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couldthisbetrue · 1 year

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Let’s Talk About...

I've never been so... Undecided about my feelings for a tv show 😂... I've been going back and forth between 'I liked it' and 'I didn't like it' for the past 2 - 3 weeks, until I realised that actually what I was feeling was underwhelmed.

Ever since I started writing this review/thought post I’ve tried so hard to justify/explain away the shortcomings in Şahmaran to myself (that’s how much I wanted to like the show 😂) unfortunately me being me, I couldn’t ignore them no matter how hard I tried.

I had/have been looking forward to Şahmaran since before we even had a solid storyline (since the only name attached to the tv show was Serenay's. I kid you not, it has been (at the very least) a year. So you can guess just how high my expectations for Şahmaran were (and they only got higher and higher as time went on with further news about casting/storyline etc).

On the surface it had everything to make it really good - a strong cast, main leads that looked like they would be 🔥 together and a strong, interesting storyline to match everything else it had going for it. Unfortunately, Şahmaran was also let down by all of the things I just mentioned. How so? Well, let me count the ways...

(Apologies in advance for the length of this post 🤣...)

The cast/characters

Probably one of the first things I learned about the show (after the fact that it would be about a shape-shifting snake) was about who was going to be part of it.

I cannot explain my level of excitement on seeing Serenay back on tv after (what was it,) eight years or so? And that too in a show with such a unique premise? I was all like

As if that wasn't enough, Netflix announced that Burak Deniz had been cast as Maran. Call me superficial but two gorgeous people on-screen together, more importantly two that we hadn't seen paired together before? Sign me up! I was looking forward to seeing how the both of them would play off each other on the show.

They're both brilliant actors so when I saw how their potential was being wasted on Şahmaran I was heartbroken. Oh don't get me wrong, the chemistry and the s**ual tension was there and it was 🔥 BUT I feel like their (non-intimate) scenes together were lacking the emotional depth that would've taken them to a whole other level, as it was though their scenes felt a little empty to me but I think that that had more to do with the depth/emotion missing from the storyline rather than anything else (because I’ve seen both Burak and Serenay (separately) in other shows and trust me, they have no problem bringing it).

The supporting cast… First of all, let me just say I think it's a real shame that more people aren't talking about the supporting cast and their performance(s) in the show; from Mustafa Uğurlu to Mahir Günşiray, Şahmaran is full of actors and characters that aren't getting the credit they deserve (in my opinion), Mustafa Uğurlu and Mahir Günşiray are legends of Turkish tv and it shows in their performances, the finesse with which Mustafa Uğurlu played Davut was brilliant, even when I didn't want to keep watching/fast-forwarded my way through episodes (because it was DRAGGING on) I kept watching and would even stop fast-forwarding on his scenes, Şahsu's grandfather's pain was almost palpable thanks to the way that Mustafa Uğurlu portrayed the character. And Mahir Günşiray as the slightly eccentric father but also with an air of seriousness (someone who’s used to being revered and respected) about him? I LOVED IT. Only he could've pulled off that character the way that he did I think.

I can't talk about supporting characters and not mention the characters of Medine and her husband. On the face of it, I was left thinking (at least at first), 'What was the need for these two characters?' but once I finished watching it and went over my thoughts about the show, I realised that actually theirs was one of the most (quietly) beautiful relationships on the show, even with the lack of screen time they were given. I'm looking forward to seeing where their storyline ends up in Season 2.

Mert Ramazan Demir - The first time I watched anything featuring him was Yalı Çapkını and I'm glad to see that they didn't change his character in Şahmaran to completely match that of his character Ferit in Yalı Çapkını (with how popular the character of Ferit has become with audiences, I actually thought they might) I liked seeing this more serious side of him, yaay for not type-casting!

I make this next point specifically because of the 'The only reason Mert Ramazan Demir was included in promotional interviews/marketing for Şahmaran was because Netflix wanted to capitalise on Yalı Çapkını's success’ comments floating around, and as much as it pains me to say this - after actually seeing the show - I have to say I agree. As much as I’m all for Mert Ramazan living his best life (and getting ALL the success), going off the storyline, it would have made more sense for them to have Mustafa Uğurlu (Şahsu's grandfather) in the promo pics rather than Mert Ramazan Demir. I mean the guy’s even mentioned in the description for the show:

"When Şahsu goes to Adana for a lecture, it’s the perfect chance to face her estranged grandfather."

That seems like a pretty important character – and one that should be featured in promo photoshoots with the main characters – don't you think?

In all honesty? I think all of the supporting characters I've mentioned and those of Bike, Diba and Hare (Maran’s sisters) are what made the unwatchable/boring parts of the show watchable. We need more of them all in Season two please writers.

The Storyline

I think that 95% of the problems with Şahmaran (or that Şahmaran had) could have been avoided/would not have been present if the script/storyline had been stronger than it was.

Let me start off with pacing, you can have the best script/storyline in the world but if the pacing is off? It can spoil everything - and that's what happened in the case of Şahmaran - except Şahmaran, unfortunately didn't have the best script/storyline to begin with, but more on that later.

Getting back to pacing, it was REALLY slow (at least for me). In a show about shape-shifter snakes, I expected a much faster pace than the one we got. Some viewers have said "Oh well, slow-burn relationship between Şahsu and Maran = the reason for the show’s slow pacing" but that argument doesn't work because you can have the best slow-burn relationship without it (the slow pacing) leaking in to the rest of the show.

I tried to justify/explain away the pacing issues saying that maybe the reason for the slow-pacing was because they were really going for/playing in to the sleepy, rural, town feel for where Şahsu's grandfather lives hence the deliberate slowness, and okay let's say that's the reason why but then by that same logic shouldn't it have picked up once Şahsu got there? (Because her inadvertently shaking things up was the entire premise of the show) but nope it stayed the same. And again, I think that was because there wasn't enough substance in the overall storyline (so they dragged out whatever they could and ended up affecting the overall pacing of the show).

There was no sense of urgency in scenes that felt (and were being acted) like they should have had it but that was just one of the many areas where the storyline was lacking to be honest. The majority of each episode felt like a filler episode/full of filler content with maybe one or two scenes (in each episode) that actually took the story just a teeny bit forward each time.

The issue with pacing could have all been fixed (I think) if only the writers had looked towards the myth/folklore that the tv show was based on for help with more story ideas for their script. I mean you had/have a plethora of (different countries) takes on the legend of Şahmaran to pick and choose bits from, so why not pull from those? Actually, even if they didn't do that, from what I've heard, if they took more inspiration just from the Turkish version of the myth they would have had plenty to make the show REALLY good/something to talk about instead of this bland (for want of a better word) version that we were given.

The tv show was apparently based on this book which maybe explains the constant anti-climactic feel of the episodes and ultimately of the show itself (because sometimes what looks good on the page doesn’t translate well to screen due to time constraints etc) saying that though, I haven't read the book so I can’t speak to how true of an adaptation the tv show actually is of the book, but if following the book is the reason for the problems in the storyline then the responsibility was on the directors, producers and writers of the show and whoever else was in charge of taking the book to screen to make sure that what we saw was both as accurate as possible (to it’s source material) whilst also keeping it exciting enough to keep viewers interested.

I mean as a reader myself, I feel that readers and fans (of any book that is adapted for the screen) don’t want to see a word for word or scene-to-scene adaptation of every single thing exactly the way it was in the book otherwise they would’ve just re-read the book itself right?

I talked (earlier) a little about how there was no emotional depth to any of Şahsu and Maran's interactions (aside from the intimate scenes) and I think that has more to do with the writers opting for the tell instead show angle when it came to their scenes together. There's a lot of talk about how hard Maran finds it to stay away from Şahsu especially seeing as they're destined to be together etc etc you get the picture but that's all it was - talk. I would have liked to see that struggle translated on to the screen, like-wise show me Şahsu struggling with her attraction to Maran and with the strange goings on in the town instead of just telling me about it.

It's a shame really, there was so much potential there (if only the writers had been able to get a good balance between the storyline and the mythology it was based on) but it was all wasted and in turn, I feel like Burak and Serenay's talent was wasted too, they didn't get to show the full scope of their acting, and if I'm being completely honest, ended up coming off almost emotionless and cardboard-like in their performances at times (I've seen them both in other shows before and they were really good, so I don’t really know what went wrong here except maybe it was nervouseness or something, stemming from them not having worked together before? Or having to do intimate scenes together without having gotten (the time) to know or get comfortable with each other beforehand?)

I've gotta say though the emotion really came through for me in the scene between Şahsu and Maran just before the season finished (not the one right at the end but the one just before it where Maran is asking Şahsu to listen to him, for those of you who have watched Şahmaran - and for those of you who haven't, I tried to be as little spoiler-y as possible 😉)

Something smells Twilight-esque

According to an entertainment website, the author of the book that Şahmaran was adapted from has previously said (apparently) that she took inspiration from Twilight when writing it (as her children were fans of it). I read about that before I started the show so I knew there may be some similarities to it, I wasn't prepared for just how much some scenes would remind me of Twilight though...

These three scenes stood out to me specifically:

1) That scene of Maran joining his family at the town festival and them all walking in slowly together - it was very reminiscent of this one from Twilight.

2) The Maran - Şahsu - Cihan of it all was very similar to Edward, Bella and Jacob's love triangle, actually the love angle less so, but the animosity that Cihan has for Maran (I'm trying to be as un-spoilery as possible but 😕) definitely gave me Jacob and Edward vibes - especially when you factor in that Mert Ramazan Demir looks a lot like Taylor Lautner/Jacob from certain angles (at least to me and I’ve only noticed it in Şahmaran so far and only during certain scenes). I don't know if the casting directors cast the character of Cihan/Mert Ramazan with that in mind but

3) Maran's siblings' abilities matching those of Nikki Reed and Ashley Green's characters' from Twilight - this one was pointed out by someone else, it's been a LONG time since I watched Twilight so I can't really say for certain if they do or not.

Overall thoughts

There will be a Season two apparently (they finished filming it a couple of months ago) so maybe the bulk of the story/mythology is reserved for that season and this one was meant to serve as more of an introduction to the characters/mythology of Şahmaran? I don’t know, I guess we’ll have to wait and see.

Also, I think I have an idea of who will be playing the lady on the marble (again trying to be as less spoiler-y as I can be but

at not being able to/not wanting to spoil it) and its gonna get GOOD and twist-y next season! (at least it will if I'm right in what I'm thinking for the storyline ahead).

Before I finish up this post, a special mention to the colour scheme used in the show and the almost spooky-like ambience/atmosphere they managed to create - that (and that kind of feel) was what I wanted more of in the show itself, it was all spot on, I really liked it. Oh and I hope we get to see more of Maran's sisters - with their own storyline's (independent of Şahsu and Maran's) in the next season.

I will (hopefully) be watching season two because despite everything I still see potential there and I want to see where the writers go with it (especially seeing as how season one finished). Here’s hoping the next season makes up for what season one lacked.

NOTE: Although inspiration has (apparently) been taken for the show from Twilight, Şahmaran is not intended/recommended for a younger audience due to scenes of a sexual nature

#sahmaran #serenay sarıkaya #serenay sarikaya #Şahmaran #burak deniz #Shahmaran #turkish tv #Turk Dizi #mert ramazan demir

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