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Hello! I’m Ellie, this is Dorcas and I hope you enjoy this trainwreck of a soft as all hell introduction to my babe. I’m super excited to be writing here okay byeeeeeeeee.
is that LILY JAMES wearing that HUFFLEPUFF scarf ? no, it appears to be DORCAS MEADOWES who happens to be a SEVENTH year and a MUGGLEBORN !! SHE is CISFEMALE, and i heard they’re COMPASSIONATE and BENEVOLENT but might also seem NAIVE and DAMAGED. they appear to be leaning towards the side of the ORDER, but this is a conversation we should be having somewhere else. ( ellie / nineteen / gmt / she/her )
TRIGGER WARNINGS : death, injury, hospital mention, dogs.
PART ONE. BASICS / MAGICAL FULL NAME & MEANINGS : Dorcas ( GAZELLE ) Andromache ( MAN / BATTLE ) Meadowes ( LIVED IN OR NEAR A MEADOW. ) DATE OF BIRTH : November 16th. AGE : 17. ZODIAC SIGN : Scorpio. HEIGHT : 5 ft 7 in. EYE COLOR : Dark brown. LEFT OR RIGHT HANDED : Ambidextrous. FAVORITE COLOR : Light blue / black. SCHOOL : Hogwarts. BLOOD STATUS : Muggleborn. WHAT ARE THEIR PARENTS JOBS? : Her mother was a stay-at-home tutor, and her father was a doctor. ( Her aunt is a therapist. Her uncle is a lawyer. ) DO THEY HAVE ANY MAGICAL BLOOD? : Not in her immediate family. Her fifth, twice removed, much, much older cousin is a wizard (of Emeric Switch fame! Imagine that!) HOW DID THEIR MAGIC FIRST MANIFEST ITSELF? : She wanted to talk to the dogs at the local pet store, and accidentally ‘phased’ through the door. She was found half an hour later just stroking a pitbull puppy which had latched itself onto her. YEAR : Seventh year. HOUSE : Hufflepuff. PATRONUS : Panda. ( THE PANDA IS A RESOURCEFUL ANIMAL, AND THOSE WITH IT AS A PATRONUS ARE THE SAME. THEY ARE GOOD AT USING WHATEVER IS AROUND THEM, AND INCREDIBLY CREATIVE AND BRIGHT. THEY ARE FRIENDLY AND WARM, AND MANY MAY GO TO THEM FOR ADVICE OR HELP, WHICH THE PANDA WILL WILLINGLY GIVE. THEY ARE A BIT OF A HEALER BY NATURE, ENJOYING COMPANY AROUND THEM AND USING IT TO ENHANCE THEMSELVES. THEY LOVE TO EXPLORE MANY AREAS OF KNOWLEDGE AND THE WORLD, TRYING TO BROADEN THEIR HORIZONS AND KEEP THEIR MINDS OPEN. ) BOGGART : Her father, sat in the same armchair he’d always loved. His head turned towards her as he tells her it was all her fault, and the room shrinks. UPDATED: Earlier, and for very good reason, I wrote a drabble centered around what her Boggart would be for a different roleplay. It’s different than what it is now, but I’m nevertheless extremely proud of it. You can read it here. AMORTENTIA : What is it about true love, dearest? What makes everyone go wild? Is it the prospect that someone, someone whole, and unflinching, is out there - waiting for you? Waiting for your embrace, your touch? Or is it just that they are tired - tired of making homes in people and receiving nothing back? You, though. You make homes in all manner of things. And, anyway, who decided homes can’t be humans? Who decided home is a stationary concept? That your heart can’t be held in the hands of many people, that it cannot be crushed and sewn back together in a matter of minutes? Who decided that love, that great big messy concept, has to be romantic? You are as messy in love as you are in life - that is to say, you build pieces of yourself from the people around you, from the pieces of themselves they give you. The skin beneath your ear? Composed of the whispers of secrets from your first boyfriend. Your nose? Your mother’s love. The inside of your wrist? The balm of Emmeline’s arms around your body, shielding you the only way she can. No. It isn’t so impossible that love is greater than the romance. That love is so many more things. The Greeks of old always said there were many kinds of love. Eros. Agape. Philia. Storge. Ludos. Pragma. Philautia. It is these things that you, alone, recite in that dungeon. The cold seems to envelop you as you take in a breath, the tendrils of your senses magnifying. It can be overwhelming, you know, but you are not as surprised as you expect to be. Warmth, sinking between your fingertips, laps at your cheek, at your lips as you breathe out. It sticks to you, to your tongue. Like caramel and peanut butter, the batter of the cookies your aunt always makes, the s’mores that you made around the campfire just last week. Her hair, or is it her perfume (?) wafting in your direction - regardless, you stay rooted to your place. Daisies, growing wild, the way they had at home, in your back garden. The smell of old brick and something crumbling - that weird Dragonleather smell that stays in the air whenever Hagrid passes, the smell of bursting fireworks (that time that the Marauders hadn’t realized there was anyone still down the corridor) and butterbeer, warming. Your dogs breath, laughter bubbling up as you remark on the smell of toothpaste, on peppermint and mossy treebark. You’re not surprised to smell all the things that make this place home - you’re not surprised to smell that it’s not made up of just one person - just one thing, fixable - but many. Moving parts that flare up and slide away into the background of your senses. WAND : Phoenix tail feather core. 9 inches. Black Walnut. PETS : Owl, named Athena. Also owns a pitbull, the light of her life, Agape ( LOVE AND AFFECTION ) or Aggie, for short. CHARACTER INSPIRATION : Cinderella, Sonya Rostova, Izzie Stevens, Craig Middlebrooks, Ann Perkins, Ella Lopez, Jess Day, Riley Matthews, Penelope Garcia, Kara Danvers, Capheus Onyango, and Jane Villanueva. ( CHARACTER TAG HERE. )
PART TWO. ARE YOU GOOD AT… DANCING? : I certainly try. SINGING? : Yes! COOKING? : Somewhat. DUELING? : Never been better. STUDYING? : If my grades are anything to go by, yes. MAGIC? : Uh, I’d hope so.
PART THREE. HAVE YOU EVER… DRIVEN A CAR? : Yes. Not well, though. FALLEN IN LOVE? : … Yes. HAD SEX? : Yes. LAUGHED SO HARD YOU CRIED? : I don’t know anyone who enjoys their life who hasn’t. SMOKED? : ... No. DONE DRUGS? : Nope. BROKEN THE LAW? : Accidentally. KILLED SOMEONE? : No.
PART FOUR. LITTLE SECRETS BIGGEST FEAR : Losing everyone. And everything. SOMEONE YOU ADMIRE : Emme, McGonagall. SOMEONE YOU FEAR : I don’t really know. Dumbledore, when he’s mad. Whatever that ponce of a miserable Muggle hater is called. SOMEONE YOU MISS : Grandpa. Terry. My brother. Mum. Dad. SOMEONE YOU COULDN’T LIVE WITHOUT : Emme. Myself, too. SOMEONE YOU COULD KILL : Anyone who hates muggles. DO YOU WANT KIDS? : Maybe someday. DO YOU WANT TO GET MARRIED? : To the right person? Yeah. BIGGEST REGRET : Not sleeping in the same room as my brother that night. ( I could have saved him. I should have saved him. ) CAN YOU SEE THESTRALS? : Yes.
PART FIVE. FINISH THIS SENTENCE I AM… : Sleepy. Wishing Emmeline was here. I WISH… : Ice-cream could become a person. MAYBE ONE DAY… : I won’t feel this guilt anymore. SOMETIMES I… : Fall in love in the morning, and out of it by lunch. MY FAVOURITE SUBJECTS ARE… : Herbology. MY LEAST FAVOURITE SUBJECTS ARE… : History of Magic, Divination. IF I COULD DO IT AGAIN, I WOULD… : Save my brother. IF I COULD GO TO A DIFFERENT SCHOOL, I WOULD CHOOSE… : Beauxbatons, not Ilvermorny. IF I COULD CHOOSE A DEATHLY HALLOW, I WOULD CHOOSE… : The Stone. ( Say it like it isn’t a mantra, Dorcas. As though it isn’t something that’s poisoned your dreams since discovering those stories may be based in reality. )
PART SIX. MISCELLANEOUS
DESCRIBE THEIR AESTHETIC IN THREE WORDS : Sea, daisies, laughter. THEME SONG : Lavender’s Blue ( CINDERELLA SOUNDTRACK - 2015. ) / Sonya Alone ( BRITTAIN ASHFORD - NATASHA, PIERRE & THE GREAT COMET OF 1812 - ORIGINAL BROADWAY CAST RECORDING. ) / Times are Hard for Dreamers (Pop Version) ( PIPPA SOO - AMELIE - ORIGINAL BROADWAY CAST RECORDING. ) TOP FIVE SONGS IN THEIR ( MODERN ) PLAYLIST : You Are Enough - Sleeping at Last, Yellow - Coldplay, When I Kissed the Teacher - ABBA, Breathe - In The Heights, & Paradise - George Ezra. VINE THAT FITS THEM : ( x ) RANDOM HEADCANONS : 1. Dorcas loves deeply. Deeply, deeply, deeply. It’s intrinsic to who she is. She’s protective, maddeningly so, and unable to sit still. She wears her heart on her sleeve, and is a nightmare when it comes to pacing herself. She knows not of patience, or of taking time to breathe. She consists solely of love - a palace built between her ribs of the people that she loves. In this, she is a typical Taurus Hufflepuff. ( x ) 2. Dorcas lost her parents at a very young age. She doesn’t often speak of it - speak about them, about the parents that she lost and the brother that she was unable to save. They were killed in a home burglary turned murder spree when she was six. They’d been meant to go on holiday, but Dorcas had come down with the stomach flu, so they’d foregone the vacation when it spread to Dorcas’s younger sister, Calliope. The only reason that Dorcas survived was that she managed to climb beneath her bed with her younger sister Calliope facing the wall, only her back visible from the opening created by the duvet. She gets stabbed three times, one of those stab wounds narrowly avoiding piercing her spleen and the major abdominal arteries. She still has the scars on her lower back. Callie was uninjured, and she was the one who managed to get to the neighbors house (by climbing out of the window from the second floor and dropping at least eleven feet). Dorcas remembers, mostly, finding out her parents and brother were murdered. The rest of it often feels incredibly foggy. She went through therapy for a number of years before she was discharged from the North West Surrey Mental Health Trust. The nightmares, today, are infrequent, but some nights are worse than others. She often takes a calming draught before she goes to sleep - provided by Madame Pomfrey at the Hospital Wing. 3. Dorcas’s best friend in the universe is Emmeline Vance. They aren’t in the same house, but that doesn’t matter. They met at eleven, on the train to Hogwarts. Dorcas, with brown hair down to her hip, and Emmeline’s hair newly cut into a bob ( her parents had gone wild at her for that one, ) and that was it. The rest, as they say, is History. If you can’t find Dorcas, she’s usually with Emmeline. 60% of her spare time is spent wherever Emmeline is. They’re one another’s great loves. She doesn’t know what she’d be without Emme. 4. Dorcas wants to be a Herbologist or a Healer when she graduates. She’s not sure how likely that plan is to succeed with everything going on - how far she’ll get before she abandons it all to help the people that she wants to help, desperately. As it stands, 40% of her spare time is spent either in the Potions classroom or the Herbology classroom - Potions is a required course for becoming a Healer. 5. If this were a modern AU, Dorcas’d totally be a theater kid. She’d also be that kid that is always making scrapbooks - always half finishing projects, the one that has too many cacti and exotic plants in the corner of her room. She’d keep her phone on her, always, lockscreen always changing. She’d love bands like Little Mix and butcher the Spanish when she tried to sing songs like Despacito. 6. FUTURE: Dorcas manages to live through the Wizarding War ( well, mostly ) without casting the Killing Curse. She’s fast, she’s quick, and she doesn’t stand still. She’s often the one coming careening past the others, ducking beneath their outstretched arms as light - green, red, blue, yellow - is cast against the ground. She Apparates in and out, as though her being there is a mirage. People, injured, bystanders, disappear from where they’d been only seconds before, as soon as her hand secures around anywhere she can grip on. She works with trembling hands, to heal those that she can. Four separate times she manages to Apparate away from under Voldemort’s nose. The first time is with her arm hooked under Fabian Prewett, his unconscious body bruised and the cut on his arm infected with what she suspects is a modified strain of the venom of the Venomous Tentacula. The second time is with a handful of wands - all belonging to fellow Order members. The third time is with Dedalus Diggle. He’s a handful, that time, splaying limbs, cracking as they twist around. They have a spell maker in their midst but Dorcas is the only one that can sooth the pain, to make it all more bearable while they try and fix it. The fourth time is with Emmeline. Emme’s far too headstrong for her own good, and knows how rare it is that Voldemort himself makes an appearance. Dorcas is the one that breaks Bellatrix’s focus - the Cruciatus curse trained on her best friend, on her Emmeline, flickers when Dorcas passes, a blur of black leather and hair tied up in a bun, bangs hanging low and the light long since dimmed in her eyes. When Emmeline comes to, the pain still ricochets through her bones, and Dorcas is powerless to help. It takes days for the aftershocks to fade. The faintest roar of rage is still heard in Dorcas’s brain. She’s just too slow, in the end, to save herself, although she doesn’t try. She’s not ready, but she is. She’s not happy, but she is. She knew there was only one way this could end. The one incapable of love striking down the one composed entirely of it is the only end that makes sense in a world at war - in a world in which war stories are not one of morals. War stories are made of absolute and uncompromising allegiance to obscenity and evil. It just takes her years to realize. Years to reconcile. Being soft does not make her immune to this. Being alive doesn’t. She is happy, but it is not a happy ending. No - it’s a very sad beginning.
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