#sirkeli

[deforest]

LUCILLE BALL in LURED — 1947, dir. Douglas Sirk

[manderley]

Dorothy Malone in

Written on the Wind (1956)

[aloneandforsakenbyfateandbyman]

Written on the Wind (1956)

[anthonysperkins]

Gregg Palmer and Rock Hudson Magnificent Obsession (1954) dir. Douglas Sirk

[60s-heartshaped-chevrolet]

[of-fear-and-love]

Hotel interiors from Written on the Wind (1956)

Art direction by Robert Clatworthy, Alexander Golitzen Set decoration by Russell A. Gausman, Julia Heron

[inthedarktrees]

Tarnished Angels | Douglas Sirk | 1958

[cinematicjourney]

All That Heaven Allows (1955) | dir. Douglas Sirk

[365filmsbyauroranocte]

All I Desire (Douglas Sirk, 1953)  

[citizenscreen]

“This is the dialectic - there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.”

- Douglas Sirk (April 26, 1897 – January 14, 1987) 🎥

[f-a-r-a-h]

Eşim yine her yer sirke kokmuş öffff dedi 😃😄bana göre her yer miss gibi 😂😂😂😂

[blacknarcissus]

Lola (1982)

[manderley]

ʙᴀʀʙᴀʀᴀ ꜱᴛᴀɴᴡʏᴄᴋ ɪɴ

𝐀𝐥𝐥 𝐈 𝐃𝐞𝐬𝐢𝐫𝐞 (𝟏𝟗𝟓𝟑)

[womansfilm]

The Reckless Moment (1949) / There's Always Tomorrow (1956)

[theersatzcowboy]

Polyester (1981)

John Waters’ most literal flip of the melodramas of Douglas Sirk is an appealing middle ground between his transgressive earlier works and the more mainstream fare he’d make at the end of the century; one of Divine’s best performances.

Director: John Waters

Cinematographer: David Insley

Starring: Divine, Tab Hunter, Edith Massey, Mink Stole, Cookie Mueller, and Mary Vivian Pearce

[operaqueen]

Lana Turner - Imitation of Life