen Steve and Tony clash at the Avengers Upstate Base enough to know that he didn’t want to ask Tony’s help.
Steve reached in his jacket pocket and handed his phone to Darcy, groaning in resignation. “Had the same thought. See if he’s replied?” He steeled himself.
Darcy laughed merrily as she read his incoming texts.
“That bad?” Steve’s frown lines deepened.
Darcy’s lips twitched. “Nah, buddy-o. Tony’s busting your chops about being a damsel in distress. He reminds you that he’s been away from Pepper for a week and has injuries to rest up from. Says to cool your heels at a summer lake cabin of hers. Coordinates and key code provided. And to resist the urge to crash dramatically into the lake as it wouldn’t be very festive of you. Cabin can be drafty, but was cleaned recently. Which, yay! They were going to come up last week for a dating anniversary celebration before the weather changed and he took that mission.”
Steve nodded and blew out an impatient breath. He glanced at Darcy again, “does anyone other than Jane know you’re with me?” His tone sounded wary.
Again, Darcy shrugged and avoided his gaze. “I dunno. If the local mechanic didn’t have sick kids at home, I’d be driving myself through this like I planned. Probably would’ve crashed in a snow drift by now or be caught in the sadly-parked madness on the interstate you were smart enough to skip. Why? I’m sorry that coming for me put you behind schedule. You’re too kind, putting yourself out for little ole me. You probably have plans with close friends, or something.” She trailed off, uncertain if that was a fair assumption regarding Steve. As much time as they’d spent together since they met over a year before, he seemed to always be working.
Darcy frowned, sad for Steve. And for herself. She’d tried in vain to shake the crush she had on the loneliest Avenger. He seemed determined to stay lonely and fill his time almost entirely with work. Whenever he came to Jane’s lab, she struggled not to let her extreme thirst for him show. She ended up babbling most times, griping about stuff and talking nonsense. He came by the lab a lot, so she had many embarrassing memories to cringe about.
“Not really. And don’t apologize, Darcy. I wanted to help you. I’m glad you’re with me rather than stuck, or worse.” Steve chose to ignore part of her question for the moment. “I was just going by Tony and Pepper’s party at the Tower to keep some peace between us. Then I figured I might go to Brooklyn to see the crazy lights they put up there these days, and then maybe head down to D.C. to see Sam. Nothing firm. No big deal.” He turned into a skid and eased up on the gas. Anyone else would have registered alarm at the need to maneuver like that. The majority of drivers would have wrecked. Sleet mixed in with the precipitation.
Darcy nodded, silent. She clicked on the coordinates Tony had sent and turned up the volume on the phone directions. When there was a pause, she spoke up, “still sorry to keep you from your party, lights, and Sam. I’m relieved that you weren’t just planning to ignore the holiday at the Upstate Base again this year, though. No offense, but hearing you did that last year made me mad at you.” She let out an indignant huff and blinked back tears.
He raised his brows, but didn’t reply at first. Finally, not wanting to seem rude, Steve asked, “mad? Why?” He fought against both flickers of hope and melancholy.
Steve tried not to wish for what he believed he couldn’t have. He’d found that Darcy won friends easily, but rarely let anyone get close enough to know her the way he’d like to know her. She kept things light and funny, using her humor as a shield against intimacy.  He admired her ability to deflect when she used it with others, lamented it when she used it with him.
The first day they met, Steve fell hard for the brash, strong-willed, funny, gorgeous dame. And then he met her boyfriend, Ian. Even after that relationship ended, Darcy made it crystal clear that she saw Steve only as a friend. Her emotional shield pushed him back like the strongest of force fields. She bristled if he held a door or pulled out a chair for her. She acted like it was weird if he did anything for her- like bringing her coffee when he was getting some for himself in Jane’s lab.
Also, there was Darcy’s apparent dislike of soldiers. She cursed agents and soldiers as ‘jack-booted thugs’ every time a piece Jane’s equipment misbehaved. He’d overheard Darcy rant to Jane about her sister’s hard life with a military guy Darcy disdained as ‘Soldier Boy’. Steve was a soldier. He'd never regretted it until it came between him and the only 21st century woman he’d met who captivated him.
Her tone as she spoke next brought Steve out of his reverie. “I know that those you love from your time were more like family to you… that you still mourn all you lost.” Darcy avoided looking at Steve, “But, I consider you a friend and I don’t like for anyone to treat my friends bad… especially, themselves. Thinking of you doing busy work and walking echoing halls alone. Imagining you eating frozen dinners and training alone while the rest of the world celebrated? Too sad. Awful. I wish you would’ve let me, I mean, someone, anyone, know that you didn’t have plans.” Darcy swallowed hard around the lump in her throat. She’d held that in for the better part of a year and was terrified that she’d overstepped enough to anger Steve. If her voice sounded brittle, she couldn’t help it. Her feelings for Steve ran deep. She’d taken one look at Steve Rogers and lost her heart irrevocably.
Steve shook his head and joked to offer one correction, “I hardly ever eat frozen dinners.” He cleared his throat. “What did you do for Christmas last year?” Steve’s tone was mild, unreadable. He’d spent a lot of the previous year’s holiday week reliving the pain of seeing Darcy being kissed by Ian under mistletoe. It was a harsh blow since he’d heard rumors that they’d broken up and dared hope for a chance with her. Thinking of that terrible moment still filled Steve with potent jealousy.
Darcy cut a glance Steve’s way. “I went to the usual lame lab holiday party, complete with joke gifts and too much mistletoe. Then, un-fun family time. As soon as I could escape my dumb sister Beth and ‘Soldier Boy’, I got back to Jane’s. I made Thor watch Christmas cartoons while I struggled to explain the pop nuances of them to him. We drank eggnog. I exchanged joke gifts with him and Jane and Erik. Then we all helped serve Christmas dinner at homeless shelter. And I ate too much and fell asleep on the couch at Jane’s place that night. I ‘peopled’.” She glared at Steve and repeated in an accusing tone, “’Peo-ple-d!’”
Darcy frowned as she also remembered Ian cornering her under mistletoe before Christmas. He tried to get back together with her until she threatened to tase him. It had cast a pall over Darcy’s entire holiday.  That was one interaction with people she did NOT look back on fondly.
Steve chuckled weakly, “and you’re mad at me for not ‘people-ing?’”  
“You never want anyone to pity you in any way, but then you do stupid stuff like that! I mean, I was drunk when Thor told me, but it made me CRY.” Darcy shook her head and looked away, frowning, angry. “Sorry. Said too much. Not my business. I know. Sorry.” She hunched her shoulders as though concerned he might offer a rebuke.
Steve's face fell into a sad grin. “No need to… It’s nice that you worry about me, Darcy. Thanks for that.” He resisted the urge to cover her hand with his. “I’m sorry I made you cry.” Genuine distress filled him, that she’d cried and that he had no right to offer comfort. Something in her reaction brought out his deepest protective instincts.
Careful to avoid distracting Steve from driving, Darcy poked his rock-hard bicep. “Pfft. Silly. You’re not alone, even if you try. You have friends. I’m your friend. You know that. Right?”
“Friends.” Steve nodded, grim. “Yeah. Thank you for being my friend, Darcy.” He sighed, long and low.
Darcy nodded, unable to speak around the lump in her throat.
---
 Soon, they arrived at the coordinates. A tiny cabin nestled in the deepening snow. It was dark, but for a dim light visible through its large windows.
Darcy moaned, “finally.”
“I could carry…” Steve’s voice trailed off as Darcy threw her door open and jumped out into the knee-deep snow. She almost fell, but righted herself. The winds swirled snow and sleet all around her.
“Shit! Cold!” Darcy trudged with purpose towards the cabin. “So cold! And, eww, wet. Oh!” She input the code Tony had sent for the front door lock and shoved inside. Darcy kicked off her snow-covered boots and dropped her coat inside the front door. She scurried to the bathroom. “Some of us don’t have super bladder capacity!” Her brief view of the cabin interior was minimal. Dark shapes stood out against the eerie snow light through the windows.
Steve slammed his car door and followed. He shook his head and yelled back, “nobody has that” as he picked up Darcy’s coat, shook snow off, and hung it on a hook. He toed off his boots and set them and Darcy’s boots near the fireplace. Then, he peeled off his snow pants and hung them on a hook near the door. They’d kept his jeans dry.
“Don’t get your tights in a twist. I’m hurrying!” Darcy called from the bathroom.
Brows raised; Steve surveyed the cabin. He flicked light switches and swore under his breath as low, golden light bathed the tight space. The room was dominated by a low bed and floor to ceiling windows. A Christmas tree decorated with lights stood by the bed. There were at least a dozen pillows and a sheer hanging canopy laced with warm string lights over the bed. There was no sofa, only two reading chairs and a small table in front of the fireplace. A kitchenette took space along one wall. It had a well-stocked wine rack.
Mostly, there was the ridiculously romantic-looking bed. Face prickling with heated anxiety, Steve found a thermostat and started the heater. Then, he began to build a fire in the brick fireplace. The cabin was cold and the windows were more suited to airiness than warmth. The back walls were brick, attractive but cold in winter weather.
“Uh, Steve?” Darcy sounded sheepish; voice muffled by the bathroom door. “Can you hand me a blanket or look for a robe or something? I’m sorry to trouble you. My pants are soaked up to the knees and I can’t put them back on. They’re freezing. Wet with snow.”
Steve closed his eyes, still for several seconds. He looked around for a closet and saw instead a wardrobe. He grabbed a black silk robe, frowning at the sheer and gauzy red alternative hanging beside it. The top shelves held baskets of swimsuits, shorts, and other summer clothes. He took the black robe off the hangar and walked to the bathroom. He knocked and held out the robe, eyes averted. Then, he went back to work on the fire.
“Thanks, I didn’t think. Just ran to the bathroom. I…” Darcy stopped as she got a good look at the cabin. “Oh, holy… uh, night.” She cut a careful glance Steve’s way.
Steve shook his head and chuckled. “Something like that. Don’t worry. I can sleep on the floor. I’ve done worse.” He arranged another log in the growing flames and warmed his hands.
“You can NOT! Don’t be stupid. I won’t attack you. Promise. We both need to sleep and there’s room for two if we remove a few hundred pillows.” Darcy’s tone sounded more certain and stubborn as she talked. She rolled her eyes at him. “Make a line of pillows down the middle of the bed as a dividing line if you want to keep me away. Or, I can do it.” She frowned at him, set her jeans near the fire to dry, and moved to the kitchenette. Darcy opened the refrigerator, freezer, and cabinets to see what they had to work with. “Sorry about my coat and boots. I was gonna get them, I swear.”
Steve frowned, disliking her urgent anxiety. “No problem.”
Darcy opened a bottle of water and drank it. “I didn’t dare drink much water while we were stuck in the car, but I still needed a bathroom for at least the past hour.” She offered him a bottle, which he accepted and downed before returning his attention to his work. Darcy moved food from the freezer to the refrigerator to thaw. She opened a couple of cans of soup and put them on to simmer, and sat in a reading chair. “I checked the weather forecast while I was in the bathroom. We’re not getting out of here on our own power before tomorrow night at the earliest.” She tightened the belt on the robe and leaned towards the fire, hands outstretched. “Nice. Getting a little warmth there. Thanks.”
Steve excused himself to the restroom. On his return, he sat in the other chair. He watched the fire’s progress, then turned his attention to the deepening snow visible through the windows all around them. “Quieter now. Slowing down, or a lull before more blizzard.”
“Lull, according to radar. Fresh snow absorbs sound. Something about air between the flakes dampening vibrations.” When Steve gave her an impressed look, Darcy grinned, “I saw it in a meme on the Internet. Must be true.” She winked at him.
Steve returned her grin. “Internet. So helpful.”
“Except when it’s REALLY not.” She made a face, both sad and angry. “Beth met ‘Soldier Boy’ online. And, of course his worst notions get amplified there. Bleurgh.”
Careful, Steve dared, “what branch of the Military is your brother-in-law with?”
Darcy choked on water. “Br... Whaa?” She shook her head, hard. “God, no! Don’t say that. It might come true if you say it.  Eww! Grandma Esther'd roll right out of her grave to beat the ever-living sh… heck… pardon me, out of Beth if she marries that Nazi wannabe.” Darcy shuddered dramatically. “Crud. They’ve been dating more than a year. And, Christmas… You may be right. Ugh.” She spoke as she texted into her phone, “‘If you marry him, I’ll give you kitty litter as a wedding present, used kitty litter. Dumbass. BTW I hate him. He’s awful.’ Ugh. Delete. Delete. Delete.”
Steve digested all this and stayed quiet. He noted with interest that Darcy’s cheeks reddened as though with embarrassment. In his experience she didn’t embarrass easily. Her plush lower lip jutted out in a pout. “Beth’s dating a racist faux-militia-type lunatic. She’s decided she’s Sub to his Dom and overlooks his politics and crazy behavior. It’s nauseating.” Darcy frowned, sad, “I don’t see the attraction. Mom says the sex must be great, cuz she doesn’t understand the attraction, either.” Darcy twirled a piece of her hair nervously on one finger. “Mom thought she had the worst taste in men in the family, but Beth’s making her wonder.” She shook her head. “Sorry. Nothing to you. You don’t know them. Crazy family of a sorta friend.”
“I know you… some. I care more than you think.” Now Steve’s cheeks reddened. He hadn’t meant to say that aloud.
Darcy gestured as though to bump shoulders with him. “Nice.” She arranged the robe over her legs, both from cold and modesty.
Hesitant, Steve ventured, “you never mention your father.”
Darcy’s gaze turned his way. “Nope. Long gone.” Her expression hardened. “Thank goodness.”
After an awkward silence fell between them, Steve went to the stove and spooned soup into two bowls. He returned to his place by the fire. He handed Darcy her soup, noting her mild surprise at being served. They ate without speaking. When they were done, they both took their bowls and rinsed them in the sink.
Darcy walked over to the bed and started moving pillows. “Do you want a dividing line?” She didn’t try to meet his gaze.
“Not necessary. Let’s put the pillows by the windows. They’ll block some of the cold that’s coming in and making it hard for this place to warm up.” Steve pressed pillows along the bottom edge of one window. He glanced back as Darcy slid beneath the covers, still wearing the black robe. The warm light brought out red and light brown highlights in her long hair. She looked even prettier than usual in the golden glow. And he thought she was always beautiful.
Darcy shivered hard. “Sheets are freezing!”
Swallowing hard, Steve sat on the far side of the bed from her. “Want the decorative lights off?”
“N…n..not unless you do. They’re p..pretty. Make me think warmer thoughts.” Her shivers shook the bed.
Steve shifted so that he could lift the covers and lay underneath them. They were icy cold against his pants. He imagined the chill was worse against Darcy’s bare legs. He lay back and closed his eyes, feeling the motion of the bed from Darcy’s shaking. The winds began to wail again, harder than before. He opened his eyes and turned to look out at the raging blizzard. “Wanna lay back-to-back? I run warm.” As she shifted so that she faced away from him, he rolled to his side and moved back against her. He cursed himself as a masochist.
“Ohhh. Fuck, yes!” Darcy swore under her breath and whispered, “sorry. So sorry!”
“I know what you mean and you don’t have to avoid cursing around me. We’re not on a mission communicator in an official capacity. That ‘language’ thing they joke me about is nonsense. I don’t give a damn about how people want to talk in regular life.” Steve closed his eyes again, trying to keep his tone even as Darcy wriggled against his back. He heard her mutter thanks a few times. Making her feel good pleased him.
Five minutes later, Darcy rolled over and pressed her cold nose against his shoulder. She spent several minutes trying to figure out where to put her hands. She ended up crossing her arms over her chest and tucking her hands under her chin. Within minutes, she was asleep.
Listening to the sound of Darcy’s breathing as it evened out and deepened lulled Steve to sleep soon after. His face settled into a small smile.
---
 Steve supposed it was a slight change in the blizzard-muted light of day that woke him next. Languorous, sensual dreams dissipated through his hazy thoughts. Dream images of Darcy, kiss-swollen lips and bared creamy skin, heated his blood.
Then, awareness hit him hard. He and Darcy clenched in a lover’s embrace. Their legs entwined and her head was on his chest. Her sweet, feminine scent filled his senses. Her amazing breasts pressed against one side of his chest. One of her hands was against his arm and the other warmed the skin of his stomach, inside his shirt. It all felt so good and right that it stole his breath. His body’s natural response to his dreams, to her, and to waking was extreme. He was afraid to move lest any friction push him past sanity. A small, low moan sounded in her throat as she shifted against him. He tensed.
Her voice was raspy with sleep. “I know it’s awkward, but I’m way too comfy to regret it. You feel good, Steve.”
“Right back atcha’, Doll,” he whispered. Wishing himself back in his dreams, he kissed her forehead and squeezed her even closer. He wanted her so much he could hardly stand it.
Darcy made another small sound in her throat as she wriggled against him. The realization that he was aroused sparked her passions, but she didn’t dare to presume too much. Maybe it was only an impressive sign of morning. She followed his example and placed a chaste kiss below his jaw. She felt his heart pounding more quickly and closed her eyes again. She flexed her fingers against his ridiculously-cut abdomen and felt him jolt. She debated if any of his reactions had anything to do with her in particular. She wished they did.
Both of them were awake, but neither admitted it.  Each of them savored the embrace and the feel of the other’s body. They each fantasized about the other.  They fantasized about passionate first moves, expressing affection and desire. Want. They became lost in imagining more and more.  Time passed. Their emotions swirled like the blizzard winds that trapped them together.
They lay cuddled and simmering with unspoken desires until Steve’s phone rang. It broke the spell. He moved away from Darcy and answered the phone.
She watched the play of muscles under the back of his shirt and struggled to stifle her lust.  Darcy closed her eyes.  It was futile.  Her lust for Steve had been growing for over a year.  In this circumstance, lust was inevitable.
While Steve talked with Sam, assuring him that he was fine though the storm prevented him reaching the City, Darcy left the bed and went to the bathroom. She snagged her dry jeans on her way there. She took a shower and did what she could with toothpaste she found in the medicine cabinet and her finger. When she came back out, she hung the robe in the wardrobe and put on her Christmas cardigan. She looked through the wardrobe and giggled at the sheer red robe. Then, Darcy took a step back. She buttoned and straightened her sweater by her reflection in the wardrobe mirror.
Steve paused in his conversation, a gob-smacked look on his face, “what…?!”
“Oh! Yeah. I know. Gaudy, isn’t it? Well, last year Tony gifted the ‘ugliest sweater at his party’ winner $10,000. I know what he can be like, so I thought I’d stand a better chance of catching his wallet’s attention if I went a little on the sexy side. And I sewed in lights.” Darcy twirled and turned on the LED lights that adorned the sweater. Her dark green Christmas cardigan had bauble Avenger emblem buttons. A Captain America Shield button strained to hold the sweater together over Darcy's breasts. Silver and gold trim around the hem resembled tinsel. Red and gold lighted and embroidered ornaments dotted the sweater at random. It was a bit gaudy rather than ugly, but sexy most of all since the fabric hugged Darcy’s ample curves. She wore it over a tight red top and skinny black jeans. The ensemble played up her natural assets.
Steve could only nod in reply. He tried to turn his full attention back to his conversation, but didn’t do well.
By the time Steve was off the phone and had made the bed, Darcy found waffles in the freezer and syrup in the pantry. She had coffee brewing and was downing another bottle of water when Steve began stoking the fire embers and adding wood. They shared a quiet breakfast. Steve tried not to look at Darcy’s figure and failed again and again. He tried not to fantasize as Darcy licked syrup from her lips. He failed.
As they finished breakfast, Darcy looked around the cabin. “Aw, man. No TV?”
“Actually, there’s one over the bed.” Steve swallowed the last of his coffee.
“Over?” Darcy gave him a disbelieving look and went over to look up inside the bed canopy. “You’re not kidding.”
He chuckled and shook his head, “at first I thought it was a mirror.”
Darcy lay on the bed, on her back. She looked around for a remote control, finally finding one in the nearby window sill. “Icy remote.” She pointed it up and sighed, “but it works!” Channel flipping and streaming services browsing occupied her for some time.
She hoped rather than believed that Steve was looking at her with lusty interest.
Steve was. The intimacy of their situation and Darcy’s sensual appearance were a potent combination. He could hardly speak. He excused himself to go get a quick shower. He came back out a few minutes later, dressed again but still toweling his hair dry.
Darcy didn’t meet Steve’s eye as she offered, “you’re welcome to join me. Just friends watching television, ya know. I’m watching a silly Christmas movie. ’Scrooged.’ Okay?”
Steve shrugged as he made his way back to the bed. He shuffled, awkward, as he drew nearer.
Darcy shifted towards one edge of the bed, not meeting his gaze. “Plenty of room. Don’t mind me.”
He smiled as he sat on the other edge of the bed and forced himself to speak up. “Sam said that they’re busy helping first responders deal with stranded motorists. Hundreds of them all across the state. A lot of people didn’t have our luck and find shelter. I had to agree with him that it’s more important that they help them than us. I’m sorry you won’t have the chance to win the sweater contest.” He eased onto his back beside her, folding a pillow behind his head.
“Of course, they need to help people who’re stuck!” Darcy shuddered. “It’s super cold out there and the storm got out of hand so fast. I can only imagine. We’re fine here.” She grinned and turned to him. “You really think I’d win?”
Steve was struck by how pretty her green eyes were. He blushed. Her look turned quizzical. He nodded and spoke a thick reply, “yeah. Definitely.” Steve forced his gaze up to the television mounted above them. “I assume that ‘Scrooged’ refers to the Dickens novella?”
“Yup.” Darcy shifted further to the edge and lifted the covers so that she could get under the blankets. Once under there, she groused, “darned lights and ornaments are poking me.” She frowned, and unbuttoned the sweater again and lay it aside. Buttons and lights made a clicking sound on the floor by the bed.
After debating for what felt like an endless time, Steve got under the covers and shifted closer to her. “Can’t let you freeze.”
Darcy rolled up on her side and looked him in the eye. “It would be rude to let me freeze. I’m glad you’ve seen the light.” She winked at him, trying to seem playful. She thought that he was looking at her lips, but dismissed it as wishful thinking.
Steve assured her, “I’ll do my best to keep you from freezing. Wouldn’t want to be rude.” He put one arm around her, hand spanning the middle of her back. “I’m a polite guy.”
“You’re the nicest soldier I’ve ever met. Have I ever mentioned that?” Darcy ducked her head as a blush filled her cheeks. The way his hand covered her whole back made her feel tiny. Did things to her. Made her want his hands on her in other places. The fire she tried to play with was backfiring spectacularly, leaving Darcy breathless with desire.
“No. But I’m glad to hear it.” Steve gave her a squeeze.
There was a loud noise onscreen. Darcy rolled onto her back so that she could see the television again. She hoped Steve wouldn’t notice that her breath was racing.
After a few minutes, Steve nudged her. “Tell me about other soldiers you’ve met? There are good and bad apples in any group, you know.” He felt Darcy tense.
Though she didn’t look at Steve, Darcy decided to answer. She told him about Puente Antiguo and the SHIELD agents and soldiers who took Jane’s research- and their computers and even Darcy’s personal iPod. SHIELD ran a strange, temporary military base near the town and Erik worried about their absolute power. She told him about the shifts in those soldiers’ attitudes after Thor returned to Asgard. First, they were obsequious, but gradually more restrictive. They coveted Jane’s research and tried to control them all. After a long pause, Darcy shared, “some of them reminded me of my dad. He was military, Marine. Not a nice guy, especially to our mom.”
Steve rubbed Darcy’s arm as she talked. He felt that it was a privilege that Darcy was telling him something so personal. He didn’t want to break the spell, rather hoped that she might open up to him more.
Darcy blinked back tears. “He found fault with everything she did. She couldn’t do enough fast enough to avoid setting off his temper. Then he… well, you know.” Darcy ducked her head.
Realization dawned on Steve. “So, he never served her a dish or coffee even if he was getting something? He never held doors for her or pulled out a chair? You never saw him treat her with respect?”
Steve stilled as Darcy sat up on one elbow and stared at him, eyes wide. “Respect? No. No respect.” She grabbed the remote again. “Let’s look for something else. I saw…” Darcy glanced at Steve. “’White Christmas’ is about to start on this channel. I remember liking the dancing and pretty outfits and thinking it’s sweet. The story starts in your time, though. Do you mind?  Will that make you too sad?”
Steve shook his head. “I’ve heard good things about it. I’ll be okay.” He wanted to say that he was more than okay with Darcy next to him, but was too tongue tied.
As the classic channel announcer talked, Darcy shifted closer to Steve again. “I want you to be okay. The 21st century’s not all bad, ya know.”
Again, Steve kissed Darcy’s forehead. “Yeah. Thanks, Doll.” He stroked her hair as they began watching the movie. “This okay?”
Darcy nodded, wondering if he was only being nice because he felt sorry for her or if there was another reason. “Yes. Very okay. Feels nice.” As his fingers trailed down her back, she shivered with pleasure. She wondered if he had any idea what his touch did to her. She savored the feelings, the want and heat, for a long time. Other thoughts ran through the back of her mind while she tried to ignore them.
Most of the way through the movie, the 'pretend-engagement' conspirators confessed to Bing Crosby’s character. Steve commented, approving, “at least they fessed up and set him straight. Too many times in romantic comedies the people avoid saying what’s on their mind until it’s too late. It's silly.” He stilled as Darcy pushed back from him and stared at him again. “What?  You okay?”
Darcy nodded.  “I… yeah. Sorry.” She sat up on the edge of the bed, paused the movie, and grasped her phone. After a moment, she nodded. “I’m gonna do this. I’m gonna make this call before I chicken out. Wish me luck.” She grabbed the green sweater from the floor and slipped it on over her red top again.
“Luck.” Steve got up and walked around the bed so he could sit next to Darcy. She looked up at him with a grateful warmth that transfixed him. He nudged her shoulder to offer comfort as someone answered her call.
“Beth? Hi. It’s Darcy. Merry something or other.” Darcy’s knee bounced, betraying her restlessness. Steve could feel tension fill her frame. After a moment, she continued, “yeah. Fine. I found a place to stay. I’m with a friend. And, Beth?” She took a deep breath, “He treats me with respect. Caring and respect. Even if he were…” Darcy paused. She rushed the next words out all at once, “well, if he was my Dom? He wouldn’t embarrass me or push away you or Mom by making me say ‘Meow’ and only ‘Meow’ to you at his whim. He wouldn’t think that's funny. He wouldn’t call me a ‘dimwit’ or a ‘bimbo’. He… Beth? I’m sorry to criticize your choices. But you deserve better than that kind of stuff. I hate the way Chad treats you, the way he talks down to you and tries to change you. You don’t need changing. I don’t know if it’s just me that Chad can’t stand. But, if it’s not? If he treats you like that in front of other people? I mean, would he demean you in front of your kids like Dad did Mom? Would he hurt you? How much like Dad…? Scratch that. Sorry. He’s not Dad. I’m not trying to be an unfair bitch to Chad, whatever he says. I worry that…” Darcy gasped, “don’t cry! I’m sorry! No! You… what? He what? He didn’t… What?!?” She shook, both in her body and voice. There was a long silence on Darcy’s end as her sister talked and cried. Darcy only interrupted the flow of words to utter sounds of disgust and disbelief.
Steve went to the kitchenette and got more water. He opened a bottle of wine and made thawed meat into fried burgers and baked French fries in the oven. He took Darcy water and returned to work on their lunch. The smell of good food soon filled the tiny cabin. He stayed busy, but most of his attention was on Darcy and her conversation.
Finally, Darcy rasped, “Well, that’s… What?! You’re thanking me? No. What? I thought you’d tell me to go to Hell, not take my call as a divine sign that you should say no and leave him. Oh, thank Baby Jesus!” Darcy laughed through tears. “Yes! I know I’m a bitch and I’m causing you to throw yourself on Mom’s mercy at Christmas. Enjoy her cookies for me. If it makes you feel better, I don’t have baking ingredients. Oh, fine! Hm? My friend? Awesome like you wouldn’t believe. Uh, I don’t know. It’s… pffft. I need to talk straight to him, too. Wish me luck?” Darcy wiped tears from her eyes. “Yes! I love you, too. Now, go. Text me when you’re safe at Mom’s and tell her I’m safe and I’ll call later. Merry Christmas.” Darcy hung up from the call and stared at the phone, rocking in place until she received a text. Then, she collapsed backwards onto the bed and stared up, unseeing.
Steve stayed quiet, letting Darcy calm from her talk with her sister. When the food was ready, Steve returned to her side and offered her a hand up, leading her towards the fire.
Darcy stumbled to a chair. “Thanks. You’re the best.” She drank more water.
“So, did he propose?” Steve began eating again and gave Darcy time to answer.
Darcy ate a bite of hamburger with a few fries and shook her head, “nope. TOLD her she was gonna marry him. Told her!” She closed her eyes and shook her head. “Jackass! Good riddance.”
Wry, Steve shook his head. “Not very romantic. Not that I’m an expert in that department, but…”
Darcy only nodded as she devoured the rest of her food and sipped wine. “I had no idea how hungry I was.” She looked at Steve, thinking how lucky she was to be trapped with a good person who exuded calm and kindness. She especially appreciated that after the intensity of her conversation with her sister. Darcy sipped the wine as she focused on Steve. Being with him settled her, made her feel safe. And looking at him was always a delight. Steve Rogers was handsome, to be sure. He’d rolled up the sleeves on his green and blue flannel shirt. Unfair of him to subject her to sexy forearms on top of all the rest. Like every shirt she’d ever seen him wear, this one struggled to cover his muscles. She’d given up trying to think of adjectives that could convey how attractive Steve was. And nice. He didn’t call her out for staring at him like a weirdo, mooning after him. He didn’t even press her to speak up now, when she was sure he must be curious about the ‘straight talk’ she’d mentioned. He gave her the space she needed to regain her equilibrium.
Respect. Steve treated her with respect. She had a wonderful friend who treated her with respect. She ought to be forever grateful rather than daring to wish for more.
Steve finished his glass of wine and poured himself another.
Darcy held her glass out for him to top off, then sipped it again. “This is good stuff. I never spend more than $10 on a bottle. I’d bet the cork on this stuff costs that much,” she giggled, “or even the label.”
“I’ll give Tony money to cover it when we get back to the Tower.” Steve shrugged.
Darcy glanced outside. Snow and sleet fell still. “That’ll be a bit yet.”
Steve nodded, not sure what to say. He felt happy trapped with Darcy, to have a chance to talk with her and hold her close. Even if she only saw him as a friend who kept her from getting too cold. Silence fell between them again.
“Wanna finish the movie? Sorry I shut it off without asking.” Darcy needed more time to gather courage.
Steve nodded, “no problem. Yeah. I’d like to see the ending.”
They took their dishes to the sink and then returned to the bed. There, Darcy took off her Christmas sweater. She threw back the covers and snuggled next to Steve under the blankets. He put his arms around her while she used the remote to restart the movie. Finally, the lovers in the movie sorted out their misunderstanding, kissed, and made plans for their future. Fierce longing overwhelmed both Steve and Darcy. Unconsciously, he stroked her back.
There was no one and nothing to distract them or come between them. Nothing except for their own emotional shields. But it was a day for dropping those.
Cheers and strains of the song ‘White Christmas’ sounded behind the words ‘The End’. Darcy ducked her head so that she didn’t have to look Steve in the eye. “I wish…”
Steve interrupted, “I wish that you didn’t dislike soldiers so much, Darcy. I’m a soldier and I can’t change that, never could.”
Darcy pushed back from him, “what? Change? You? No! I don’t… Oh! No. I only dislike the bad ones. I don’t like jack-booted thugs who steal Jane’s research and my personal stuff. I don't like Nazi wanna-be’s or, well, mean soldiers. I like… I like you, Steve.” She swallowed hard and jutted her chin out. “I wish that your work didn’t take pretty much all your time and that you didn’t miss your good old days so much. I wish…” She blinked back unshed tears. “I really wish you wanted to be here- in this time- with me, Steve. I’m sorry. I know you only want to be friends. And I won’t say anything more to make you uncomfortable, friend.” She smiled a small, watery smile. “Friend. I’ve done that for you all this time. I can keep doing it. I want any relationship we can have, even just friends.”
Confusion filled Steve’s expression. “Is that why you say ‘friend’ to me so much? Because you think that’s all I want?”
“Uh huh.” Darcy nodded miserably.
He inched closer. “And you like me even though I’m a soldier? And you want to be more than friends with me? Darce?” He whispered, “do you… want?”
Darcy looked up at him, “I’m sorry. I’m sorry to make things so awkward when you’re stuck here with me. Yes. I want! I wish that you wanted to be more than fr…Mmph!”
Steve kissed her.
He pulled back and stared at her as he cupped her cheek with one hand. “Sorry. I should ‘a- May I kiss you? I’m crazy about you, Darcy. I’ve wanted you for months and months. Want you so much I can hardly stand it. Not just friends, please. More, Doll.” His eyes gleamed with fervor.
Darcy nodded, stunned.
Steve chuckled, kissed her forehead and kissed her cheek again, with reverence. “Darcy, Doll… can I get a ‘yes’ to me kissing you?” He shifted so that his lips were a hair’s breadth away from her lips. Charged air shook the space yet between the two of them. He waited.
“Yes!” Darcy closed the distance between them and met his kiss with her own. They both trembled into it, a feather-light exploration. They each absorbed the idea that they’d misread what the other wanted. She murmured again, “oh, yes, Steve.”
He grinned as he kissed her again, deepening the kiss. He nibbled at her plush lower lip as he’d fantasized and dreamed so many times. Reality was a million times better. Darcy shuddered against him and groaned with pleasure. Steve stilled and closed his eyes. “Oh, Doll.” Darcy teased at his lower lip and he groaned, “gonna be hard as hell to be a gentleman with you doin’ that.”
Darcy chuckled, “who says you have to be a gentleman?” She shifted her leg to brush against his hardness. “Mmm. You were saying?” She nibbled at his lip again and played with the top button of his shirt.
Steve jolted and cursed under his breath. He kissed her quiet, again deepening the kiss and learning how they fit together. Steve savored Darcy's lips and tongue and throat while also exploring what she liked best. Sensitive spots. Sweetness. Eagerness. It was pure bliss. Darcy was becoming short of breath. Steve lay back and looked up at the next movie that had started while his Christmas dreams began to come true.
Darcy glanced at the Santa onscreen and panted. “I no longer have anything to ask Santa for.” She undid Steve’s top shirt button and kissed at the base of Steve’s throat. “I can think of a few things I’d like to ask you for, though.”
Steve grinned down at her, “same, Doll.”
“Oh?” Darcy undid another button on his shirt and kissed the exposed skin. She looked up at him and held his gaze as she undid the next few buttons.
Steve pulled her up for a long, slow kiss that set Darcy’s every nerve ending afire. She undid another few buttons on his shirt. When he shrugged it off, Darcy stilled, staring at his naked chest. “Holy…”
“Night?” he suggested. She snorted a giggle. He shifted her so that she sat astride him. He asked with his eyes if he could lift her shirt.
She nodded. “I may freeze, but yes. Please do.” She lifted her arms.
He shook his head. “Not gonna freeze. Haven’t you heard? I’m the man with a plan.” His voice tightened as he pulled her shirt up over her head. He shifted another pillow behind him and sat up some, pulling her towards him. He kissed her breasts as he reached around and undid her lacy red bra. “Damn, Doll. You’re a fantasy come true.” As he began to tease at her breasts with his lips and tongue, Darcy shivered and moved on him. He groaned, “here.” He pulled his shirt out from beneath him and helped her put it on, open at the front but warming her arms and back. "Looks much better on you than Tony's robe."
“Ahhh.” Darcy tried to talk, but Steve returned to tormenting her with his insistent lips. “G...good plan. Ohhh.” She squirmed in his lap, grinding against his erection with abandon. He let out a lusty groan that made her proud.
Steve pulled her chest against him for warmth as he moved up to kiss her lips and face again. “You’re shaking.” He looked concerned, but couldn’t resist kissing Darcy again. And again. He plucked and teased at her with his dexterous fingers. He loved the frantic sounds she made in the back of her throat.
“Not cold.” Darcy pulled back, then kissed him again and again. “Just want. Want you. Want so much.”
Steve shifted, rolling Darcy down onto her back. “Good thing, Doll.” He kissed her. Long, slow, passionate kisses that she met with a fervor that lit him up more every second. He palmed her breast and continued his exquisite torment. Darcy arched up against him, writhing. He lowered his lips to her breasts again. First one, then the other. Kissing and nibbling and sucking. She cried out and bucked as he swirled his tongue, hard. Darcy wasn’t sure if she would be embarrassed to come just from his attention to her breasts or impressed. Possibly both. Likely both.
He resumed teasing her nipples with his fingers. He placed open-mouthed kisses all along her belly. Steve took his time. “Beautiful.”
Darcy whimpered and began to shove her pants down. Steve stilled her hands. “I got you.” He undid the snap on her black jeans and kissed the exposed skin. Then he lowered her zipper and kissed her more. Darcy held the covers up with one hand and ran the other covetously along Steve’s shoulder. Steve pulled her pants and panties off and then moved back up her body to kiss her cheek and lips again.
“Pants!” Darcy begged him between kisses.
Steve huffed a laugh and unbuttoned his jeans. Darcy pressed against him, skin to skin. She wore only his shirt and warm red socks. Finally, he pushed down his pants so that he wore nothing.
Darcy’s eyes went even wider. “Oh, my. You go commando?”
He shrugged. “Habit. The uniform requires special briefs.”
She reached for him eagerly and wrapped her fingers around his shaft.
“Fuck,” Steve hissed.
Darcy's grin had a wicked glint. “Something like that.” She kissed down his chest and abdomen until she finally took him in her mouth. Then, Darcy delighted in taking Steve completely apart.
When he’d caught his breath again, Steve gave Darcy a smile unlike anything she’d ever seen from him before. It was both delighted and full of mischief that caused her pulse to race. He again pulled her astride his legs so he could taste and tease at her breasts. He left lingering kisses along the column of her throat and over her wrists. He disappeared under the covers and kissed her thighs and the backs of her knees. Darcy squirmed and unseeingly stared up at the movie. Steve didn’t tire, didn’t cramp- only focused on Darcy's pleasure with single-minded, super-strong drive. He had her writhing with pleasure long before he let her come. Another Christmas movie was playing onscreen and halfway over before Steve came up for air.
Finally, when Darcy begged, Steve slowly slid home. She realized that he’d been prepping her so long because of his size. She felt stretched wide as he twisted to hit her G-spot just right. She came quickly and felt as though she continued coming again and again as Steve pounded into her. He twisted her around so that he could plunge in from behind while rolling her swollen clit between his calloused fingers. After he came, he laid his fingers flat, soothing. He cradled her body tight back against his. Aftershocks left her spasming with pleasure. Steve kissed Darcy’s head again and again, murmuring, “sweet Darcy. Crazy about you.” She dozed in his arms, warm and loved and completely satisfied.
Dinner that night was steak and vegetables from the freezer, paired with an exquisite red wine. As they lay in bed afterwards, cuddling and teasing each other, Darcy felt Steve’s arms tighten around her. He buttoned a few buttons on his shirt to cover her and murmured, “company.” Soon, Darcy heard the sound of Iron Man landing outside the front door of the cabin.
Tony threw the door open and sauntered in, “I’m here to rescue you.” He stared, looked around and saw the open wine bottle and two pairs of pants on the floor by the bed, and shook his head. “Or, not. I guess Pep can stop crying about you being lonely on Christmas again this year, Cap. And I can stop wondering why you’re not answering texts. Nice shirt, Lewis.” Tony was blinking hard, slack-jawed with surprise.
Darcy laughed, “you should see the sweater I was gonna wear to your party. It’s around here someplace.”
“Lights up, sparkles, and hugs her curves to perfection. I’m sure she would ‘a won your contest,” Steve grinned, enjoying Tony’s shocked expression.
Tony smiled, “I bet. Well, Mazel Tov! Thanks for popping Cap’s cherry, Lewis. ‘bout time.” He pretended to wipe away a tear of pride.
Darcy snorted, “no way was that his first time. Orgasm hall of fame. All my Christmas dreams have come true.”
Steve ducked his head against her hair. “Good to hear, Doll. Right back atcha’.”
Tony shook his head. “Good reviews all around then. Well, Merry Christmas and Happy Holidays kids. I’d guess you’re all set here ‘til it’s safe to drive again?”
Steve looked down at Darcy and she looked up at him. They both nodded emphatically and turned to Tony, “we’re good.” Tony laughed.
“Merry Christmas, Tony,” Steve beamed. “We’ll see you in a day or two.” He repressed a shiver as Darcy began teasing him under the covers again.
Darcy called out, “Merry Christmas! Thanks for dropping in.”
Tony shook his head and waved back at them as he went out the door of the cabin.
Steve pinned Darcy on her back and began ravishing her again, mock joking, “naughty girl!” He pushed into her again and set a slow pace as he rained kisses over her breasts.
Darcy looked up at him and batted her eyelashes. “Your naughty girl.”
Steve kissed her hard. “And my nice girl. Merry Christmas, Darcy.”
Gasping with pleasure, Darcy answered him, “Merry Christmas, Steve.”
 Fin
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thotyssey · 6 years
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On Point With: DJ Ten Yards
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Sam Branman, the DJ third of Brooklyn nightlife monster trio Str8 to DVD, is also churning out some of the skimpiest and most fashionable Speedos on the planet (among other things). Thotyssey tries to keep up with Ten Yards!
Thotyssey: DJ, hello! Thanks for chatting with us today! First of all, OMG YOU GOT HIT BY A CAR!? How exactly did this happen, and how are you?
DJ Ten Yards: It was super fucking annoying. I was actually on my way to Annie Mae, which is Laè D Boi’s party (currently first Sundays at The Rosemont) I’m the resident DJ / video curator for, and I was literally crossing the street one block from my house and a fucking pickup truck hit me from behind! I’m mostly okay--my left arm got banged up and I’m doing PT to get that back to full fighting strength. They also destroyed my laptop! The truck actually sped off after hitting me, but I found it thanks to some nosy neighbors, and I’m starting legal proceedings. I obviously didn’t make it to the party, and went to the ER instead.
Does this bring home how terrible the world and it's people can be?
I mean, everyone who saw me get hit were super nice and helpful! I’m not letting one asshole who can’t drive ruin my worldview. even if it did jack my arm up.
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That's the spirit! Will you still be making it to DragCon, if that's something you were planning to do?
Absolutely! I’m lucky in that I am able to work on jewelry and I’ve been preparing for it for months, so I have a lot of apparel no one’s seen yet ready to go! I’m at table C31, and I’m there all weekend (except Saturday morning because there’s no way I’m going directly from Str8 to DVD to DragCon, which starts at 9. My husband Erik can work that alone.)
Between your designs and your DJ’ing, there's lots to talk about, so we better start right at the beginning. Where's your hometown, and what came first: fashion or music?
I grew up mostly in Olive Bridge, NY, but I just say I’m from Woodstock because it’s the closest landmark that people who aren’t from there know. Fashion came first! I loved dressing up as a child, and I started sewing what mostly resembled actual clothing when I was 18. I had decided to go to college for photography, not fashion. But I’m a big nerd, so I’d do a few cosplay projects to wear at the anime conventions I went to every summer.
Who were you cosplaying as?
My first actual cosplay was Hirai Ken from the “Pop Star” video. There’s three of him in different colored jumpsuits, and I could sort of do the hair he has in the red one! I also did a very loose Tommy February6 (we share a birthday!), invented a fake Japanese band with friends, and Ray Watts from KMFDM / PIG / Schwein. I still wear the shirt I made for that, but the jumpsuit was sacrificed last year to become Beltane ribbons, and the others just languish in my clothing labyrinth.
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And when did DJing come into the picture?
I’ve always wanted to be musical, but I’m not. I tried to learn instruments, to learn how to write music. I was briefly sort of in a band or two (I even have album credits). I am, however, a collector and very opinionated... so I can DJ! My friend DJ A-Ron’s DJing partner moved away, and he offered to show me the ropes. We did a few gigs together at Nowhere back in 2013, and I struck out on my own DJing for a few now-defunct parties around Manhattan and Brooklyn. I didn’t start the drag-DJ gig until Qhrist With a Q and Sherry Poppins asked me to do what was then 1-900-HOT-GLUE two years ago!
You met Qhrist in a nerdy chat room, right?
Yep! Eightish years ago? I helped convince Qhrist to go to Purchase, too.
Good for you! What was the rationale at the time behind creating HOT GLUE, which is now STR8 to DVD?
At the beginning, I was just helping out! They wanted to make a space for themselves and the other performers coming out of Purchase, like Maxxx Pleasure, Lindsay Blowhan, and Jenn D'Role, and I was along for the ride. I didn’t initially do any production work besides promo, letting Qhrist and Sherry stay at my place, and making sure I had everyone’s music at first. But now we all do booking / coming up with names. I’ve been the one finding our newbie performers all year long, and I convinced them to change the name to STR8 to DVD.
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This has become a hugely popular night, enough so to warrant a recent move from monthly Mondays to Fridays! What have been some memorable moments for you from STR8?
Every single one of Qhrist and Sherry’s stupid, perfect, beautiful, unrehearsed duets. They’re so good together that people don’t realize how unrehearsed they are. When Sherry was still getting ready at my house with Qhris, they might listen to the song once or twice to get the words down, but that’s it! 
I’m also very fond of our massively overbooked Halloween show last year, when we all kept booking people and forgetting until it was too late. We wound up with 9 performers and 13 actual numbers. It was perfect. Half of them involved food, because we’re gross and live in Brooklyn.
That reminds me, I hear that pasta and fake blood were factors in a perilous Bushwig this summer!
I fully missed all of the mess, because of where my booth was at Bushswag! I couldn’t see shit. I made sure to see the performers I’d made clothes for, and my personal legends like Charlene, Untitled, Ragamuffin, Tyler Ashley, and Chutney Spears with that fucking snake.
Gurl, that snake! So STR8 is turning 2 this Friday at Gold Sounds ... what's in store for the anniversary?
STUPIDITY! I’m glad we’re leaning into being irredeemable and canceled. Qhrist already has to redo the flyer because one performer canceled, we forgot we booked one performer, and Lindsay Blowhan is coming all the way up from Virginia for it, and we should probably have her perform? I guess? It’s not like she’s Sherry’s daughter and performed at our first, like, six shows or anything. 
We’ve got Sandy Devastation who made her debut at STR8 to DVD, Papusa Smear who made their debut with us, and Kaey Kiel, a nice cabaret singer and journalist from Berlin who doesn’t deserve to deal with any of this! She’s staying with my husband and her dream is to perform in New York, so we’re making all her dreams come true.
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Another monthly (third Saturdays, in this case) you've been DJing, Emi Grate's “A+: The Asian Revue,” has also recently had it's own (1st) anniversary, and has moved to The Monster in the West Village. What has it been like, being a part of that?
It’s super fun! Emi is so fucking on top of every detail. She sends out a multi-page email with every piece of information you could ever want, she has the lineup a month in advance sometimes, and the show is at a reasonable hour! Never underestimate how great it is to leave the gig at 10pm and still be able to go out afterwards... or even just go home, have dinner, and go to bed. Because of the way Gold Sounds is set up, I don’t actually do much DJ work if there aren’t drag queens on stage. But with A+ (and Annie Mae), I spend a significant amount of time actually DJing. That’s always fun. For both those shows, I play exclusively Jpop and Kpop (and would happily take suggestions for fun pop and dance music from throughout Asia! A cute boy suggested some Hindi pop songs at the most recent A+)
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And the next “Annie Mae” is October 7 at the Rosemont! That's a super geeky celebration of genre fan culture that Laé D. Boi produces. That must be right up your ally!
It is! I always choose anime movies or TV shows to screen during the party on top of DJing! This month the theme is Studio Ghibli, so I think I’m gonna be playing Princess Mononoke, Kiki’s Delivery Service, and either Pompoko or Lupin III: Castle of Cagliostro. I’m pretty sure Sherry Poppins will bring one of her swords, too.
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So, your Ten Yards clothing line is all the rage! The sexy and colorful speedos are especially in demand! How did this come about?
I wanted to make bathing suits--made a few for myself. And then it felt like suddenly people started asking me to make them suits, and now here I am! A local bathing suit mogul. It’s been over four years, and all it took was saying “Sure, I can do that.” and then figuring it out.
How long does it take you to make a speedo now?
My first few took time, but I’m a fucking wizard now. Obviously with my arm it’s hard right now, but I can make a speedo from start to finish in about 35 minutes. Jockstraps are 27 minutes if I go at full speed!
And now you’re bringing us jewelry as well!
You can thank my mom for the jewelry! She made it all in the 80’s and early 90’s. I’m just the refurbishing squad. I’m actually photographing it right now, so I have a record of it, because most of it’s totally unique and once it is gone, it’s gone.
And much-belated congratulations on having your Fashions nominated for a Brooklyn Nightlife Award a few months back.
It was amazing to be nominated, and I knew I would lose to Florence or Diego because they’re both powerhouses! Luckily, Florence moved to Manhattan, so I have an entire year to snatch that brick from Diego’s beautiful and talented hands.
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Another thing to congratulate you on: being happily married! That may sound trite, but finding true love in the nightlife biz is damn hard. What’s your secret?
So, part of it is that we don’t live together, so I’m usually not disturbing him when I come home at 4am. And when we have problems, we talk it out! Erik’s also a lovely angel who supports me no matter what. He helps out whenever I have to sell shit, and buys fabric and zippers even if it makes him nervous. But he has a day job, so he’s only been able to come to three of my gigs in the five and a half years we’ve been together.
I also wasn’t working in nightlife when we met! That probably helps, too. He’s been there every step of the way as I’ve made the switch into nightlife and fashion design.
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Okay, do you have anything else you wanna plug or discuss before I ask the closer?
Nah, just a schedule recap for people who get lost in my rambling! STR8 To DVD: CANCELED is at Gold Sounds (44 Wilson Ave) on 9/28, we have shows at Midnight, and it costs $5-10. I’ll be at table C31 during DragCon (that’s the 28-30th at the Javits, ugh), Annie Mae: Ghibli is at The Rosemont on 10/07, and is free, I’ll be there at 10:30 to start the movies! See you there!
Finally: who would you really love to see in one of your speedos?
Anyone who wants a pair! But I wouldn’t say no to some Instagram thots with 30k+ followers, so long as they tag me.
Thanks, Ten!
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Check Thotyssey’s calendar for DJ Ten Yards’ upcoming gigs, and follow him on Facebook, Instagram, and Twitter.
On Point Archives
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junker-town · 4 years
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What if NBA teams got to add one Disney character to their roster?
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We drafted a Disney character for each NBA team in the bubble.
The NBA is officially in the bubble on Disney World propery, getting ready for the return of the league on July 30th. In honor of this rare situation and the option of teams adding replacement players, we decided to take time to have some fun and see what it would be like if NBA teams could draft a Disney character for their team to use on the court. This is serious stuff!
The draft order was randomly selected and the only rule was that teams must choose an original Disney character, not franchise characters from Star Wars or Marvel. So we gathered our NBA writers that have respective teams in the bubble together and held a Disney character draft.
Here are the very important results:
1. Milwaukee Bucks - Robin Hood
Not only can he serve as a primary floor general, controlling his on-court compatriots with leadership skills sharpened on commanding a forest of misfits to upend the ruling class. He’ll run point, and there won’t be any questions about his ability to nail shots from deep, whether he’s slinking around picks like he’s climbing trees in a forest or just pulling up from the halfcourt logo before defenses know what hit him. Should Eric Bledsoe falter at all in the postseason, Bud has a tried and true replacement for him. I’d even venture to guess Hood may get the call sooner rather than later in the starting lineup.
- Adam Paris, BrewHoop (Read the full breakdown here)
2. Houston Rockets - Jiminy Cricket
If you thought the Rockets were small before, wait till you get a look at their newest addition. Doubling down on #PocketRockets, Houston not only added the smallest player in the draft but also one of the most dynamic. Crickets can jump over 50 times their body length, making them one of the animals kingdom’s most prolific leapers. The lob game that left James Harden when Clint Capela was traded just might return with this draft pick.
In addition, Jiminy has one of the highest basketball IQs in this draft class. Being that he’s actually just the embodiment of a conscience, he always knows the right decision to make on the court.
- Darren Yuvan, The Dream Shake (Read the full breakdown here)
3. New Orleans Pelicans - Simba
While Jrue Holiday, Derrick Favors and JJ Redick are a nice collection of veterans, none have an NBA championship ring sitting at home. In addition, the upcoming slate of contests will present an unprecedented challenge. There will be no crowds to create much needed momentum for players. The basketball courts at ESPN’s Wide World of Sports Complex will be unfamiliar terrain. And as we’ve learned in recent days, the Pelicans will be without at least two key figures (Jeff Bzdelik and Jamelle McMillan) on Alvin Gentry’s coaching staff.
- Oleh Kosel, The Bird Writes (Read the full breakdown here)
4. Utah Jazz - Maui
Maui? Are you kidding me? A shapeshifter fell this far? The Utah Jazz select Maui, Demi-God of the Wind and Sea, Hero of Men, and stretch four of Quin Snyder’s dreams.
Need someone to guard the perimeter? Boom. Shapeshift. Need switch onto a wing? Boom. Shapeshift. Need someone to take over in the paint? Boom. Shapeshift. AGAIN. This guy is the total package and sure to be a hit knowing Utah’s connection with the Polynesian islands.
- Mychal Lowman, SLC Dunk (Read the full breakdown here)
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5. Miami Heat - The Beast
His enormous ultra-athletic frame alone would be an intimidating presence in the paint, freeing up the Heat’s shooters on one end of the floor while also racking up blocks and rebounds on the other side. Whether he’s paired alongside Bam Adebayo to form a truly fearsome duo or in relief off the bench to boost the second unit, it’s a good problem to have for Erik Spoelstra and his coaching staff to see where he best fits before the games start up.
- Surya Fernandez, Hot Hot Hoops (Read the full breakdown here)
6. Washington Wizards - Mickey Mouse
This team is in desperate need of a sorcerer heading into Florida as the “cupcake” team of the field — Who else can be better than the OG of OG’s? Mickey by himself is a jack of all trades, like Bradley Beal is as a guard for Washington. Mickey can do everything on the court pretty well against smaller players. But I get it. He’s a mouse. That’s when his sorcerer hat (from Fantasia) comes in. Here, he can magically help his teammates in the post in the form of giving them a skill boost, or maybe he can magically grow himself!
- Albert Lee, Bullets Forever (Read the full breakdown here)
7. Los Angeles Lakers - The Genie
Genie is the perfect pick for the Lakers at No. 4, because he is one of the most versatile players in this draft. With the ability to change size at will and stretch and teleport himself all over the court, Genie is exactly the type of versatile contributor that will allow the Lakers to make up for any loss with his ability to play any position. Honestly, given the scope of his powers and abilities, the Lakers may have just created an unstoppable big three.
- Harrison Faigen, Silver Screen & Roll (Read the full breakdown here)
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8. Sacramento Kings - Hercules
Upon arrival, Hercules is expected to start alongside De’Aaron Fox, Bogdan Bogdanovic, Harrison Barnes and Richaun Holmes. Standing at 6’5”, Hercules, or “Herc,” is probably better suited to play the 1 or 2, but he has the strength to play the 3, 4 or 5, similar to Zion Williamson.
In addition to Hercules, the Kings are working to bring Hercules’ personal trainer Philocetes, or “Phil,” onto their training staff, according to a league source. Hercules credits Phil for all of his success to date, and the Kings could always use a player development coach.
- Christian Rivas, Sactown Royalty (Read the full breakdown here)
9. Phoenix Suns - Tarzan
The strategy was simple: we needed to replace the services of Kelly Oubre, Jr.
He’s quick. He’s agile. He has a killer wingspan. He adds toughness and a mean streak to the Suns roster. He’s high-flying and strong as hell. He hangs out with apes, so you know he and the Suns Gorilla would get along splendidly. Tarzan is made for the NBA. He is a steal at #9.
- John Voita, Bright Side of the Sun (Read the full breakdown here)
10. Brooklyn Nets - Moana
Yeah, the Nets need help. Lots of help. Especially when it comes to bigs. Soooo, I went and drafted the Nets the biggest Disney character I could: Moana. The biggest, you say? Yeah, the biggest. According to Google, Moana measures at 7-feet, 6-inches tall. Say it again. 7-feet, 6-inches tall. And, with speed.
- Tom Lorezno, Nets Daily (Read the full breakdown here)
11. OKC Thunder - James P. Sullivan (Sully)
James P. Sullivan would be the perfect addition to an already-stacked Oklahoma City Thunder team because the man is scary with a sweet soul that could light up any defense. Also, watching him throw alley-oops would be fun to watch.
Sullivan is also 7’6, which in NBA terms is huge to have on a team. He could block a lot of baskets and throw the basketball down the court with ease and could easily score on everyone without much effort.
Sullivan would fit perfectly in with the Thunder because he has a laid-back attitude and I could definitely see Steven Adams and him being best of friends and scaring other teammates with each other.
- Sarah Dewberry, Welcome To Loud City (Read the full breakdown here)
12. Orlando Magic - Peter Pan
As the proven leader of the Lost Boys, Peter Pan also gives the Magic’s young core some valuable leadership they’ll need while transforming into a contending team. And just think of what some of Peter’s Pixie Dust could do for the Magic’s crucial but plodding players like Nikola Vucevic and Evan Fournier.
- Mike Cali, Orlando Pinstriped Post (Read the full breakdown here)
13. San Antonio Spurs - EVE (a.k.a. Eva)
What Disney character better to represent Pop’s crew than EVE, the Extraterrestrial Vegetation Evaluator that wins the heart of the titular WAL-E?
EVE goes about her business with a calm, seemingly detached efficiency that belied the passion inside, but when the moment was big enough, was able to cut loose. EVE wreaked havoc on an abandoned shipyard in her frustration. EVE rebuilt WAL-E and sparked him back to life.
- Pounding The Rock
14. Toronto Raptors - Alice (Alice in Wonderland)
The on court stuff is obvious. Girl has magic mushrooms, given to her by her chain smoking caterpillar bud, that help her grow quite tall, which seems useful for basketball to me. With Marc Gasol deep in the throws of his mid-thirties and Chris Boucher being more of an erratic four than a steady back-up five, post-shrooms Alice fits as a rim protecting reserve who can give you 10 minutes, even while rocking dress flats. A 2019 Sixers team with such a reliable back-up may have beaten the Raptors in round two.
- Sean Woodley, Raptors HQ (Read the full breakdown here)
15. Los Angeles Clippers - Elastigirl
Elastigirl truly has no ego and is exactly the kind of hero who can easily slot in with an established team. She comes from a family of superheroes, so she is used to working together instead of going rogue. Elastigirl is willing to let others shine, which she does with Mr. Incredible, but she also has the capacity to take a leading role, like when she battles the Screenslaver. She has an acute understanding of how best to optimize the talents of others and bring our their peak performances, which Violet would surely attest to. A player who is comfortable sitting on the bench but always stays ready — after literally years of inaction, in one instance — is a crucial piece of a championship team.
- Sabreena Merchant, Clips Nation (Read the full breakdown here)
16. Denver Nuggets- Mr. Incredible
Mr. Incredible may have some selfish tendencies at times, but he’s at his best when he’s working within a team concept. Nikola Jokic is the brains behind the operation while Jamal Murray is often the tip of the spear. Sometimes you need a hammer though, and that’s what Mr. Incredible provides the rotation: brute force power and athleticism.
- Ryan Blackburn, Denver Stiffs (Read the full breakdown here)
17. Portland Trailblazers - Mufasa
Mufasa is clearly the most NBA-ready character in this draft class. We anticipate he’ll be able to lift teammates to new heights with his fantastic physique and off-the-charts leadership skills. Once he gets his footing, he’ll be a fantastic voice in the locker room. We suspect he dropped so low because he’s a bit shaky running the break and makes questionable decisions in traffic, but with help from the coaching staff, he should develop those skills as his career progresses. At the end of the day, we feel quite confident that we got the steal of the draft.
- Dave Deckard, Blazer’s Edge (Read the full breakdown here)
18. Memphis Grizzlies - Elsa
On the floor, Elsa ices out everything around her. She can be a lockdown defender, freezing ball handlers (literally) while creating opportunities in transition for a Grizzlies team that wants to run. As a help defender, she can assist players like Jonas Valanciunas who may struggle with stretch fives by not allowing those bigs to get to their spots on the pick and pop. She has ice in her veins and will not allow for any proverbial storm raging around the Grizzlies to impact them.
- Joe Mullinax, Grizzly Bear Blues (Read the full breakdown here)
19. Philadelphia 76ers - Air Bud
he Philadelphia 76ers go a bit unconventional here selecting a dog who can not talk, does not have superpowers, and is not an animation, like the other players selected in this draft. However, Air Bud has one thing that I’ve yet to see from any other prospect: game film.
A golden retriever with two-way ability, Air Bud gives Philly a wing who can hound opposing ball-handlers on defense and provide some much needed energy on the offensive end. He also figures to serve as quite a fine complement to Ben Simmons in the transition game.
- Kevin F. Love, Liberty Ballers (Read the full breakdown here)
20. Boston Celtics - Yen Sid
Remember in the movie Fantasia? Mickey is a sorcerer’s apprentice and gets into all kinds of hijinks when he borrows the wizard’s magic hat? Yen Sid is the wizard. So why him and not some more popular figure? Well, like any good drafter I did my research.
There are few Disney characters out there with the magical powers of this wizard. In fact, based on a thorough internet search of about 5 minutes, I concluded that Yen Sid is right up there with the Genie and Maleficent as the most powerful characters in the Disney cannon.
- Jeff Clark, Celtics Blog (Read the full breakdown here)
21. Dallas Mavericks - Kronk
That’s right, Kronk, from the criminally underrated film, the Emperor’s New Groove.
Why Kronk you ask? Well, for one, the Mavericks could use some size. With Willie Cauley-Stein opting out of Orlando for personal reasons, Dallas has a thin front court. Though he should be considered an emergency option in Orlando, Dallas needs a banger, a guy who will play hard and do the dirty work and not need recognition and the spotlight.
- Kirk Henderson, Mavs Moneyball (Read the full breakdown here)
22. Indiana Pacers - Trusty (Lady and the Tramp)
Though he may be getting up there in years and doesn’t boast superhuman strength like Hercules, the dead-eye shooting of Robin Hood, or Maui’s thicc frame, Trusty arguably best reflects the three —admittedly, somewhat corny — tenets of Indiana’s culture: toughness, togetherness, and...wait for it..trust. I mean, c’mon, it’s right there in his name.
- Cailtin Cooper, Indy Cornrows (Read the full breakdown here)
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gadgetsrevv · 5 years
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Why Sergino Dest should represent Netherlands instead of the U.S.
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Edwin van der Sar speaks exclusively to ESPN FC about Sergino Dest’s international future.
Oct. 2 was quite a day for Sergino Dest. First, Ajax’s 18-year-old Dutch-American right-back was unexpectedly missing from the U.S. men’s roster announced for the upcoming games against Cuba and Canada. These are competitive matches, in the CONCACAF Nations League, so if Dest had played, he would have been bound to the USMNT rather than the Netherlands for his career. That evening, he played all 90 minutes in Ajax’s 0-3 triumph at Valencia in the Champions League. After the game, he appeared on Dutch TV.
Dutch fans hoped he would announce that he had decided to play for their national team. Instead, he said he hadn’t chosen either country yet. “I still need to think longer about both options … It is a decision I have to make for the rest of my life and I want to handle that carefully.”
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He said he hoped to have a decision by next month. Gregg Berhalter, the U.S. coach, who had previously found Dest “enthusiastic” about playing for the USMNT, now sounded guarded. “I’ve had conversations with Sergino. The conversations were positive, and the content of these conversations is going to remain private,” Berhalter told the Washington Post.
The cautious conclusion must be that the Netherlands are favorites to win this race. Certainly, they would be the rational choice for Dest. And though it’s far too early to tell, he may prove a prize worth having for the next 15 years.
Dest was born and raised in Almere, a working-class town just outside Amsterdam, with a Dutch mother and a Surinamese-American father from Brooklyn. The first time he set foot in the U.S., on a visit to his dad’s hometown, was in 2014. “At home in Almere we just spoke Dutch,” Dest told the Ajax website. “In fact, a couple of years ago my English was still very mediocre. And I wasn’t thinking about my American roots [until] I started to play in U.S. youth teams. From then on my English improved, and I kept feeling more American. I realised: hey, this is my nationality too. And the U.S. passport is one of the most beautiful in the world.”
Dest had arrived at Ajax from Almere City as a child winger in 2012, and gradually transformed into an attacking right-back. Other Dutch boys’ teams enduring the ritual humiliation at Ajax’s youth complex, De Toekomst in those days, recall him flashing down the touchline, while his teammates queued in the box shouting “Serra,” each begging Dest to grant them the final touch. After every cross, Dest would trot tirelessly back to position and resume his tackling, dribbles and “pannas” (Dutch-Surinamese slang for nutmegs). He was the Everywhere Back, sometimes popping up at center-forward, but for all his activity he made few mistakes, despite being a year younger than his teammates.
Yet the Dutch federation didn’t pick Dest for its national youth teams. “I never got a chance,” he says. The U.S. Soccer Federation pounced after Dutchman Dave van den Bergh, then one of the federation’s youth coaches, heard from Ajax about the boy’s American passport. Dest represented the U.S. in the Under-17 World Cup in 2017 (Ajax didn’t wanted him to go) and excelled in the team’s run to the quarterfinals of this summer’s Under-20 World Cup.
For a long time, Ajax seemed ambivalent about Dest, possibly because although he’s dedicated, he was also rather headstrong. Even last fall, when he was already 18, he looked headed for the exit in Amsterdam. Only in December did Ajax finally come through with a professional contract.
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Dest is an aggressive full-back that a high-pressing side like Ajax needs, though his defending remains a work in progress.
This summer, his career took off. After the Under-20 World Cup, Ajax head coach, Erik ten Hag, requested that Dest be given just 10 days holiday. Ten Hag had plans for him. Dest made his first-team debut in late July, and since then has become a regular, usually as a starter.
You can see why, because he is the full-back that a high-pressing modern side needs. Ten Hag says, “A back at Ajax has to be able to function as a midfielder and winger, too. It’s a very dynamic role. We want to introduce a lot of variation into our game, to surprise opponents.”
That’s Dest’s way. He told Amsterdam’s Het Parool newspaper, “I think of myself [as someone who has] a good technique. I don’t get frightened when I get the ball — also not when under pressure, or on the opponents’ half.”
His high-risk game gives Ajax an attacking threat from right-back that they lacked even in their extraordinary last season. “Maybe in the past, when I first got into a higher team, I’d take it easy,” Dest says. “But I’ve stopped doing that. Now I show at once what I can do.”
In Ajax’s opening Champions League game in September, a 3-0 win over Lille, he produced a roulette through two opponents from the full-back position — a showboating move that Ten Hag may not have enjoyed as much as the fans did. Dest also has the good fortune that his partner on Ajax’s right wing is Hakim Ziyech, a world-class player whose continued presence in the humble Dutch league is a mystery.
Dest’s main shortcoming, for now, is that for a defender, he isn’t great at defending. Being the speediest member of Ajax’s back four, he’s essential in snuffing out counter attacks, but he sometimes gets caught out of position. (Ajax’s opening two clean sheets in the Champions League are above all down to keeper Andre Onana, surely headed for a giant club next summer.) Ajax demands that players “defend forward,” that is, charge into challenges to try to win the ball back fast rather than sit back and cover space. Dest has yet to master this difficult art.
The consensus in the Netherlands is that he isn’t ready for Oranje. Still, the Dutch federation knows it has to act fast. In September, Berhalter gave him his debut for the USMNT, starting him against Mexico and Uruguay. But these were non-binding friendly games; Dest retains the option to switch to the Netherlands. The Dutch would like to give him a full cap in a competitive match to claim him for life, then let him mature in the under-21s side.
The Dutch federation still laments missing out on Ziyech, who trained with Oranje in 2015 before choosing Morocco. It’s determined not to make that mistake again. It is focused on recruiting Dest and the possibly even more talented 17-year-old Dutch-Moroccan Mohamed Ihattaren, PSV Eindhoven’s playmaker who is tearing up the Dutch league.
Like the U.S., the Netherlands is short a top-class right-back: PSV’s Denzel Dumfries, who has been filling the role with Oranje, lacks the technique for international level. Netherlands’ coach, Ronald Koeman, and the Dutch FA’s director of “topvoetbal,” Nico-Jan Hoogma, sat down with Dest in September. Hoogma reported afterwards: “You can’t promise someone a first-team place, but you can indicate who their rivals are. Based on our story, Dest has to make a decision.”
Koeman said, “I’m not promising anyone anything, but I indicated to him that I see a future for him with the Dutch team. He decided to take his time. That he hasn’t travelled to the U.S. now shows that the issue isn’t decided for him.”
The Dutch have a good story to tell. Since the U.S. returned to World Cups, in 1990, the Americans have progressed further than Oranje at a tournament only once, in 2002. (Of course, both countries failed to qualify for 2018 in Russia.) Moreover, if Dest chooses the Netherlands, he won’t have to spend his career making disruptive exhausting trips to play second-rate national teams from the CONCACAF region.
On the other hand, Dest has an emotional attachment to the U.S., and the USSF was good to him at youth level when the Dutch FA ignored him. The Americans have a chance. But as battles for binationals become the norm in international soccer, the Dest case ought to be a prompt for the U.S. to ask itself: Why does the tiny fraction of American passport-holders raised in western Europe still produce such a disproportionate share of this giant country’s best players?
Meanwhile, in a joint interview on the Ajax website with the U.S.-Mexican Alex Mendez, who plays for Ajax’s reserves, the conflicted Dest turned to Mendez and asked: “What would you do if you were in my shoes?”
These decisions are always in part matters of the heart, but the betting must be that Dest chooses Oranje.
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thesnhuup · 5 years
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Pop Picks – October 31
October 31, 2019
What I’m listening to: 
It drove his critics crazy that Obama was the coolest president we ever had and his summer 2019 playlist on Spotify simply confirms that reality. It has been on repeat for me. From Drake to Lizzo (God I love her) to Steely Dan to Raphael Saadiq to Sinatra (who I skip every time – I’m not buying the nostalgia), his carefully curated list reflects not only his infinite coolness, but the breadth of his interests and generosity of taste. I love the music, but I love even more the image of Michelle and him rocking out somewhere far from Washington’s madness, as much as I miss them both.
What I’m reading: 
I struggled with Christy Lefteri’s The Beekeeper of Aleppo for the first 50 pages, worried that she’d drag out every tired trope of Mid-Eastern society, but I fell for her main characters and their journey as refugees from Syria to England. Parts of this book were hard to read and very dark, because that is the plight of so many refugees and she doesn’t shy away from those realities and the enormous toll they take on displaced people. It’s a hard read, but there is light too – in resilience, in love, in friendships, the small tender gestures of people tossed together in a heartless world. Lefteri volunteered in Greek refugee programs, spent a lot of interviewing people, and the book feels true, and importantly, heartfelt.
What I’m watching:
Soap opera meets Shakespeare, deliciously malevolent and operatic, Succession has been our favorite series this season. Loosely based on the Murdochs and their media empire (don’t believe the denials), this was our must watch television on Sunday nights, filling the void left by Game of Thrones. The acting is over-the-top good, the frequent comedy dark, the writing brilliant, and the music superb. We found ourselves quoting lines after every episode. Like the hilarious; “You don’t hear much about syphilis these days. Very much the Myspace of STDs.” Watch it so we can talk about that season 2 finale.
Archive 
August 30, 2019
What I’m listening to: 
I usually go to music here, but the New York Times new 1619 podcast is just terrific, as is the whole project, which observes the sale of the first enslaved human beings on our shores 400 years ago. The first episode, “The Fight for a True Democracy” is a remarkable overview (in a mere 44 minutes) of the centrality of racism and slavery in the American story over those 400 years. It should be mandatory listening in every high school in the country. I’m eager for the next episodes. Side note: I am addicted to The Daily podcast, which gives more color and detail to the NY Times stories I read in print (yes, print), and reminds me of how smart and thoughtful are those journalists who give us real news. We need them now more than ever.
What I’m reading: 
Colson Whitehead has done it again. The Nickel Boys, his new novel, is a worthy successor to his masterpiece The Underground Railroad, and because it is closer to our time, based on the real-life horrors of a Florida reform school, and written a time of resurgent White Supremacy, it hits even harder and with more urgency than its predecessor. Maybe because we can read Underground Railroad with a sense of “that was history,” but one can’t read Nickel Boys without the lurking feeling that such horrors persist today and the monsters that perpetrate such horrors walk among us. They often hold press conferences.
What I’m watching:
Queer Eye, the Netflix remake of the original Queer Eye for the Straight Guy some ten years later, is wondrously entertaining, but it also feels adroitly aligned with our dysfunctional times. Episode three has a conversation with Karamo Brown, one of the fab five, and a Georgia small town cop (and Trump supporter) that feels unscripted and unexpected and reminds us of how little actual conversation seems to be taking place in our divided country. Oh, for more car rides such as the one they take in that moment, when a chasm is bridged, if only for a few minutes. Set in the South, it is often a refreshing and affirming response to what it means to be male at a time of toxic masculinity and the overdue catharsis and pain of the #MeToo movement. Did I mention? It’s really fun.
July 1, 2019
What I’m listening to: 
The National remains my favorite band and probably 50% of my listening time is a National album or playlist. Their new album I Am Easy To Find feels like a turning point record for the band, going from the moody, outsider introspection and doubt of lead singer Matt Berninger to something that feels more adult, sophisticated, and wiser. I might have titled it Women Help The Band Grow Up. Matt is no longer the center of The National’s universe and he frequently cedes the mic to the many women who accompany and often lead on the long, their longest, album. They include Gail Ann Dorsey (who sang with Bowie for a long time), who is amazing, and a number of the songs were written by Carin Besser, Berninger’s wife. I especially love the Brooklyn Youth Chorus, the arrangements, and the sheer complexity and coherence of the work. It still amazes me when I meet someone who does not know The National. My heart breaks for them just a little.
What I’m reading: 
Pat Barker’s The Silence of the Girls is a retelling of Homer’s Iliad through the lens of a captive Trojan queen, Briseis. As a reviewer in The Atlantic writes, it answers the question “What does war mean to women?” We know the answer and it has always been true, whether it is the casual and assumed rape of captive women in this ancient war story or the use of rape in modern day Congo, Syria, or any other conflict zone. Yet literature almost never gives voice to the women – almost always minor characters at best — and their unspeakable suffering. Barker does it here for Briseis, for Hector’s wife Andromache, and for the other women who understand that the death of their men is tragedy, but what they then endure is worse. Think of it ancient literature having its own #MeToo moment. The NY Times’ Geraldine Brooks did not much like the novel. I did. Very much.
What I’m watching: 
The BBC-HBO limited series Years and Years is breathtaking, scary, and absolutely familiar. It’s as if Black Mirrorand Children of Men had a baby and it precisely captures the zeitgeist, the current sense that the world is spinning out of control and things are coming at us too fast. It is a near future (Trump has been re-elected and Brexit has occurred finally)…not dystopia exactly, but damn close. The closing scene of last week’s first episode (there are 6 episodes and it’s on every Monday) shows nuclear war breaking out between China and the U.S. Yikes! The scope of this show is wide and there is a big, baggy feel to it – but I love the ambition even if I’m not looking forward to the nightmares.
May 19, 2019
What I’m listening to: 
I usually go to music here, but I was really moved by this podcast of a Davis Brooks talk at the Commonwealth Club in Silicon Valley: https://www.commonwealthclub.org/events/archive/podcast/david-brooks-quest-moral-life.  While I have long found myself distant from his political stance, he has come through a dark night of the soul and emerged with a wonderful clarity about calling, community, and not happiness (that most superficial of goals), but fulfillment and meaning, found in community and human kinship of many kinds. I immediately sent it to my kids.
What I’m reading: 
Susan Orlean’s wonderful The Library Book, a love song to libraries told through the story of the LA Central Library.  It brought back cherished memories of my many hours in beloved libraries — as a kid in the Waltham Public Library, a high schooler in the Farber Library at Brandeis (Lil Farber years later became a mentor of mine), and the cathedral-like Bapst Library at BC when I was a graduate student. Yes, I was a nerd. This is a love song to books certainly, but a reminder that libraries are so, so much more.  It is a reminder that libraries are less about a place or being a repository of information and, like America at its best, an idea and ideal. By the way, oh to write like her.
What I’m watching: 
What else? Game of Thrones, like any sensible human being. This last season is disappointing in many ways and the drop off in the writing post George R.R. Martin is as clear as was the drop off in the post-Sorkin West Wing. I would be willing to bet that if Martin has been writing the last season, Sansa and Tyrion would have committed suicide in the crypt. That said, we fans are deeply invested and even the flaws are giving us so much to discuss and debate. In that sense, the real gift of this last season is the enjoyment between episodes, like the old pre-streaming days when we all arrived at work after the latest episode of the Sopranos to discuss what we had all seen the night before. I will say this, the last two episodes — full of battle and gore – have been visually stunning. Whether the torches of the Dothraki being extinguished in the distance or Arya riding through rubble and flame on a white horse, rarely has the series ascended to such visual grandeur.
March 28, 2019
What I’m listening to: 
There is a lovely piece played in a scene from A Place Called Home that I tracked down. It’s Erik Satie’s 3 Gymnopédies: Gymnopédie No. 1, played by the wonderful pianist Klára Körmendi. Satie composed this piece in 1888 and it was considered avant-garde and anti-Romantic. It’s minimalism and bit of dissonance sound fresh and contemporary to my ears and while not a huge Classical music fan, I’ve fallen in love with the Körmendi playlist on Spotify. When you need an alternative to hours of Cardi B.
What I’m reading: 
Just finished Esi Edugyan’s 2018 novel Washington Black. Starting on a slave plantation in Barbados, it is a picaresque novel that has elements of Jules Verne, Moby Dick, Frankenstein, and Colson Whitehead’s Underground Railroad. Yes, it strains credulity and there are moments of “huh?”, but I loved it (disclosure: I was in the minority among my fellow book club members) and the first third is a searing depiction of slavery. It’s audacious, sprawling (from Barbados to the Arctic to London to Africa), and the writing, especially about nature, luminous. 
What I’m watching: 
A soap opera. Yes, I’d like to pretend it’s something else, but we are 31 episodes into the Australian drama A Place Called Home and we are so, so addicted. Like “It’s  AM, but can’t we watch just one more episode?” addicted. Despite all the secrets, cliff hangers, intrigue, and “did that just happen?” moments, the core ingredients of any good soap opera, APCH has superb acting, real heft in terms of subject matter (including homophobia, anti-Semitism, sexual assault, and class), touches of our beloved Downton Abbey, and great cars. Beware. If you start, you won’t stop.
February 11, 2019
What I’m listening to:
Raphael Saadiq has been around for quite a while, as a musician, writer, and producer. He’s new to me and I love his old school R&B sound. Like Leon Bridges, he brings a contemporary freshness to the genre, sounding like a young Stevie Wonder (listen to “You’re The One That I Like”). Rock and Roll may be largely dead, but R&B persists – maybe because the former was derivative of the latter and never as good (and I say that as a Rock and Roll fan). I’m embarrassed to only have discovered Saadiq so late in his career, but it’s a delight to have done so.
What I’m reading:
Just finished Marilynne Robinson’s Home, part of her trilogy that includes the Pulitzer Prize winning first novel, Gilead, and the book after Home, Lila. Robinson is often described as a Christian writer, but not in a conventional sense. In this case, she gives us a modern version of the prodigal son and tells the story of what comes after he is welcomed back home. It’s not pretty. Robinson is a self-described Calvinist, thus character begets fate in Robinson’s world view and redemption is at best a question. There is something of Faulkner in her work (I am much taken with his famous “The past is never past” quote after a week in the deep South), her style is masterful, and like Faulkner, she builds with these three novels a whole universe in the small town of Gilead. Start with Gilead to better enjoy Home.
What I’m watching:
Sex Education was the most fun series we’ve seen in ages and we binged watched it on Netflix. A British homage to John Hughes films like The Breakfast Club, Ferris Bueller’s Day Off, and Pretty in Pink, it feels like a mash up of American and British high schools. Focusing on the relationship of Maeve, the smart bad girl, and Otis, the virginal and awkward son of a sex therapist (played with brilliance by Gillian Anderson), it is laugh aloud funny and also evolves into more substance and depth (the abortion episode is genius). The sex scenes are somehow raunchy and charming and inoffensive at the same time and while ostensibly about teenagers (it feels like it is explaining contemporary teens to adults in many ways), the adults are compelling in their good and bad ways. It has been renewed for a second season, which is a gift.
January 3, 2019
What I’m listening to:
My listening choices usually refer to music, but this time I’m going with Malcolm Gladwell’s Revisionist History podcast on genius and the song Hallelujah. It tells the story of Leonard Cohen’s much-covered song Hallelujah and uses it as a lens on kinds of genius and creativity. Along the way, he brings in Picasso and Cézanne, Elvis Costello, and more. Gladwell is a good storyteller and if you love pop music, as I do, and Hallelujah, as I do (and you should), you’ll enjoy this podcast. We tend to celebrate the genius who seems inspired in the moment, creating new work like lightning strikes, but this podcast has me appreciating incremental creativity in a new way. It’s compelling and fun at the same time.
What I’m reading:
Just read Clay Christensen’s new book, The Prosperity Paradox: How Innovation Can Lift Nations Out of Poverty. This was an advance copy, so soon available. Clay is an old friend and a huge influence on how we have grown SNHU and our approach to innovation. This book is so compelling, because we know attempts at development have so often been a failure and it is often puzzling to understand why some countries with desperate poverty and huge challenges somehow come to thrive (think S. Korea, Singapore, 19th C. America), while others languish. Clay offers a fresh way of thinking about development through the lens of his research on innovation and it is compelling. I bet this book gets a lot of attention, as most of his work does. I also suspect that many in the development community will hate it, as it calls into question the approach and enormous investments we have made in an attempt to lift countries out of poverty. A provocative read and, as always, Clay is a good storyteller.
What I’m watching:
Just watched Leave No Trace and should have guessed that it was directed by Debra Granik. She did Winter’s Bone, the extraordinary movie that launched Jennifer Lawrence’s career. Similarly, this movie features an amazing young actor, Thomasin McKenzie, and visits lives lived on the margins. In this case, a veteran suffering PTSD, and his 13-year-old daughter. The movie is patient, is visually lush, and justly earned 100% on Rotten Tomatoes (I have a rule to never watch anything under 82%). Everything in this film is under control and beautifully understated (aside from the visuals) – confident acting, confident directing, and so humane. I love the lack of flashbacks, the lack of sensationalism – the movie trusts the viewer, rare in this age of bombast. A lovely film.
December 4, 2018
What I’m listening to:
Spending a week in New Zealand, we had endless laughs listening to the Kiwi band, Flight of the Conchords. Lots of comedic bands are funny, but the music is only okay or worse. These guys are funny – hysterical really – and the music is great. They have an uncanny ability to parody almost any style. In both New Zealand and Australia, we found a wry sense of humor that was just delightful and no better captured than with this duo. You don’t have to be in New Zealand to enjoy them.
What I’m reading:
I don’t often reread. For two reasons: A) I have so many books on my “still to be read” pile that it seems daunting to also rereadbooks I loved before, and B) it’s because I loved them once that I’m a little afraid to read them again. That said, I was recently asked to list my favorite book of all time and I answered Leo Tolstoy’s Anna Karenina. But I don’t really know if that’s still true (and it’s an impossible question anyway – favorite book? On what day? In what mood?), so I’m rereading it and it feels like being with an old friend. It has one of my very favorite scenes ever: the card game between Levin and Kitty that leads to the proposal and his joyous walking the streets all night.
What I’m watching:
Blindspotting is billed as a buddy-comedy. Wow does that undersell it and the drama is often gripping. I loved Daveed Diggs in Hamilton, didn’t like his character in Black-ish, and think he is transcendent in this film he co-wrote with Rafael Casal, his co-star.  The film is a love song to Oakland in many ways, but also a gut-wrenching indictment of police brutality, systemic racism and bias, and gentrification. The film has the freshness and raw visceral impact of Spike Lee’s Do the Right Thing. A great soundtrack, genre mixing, and energy make it one of my favorite movies of 2018.
October 15, 2018 
What I’m listening to:
We had the opportunity to see our favorite band, The National, live in Dallas two weeks ago. Just after watching Mistaken for Strangers, the documentary sort of about the band. So we’ve spent a lot of time going back into their earlier work, listening to songs we don’t know well, and reaffirming that their musicality, smarts, and sound are both original and astoundingly good. They did not disappoint in concert and it is a good thing their tour ended, as we might just spend all of our time and money following them around. Matt Berninger is a genius and his lead vocals kill me (and because they are in my range, I can actually sing along!). Their arrangements are profoundly good and go right to whatever brain/heart wiring that pulls one in and doesn’t let them go.
What I’m reading:
Who is Richard Powers and why have I only discovered him now, with his 12th book? Overstory is profoundly good, a book that is essential and powerful and makes me look at my everyday world in new ways. In short, a dizzying example of how powerful can be narrative in the hands of a master storyteller. I hesitate to say it’s the best environmental novel I’ve ever read (it is), because that would put this book in a category. It is surely about the natural world, but it is as much about we humans. It’s monumental and elegiac and wondrous at all once. Cancel your day’s schedule and read it now. Then plant a tree. A lot of them.
What I’m watching:
Bo Burnham wrote and directed Eighth Grade and Elsie Fisher is nothing less than amazing as its star (what’s with these new child actors; see Florida Project). It’s funny and painful and touching. It’s also the single best film treatment that I have seen of what it means to grow up in a social media shaped world. It’s a reminder that growing up is hard. Maybe harder now in a world of relentless, layered digital pressure to curate perfect lives that are far removed from the natural messy worlds and selves we actually inhabit. It’s a well-deserved 98% on Rotten Tomatoes and I wonder who dinged it for the missing 2%.
September 7, 2018
What I’m listening to:
With a cover pointing back to the Beastie Boys’ 1986 Licensed to Ill, Eminem’s quietly released Kamikaze is not my usual taste, but I’ve always admired him for his “all out there” willingness to be personal, to call people out, and his sheer genius with language. I thought Daveed Diggs could rap fast, but Eminem is supersonic at moments, and still finds room for melody. Love that he includes Joyner Lucas, whose “I’m Not Racist” gets added to the growing list of simply amazing music videos commenting on race in America. There are endless reasons why I am the least likely Eminem fan, but when no one is around to make fun of me, I’ll put it on again.
What I’m reading:
Lesley Blume’s Everyone Behaves Badly, which is the story behind Hemingway’s The Sun Also Rises and his time in 1920s Paris (oh, what a time – see Midnight in Paris if you haven’t already). Of course, Blume disabuses my romantic ideas of that time and place and everyone is sort of (or profoundly so) a jerk, especially…no spoiler here…Hemingway. That said, it is a compelling read and coming off the Henry James inspired prose of Mrs. Osmond, it made me appreciate more how groundbreaking was Hemingway’s modern prose style. Like his contemporary Picasso, he reinvented the art and it can be easy to forget, these decades later, how profound was the change and its impact. And it has bullfights.
What I’m watching:
Chloé Zhao’s The Rider is just exceptional. It’s filmed on the Pine Ridge Reservation, which provides a stunning landscape, and it feels like a classic western reinvented for our times. The main characters are played by the real-life people who inspired this narrative (but feels like a documentary) film. Brady Jandreau, playing himself really, owns the screen. It’s about manhood, honor codes, loss, and resilience – rendered in sensitive, nuanced, and heartfelt ways. It feels like it could be about large swaths of America today. Really powerful.
August 16, 2018
What I’m listening to:
In my Spotify Daily Mix was Percy Sledge’s When A Man Loves A Woman, one of the world’s greatest love songs. Go online and read the story of how the song was discovered and recorded. There are competing accounts, but Sledge said he improvised it after a bad breakup. It has that kind of aching spontaneity. It is another hit from Muscle Shoals, Alabama, one of the GREAT music hotbeds, along with Detroit, Nashville, and Memphis. Our February Board meeting is in Alabama and I may finally have to do the pilgrimage road trip to Muscle Shoals and then Memphis, dropping in for Sunday services at the church where Rev. Al Green still preaches and sings. If the music is all like this, I will be saved.
What I’m reading:
John Banville’s Mrs. Osmond, his homage to literary idol Henry James and an imagined sequel to James’ 1881 masterpiece Portrait of a Lady. Go online and read the first paragraph of Chapter 25. He is…profoundly good. Makes me want to never write again, since anything I attempt will feel like some other, lowly activity in comparison to his mastery of language, image, syntax. This is slow reading, every sentence to be savored.
What I’m watching:
I’ve always respected Supreme Court Justice Ruth Bader Ginsburg, but we just watched the documentary RGB. It is over-the-top great and she is now one of my heroes. A superwoman in many ways and the documentary is really well done. There are lots of scenes of her speaking to crowds and the way young women, especially law students, look at her is touching.  And you can’t help but fall in love with her now late husband Marty. See this movie and be reminded of how important is the Law.
July 23, 2018
What I’m listening to:
Spotify’s Summer Acoustic playlist has been on repeat quite a lot. What a fun way to listen to artists new to me, including The Paper Kites, Hollow Coves, and Fleet Foxes, as well as old favorites like Leon Bridges and Jose Gonzalez. Pretty chill when dialing back to a summer pace, dining on the screen porch or reading a book.
What I’m reading:
Bryan Stevenson’s Just Mercy. Founder of the Equal Justice Initiative, Stevenson tells of the racial injustice (and the war on the poor our judicial system perpetuates as well) that he discovered as a young graduate from Harvard Law School and his fight to address it. It is in turn heartbreaking, enraging, and inspiring. It is also about mercy and empathy and justice that reads like a novel. Brilliant.
What I’m watching:
Fauda. We watched season one of this Israeli thriller. It was much discussed in Israel because while it focuses on an ex-special agent who comes out of retirement to track down a Palestinian terrorist, it was willing to reveal the complexity, richness, and emotions of Palestinian lives. And the occasional brutality of the Israelis. Pretty controversial stuff in Israel. Lior Raz plays Doron, the main character, and is compelling and tough and often hard to like. He’s a mess. As is the world in which he has to operate. We really liked it, and also felt guilty because while it may have been brave in its treatment of Palestinians within the Israeli context, it falls back into some tired tropes and ultimately falls short on this front.
June 11, 2018
What I’m listening to:
Like everyone else, I’m listening to Pusha T drop the mic on Drake. Okay, not really, but do I get some points for even knowing that? We all walk around with songs that immediately bring us back to a time or a place. Songs are time machines. We are coming up on Father’s Day. My own dad passed away on Father’s Day back in 1994 and I remembering dutifully getting through the wake and funeral and being strong throughout. Then, sitting alone in our kitchen, Don Henley’s The End of the Innocence came on and I lost it. When you lose a parent for the first time (most of us have two after all) we lose our innocence and in that passage, we suddenly feel adult in a new way (no matter how old we are), a longing for our own childhood, and a need to forgive and be forgiven. Listen to the lyrics and you’ll understand. As Wordsworth reminds us in In Memoriam, there are seasons to our grief and, all these years later, this song no longer hits me in the gut, but does transport me back with loving memories of my father. I’ll play it Father’s Day.
What I’m reading:
The Fifth Season, by N. K. Jemisin. I am not a reader of fantasy or sci-fi, though I understand they can be powerful vehicles for addressing the very real challenges of the world in which we actually live. I’m not sure I know of a more vivid and gripping illustration of that fact than N. K. Jemisin’s Hugo Award winning novel The Fifth Season, first in her Broken Earth trilogy. It is astounding. It is the fantasy parallel to The Underground Railroad, my favorite recent read, a depiction of subjugation, power, casual violence, and a broken world in which our hero(s) struggle, suffer mightily, and still, somehow, give us hope. It is a tour de force book. How can someone be this good a writer? The first 30 pages pained me (always with this genre, one must learn a new, constructed world, and all of its operating physics and systems of order), and then I could not put it down. I panicked as I neared the end, not wanting to finish the book, and quickly ordered the Obelisk Gate, the second novel in the trilogy, and I can tell you now that I’ll be spending some goodly portion of my weekend in Jemisin’s other world.
What I’m watching:
The NBA Finals and perhaps the best basketball player of this generation. I’ve come to deeply respect LeBron James as a person, a force for social good, and now as an extraordinary player at the peak of his powers. His superhuman play during the NBA playoffs now ranks with the all-time greats, Larry Bird, Magic Johnson, MJ, Kobe, and the demi-god that was Bill Russell. That his Cavs lost in a 4-game sweep is no surprise. It was a mediocre team being carried on the wide shoulders of James (and matched against one of the greatest teams ever, the Warriors, and the Harry Potter of basketball, Steph Curry) and, in some strange way, his greatness is amplified by the contrast with the rest of his team. It was a great run.
May 24, 2018
What I’m listening to:
I’ve always liked Alicia Keys and admired her social activism, but I am hooked on her last album Here. This feels like an album finally commensurate with her anger, activism, hope, and grit. More R&B and Hip Hop than is typical for her, I think this album moves into an echelon inhabited by a Marvin Gaye’s What’s Going On or Beyonce’s Formation. Social activism and outrage rarely make great novels, but they often fuel great popular music. Here is a terrific example.
What I’m reading:
Colson Whitehead’s Underground Railroad may be close to a flawless novel. Winner of the 2017 Pulitzer, it chronicles the lives of two runaway slaves, Cora and Caeser, as they try to escape the hell of plantation life in Georgia.  It is an often searing novel and Cora is one of the great heroes of American literature. I would make this mandatory reading in every high school in America, especially in light of the absurd revisionist narratives of “happy and well cared for” slaves. This is a genuinely great novel, one of the best I’ve read, the magical realism and conflating of time periods lifts it to another realm of social commentary, relevance, and a blazing indictment of America’s Original Sin, for which we remain unabsolved.
What I’m watching:
I thought I knew about The Pentagon Papers, but The Post, a real-life political thriller from Steven Spielberg taught me a lot, features some of our greatest actors, and is so timely given the assault on our democratic institutions and with a presidency out of control. It is a reminder that a free and fearless press is a powerful part of our democracy, always among the first targets of despots everywhere. The story revolves around the legendary Post owner and D.C. doyenne, Katharine Graham. I had the opportunity to see her son, Don Graham, right after he saw the film, and he raved about Meryl Streep’s portrayal of his mother. Liked it a lot more than I expected.
April 27, 2018
What I’m listening to:
I mentioned John Prine in a recent post and then on the heels of that mention, he has released a new album, The Tree of Forgiveness, his first new album in ten years. Prine is beloved by other singer songwriters and often praised by the inscrutable God that is Bob Dylan.  Indeed, Prine was frequently said to be the “next Bob Dylan” in the early part of his career, though he instead carved out his own respectable career and voice, if never with the dizzying success of Dylan. The new album reflects a man in his 70s, a cancer survivor, who reflects on life and its end, but with the good humor and empathy that are hallmarks of Prine’s music. “When I Get To Heaven” is a rollicking, fun vision of what comes next and a pure delight. A charming, warm, and often terrific album.
What I’m reading:
I recently read Min Jin Lee’s Pachinko, on many people’s Top Ten lists for last year and for good reason. It is sprawling, multi-generational, and based in the world of Japanese occupied Korea and then in the Korean immigrant’s world of Oaska, so our key characters become “tweeners,” accepted in neither world. It’s often unspeakably sad, and yet there is resiliency and love. There is also intimacy, despite the time and geographic span of the novel. It’s breathtakingly good and like all good novels, transporting.
What I’m watching:
I adore Guillermo del Toro’s 2006 film, Pan’s Labyrinth, and while I’m not sure his Shape of Water is better, it is a worthy follow up to the earlier masterpiece (and more of a commercial success). Lots of critics dislike the film, but I’m okay with a simple retelling of a Beauty and the Beast love story, as predictable as it might be. The acting is terrific, it is visually stunning, and there are layers of pain as well as social and political commentary (the setting is the US during the Cold War) and, no real spoiler here, the real monsters are humans, the military officer who sees over the captured aquatic creature. It is hauntingly beautiful and its depiction of hatred to those who are different or “other” is painfully resonant with the time in which we live. Put this on your “must see” list.
March 18, 2018
What I’m listening to:
Sitting on a plane for hours (and many more to go; geez, Australia is far away) is a great opportunity to listen to new music and to revisit old favorites. This time, it is Lucy Dacus and her album Historians, the new sophomore release from a 22-year old indie artist that writes with relatable, real-life lyrics. Just on a second listen and while she insists this isn’t a break up record (as we know, 50% of all great songs are break up songs), it is full of loss and pain. Worth the listen so far. For the way back machine, it’s John Prine and In Spite of Ourselves (that title track is one of the great love songs of all time), a collection of duets with some of his “favorite girl singers” as he once described them. I have a crush on Iris Dement (for a really righteously angry song try her Wasteland of the Free), but there is also EmmyLou Harris, the incomparable Dolores Keane, and Lucinda Williams. Very different albums, both wonderful.
What I’m reading:
Jane Mayer’s New Yorker piece on Christopher Steele presents little that is new, but she pulls it together in a terrific and coherent whole that is illuminating and troubling at the same time. Not only for what is happening, but for the complicity of the far right in trying to discredit that which should be setting off alarm bells everywhere. Bob Mueller may be the most important defender of the democracy at this time. A must read.
What I’m watching:
Homeland is killing it this season and is prescient, hauntingly so. Russian election interference, a Bannon-style hate radio demagogue, alienated and gun toting militia types, and a president out of control. It’s fabulous, even if it feels awfully close to the evening news. 
March 8, 2018
What I’m listening to:
We have a family challenge to compile our Top 100 songs. It is painful. Only 100? No more than three songs by one artist? Wait, why is M.I.A.’s “Paper Planes” on my list? Should it just be The Clash from whom she samples? Can I admit to guilty pleasure songs? Hey, it’s my list and I can put anything I want on it. So I’m listening to the list while I work and the song playing right now is Tom Petty’s “The Wild One, Forever,” a B-side single that was never a hit and that remains my favorite Petty song. Also, “Evangeline” by Los Lobos. It evokes a night many years ago, with friends at Pearl Street in Northampton, MA, when everyone danced well past 1AM in a hot, sweaty, packed club and the band was a revelation. Maybe the best music night of our lives and a reminder that one’s 100 Favorite Songs list is as much about what you were doing and where you were in your life when those songs were playing as it is about the music. It’s not a list. It’s a soundtrack for this journey.
What I’m reading:
Patricia Lockwood’s Priestdaddy was in the NY Times top ten books of 2017 list and it is easy to see why. Lockwood brings remarkable and often surprising imagery, metaphor, and language to her prose memoir and it actually threw me off at first. It then all became clear when someone told me she is a poet. The book is laugh aloud funny, which masks (or makes safer anyway) some pretty dark territory. Anyone who grew up Catholic, whether lapsed or not, will resonate with her story. She can’t resist a bawdy anecdote and her family provides some of the most memorable characters possible, especially her father, her sister, and her mother, who I came to adore. Best thing I’ve read in ages.
What I’m watching:
The Florida Project, a profoundly good movie on so many levels. Start with the central character, six-year old (at the time of the filming) Brooklynn Prince, who owns – I mean really owns – the screen. This is pure acting genius and at that age? Astounding. Almost as astounding is Bria Vinaite, who plays her mother. She was discovered on Instagram and had never acted before this role, which she did with just three weeks of acting lessons. She is utterly convincing and the tension between the child’s absolute wonder and joy in the world with her mother’s struggle to provide, to be a mother, is heartwarming and heartbreaking all at once. Willem Dafoe rightly received an Oscar nomination for his supporting role. This is a terrific movie.
February 12, 2018
What I’m listening to:
So, I have a lot of friends of age (I know you’re thinking 40s, but I just turned 60) who are frozen in whatever era of music they enjoyed in college or maybe even in their thirties. There are lots of times when I reach back into the catalog, since music is one of those really powerful and transporting senses that can take you through time (smell is the other one, though often underappreciated for that power). Hell, I just bought a turntable and now spending time in vintage vinyl shops. But I’m trying to take a lesson from Pat, who revels in new music and can as easily talk about North African rap music and the latest National album as Meet the Beatles, her first ever album. So, I’ve been listening to Kendrick Lamar’s Grammy winning Damn. While it may not be the first thing I’ll reach for on a winter night in Maine, by the fire, I was taken with it. It’s layered, political, and weirdly sensitive and misogynist at the same time, and it feels fresh and authentic and smart at the same time, with music that often pulled me from what I was doing. In short, everything music should do. I’m not a bit cooler for listening to Damn, but when I followed it with Steely Dan, I felt like I was listening to Lawrence Welk. A good sign, I think.
What I’m reading:
I am reading Walter Isaacson’s new biography of Leonardo da Vinci. I’m not usually a reader of biographies, but I’ve always been taken with Leonardo. Isaacson does not disappoint (does he ever?), and his subject is at once more human and accessible and more awe-inspiring in Isaacson’s capable hands. Gay, left-handed, vegetarian, incapable of finishing things, a wonderful conversationalist, kind, and perhaps the most relentlessly curious human being who has ever lived. Like his biographies of Steve Jobs and Albert Einstein, Isaacson’s project here is to show that genius lives at the intersection of science and art, of rationality and creativity. Highly recommend it.
What I’m watching:
We watched the This Is Us post-Super Bowl episode, the one where Jack finally buys the farm. I really want to hate this show. It is melodramatic and manipulative, with characters that mostly never change or grow, and it hooks me every damn time we watch it. The episode last Sunday was a tear jerker, a double whammy intended to render into a blubbering, tissue-crumbling pathetic mess anyone who has lost a parent or who is a parent. Sterling K. Brown, Ron Cephas Jones, the surprising Mandy Moore, and Milo Ventimiglia are hard not to love and last season’s episode that had only Brown and Cephas going to Memphis was the show at its best (they are by far the two best actors). Last week was the show at its best worst. In other words, I want to hate it, but I love it. If you haven’t seen it, don’t binge watch it. You’ll need therapy and insulin.
January 15, 2018
What I’m listening to:
Drive-By Truckers. Chris Stapleton has me on an unusual (for me) country theme and I discovered these guys to my great delight. They’ve been around, with some 11 albums, but the newest one is fascinating. It’s a deep dive into Southern alienation and the white working-class world often associated with our current president. I admire the willingness to lay bare, in kick ass rock songs, the complexities and pain at work among people we too quickly place into overly simple categories. These guys are brave, bold, and thoughtful as hell, while producing songs I didn’t expect to like, but that I keep playing. And they are coming to NH.
What I’m reading:
A textual analog to Drive-By Truckers by Chris Stapleton in many ways is Tony Horowitz’s 1998 Pulitzer Prize winning Confederates in the Attic. Ostensibly about the Civil War and the South’s ongoing attachment to it, it is prescient and speaks eloquently to the times in which we live (where every southern state but Virginia voted for President Trump). Often hilarious, it too surfaces complexities and nuance that escape a more recent, and widely acclaimed, book like Hillbilly Elegy. As a Civil War fan, it was also astonishing in many instances, especially when it blows apart long-held “truths” about the war, such as the degree to which Sherman burned down the south (he did not). Like D-B Truckers, Horowitz loves the South and the people he encounters, even as he grapples with its myths of victimhood and exceptionalism (and racism, which may be no more than the racism in the north, but of a different kind). Everyone should read this book and I’m embarrassed I’m so late to it.
What I’m watching:
David Letterman has a new Netflix show called “My Next Guest Needs No Introduction” and we watched the first episode, in which Letterman interviewed Barack Obama. It was extraordinary (if you don’t have Netflix, get it just to watch this show); not only because we were reminded of Obama’s smarts, grace, and humanity (and humor), but because we saw a side of Letterman we didn’t know existed. His personal reflections on Selma were raw and powerful, almost painful. He will do five more episodes with “extraordinary individuals” and if they are anything like the first, this might be the very best work of his career and one of the best things on television.
December 22, 2017
What I’m reading:
Just finished Sunjeev Sahota’s Year of the Runaways, a painful inside look at the plight of illegal Indian immigrant workers in Britain. It was shortlisted for 2015 Man Booker Prize and its transporting, often to a dark and painful universe, and it is impossible not to think about the American version of this story and the terrible way we treat the undocumented in our own country, especially now.
What I���m watching:
Season II of The Crown is even better than Season I. Elizabeth’s character is becoming more three-dimensional, the modern world is catching up with tradition-bound Britain, and Cold War politics offer more context and tension than we saw in Season I. Claire Foy, in her last season, is just terrific – one arched eye brow can send a message.
What I’m listening to:
A lot of Christmas music, but needing a break from the schmaltz, I’ve discovered Over the Rhine and their Christmas album, Snow Angels. God, these guys are good.
November 14, 2017
What I’m watching:
Guiltily, I watch the Patriots play every weekend, often building my schedule and plans around seeing the game. Why the guilt? I don’t know how morally defensible is football anymore, as we now know the severe damage it does to the players. We can’t pretend it’s all okay anymore. Is this our version of late decadent Rome, watching mostly young Black men take a terrible toll on each other for our mere entertainment?
What I’m reading:
Recently finished J.G. Ballard’s 2000 novel Super-Cannes, a powerful depiction of a corporate-tech ex-pat community taken over by a kind of psychopathology, in which all social norms and responsibilities are surrendered to residents of the new world community. Kept thinking about Silicon Valley when reading it. Pretty dark, dystopian view of the modern world and centered around a mass killing, troublingly prescient.
What I’m listening to:
Was never really a Lorde fan, only knowing her catchy (and smarter than you might first guess) pop hit “Royals” from her debut album. But her new album, Melodrama, is terrific and it doesn’t feel quite right to call this “pop.” There is something way more substantial going on with Lorde and I can see why many critics put this album at the top of their Best in 2017 list. Count me in as a huge fan.
November 3, 2017
What I’m reading: Just finished Celeste Ng’s Little Fires Everywhere, her breathtakingly good second novel. How is someone so young so wise? Her writing is near perfection and I read the book in two days, setting my alarm for 4:30AM so I could finish it before work.
What I’m watching: We just binge watched season two of Stranger Things and it was worth it just to watch Millie Bobbie Brown, the transcendent young actor who plays Eleven. The series is a delightful mash up of every great eighties horror genre you can imagine and while pretty dark, an absolute joy to watch.
What I’m listening to: I’m not a lover of country music (to say the least), but I love Chris Stapleton. His “The Last Thing I Needed, First Thing This Morning” is heartbreakingly good and reminds me of the old school country that played in my house as a kid. He has a new album and I can’t wait, but his From A Room: Volume 1 is on repeat for now.
September 26, 2017
What I’m reading:
Just finished George Saunder’s Lincoln in the Bardo. It took me a while to accept its cadence and sheer weirdness, but loved it in the end. A painful meditation on loss and grief, and a genuinely beautiful exploration of the intersection of life and death, the difficulty of letting go of what was, good and bad, and what never came to be.
What I’m watching:
HBO’s The Deuce. Times Square and the beginning of the porn industry in the 1970s, the setting made me wonder if this was really something I’d want to see. But David Simon is the writer and I’d read a menu if he wrote it. It does not disappoint so far and there is nothing prurient about it.
What I’m listening to:
The National’s new album Sleep Well Beast. I love this band. The opening piano notes of the first song, “Nobody Else Will Be There,” seize me & I’m reminded that no one else in music today matches their arrangement & musicianship. I’m adding “Born to Beg,” “Slow Show,” “I Need My Girl,” and “Runaway” to my list of favorite love songs.
https://ift.tt/eA8V8J from President's Corner https://ift.tt/2r33GID via IFTTT
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prsonall · 5 years
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love triangle
yah so im in this really strange position rn where Erik told me last night that he sees me as someone who he’d date in the future when he’s all stable and ready for a relationship. Which is super dope because, in a selfish way, I really needed to hear that. I have been super low on self-confidence lately and just hearing that someone desires me for the possibility of something more than sex is doing really good things for my self-esteem. But, I also feel guilty about that because I basically have the same feelings / mindset about Armando. I really love the idea of being with him, but I think that a relationship (especially a long-distance relationship) wouldn’t be the right thing for me rn. So, we’re kind of in this situation now where Erik wants some form of intimacy with me in the future and I want some form on intimacy with Armando in the future, and I have no idea what he wants because the whole idea of talking about my feelings with him is absolutely terrifying because i’m damaged. Also, shockingly (lol), i’m still super down to have sex with both of them (separately... hmmm... haha) wow i just got super sidetracked with the idea of having a threesome with them. would that solve my problems? nope lmao. would it make things super awkward? yup. damn lol. so here i am chillin in these frickin boy problems while i have bare academic work to do and pretending like im not causing these problems for myself lmao. I’m definitely sexually frustrated. but like that isn’t an easy fix because i am sO picky and super concerned about being judged by my roommates (although, if i brought home a girl i’m pretty sure Brooklyn would be way to shook to say anything at all lmao). I really don’t want to say this in a rude way, but she’s kind of like a big boulder with her sexuality. Like, tbh i dont know where Sophie’s at but I kinda have this feeling that if she were bi or lesbian she’d feel similar to me in the sense that i feel like there’s no room for my sexuality because Brooklyn is taking up all the space. And yah, that’s probably super childish and stupid but I’m already in a weird enough place with it that i dont really want to make it any more complicated or uncomfy, yknow?
I really need to stop overanalyzing these problems and maybe do something productive. I also wanna make dinner tn bc i havent doe that in a while. okie. bye for now!
- September 18th, 2019 
5:40pm
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thrashermaxey · 5 years
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21 Fantasy Hockey Rambles
Every Sunday, we'll share 21 Fantasy Rambles — formerly titled 20 Fantasy Thoughts — from our writers at DobberHockey. These thoughts are curated from the past week's ‘Daily Ramblings’.
Writers: Michael Clifford, Ian Gooding, Cam Robinson, and Dobber
  1. After Auston Matthews scored his 100th goal, there were many mentions from various media about how few games he was able to complete that milestone in (187). However, does Matthews become a Band-Aid Boy Trainee this offseason? He lost 20 games to injury last season and 14 this season after playing a full 82 games in his first season. He’s got a long ways to go before he’s as notorious for injuries as Evgeni Malkin, but I’ll acknowledge that it’s something to keep an eye on.
Back to the other side of the coin: Since his rookie 2016-17 season, Matthews has the fifth-highest goal total (101) among all players. Among the four players ahead of him, only Alex Ovechkin has a higher goals-per-game total than Matthews, and the margin is miniscule. Matthews’ fantasy value will be elite if he can stay healthy. (feb16)
  2. There were some murmurs that Alexis Lafrenière, the uber 2020 prospect, might be going pro next year in Europe, taking the same route that Auston Matthews did prior to being drafted. That was very quickly put to rest by the future star’s agency.
Not that it’s hugely relevant for us fantasy-wise, but I always wonder about development for a player like this. Would it be better for a supremely talented player to go overseas for a season rather than spend it in junior hockey? Would it make him better prepared for his first season in the NHL? I don’t have an answer and I’m not sure there’s a concrete answer one way or another. I just think it’s an interesting discussion. (feb12)
  3. Hawks’ Dylan Strome has 18 points in his last 12 games and his 32 points in 35 games since the trade sits amongst the top-45 in the league over that span.
Imagine my surprise when a 21-year-old with exceptional pedigree blossoms in a new environment with more exposure to talented players and offensive situations. Shocking stuff. (feb13)
Still, this is just a warning. The points so far are largely the result of a percentage bender and not solid play-driving. There are still some things to like here; his passing metrics are solid and his unit with recent linemates Alex DeBrincat and Dominik Kahun have shown promise in a small sample of a sheltered role. Just be wary that the Blackhawks suddenly found a 70-point center to play behind Jonathan Toews, though. I’m skeptical. (feb12)
  4. For his part, Kahun has also been brought along beautifully, being given steady ice time. Not on the top line, but always with talent and without really being put in the doghouse despite stretches of lesser production. And now it’s really paying off. He has nine points in the last seven games. (feb11)
  5. New Oiler Sam Gagner got to Brooklyn in time for Saturday’s game against the Islanders. In case you were wondering if he would immediately be placed on the Connor McDavid line, there was no such luck. He started the game on a line with Tobias Rieder and Colby Cave but later Cave was swapped for Ryan Nugent-Hopkins. Gagner played just under ten minutes while receiving second-unit power-play time.
By the way, Jesse Puljujarvi was a healthy scratch for this game. Get him to the AHL. (feb17)
  6. I always liked Shea Theodore. I thought his small samples showed well in Anaheim and just watching him play, you saw a defenceman who could skate and pass out of danger and would always look for an offensive opportunity. That kind of cooled off in Vegas’s inaugural season (remember when he started the year in the AHL?) but is back in full force this season.
Defensively there are still issues, but those aren’t huge concerns for us fantasy-wise as long as it doesn’t lead to a loss in ice time.
Theodore’s ability to drive offense cannot be overstated. For example: among 132 defensemen with 700 five-on-five minutes this year, he’s fifth in driving shot attempts for his team relative to his teammates. The four guys ahead of him: Dougie Hamilton, Thomas Chabot, Erik Karlsson, and Brent Burns. That’s pretty good company.
This is a very, very good offensive talent. His issue for fantasy is playing enough minutes to really be a top-tier talent. If he ever starts to earn more minutes, there is a lot of upside beyond 40 points. (feb14)
  7. I’ve touched on Thomas Chabot before and just a cursory search of ‘Thomas Chabot’ here at Dobber will reveal a lot more on Chabot from this season. I won’t feed a fed horse here so I’ll let most of what I’ve written stand.
What I will say is that there is still some work to do defensively. Like Theodore, he’ll need to be better defensively to really earn a lot of minutes. With that said, if Cody Ceci doesn’t return next season, there really isn’t much in Ottawa for coach Guy Boucher to lean on minutes-wise. It’s not like in Vegas where if Theodore isn’t performing, the coach can turn to Colin Miller, or Nate Schmidt, or even Brayden McNabb. In Ottawa, they turn to… Christian Wolanin? Ben Harpur? Mark Borowiecki? It’s basically Dylan DeMelo and that’s it.
Chabot has the look of a defenseman you build a franchise around. He’s still just 22 and has just over 100 NHL games under his belt. This team is rebuilding but having someone like Chabot is nearly as good a start as a general manager can hope for. (feb14)
  8. Overall, the Canes have had great goaltending from the Petr Mrazek / Curtis McElhinney tandem recently, allowing just five goals over their last five games.
Mrazek and McElhinney are both in the top 15 in goals-against average among goalies that have played at least 20 games, so maybe they could even be considered a poor man’s Islanders’ tandem (as weird as that may sound). (feb17)
  9. Nino Niederreiter has eight goals and 12 points in 13 games since joining the Hurricanes. El Nino had scored just nine goals in 46 games for the Wild before that.
A regression will come, but sometimes a trade can perform wonders for a player’s value. Having a playmaker as skilled as Sebastian Aho has helped, as Niederreiter’s shots-per-game total has doubled since the trade (3.83 SOG/GP in Carolina before Saturday’s game vs. 1.76 SOG/GP in Minnesota). (feb16)
  10. BTW, if you’re the Hurricanes and currently battling for the last playoff spot in the East, should you really trade Micheal Ferland? Isn’t he the kind of player that you need down the stretch and into the playoffs, should you make it there? With his 16th goal of the season on Saturday, Ferland has five points in his last three games. (feb17)
  11. Dustin Byfuglien was out of the Jets’ lineup on Saturday because of a lower-body injury.  Even though Big Buff is still a beast out there, I’ve predicted over the last couple seasons that the wear and tear of his physical game would catch up to him. Now we’re seeing signs of that, as the now 33-year-old blueliner has already missed 22 games and counting this season.
Whenever Byfuglien has been out of the lineup, Josh Morrissey has been considered the Jets’ defenseman to start in your lineup. Morrissey logged nearly 25 minutes on Saturday. (feb17)
  12. Could the Bruins’ goalie situation be a timeshare again? Well… they have played three back-to-backs in the past week and a half, but Tuukka Rask and Jaroslav Halak have alternated over the last seven games. For more goalie starts, don’t forget to check out Goalie Post. (feb16)
  13. I forgot to mention this during my Randy Carlyle eulogy. One contract that Bob Murray probably wishes he could have back is Ryan Kesler’s. The latter has three more seasons after this one at nearly $7 million per, and he has put up an anemic six points in 49 games.
Kesler already had a ton of wear and tear when he signed that extension with the Ducks, and they managed to get one good year out of that contract (two good years with the Ducks before that). I can’t see this contract lasting until the end. (feb16)
  14. Andreas Athanasiou has his first 20-goal season with more goals to come. He hasn’t been blessed with Detroit’s top forwards as linemates (Dylan Larkin immediately comes to mind), but he’s using his speed to make the most of what he has been given.
If his production is a surprise to you, keep in mind that this is his fourth season. With his skill, I can’t help but think there’s more to come. (feb15)
  15. Jordan Binnington has now won seven games in a row, while the Blues as a team have won nine in a row. Coach Craig Berube and Binnington have not only rescued the Blues’ season, but they are now lifting the Blues above the pile of struggling teams that are still within shouting distance of a playoff spot in the Western Conference. (feb15)
16. Meanwhile, Vladimir Tarasenko is now riding an 11-game point streak and has 10 points (6g-4a) over his last four games. His season has turned around completely just as the Blues’ season has, which is why it's wise not to write off a stud when all hope seems lost (Patrik Laine owners, are you paying attention?) I was hoping that Berube would try Tarasenko with Ryan O’Reilly, which has turned out to be beneficial for Tarasenko, O’Reilly, and Brayden Schenn. (feb15)
  17. Nikita Kucherov is up to 94 points in just 59 games. He’s clicking away at a 1.59 point-per-game pace. No one has achieved that feat in a full season since Joe Thornton threw down a 125 pointer in 2005-06.
Meanwhile, teammate, Brayden Point has chipped in with 75 points in 58 games. Thank goodness Tampa Bay is in a no-tax state. That’s the only reason the Bolts will keep him at a reasonable number as an RFA this summer. (feb13)
  18. Rangers’ Mika Zibanejad has 13 goals in his last 12 games and 25 on the season – two shy of his career-high mark set last season. The shooting percentage (15.0%) is due for a slight dip, but his metrics appear stable. The 25-year-old looks every bit the part of No.1 center on Broadway. Will people believe it heading into drafts next season? I’m guessing no. (feb13)
  19. Nate Thompson and a fifth-round pick were traded to Montreal in exchange for a fourth-round pick this past week. There’s no fantasy relevance here whatsoever but it’s always nice to see general manager Marc Bergevin in the midst of his annual Fourth Line Bonanza. One of these seasons, he’ll acquire useful players at the Trade Deadline (Phillip Danault excepted) and we’ll all rejoice. (feb12)
  20. Viktor Arvidsson is shooting for a Cy Young Award with 26 goals and eight assists. Generally speaking, he’s a 50-50 goal/assist distribution player and while his goals are a tad high, his assists are far too low. I think he has another gear that can push him above 80 points if he can play a full season. (feb11)
  21. Frank Vatrano has 19 goals on the season and has been skating alongside Vincent Trocheck and Jonathan Huberdeau, so strike while the iron is hot.
Provided he stays healthy, which is a big drawback with him, he has enough talent to continue putting up decent points.
The Panthers have a nice distribution of offense now thanks to Derick Brassard up on the top line with Aleksander Barkov and Evgenii Dadonov, and a third line of Henrik Borgstrom, Mike Hoffman and Riley Sheahan. (feb11)  
Have a good week, folks!!
  from All About Sports https://dobberhockey.com/hockey-home/21-fantasy-hockey-rambles/21-fantasy-hockey-rambles-5/
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sliceannarbor · 6 years
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João Canziani
Photographer/Director New York City, New York Los Angeles, California joaocanziani.com
SPECIAL GUEST SERIES
João Canziani is a New York City-based photographer and director specializing in advertising, editorial portraits and travel, and personal work. His photographs have been featured in such publications as Afar, Bloomberg Markets, Travel & Leisure, Monocle, New York, Fast Company, Outside, Esquire, Real Simple and Wired, among others. João’s client list spans the likes of Apple, Nike, Delta Airlines, American Express, Microsoft, Verizon, and Lyft. He earned a bachelor’s degree in psychology at Simon Fraser University in Vancouver, Canada, and a BFA in photography at the Art Center College of Design in Los Angeles. The recipient of numerous awards, João has been recognized by American Photography and PDN Photo Annual. When he’s not working, you can find him bouncing his nine-month-old daughter, Paloma, on his lap, or running around Prospect Park when he’s “had enough with retouching or taking care of business.” João lives in Brooklyn with his wife Jordan, daughter, and “little pipsqueak of a dog” called Reggie. 
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FAVORITES
Book: I’ve been reading Werner Herzog��s The Conquest of the Useless over the past few months, and I love it, but it’s been difficult to finish. I blame Paloma and the stop-and-go nature of my job. But also, I’d rather talk about favorite movies than favorite books. And if there’s one movie I’ve loved over the past year, it’s Call Me by Your Name. So if you’re reading this, and you haven’t already done so, go see that movie.
Destination: For shooting, most likely India. The light is incredible due to the smoke, I suspect. But that would be nothing without the rich, complicated, and chaotic culture there. There are a thousand stories happening at once on the street, and the moment you click the camera, you get sucked into wanting to dig at it more. Also, drop me anywhere in Italy.
Motto: It sounds so cheesy and somewhat banal, but for me it is, “You only live once.” I strive to live by it, and bug dear friends from time to time that they should too.
Prized possession: My iPhone. I really don’t know what I would do without it. Everything in my professional life goes through it. But I guess I would be liberated if I’d lost it.
THE QUERY 
Where were you born?
Lima, Perú.
What were some of the passions and pastimes of your earlier years?
I liked to draw when I was a kid - elaborate drawings of machines and vehicles and things, inspired by the gadgets of James Bond and Star Wars and such. I was set, I thought, to be an industrial designer or architect.
What is your first memory of photography as an experience?
I don’t think I can remember the first memory, but I do remember, after we moved from Perú to Canada, bugging my dad to no end when I repeatedly asked him to stop the car so that I could take a picture of the landscape when we took our weekend family road trips.
How did you begin to realize your intrigue with the art and science of photography?
I started shooting the last couple years of high school, and I took a photography class with a very nice teacher. Then at home, I took what I learned and I built myself a little black-and-white darkroom in the basement bathroom. I used to lock myself in there for hours. The pictures weren’t very good, but I loved being in there.
Why does this form of artistic expression suit you?
As I mentioned, I thought I’d be an industrial designer or architect. I also loved graphic design. But somewhere along the line, I decided that I didn’t want to be stuck in an office or studio all day. Photography offered me the chance to know the world, and then it taught me that I could enjoy the aspects of photography such as color and composition.
When and how did you get your start in the profession?
I moved to the U.S. from Canada in my late twenties so that I could study photography at the Art Center in Pasadena, California. I finished the full eight terms of school without a break inbetween, but unfortunately I graduated right before September 11, 2001. I was actually in New York for the first time when it happened. Long story short, this event halted my plans and career for a bit, as everything got disrupted. As you could imagine, starting a photography career right after that was quite tough, if not impossible. So for the next couple of years I assisted other photographers instead and got a little lazy and unmotivated. But slowly I got up, built a more relevant portfolio of personal work I had, and starting knocking on magazines’ doors. It took a while, but a magazine called The Fader called me back, and I started shooting small but really rewarding assignments of upcoming actors and music bands.
Is there a project/period along the way that has presented an important learning curve?
Yes, right after I moved to NYC, in 2009. I had another awakening, as if the world of photography became my oyster, and I started pushing myself to produce work that I was really happy with. I left this feeling of complacency behind.
Where have your travels taken you on assignment work?
Very fortunate to say that to quite a lot of places around the world. I’m currently in South Africa for the first time. First time in Africa, in fact. And after this I fly to Barcelona for another assignment. There’s still a huge chunk of Asia I don’t know either.
Is there a most memorable shoot, and why?
Yeah, I think this series of shoots I did for Apple toward the end of 2013. I worked alongside a director that inadvertently planted the seed in me to pursue more motion projects. If I’m allowed to name-drop one person, then let it be him (people that know me are likely really tired of me mentioning him, but I have to here, one last time): Emmanuel “Chivo” Lubezki, cinematographer extraordinaire of films such as The Revenant, Children of Men, and Birdman. Apart from that, these shoots were so special because they took me to India and China for the first time. I fell in love with India.
Do you have a favorite photographic image in your portfolio?
Oh man, it’s tough to pick just one. But if I have to, I suppose this blurred image of the moon and the forest in Patagonia that I shot in June of last year when I profiled chef Francis Mallmann for Esquire magazine.
What is the greatest challenge in capturing a very personal portrait?
Trying to break through the inhibitions and/or complexities of a person, particularly when that person has rarely been photographed (a “real” person, the somewhat ridiculous term people like to call those that don’t get shot for a living).
How would you describe your creative process? 
Hmmm, that’s a good question. Striving for balance in life I guess: feeling confident and good about oneself. For me, this means going running (or swimming in summer), enjoying good food and a good bottle of wine on occasion, spending quality time with my family, and most importantly shooting often, whether personally or for clients. I find this balance is the only way that I can feel creative enough to be able to try to discover new ways of seeing, for myself.
What three tools of the trade can’t you live without?
A camera, computer, and credit card.
How has your aesthetic/style evolved over the years?
I used to strive to shoot in a more formalistic way, as I shot a lot of 4x5 and medium format film. I used to think of complete and very neat (in the orderly meaning of the term) compositions and right angles. But I started breaking that down and trying to be a bit less derivative and boring. I began to get excited with infusing more color into my work, and striving to be a bit more intense and visceral.
Is there a photographer living today that you admire most?
Yes, indeed. Maybe these two if you’re asking me this question at this very minute: Christopher Anderson and Erik Madigan Heck.
What has been a pivotal period or moment in your life?
It used to be the first couple of years in New York, but now most definitely the birth of my daughter in the spring of last year. I know the repercussions of this event are still developing and growing in front of me, meaning that I know that over the years she will keep on inspiring me, but today is just the beginning.
Do you have a favorite artistic resource or inspiration that you turn to?
Oh boy, the first thing that comes to mind is Instagram. Take it or leave it, but I get inspired a lot there, particularly when I’m unable to go to a museum or a gallery because we’re at home with our daughter. But actually, other than that, I love watching movies and well-written TV shows. And, other photographers’ work I find through Instagram or online (it used to be Tumblr). Music. Music! But a bit of everywhere really.
What’s the best advice you’ve ever received?
Maybe an implicit advice I tell myself: Some things are just not meant to be. Give it a good fight, but know when to move on.
Is there a book or film that has changed you? 
Not sure if there’s something that has “changed” me like that, completely. But so many films or books have changed me gradually, over the years, nourishing and developing the way I see the world creatively.
Who in your life would you like to thank, and for what?
My wife for giving me the most precious gift.
What are you working on right now?
Currently editing this assignment I just finished in South Africa, and getting ready to embark on another in Spain.
What drives you these days?
The need to create, the need to discover, the need to love.
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thesnhuup · 5 years
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Pop Picks — August 30, 2019
August 30, 2019
What I’m listening to: 
I usually go to music here, but the New York Times new 1619 podcast is just terrific, as is the whole project, which observes the sale of the first enslaved human beings on our shores 400 years ago. The first episode, “The Fight for a True Democracy” is a remarkable overview (in a mere 44 minutes) of the centrality of racism and slavery in the American story over those 400 years. It should be mandatory listening in every high school in the country. I’m eager for the next episodes. Side note: I am addicted to The Daily podcast, which gives more color and detail to the NY Times stories I read in print (yes, print), and reminds me of how smart and thoughtful are those journalists who give us real news. We need them now more than ever.
What I’m reading: 
Colson Whitehead has done it again. The Nickel Boys, his new novel, is a worthy successor to his masterpiece The Underground Railroad, and because it is closer to our time, based on the real-life horrors of a Florida reform school, and written a time of resurgent White Supremacy, it hits even harder and with more urgency than its predecessor. Maybe because we can read Underground Railroad with a sense of “that was history,” but one can’t read Nickel Boys without the lurking feeling that such horrors persist today and the monsters that perpetrate such horrors walk among us. They often hold press conferences.
What I’m watching:
Queer Eye, the Netflix remake of the original Queer Eye for the Straight Guy some ten years later, is wondrously entertaining, but it also feels adroitly aligned with our dysfunctional times. Episode three has a conversation with Karamo Brown, one of the fab five, and a Georgia small town cop (and Trump supporter) that feels unscripted and unexpected and reminds us of how little actual conversation seems to be taking place in our divided country. Oh, for more car rides such as the one they take in that moment, when a chasm is bridged, if only for a few minutes. Set in the South, it is often a refreshing and affirming response to what it means to be male at a time of toxic masculinity and the overdue catharsis and pain of the #MeToo movement. Did I mention? It’s really fun.
Archive 
July 1, 2019
What I’m listening to: 
The National remains my favorite band and probably 50% of my listening time is a National album or playlist. Their new album I Am Easy To Find feels like a turning point record for the band, going from the moody, outsider introspection and doubt of lead singer Matt Berninger to something that feels more adult, sophisticated, and wiser. I might have titled it Women Help The Band Grow Up. Matt is no longer the center of The National’s universe and he frequently cedes the mic to the many women who accompany and often lead on the long, their longest, album. They include Gail Ann Dorsey (who sang with Bowie for a long time), who is amazing, and a number of the songs were written by Carin Besser, Berninger’s wife. I especially love the Brooklyn Youth Chorus, the arrangements, and the sheer complexity and coherence of the work. It still amazes me when I meet someone who does not know The National. My heart breaks for them just a little.
What I’m reading: 
Pat Barker’s The Silence of the Girls is a retelling of Homer’s Iliad through the lens of a captive Trojan queen, Briseis. As a reviewer in The Atlantic writes, it answers the question “What does war mean to women?” We know the answer and it has always been true, whether it is the casual and assumed rape of captive women in this ancient war story or the use of rape in modern day Congo, Syria, or any other conflict zone. Yet literature almost never gives voice to the women – almost always minor characters at best — and their unspeakable suffering. Barker does it here for Briseis, for Hector’s wife Andromache, and for the other women who understand that the death of their men is tragedy, but what they then endure is worse. Think of it ancient literature having its own #MeToo moment. The NY Times’ Geraldine Brooks did not much like the novel. I did. Very much.
What I’m watching: 
The BBC-HBO limited series Years and Years is breathtaking, scary, and absolutely familiar. It’s as if Black Mirrorand Children of Men had a baby and it precisely captures the zeitgeist, the current sense that the world is spinning out of control and things are coming at us too fast. It is a near future (Trump has been re-elected and Brexit has occurred finally)…not dystopia exactly, but damn close. The closing scene of last week’s first episode (there are 6 episodes and it’s on every Monday) shows nuclear war breaking out between China and the U.S. Yikes! The scope of this show is wide and there is a big, baggy feel to it – but I love the ambition even if I’m not looking forward to the nightmares.
May 19, 2019
What I’m listening to: 
I usually go to music here, but I was really moved by this podcast of a Davis Brooks talk at the Commonwealth Club in Silicon Valley: https://www.commonwealthclub.org/events/archive/podcast/david-brooks-quest-moral-life.  While I have long found myself distant from his political stance, he has come through a dark night of the soul and emerged with a wonderful clarity about calling, community, and not happiness (that most superficial of goals), but fulfillment and meaning, found in community and human kinship of many kinds. I immediately sent it to my kids.
What I’m reading: 
Susan Orlean’s wonderful The Library Book, a love song to libraries told through the story of the LA Central Library.  It brought back cherished memories of my many hours in beloved libraries — as a kid in the Waltham Public Library, a high schooler in the Farber Library at Brandeis (Lil Farber years later became a mentor of mine), and the cathedral-like Bapst Library at BC when I was a graduate student. Yes, I was a nerd. This is a love song to books certainly, but a reminder that libraries are so, so much more.  It is a reminder that libraries are less about a place or being a repository of information and, like America at its best, an idea and ideal. By the way, oh to write like her.
What I’m watching: 
What else? Game of Thrones, like any sensible human being. This last season is disappointing in many ways and the drop off in the writing post George R.R. Martin is as clear as was the drop off in the post-Sorkin West Wing. I would be willing to bet that if Martin has been writing the last season, Sansa and Tyrion would have committed suicide in the crypt. That said, we fans are deeply invested and even the flaws are giving us so much to discuss and debate. In that sense, the real gift of this last season is the enjoyment between episodes, like the old pre-streaming days when we all arrived at work after the latest episode of the Sopranos to discuss what we had all seen the night before. I will say this, the last two episodes — full of battle and gore – have been visually stunning. Whether the torches of the Dothraki being extinguished in the distance or Arya riding through rubble and flame on a white horse, rarely has the series ascended to such visual grandeur.
March 28, 2019
What I’m listening to: 
There is a lovely piece played in a scene from A Place Called Home that I tracked down. It’s Erik Satie’s 3 Gymnopédies: Gymnopédie No. 1, played by the wonderful pianist Klára Körmendi. Satie composed this piece in 1888 and it was considered avant-garde and anti-Romantic. It’s minimalism and bit of dissonance sound fresh and contemporary to my ears and while not a huge Classical music fan, I’ve fallen in love with the Körmendi playlist on Spotify. When you need an alternative to hours of Cardi B.
What I’m reading: 
Just finished Esi Edugyan’s 2018 novel Washington Black. Starting on a slave plantation in Barbados, it is a picaresque novel that has elements of Jules Verne, Moby Dick, Frankenstein, and Colson Whitehead’s Underground Railroad. Yes, it strains credulity and there are moments of “huh?”, but I loved it (disclosure: I was in the minority among my fellow book club members) and the first third is a searing depiction of slavery. It’s audacious, sprawling (from Barbados to the Arctic to London to Africa), and the writing, especially about nature, luminous. 
What I’m watching: 
A soap opera. Yes, I’d like to pretend it’s something else, but we are 31 episodes into the Australian drama A Place Called Home and we are so, so addicted. Like “It’s  AM, but can’t we watch just one more episode?” addicted. Despite all the secrets, cliff hangers, intrigue, and “did that just happen?” moments, the core ingredients of any good soap opera, APCH has superb acting, real heft in terms of subject matter (including homophobia, anti-Semitism, sexual assault, and class), touches of our beloved Downton Abbey, and great cars. Beware. If you start, you won’t stop.
February 11, 2019
What I’m listening to:
Raphael Saadiq has been around for quite a while, as a musician, writer, and producer. He’s new to me and I love his old school R&B sound. Like Leon Bridges, he brings a contemporary freshness to the genre, sounding like a young Stevie Wonder (listen to “You’re The One That I Like”). Rock and Roll may be largely dead, but R&B persists – maybe because the former was derivative of the latter and never as good (and I say that as a Rock and Roll fan). I’m embarrassed to only have discovered Saadiq so late in his career, but it’s a delight to have done so.
What I’m reading:
Just finished Marilynne Robinson’s Home, part of her trilogy that includes the Pulitzer Prize winning first novel, Gilead, and the book after Home, Lila. Robinson is often described as a Christian writer, but not in a conventional sense. In this case, she gives us a modern version of the prodigal son and tells the story of what comes after he is welcomed back home. It’s not pretty. Robinson is a self-described Calvinist, thus character begets fate in Robinson’s world view and redemption is at best a question. There is something of Faulkner in her work (I am much taken with his famous “The past is never past” quote after a week in the deep South), her style is masterful, and like Faulkner, she builds with these three novels a whole universe in the small town of Gilead. Start with Gilead to better enjoy Home.
What I’m watching:
Sex Education was the most fun series we’ve seen in ages and we binged watched it on Netflix. A British homage to John Hughes films like The Breakfast Club, Ferris Bueller’s Day Off, and Pretty in Pink, it feels like a mash up of American and British high schools. Focusing on the relationship of Maeve, the smart bad girl, and Otis, the virginal and awkward son of a sex therapist (played with brilliance by Gillian Anderson), it is laugh aloud funny and also evolves into more substance and depth (the abortion episode is genius). The sex scenes are somehow raunchy and charming and inoffensive at the same time and while ostensibly about teenagers (it feels like it is explaining contemporary teens to adults in many ways), the adults are compelling in their good and bad ways. It has been renewed for a second season, which is a gift.
January 3, 2019
What I’m listening to:
My listening choices usually refer to music, but this time I’m going with Malcolm Gladwell’s Revisionist History podcast on genius and the song Hallelujah. It tells the story of Leonard Cohen’s much-covered song Hallelujah and uses it as a lens on kinds of genius and creativity. Along the way, he brings in Picasso and Cézanne, Elvis Costello, and more. Gladwell is a good storyteller and if you love pop music, as I do, and Hallelujah, as I do (and you should), you’ll enjoy this podcast. We tend to celebrate the genius who seems inspired in the moment, creating new work like lightning strikes, but this podcast has me appreciating incremental creativity in a new way. It’s compelling and fun at the same time.
What I’m reading:
Just read Clay Christensen’s new book, The Prosperity Paradox: How Innovation Can Lift Nations Out of Poverty. This was an advance copy, so soon available. Clay is an old friend and a huge influence on how we have grown SNHU and our approach to innovation. This book is so compelling, because we know attempts at development have so often been a failure and it is often puzzling to understand why some countries with desperate poverty and huge challenges somehow come to thrive (think S. Korea, Singapore, 19th C. America), while others languish. Clay offers a fresh way of thinking about development through the lens of his research on innovation and it is compelling. I bet this book gets a lot of attention, as most of his work does. I also suspect that many in the development community will hate it, as it calls into question the approach and enormous investments we have made in an attempt to lift countries out of poverty. A provocative read and, as always, Clay is a good storyteller.
What I’m watching:
Just watched Leave No Trace and should have guessed that it was directed by Debra Granik. She did Winter’s Bone, the extraordinary movie that launched Jennifer Lawrence’s career. Similarly, this movie features an amazing young actor, Thomasin McKenzie, and visits lives lived on the margins. In this case, a veteran suffering PTSD, and his 13-year-old daughter. The movie is patient, is visually lush, and justly earned 100% on Rotten Tomatoes (I have a rule to never watch anything under 82%). Everything in this film is under control and beautifully understated (aside from the visuals) – confident acting, confident directing, and so humane. I love the lack of flashbacks, the lack of sensationalism – the movie trusts the viewer, rare in this age of bombast. A lovely film.
December 4, 2018
What I’m listening to:
Spending a week in New Zealand, we had endless laughs listening to the Kiwi band, Flight of the Conchords. Lots of comedic bands are funny, but the music is only okay or worse. These guys are funny – hysterical really – and the music is great. They have an uncanny ability to parody almost any style. In both New Zealand and Australia, we found a wry sense of humor that was just delightful and no better captured than with this duo. You don’t have to be in New Zealand to enjoy them.
What I’m reading:
I don’t often reread. For two reasons: A) I have so many books on my “still to be read” pile that it seems daunting to also rereadbooks I loved before, and B) it’s because I loved them once that I’m a little afraid to read them again. That said, I was recently asked to list my favorite book of all time and I answered Leo Tolstoy’s Anna Karenina. But I don’t really know if that’s still true (and it’s an impossible question anyway – favorite book? On what day? In what mood?), so I’m rereading it and it feels like being with an old friend. It has one of my very favorite scenes ever: the card game between Levin and Kitty that leads to the proposal and his joyous walking the streets all night.
What I’m watching:
Blindspotting is billed as a buddy-comedy. Wow does that undersell it and the drama is often gripping. I loved Daveed Diggs in Hamilton, didn’t like his character in Black-ish, and think he is transcendent in this film he co-wrote with Rafael Casal, his co-star.  The film is a love song to Oakland in many ways, but also a gut-wrenching indictment of police brutality, systemic racism and bias, and gentrification. The film has the freshness and raw visceral impact of Spike Lee’s Do the Right Thing. A great soundtrack, genre mixing, and energy make it one of my favorite movies of 2018.
October 15, 2018 
What I’m listening to:
We had the opportunity to see our favorite band, The National, live in Dallas two weeks ago. Just after watching Mistaken for Strangers, the documentary sort of about the band. So we’ve spent a lot of time going back into their earlier work, listening to songs we don’t know well, and reaffirming that their musicality, smarts, and sound are both original and astoundingly good. They did not disappoint in concert and it is a good thing their tour ended, as we might just spend all of our time and money following them around. Matt Berninger is a genius and his lead vocals kill me (and because they are in my range, I can actually sing along!). Their arrangements are profoundly good and go right to whatever brain/heart wiring that pulls one in and doesn’t let them go.
What I’m reading:
Who is Richard Powers and why have I only discovered him now, with his 12th book? Overstory is profoundly good, a book that is essential and powerful and makes me look at my everyday world in new ways. In short, a dizzying example of how powerful can be narrative in the hands of a master storyteller. I hesitate to say it’s the best environmental novel I’ve ever read (it is), because that would put this book in a category. It is surely about the natural world, but it is as much about we humans. It’s monumental and elegiac and wondrous at all once. Cancel your day’s schedule and read it now. Then plant a tree. A lot of them.
What I’m watching:
Bo Burnham wrote and directed Eighth Grade and Elsie Fisher is nothing less than amazing as its star (what’s with these new child actors; see Florida Project). It’s funny and painful and touching. It’s also the single best film treatment that I have seen of what it means to grow up in a social media shaped world. It’s a reminder that growing up is hard. Maybe harder now in a world of relentless, layered digital pressure to curate perfect lives that are far removed from the natural messy worlds and selves we actually inhabit. It’s a well-deserved 98% on Rotten Tomatoes and I wonder who dinged it for the missing 2%.
September 7, 2018
What I’m listening to:
With a cover pointing back to the Beastie Boys’ 1986 Licensed to Ill, Eminem’s quietly released Kamikaze is not my usual taste, but I’ve always admired him for his “all out there” willingness to be personal, to call people out, and his sheer genius with language. I thought Daveed Diggs could rap fast, but Eminem is supersonic at moments, and still finds room for melody. Love that he includes Joyner Lucas, whose “I’m Not Racist” gets added to the growing list of simply amazing music videos commenting on race in America. There are endless reasons why I am the least likely Eminem fan, but when no one is around to make fun of me, I’ll put it on again.
What I’m reading:
Lesley Blume’s Everyone Behaves Badly, which is the story behind Hemingway’s The Sun Also Rises and his time in 1920s Paris (oh, what a time – see Midnight in Paris if you haven’t already). Of course, Blume disabuses my romantic ideas of that time and place and everyone is sort of (or profoundly so) a jerk, especially…no spoiler here…Hemingway. That said, it is a compelling read and coming off the Henry James inspired prose of Mrs. Osmond, it made me appreciate more how groundbreaking was Hemingway’s modern prose style. Like his contemporary Picasso, he reinvented the art and it can be easy to forget, these decades later, how profound was the change and its impact. And it has bullfights.
What I’m watching:
Chloé Zhao’s The Rider is just exceptional. It’s filmed on the Pine Ridge Reservation, which provides a stunning landscape, and it feels like a classic western reinvented for our times. The main characters are played by the real-life people who inspired this narrative (but feels like a documentary) film. Brady Jandreau, playing himself really, owns the screen. It’s about manhood, honor codes, loss, and resilience – rendered in sensitive, nuanced, and heartfelt ways. It feels like it could be about large swaths of America today. Really powerful.
August 16, 2018
What I’m listening to:
In my Spotify Daily Mix was Percy Sledge’s When A Man Loves A Woman, one of the world’s greatest love songs. Go online and read the story of how the song was discovered and recorded. There are competing accounts, but Sledge said he improvised it after a bad breakup. It has that kind of aching spontaneity. It is another hit from Muscle Shoals, Alabama, one of the GREAT music hotbeds, along with Detroit, Nashville, and Memphis. Our February Board meeting is in Alabama and I may finally have to do the pilgrimage road trip to Muscle Shoals and then Memphis, dropping in for Sunday services at the church where Rev. Al Green still preaches and sings. If the music is all like this, I will be saved.
What I’m reading:
John Banville’s Mrs. Osmond, his homage to literary idol Henry James and an imagined sequel to James’ 1881 masterpiece Portrait of a Lady. Go online and read the first paragraph of Chapter 25. He is…profoundly good. Makes me want to never write again, since anything I attempt will feel like some other, lowly activity in comparison to his mastery of language, image, syntax. This is slow reading, every sentence to be savored.
What I’m watching:
I’ve always respected Supreme Court Justice Ruth Bader Ginsburg, but we just watched the documentary RGB. It is over-the-top great and she is now one of my heroes. A superwoman in many ways and the documentary is really well done. There are lots of scenes of her speaking to crowds and the way young women, especially law students, look at her is touching.  And you can’t help but fall in love with her now late husband Marty. See this movie and be reminded of how important is the Law.
July 23, 2018
What I’m listening to:
Spotify’s Summer Acoustic playlist has been on repeat quite a lot. What a fun way to listen to artists new to me, including The Paper Kites, Hollow Coves, and Fleet Foxes, as well as old favorites like Leon Bridges and Jose Gonzalez. Pretty chill when dialing back to a summer pace, dining on the screen porch or reading a book.
What I’m reading:
Bryan Stevenson’s Just Mercy. Founder of the Equal Justice Initiative, Stevenson tells of the racial injustice (and the war on the poor our judicial system perpetuates as well) that he discovered as a young graduate from Harvard Law School and his fight to address it. It is in turn heartbreaking, enraging, and inspiring. It is also about mercy and empathy and justice that reads like a novel. Brilliant.
What I’m watching:
Fauda. We watched season one of this Israeli thriller. It was much discussed in Israel because while it focuses on an ex-special agent who comes out of retirement to track down a Palestinian terrorist, it was willing to reveal the complexity, richness, and emotions of Palestinian lives. And the occasional brutality of the Israelis. Pretty controversial stuff in Israel. Lior Raz plays Doron, the main character, and is compelling and tough and often hard to like. He’s a mess. As is the world in which he has to operate. We really liked it, and also felt guilty because while it may have been brave in its treatment of Palestinians within the Israeli context, it falls back into some tired tropes and ultimately falls short on this front.
June 11, 2018
What I’m listening to:
Like everyone else, I’m listening to Pusha T drop the mic on Drake. Okay, not really, but do I get some points for even knowing that? We all walk around with songs that immediately bring us back to a time or a place. Songs are time machines. We are coming up on Father’s Day. My own dad passed away on Father’s Day back in 1994 and I remembering dutifully getting through the wake and funeral and being strong throughout. Then, sitting alone in our kitchen, Don Henley’s The End of the Innocence came on and I lost it. When you lose a parent for the first time (most of us have two after all) we lose our innocence and in that passage, we suddenly feel adult in a new way (no matter how old we are), a longing for our own childhood, and a need to forgive and be forgiven. Listen to the lyrics and you’ll understand. As Wordsworth reminds us in In Memoriam, there are seasons to our grief and, all these years later, this song no longer hits me in the gut, but does transport me back with loving memories of my father. I’ll play it Father’s Day.
What I’m reading:
The Fifth Season, by N. K. Jemisin. I am not a reader of fantasy or sci-fi, though I understand they can be powerful vehicles for addressing the very real challenges of the world in which we actually live. I’m not sure I know of a more vivid and gripping illustration of that fact than N. K. Jemisin’s Hugo Award winning novel The Fifth Season, first in her Broken Earth trilogy. It is astounding. It is the fantasy parallel to The Underground Railroad, my favorite recent read, a depiction of subjugation, power, casual violence, and a broken world in which our hero(s) struggle, suffer mightily, and still, somehow, give us hope. It is a tour de force book. How can someone be this good a writer? The first 30 pages pained me (always with this genre, one must learn a new, constructed world, and all of its operating physics and systems of order), and then I could not put it down. I panicked as I neared the end, not wanting to finish the book, and quickly ordered the Obelisk Gate, the second novel in the trilogy, and I can tell you now that I’ll be spending some goodly portion of my weekend in Jemisin’s other world.
What I’m watching:
The NBA Finals and perhaps the best basketball player of this generation. I’ve come to deeply respect LeBron James as a person, a force for social good, and now as an extraordinary player at the peak of his powers. His superhuman play during the NBA playoffs now ranks with the all-time greats, Larry Bird, Magic Johnson, MJ, Kobe, and the demi-god that was Bill Russell. That his Cavs lost in a 4-game sweep is no surprise. It was a mediocre team being carried on the wide shoulders of James (and matched against one of the greatest teams ever, the Warriors, and the Harry Potter of basketball, Steph Curry) and, in some strange way, his greatness is amplified by the contrast with the rest of his team. It was a great run.
May 24, 2018
What I’m listening to:
I’ve always liked Alicia Keys and admired her social activism, but I am hooked on her last album Here. This feels like an album finally commensurate with her anger, activism, hope, and grit. More R&B and Hip Hop than is typical for her, I think this album moves into an echelon inhabited by a Marvin Gaye’s What’s Going On or Beyonce’s Formation. Social activism and outrage rarely make great novels, but they often fuel great popular music. Here is a terrific example.
What I’m reading:
Colson Whitehead’s Underground Railroad may be close to a flawless novel. Winner of the 2017 Pulitzer, it chronicles the lives of two runaway slaves, Cora and Caeser, as they try to escape the hell of plantation life in Georgia.  It is an often searing novel and Cora is one of the great heroes of American literature. I would make this mandatory reading in every high school in America, especially in light of the absurd revisionist narratives of “happy and well cared for” slaves. This is a genuinely great novel, one of the best I’ve read, the magical realism and conflating of time periods lifts it to another realm of social commentary, relevance, and a blazing indictment of America’s Original Sin, for which we remain unabsolved.
What I’m watching:
I thought I knew about The Pentagon Papers, but The Post, a real-life political thriller from Steven Spielberg taught me a lot, features some of our greatest actors, and is so timely given the assault on our democratic institutions and with a presidency out of control. It is a reminder that a free and fearless press is a powerful part of our democracy, always among the first targets of despots everywhere. The story revolves around the legendary Post owner and D.C. doyenne, Katharine Graham. I had the opportunity to see her son, Don Graham, right after he saw the film, and he raved about Meryl Streep’s portrayal of his mother. Liked it a lot more than I expected.
April 27, 2018
What I’m listening to:
I mentioned John Prine in a recent post and then on the heels of that mention, he has released a new album, The Tree of Forgiveness, his first new album in ten years. Prine is beloved by other singer songwriters and often praised by the inscrutable God that is Bob Dylan.  Indeed, Prine was frequently said to be the “next Bob Dylan” in the early part of his career, though he instead carved out his own respectable career and voice, if never with the dizzying success of Dylan. The new album reflects a man in his 70s, a cancer survivor, who reflects on life and its end, but with the good humor and empathy that are hallmarks of Prine’s music. “When I Get To Heaven” is a rollicking, fun vision of what comes next and a pure delight. A charming, warm, and often terrific album.
What I’m reading:
I recently read Min Jin Lee’s Pachinko, on many people’s Top Ten lists for last year and for good reason. It is sprawling, multi-generational, and based in the world of Japanese occupied Korea and then in the Korean immigrant’s world of Oaska, so our key characters become “tweeners,” accepted in neither world. It’s often unspeakably sad, and yet there is resiliency and love. There is also intimacy, despite the time and geographic span of the novel. It’s breathtakingly good and like all good novels, transporting.
What I’m watching:
I adore Guillermo del Toro’s 2006 film, Pan’s Labyrinth, and while I’m not sure his Shape of Water is better, it is a worthy follow up to the earlier masterpiece (and more of a commercial success). Lots of critics dislike the film, but I’m okay with a simple retelling of a Beauty and the Beast love story, as predictable as it might be. The acting is terrific, it is visually stunning, and there are layers of pain as well as social and political commentary (the setting is the US during the Cold War) and, no real spoiler here, the real monsters are humans, the military officer who sees over the captured aquatic creature. It is hauntingly beautiful and its depiction of hatred to those who are different or “other” is painfully resonant with the time in which we live. Put this on your “must see” list.
March 18, 2018
What I’m listening to:
Sitting on a plane for hours (and many more to go; geez, Australia is far away) is a great opportunity to listen to new music and to revisit old favorites. This time, it is Lucy Dacus and her album Historians, the new sophomore release from a 22-year old indie artist that writes with relatable, real-life lyrics. Just on a second listen and while she insists this isn’t a break up record (as we know, 50% of all great songs are break up songs), it is full of loss and pain. Worth the listen so far. For the way back machine, it’s John Prine and In Spite of Ourselves (that title track is one of the great love songs of all time), a collection of duets with some of his “favorite girl singers” as he once described them. I have a crush on Iris Dement (for a really righteously angry song try her Wasteland of the Free), but there is also EmmyLou Harris, the incomparable Dolores Keane, and Lucinda Williams. Very different albums, both wonderful.
What I’m reading:
Jane Mayer’s New Yorker piece on Christopher Steele presents little that is new, but she pulls it together in a terrific and coherent whole that is illuminating and troubling at the same time. Not only for what is happening, but for the complicity of the far right in trying to discredit that which should be setting off alarm bells everywhere. Bob Mueller may be the most important defender of the democracy at this time. A must read.
What I’m watching:
Homeland is killing it this season and is prescient, hauntingly so. Russian election interference, a Bannon-style hate radio demagogue, alienated and gun toting militia types, and a president out of control. It’s fabulous, even if it feels awfully close to the evening news. 
March 8, 2018
What I’m listening to:
We have a family challenge to compile our Top 100 songs. It is painful. Only 100? No more than three songs by one artist? Wait, why is M.I.A.’s “Paper Planes” on my list? Should it just be The Clash from whom she samples? Can I admit to guilty pleasure songs? Hey, it’s my list and I can put anything I want on it. So I’m listening to the list while I work and the song playing right now is Tom Petty’s “The Wild One, Forever,” a B-side single that was never a hit and that remains my favorite Petty song. Also, “Evangeline” by Los Lobos. It evokes a night many years ago, with friends at Pearl Street in Northampton, MA, when everyone danced well past 1AM in a hot, sweaty, packed club and the band was a revelation. Maybe the best music night of our lives and a reminder that one’s 100 Favorite Songs list is as much about what you were doing and where you were in your life when those songs were playing as it is about the music. It’s not a list. It’s a soundtrack for this journey.
What I’m reading:
Patricia Lockwood’s Priestdaddy was in the NY Times top ten books of 2017 list and it is easy to see why. Lockwood brings remarkable and often surprising imagery, metaphor, and language to her prose memoir and it actually threw me off at first. It then all became clear when someone told me she is a poet. The book is laugh aloud funny, which masks (or makes safer anyway) some pretty dark territory. Anyone who grew up Catholic, whether lapsed or not, will resonate with her story. She can’t resist a bawdy anecdote and her family provides some of the most memorable characters possible, especially her father, her sister, and her mother, who I came to adore. Best thing I’ve read in ages.
What I’m watching:
The Florida Project, a profoundly good movie on so many levels. Start with the central character, six-year old (at the time of the filming) Brooklynn Prince, who owns – I mean really owns – the screen. This is pure acting genius and at that age? Astounding. Almost as astounding is Bria Vinaite, who plays her mother. She was discovered on Instagram and had never acted before this role, which she did with just three weeks of acting lessons. She is utterly convincing and the tension between the child’s absolute wonder and joy in the world with her mother’s struggle to provide, to be a mother, is heartwarming and heartbreaking all at once. Willem Dafoe rightly received an Oscar nomination for his supporting role. This is a terrific movie.
February 12, 2018
What I’m listening to:
So, I have a lot of friends of age (I know you’re thinking 40s, but I just turned 60) who are frozen in whatever era of music they enjoyed in college or maybe even in their thirties. There are lots of times when I reach back into the catalog, since music is one of those really powerful and transporting senses that can take you through time (smell is the other one, though often underappreciated for that power). Hell, I just bought a turntable and now spending time in vintage vinyl shops. But I’m trying to take a lesson from Pat, who revels in new music and can as easily talk about North African rap music and the latest National album as Meet the Beatles, her first ever album. So, I’ve been listening to Kendrick Lamar’s Grammy winning Damn. While it may not be the first thing I’ll reach for on a winter night in Maine, by the fire, I was taken with it. It’s layered, political, and weirdly sensitive and misogynist at the same time, and it feels fresh and authentic and smart at the same time, with music that often pulled me from what I was doing. In short, everything music should do. I’m not a bit cooler for listening to Damn, but when I followed it with Steely Dan, I felt like I was listening to Lawrence Welk. A good sign, I think.
What I’m reading:
I am reading Walter Isaacson’s new biography of Leonardo da Vinci. I’m not usually a reader of biographies, but I’ve always been taken with Leonardo. Isaacson does not disappoint (does he ever?), and his subject is at once more human and accessible and more awe-inspiring in Isaacson’s capable hands. Gay, left-handed, vegetarian, incapable of finishing things, a wonderful conversationalist, kind, and perhaps the most relentlessly curious human being who has ever lived. Like his biographies of Steve Jobs and Albert Einstein, Isaacson’s project here is to show that genius lives at the intersection of science and art, of rationality and creativity. Highly recommend it.
What I’m watching:
We watched the This Is Us post-Super Bowl episode, the one where Jack finally buys the farm. I really want to hate this show. It is melodramatic and manipulative, with characters that mostly never change or grow, and it hooks me every damn time we watch it. The episode last Sunday was a tear jerker, a double whammy intended to render into a blubbering, tissue-crumbling pathetic mess anyone who has lost a parent or who is a parent. Sterling K. Brown, Ron Cephas Jones, the surprising Mandy Moore, and Milo Ventimiglia are hard not to love and last season’s episode that had only Brown and Cephas going to Memphis was the show at its best (they are by far the two best actors). Last week was the show at its best worst. In other words, I want to hate it, but I love it. If you haven’t seen it, don’t binge watch it. You’ll need therapy and insulin.
January 15, 2018
What I’m listening to:
Drive-By Truckers. Chris Stapleton has me on an unusual (for me) country theme and I discovered these guys to my great delight. They’ve been around, with some 11 albums, but the newest one is fascinating. It’s a deep dive into Southern alienation and the white working-class world often associated with our current president. I admire the willingness to lay bare, in kick ass rock songs, the complexities and pain at work among people we too quickly place into overly simple categories. These guys are brave, bold, and thoughtful as hell, while producing songs I didn’t expect to like, but that I keep playing. And they are coming to NH.
What I’m reading:
A textual analog to Drive-By Truckers by Chris Stapleton in many ways is Tony Horowitz’s 1998 Pulitzer Prize winning Confederates in the Attic. Ostensibly about the Civil War and the South’s ongoing attachment to it, it is prescient and speaks eloquently to the times in which we live (where every southern state but Virginia voted for President Trump). Often hilarious, it too surfaces complexities and nuance that escape a more recent, and widely acclaimed, book like Hillbilly Elegy. As a Civil War fan, it was also astonishing in many instances, especially when it blows apart long-held “truths” about the war, such as the degree to which Sherman burned down the south (he did not). Like D-B Truckers, Horowitz loves the South and the people he encounters, even as he grapples with its myths of victimhood and exceptionalism (and racism, which may be no more than the racism in the north, but of a different kind). Everyone should read this book and I’m embarrassed I’m so late to it.
What I’m watching:
David Letterman has a new Netflix show called “My Next Guest Needs No Introduction” and we watched the first episode, in which Letterman interviewed Barack Obama. It was extraordinary (if you don’t have Netflix, get it just to watch this show); not only because we were reminded of Obama’s smarts, grace, and humanity (and humor), but because we saw a side of Letterman we didn’t know existed. His personal reflections on Selma were raw and powerful, almost painful. He will do five more episodes with “extraordinary individuals” and if they are anything like the first, this might be the very best work of his career and one of the best things on television.
December 22, 2017
What I’m reading:
Just finished Sunjeev Sahota’s Year of the Runaways, a painful inside look at the plight of illegal Indian immigrant workers in Britain. It was shortlisted for 2015 Man Booker Prize and its transporting, often to a dark and painful universe, and it is impossible not to think about the American version of this story and the terrible way we treat the undocumented in our own country, especially now.
What I’m watching:
Season II of The Crown is even better than Season I. Elizabeth’s character is becoming more three-dimensional, the modern world is catching up with tradition-bound Britain, and Cold War politics offer more context and tension than we saw in Season I. Claire Foy, in her last season, is just terrific – one arched eye brow can send a message.
What I’m listening to:
A lot of Christmas music, but needing a break from the schmaltz, I’ve discovered Over the Rhine and their Christmas album, Snow Angels. God, these guys are good.
November 14, 2017
What I’m watching:
Guiltily, I watch the Patriots play every weekend, often building my schedule and plans around seeing the game. Why the guilt? I don’t know how morally defensible is football anymore, as we now know the severe damage it does to the players. We can’t pretend it’s all okay anymore. Is this our version of late decadent Rome, watching mostly young Black men take a terrible toll on each other for our mere entertainment?
What I’m reading:
Recently finished J.G. Ballard’s 2000 novel Super-Cannes, a powerful depiction of a corporate-tech ex-pat community taken over by a kind of psychopathology, in which all social norms and responsibilities are surrendered to residents of the new world community. Kept thinking about Silicon Valley when reading it. Pretty dark, dystopian view of the modern world and centered around a mass killing, troublingly prescient.
What I’m listening to:
Was never really a Lorde fan, only knowing her catchy (and smarter than you might first guess) pop hit “Royals” from her debut album. But her new album, Melodrama, is terrific and it doesn’t feel quite right to call this “pop.” There is something way more substantial going on with Lorde and I can see why many critics put this album at the top of their Best in 2017 list. Count me in as a huge fan.
November 3, 2017
What I’m reading: Just finished Celeste Ng’s Little Fires Everywhere, her breathtakingly good second novel. How is someone so young so wise? Her writing is near perfection and I read the book in two days, setting my alarm for 4:30AM so I could finish it before work.
What I’m watching: We just binge watched season two of Stranger Things and it was worth it just to watch Millie Bobbie Brown, the transcendent young actor who plays Eleven. The series is a delightful mash up of every great eighties horror genre you can imagine and while pretty dark, an absolute joy to watch.
What I’m listening to: I’m not a lover of country music (to say the least), but I love Chris Stapleton. His “The Last Thing I Needed, First Thing This Morning” is heartbreakingly good and reminds me of the old school country that played in my house as a kid. He has a new album and I can’t wait, but his From A Room: Volume 1 is on repeat for now.
September 26, 2017
What I’m reading:
Just finished George Saunder’s Lincoln in the Bardo. It took me a while to accept its cadence and sheer weirdness, but loved it in the end. A painful meditation on loss and grief, and a genuinely beautiful exploration of the intersection of life and death, the difficulty of letting go of what was, good and bad, and what never came to be.
What I’m watching:
HBO’s The Deuce. Times Square and the beginning of the porn industry in the 1970s, the setting made me wonder if this was really something I’d want to see. But David Simon is the writer and I’d read a menu if he wrote it. It does not disappoint so far and there is nothing prurient about it.
What I’m listening to:
The National’s new album Sleep Well Beast. I love this band. The opening piano notes of the first song, “Nobody Else Will Be There,” seize me & I’m reminded that no one else in music today matches their arrangement & musicianship. I’m adding “Born to Beg,” “Slow Show,” “I Need My Girl,” and “Runaway” to my list of favorite love songs.
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