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princess-of-france · 5 years

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Also- since Love's Labour's Lost has been on the brain, and you are such a cool theatre person: dreamcast for LLL? Thank you so much!

OMFG MY FAVORITE COMEDY YES YES YES

*blows kazoo*

(Also, I’m cracking up at you thinking I’m a “cool theater person,” because I promise that’s a wonderfully accidental illusion; in reality, I’m just a cryptid who’s entire genetic makeup consists of triple-espresso lattes, Gmail push notifications, Shakespeare plays, and tears. But you’re very kind!)

Before I answer this amazing Ask, I think I should clarify that my dreamcast for LLL already exists — or, at least, it existed in 2018 — and I had the dazzling, life-affirming pleasure of seeing them perform my beloved plotless comedy at my favorite theater festival on the planet: the Oregon Shakespeare Festival.

So here’s to Amanda Dennart and her IMPECCABLE Love’s Labour’s Lost:

^^^ Yes, that is King Ferdinand of Navarre, played by the once and future Daniel José Molina, meeting the Princess of France — the fabulous Alejandra Escalante — with a paper bag over his motherfucking head so that he doesn’t break his kingly oath of Not Looking At Female For 3 Years. (Fun fact: these two are now married!)

[Photo credit: Jenny Graham.]

BUT NOW TO THE MAIN EVENT:

Critically, I think LLL is a play about eight young people experiencing love for the first time and struggling to reconcile that love with their desire to be the Cleverest Person in the Room. Like so many whip-smart young people, the Crazy Eight equate cavalier carelessness with power, but the problem is: true love requires radical, wholehearted, unbearable vulnerability. It demands chaos and madness and mess and mistakes. True love asks us to be willing to look like an idiot. And most young people just aren’t ready for that, the first time it happens. It’s why the ending of this play is so goddam devastating.

And it’s why it’s so important to me that my cast list for the Crazy Eight reflects the youth, innocence, and inexperience I see baked into every one of their lines. Love has to seem like a first-time visitor to all of them. Love has to shake up their worldview like a snow globe, bowl them over, and then leave them impermeably altered. Love has to be the thing that makes them grow up.

So, with that, I am proud to present...

~THE NAVARRE NERDS~

1. KING FERDINAND OF NAVARRE — Paapa Essiedu

Love of my complete life. I don’t know if there’s a better actor with a bigger heart anywhere on earth. His Henry VI was utterly inspired, so I know he can be Kingly. Plus, he’s a passionate advocate for decolonizing Shakespeare and making classical theater accessible to all and...yeah. I adore him.

2. BEROWNE — Anthony Boyle

THIS IDIOT. I had to find a picture of him laughing, because he’s played a lot of Moody Broody Types, but OMG when he cracks a grin... Anthony is just a jewel of an actor: versatile, intense, thoughtful, emotionally articulate. He’ll keep Paapa’s Ferdie laughing, but also bring out the big guns for Berowne’s gorgeous character arc from horny cynic to lovesick wooer to chastened fool.

3. DUMAINE — Alfred Enoch

Perfect angel darling. There’s no doubt in my mind that Alfie can do Smug, Suave, Would-Be-James Bond Dumaine as well as Dorky, Clumsy, Foot-Constantly-in-Mouth Dumaine with equal flair. Also, I love him. <3

4. LONGAVILLE — George MacKay

Apparently, this sweetheart is playing Hamlet soon in the new Ophelia movie, which is HILARIOUS, because he looks like the most Innocent Innocent to ever Innocent. I suppose this is what makes him a good actor. And he is very good.

~LES FILLES~

5. PRINCESS OF FRANCE — Lily James

This goddess is always getting cast as ingenues who fall in love with their eyes and hearts wide open, which is all fine and good. But I wanna see her fall in love against her will, against her better judgment, and with stubborn denial attending her every step of the way...partly because Lily is up to the challenge, and partly because it would be precious af.

6. ROSALINE — Karla Crome

BAMF. Berowne won’t know what hit him. Karla is talented in a way most of us can only dream about, but even more importantly, she is whip-smart, self-possessed, and in love with herself. Get it, girl.

7. KATHARINE — Shay Mitchell

It’s hard to beat Shay for Sleek, Feline Intelligence. I like to imagine Katharine as the ultimate duchess: rich, spoiled, overeducated, overprivileged, dressed to the nines every minute of every day. But she carries so much pain behind the mask. Being fabulous is no substitute for losing your big sister. And I think Shay can do justice to all those layers.

8. MARIA — Francesca Mills

I had the honor of seeing Francesca in Rachel Chavkin’s epic production of American Clock at the Old Vic this past winter. In a cast of over 20 brilliant actors, she emerged as the brightest star. I have never fallen in love with an actress so quickly. Sweet, inquisitive, sassy, and smart, with a crystalline voice, Francesca is the ultimate heroine. Her Maria will be the most adorable in human history, I think.

9. BOYET — Tamsin Greig

Imho, no one does Blustery Spinster Energy better than Tamsin. (See her performance as Miss Bates in the 2009 BBC miniseries, Emma.) My favorite version of Boyet is the adult female chaperone that the Princess and her ladies gleefully dress up as a man to stymie Ferdinand’s guards. It makes 5.2 all the more giddy and revelatory, and also it just makes narrative sense. Tamsin will play the beleaguered and increasingly exasperated Wine Mom to perfection.

~THE PSEUDO-SCHOLARS~

10. DON ADRIANO DE ARMADO — Riz Ahmed

I just can’t even express how much I love Riz. He dissolves completely into every single role he plays, no matter how absurd the character may seem on paper. And that is a very pertinent qualification for playing Armado, because he has the hard-fought distinction of being the most Abjectly Batshit Character in this bonkers play. Also I just really wanna get his autograph help

11. MOTE — Kiernan Shipka

THIS GIRL. Oh man, I don’t even know where to begin. She’s so flipping good at her craft, and at such a young age!! Honestly, I’d hate her if she weren’t so damn precious. All she needs to do is learn how to do a Scottish accent and then she’ll be 100% ready to play the wee snickering Watson to Armado’s pirate-Holmes. I’ve always read Mote as Armado’s platonic life partner slash surrogate daughter. She’s probably the only person in the world who knows Armado’s social security number. (Plus, Riz is a sweetheart, so you just know they’ll become great friends!)

12. DR. HOLOFERNES — Olivia Colman

What can I say? She’ll play the broad, slapstick comic relief stock character of Il Dottore to perfection...right up until the moment she doesn’t. Then she’ll make us all sob. “This is not generous, not gentle, not humble!” (V.ii.2570)

13. NATHANIEL — Cyril Nri

Can’t you just see this angel loving the crap out of Olivia’s Holofernes?? Like, he probably built an extension onto his rectory home JUST to give the famous visiting Italian academic a place to stay during her time in Navarre. Great actor, great human, great smile. 11/10

~BELOW-STAIRS~

14. COSTARD — Andy Samberg

My only Costard. I mean, he’s the only white boy I know who could play such a cowardly fuckboi of a character without turning him into a 2-D caricature. Not to mention the fact that Andy is a spectacular improv actor, so he can invent a lot of new lines and jokes for the hallboy! Win-win!

15. JAQUENETTA — Phoebe Waller-Bridge

Because I want the oft-disregarded Jaquenetta to be the Narrator of this whole wild shebang, I need an actor who can foster a deliciously familiar, non-4th-wall relationship with the audience and/or camera. Phoebe is the undisputed Queen of this. She’ll be STELLAR. And she and Andy will make people cry from laughing so hard.

16. CONSTABLE ANTHONY DULL — Andre Braugher

I love the idea of this Juilliard-trained classical actor sitting quietly with his crossword puzzle in the back of the polished oak Navarre library, watching a group of the Dumbest Smart People in human history talking themselves into a tizzy over false Latin and prickets and excrement and bad, mis-delivered iambic hexametric sonnets and just chuckling to himself. (Also: BB99 reunion!)

17. MERCADÉ — Randall Park

Tbh, I feel bad giving such a small part to such a phenomenal actor, but the thing about Mercadé is that he is like the BIGGEST small part in all of Shakespeare. He’s right up there with the First Servant in Lear in terms of the sheer narrative punch he packs into just a few short lines. And I think the best Mercadé is the one who has a personal relationship to the Princess. Maybe he was a personal aide to her father, the King? Maybe he helped raise her? Regardless, I think their conversation at the end of 5.2 is more than just the delivery of a sad message. It’s a communion between two grieving patriots of France. I want an actor whose warm heart will shine through that brief interchange. Randall can obviously do that, tenfold.

Aaaaaaand I think that’s it! Thanks again for the Ask, Lauren!! This was an absolute treat. xx Claire

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