#second note to self: you really can't go shows in hamburg all the time. at least not yet. NOT YET

[notajoinerofthings]

note to self: no, you can't go to vienna just to see lucas gregorowicz perform at the theatre. you neither have the time nor the money for such a trip. don't even think about it 💀

[natromanxoff]

Record Mirror (December 14, 1974): 51/?

QUEEN KILLING THEM SOFTLY IN FRANKFURT

IT WAS, said the tall and studious Brian May, like playing to a vacuum cleaner. "We were just pouring it out and they (the audience) were sucking it in, with nothing coming back. I tell you, for the first time in many months I felt like I'd done a hard day's work when I came off stage."

May, along with the rest of the band, is sitting in the diner of Frankfurt's Why Not club reflecting on Queen's second date in Germany. The mood is not bad, but there's an undercurrent of steely determination following the difficulties of that night's gig.

The fact is, support band Lynyrd Skynyrd. were exactly what stoned-out Frankfurt wanted. As in England with Golden Earring, so in Germany with Queen, Lynyrd Skynyrd make an over-poweringly succesful support band. Here In Frankfurt there were even more difficulties for the English and. Most of the audience are American GI's, looking like inmates from the local borstal with their cropped hair and rippling muscles.

As you enter the 1100 capacity hall, the air is stuffed with the stench of dope — an intermingling of hash and grass and the sweat of a crowd at least 300 over the top.It's a strange place, former stock-exchange for farmers, complete with balcony, and surrounded by tropical plants.

Up on the balcony above the stage a group of Queen supporters self-consciously tap their feet to Skynyrd's rhythmic weave. Roger Taylor, ever grinning, appears to check on th band, notes the wild applause and disappears, no doubt to plan strategy.

There's a long break between sets leading to the dissipation of part of the crowd. Heidi, the whizz-kid of EMI Germany, explains the local GI's problem: "Zey have to report back to camp by 11.00 pm". So when Queen's little rock 'n' roll drama explodes, there are considerably fewer people end even less enthusiasm.

Presence

Mercury, the self-styled rock supremo, looks unabashed as Queen open with as much presence as a band can muster. Lights, tapes, and screaming dynamics combine to counter the audience apathy. It's ahighly professional first assault. Procession, Now I'm Here, and Ogre Battle make a promising start which draws warm applause. But unlike many gigs, this one did not cook to boiling point. If anything the crowd were almost undecided when Queen departed after an energetic stab. It took fully two minutes before muted applause turned to a good old stmp and chant, bringing the boys back on stage for a stirring finale.

Freddy stalks the stage with controlled aggression as they bash into Big Spender and you realise that here's a rock artist who can sing, cavort, and write songs with an almost contemptuous level of excellence. He is a classic rock star — complete with costume changes and bare hairy chest. Seems, his only real need is to develop that outrageous off-stage campery into the act. He's very much the mincing Queen, yet on stage this seemingly natural personality is overtaken with host of: "Right now we'd like to do" type announcements. Roger Taylor, a veritable demon on the drums and very fine musician, has more idea when he tells the crowd to get off their arses. Nevertheless there were those in the company who felt Queen showed too much aggression in the face of audience apathy.

Anyway, by all account there's a huge row in the dressing room afterwards which sends the EMI rep scurring away with cries of: "Don't let them break the windows."

The Swedes were apparently as wild as English audiences, but in Germany it's different.

Next stop is Hamburg with Skynyrd supporting for the last time.

Unapproachable

More talk on the way back to the hotel suggests the band will be unapproachable and there's even talk of spending the rest of the evening with Slade, who just happen to be staying at the same hotel. The word is that Queen are THE most fastidious band and no matter how good the gig, they (or Freddy paticularly) will find fault.

Eventually Brian and John walk into the bar. They look cool but not too unnerved and they're all prepared to go clubbing.

According to them there've been a few problems already on this, still young European tour like the incident which decapitated their equipment truck. Apparently some hapless roadie was hurtling through the Swedish night when he failed to notice a low-bridge warning. The lorry went on through, losing its root and half the amps in the process. Two gigs had to be cancelled while another truck was driven out from London in time for the Munich gig, a first in Germany. According to Heidi, Munich was a smash: "The audience just didn't know what had hit them," she says, adding that tonight's comparative failure does not over concern her: "Queen will be huge," she says confidently, "I'm sure they are going to be enormous, but it will take a year."

None of the boys seem overly worried and the general feeling in their road party — and among the visiting journalists — is one of disdain for the Frankfurt crowd. A crowd of dopers into boogie rock is hardly likely to appreciate futuristic guitar pyrotechnics and 1975 flash a la Mercury.

"Still," muses May, now installed at the night spot, "they could have returned something. The more an audience feed back the better we play — naturally — but there I just felt like I was wasting my time."

Electronic

He's a musician of the electronic school, very much on top of the latest developments in the uses of amplified sound. On stage he uses two American Echoplex units. The guitar he built himself over two years: "There's nothing special or different about it, it's just a good instrument." The amplifiers, he draws from a good old British tradition. Back in the days when The Shadows were the inspiration for every rock group in the country (they were celled rhythm groups then) Vox amplifires were renowned. Now, in contrast to almost all of his contemporaries, May uses the good old Vox AC 30, or to be more precise, nine of them (three are spare). 

Over a crab cocktail and non alcoholic drink (he's still recovering from Hepititis) Brian quashes the popular misconception that Queen are just a studio band manipulated by highly professional technicians. The truth is self-evident in the stage act. They compare favourably with their recorded sound. But Brian goes further. 

"Do people really believe it's all down to the studio?" he asks indignantly. 

Well, er, yes Brian, Trident Studios has got a reputation for expertise, and you must admit there's a lot of production goes into the Queen discs.

"OK," he returns, "but most of that studio direction comes from us.

"We think of all the ideas. We love being in the studio. We're full of thoughts on how the songs should come out."

Fair enough. But what about being on the road? There are nothing but tours ahead for the band. Can they all cope? What will they do to keep sane?

"I suppose this," he looks unimpressed. "I can't drink more than a couple of pints so there's no danger of me getting wrecked. I must admit though it's going to be long haul. It'll be really good for us but I'd prefer not to be away so long. We're just going home for Christmas then we're off again to America." 

Meanwhile on the next table, Freddy Mercury is being his ourtageous self: "When we were in Copenhagen dear, we went to a Russian restaurant where naturally I ordered the speciality of the house. It was delicious. I said 'what in this' and they told me I was eating bear. Bear, dear, I loved it."

Freddy and Roger Taylor seem to be taking Europe in their stride, and a few indifferent gigs won't stop their growing style in this band. Freddy's voice is on the way to giving out, yet he still has time to confide that he simply must do something about his hair. Perhaps he should send for his personal hairdresser? 

The Queen has her eyes on an entourage no doubt, and what's the betting she gets it...?