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halloweenvalentine1997 · 5 years

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A short story I made out of short stories I’ve written under other names.

When she died, I felt a series of perforations, hollows and bruises

about my skull. I saw her die behind static.

By the stone wall adjacent to the office supplies store, I

bewailed her, screaming,

burning myself later with the tip of a lit cigarette.

I put ash and poison on my wrist for the ones who died.

I wanted to pick a strawberry off the plant in my parents’ backyard

and once more taste its succulence. I wanted to impale my head with the

iron tip of a weathervane. Slice open my vibrant red aorta.

Seeing them all in a hole

through the light emitting

through the asylum blinds.

I myself am a corpse in a bed

in the forensics ward,

green moths on my blanket,

rotting silently in a pastel grave,

killed by medicine,

wasted by time.

If you come close enough to hear my thoughts

(like a chemically-enhanced ghost)

distort and clamor

amongst the traffic, the television,

the noise a death in a family brings,

I will let loose my hatred

like a ribbon from hair,

unraveling red Medusa strands.

I will draw more ribbons on your flesh

if you touch me,

bleed you into the wood,

hammer a nail into your heartline,

devour your fear like a shot of amphetamine

to my malevolent blood.

2013

Stacey

Some of us are the river’s current, floating through life swiftly or slowly, as if in a trance of somnambulism. Some of us are a human shell at its edge, refusing to follow its pattern and be a part of it. Why follow them when you can live on the fringes of society, away from its stigmas and scrutinizing scorn?

When Ellie married Samuel Barnes, the world was a rose-gold utopia. Three years later, at the age of twenty-nine, Ellie no longer felt that the chemistry they had once remained. On a windy September afternoon, when she returned to the red-brick bungalow she shared with Samuel on Hillsam Avenue, Ellie heard moans and sounds of sexual ecstasy emitting from their bedroom. Another woman was there. Ellie’s eyes instantly began to burn like hot coals in a campground grill. She examined her wedding portrait on the wall of the hallway as she moved in slow motion through it. They had been photographed in front of the church’s stained glass windows, a spectrum of color radiating behind the couple adorned in black and white.

She ran her fingers through her long brown hair, blinking through the lake of sorrow in her dark eyes, and suppressing a sob, pushed open the bedroom door at the end of the hall. Another dark-haired woman Ellie didn’t recognize was riding Samuel, and when she registered the door slamming open, she turned around wide-eyed with a cry of alarm, her brown nipples in full view.

“I knew it,” Ellie told Samuel bitterly. “I knew for at least a year that there was someone else!”

Samuel looked at his wife blankly and didn’t reply, his face almost smug.

“Who are you?” Ellie shrieked at the strange woman.

“Lila Stern,” the woman replied. “And clearly, Sam doesn’t love you anymore. He loves me. He has for the entire year you suspected something was going on. We would both like you to leave.”

“Don’t dictate what I will do in my own house, you fucking homewrecker!” Ellie shouted. Lila, remembering her nudity, covered herself with the indigo comforter.

“I agree with Lila,” Samuel said. “Just pack your things and go, Ellie. You’ve been a nagging, paranoid pain in my ass for too long. You’re in need of a psychiatrist, but you won’t pay heed to my advice. All you are lately is a cold fish who’s no fun. A fucking schoolmarm. Find an apartment somewhere. Leave.”

“Now,” Lila said.

Ellie slammed the door shut and bolted down the hall and into the kitchen. She opened the cutlery drawer and grabbed the sharpest knife she could find. Tested its point with the tip of her index finger. A small blood-drop formed in the small pad of flesh. Although Ellie’s tears rained down like heated glass, she felt no physical pain.

I won’t pack my things, she thought. I have a better idea.

She glanced at the neon green digital clock above the oven. It read 1:11 p.m. It was September 24th. As she placed the knife into the pocket of her navy blue peacoat, grabbed her smartphone, scrawled a quick note and left the house, Ellie knew what to do. No more morning to afternoon shifts as a psychiatric nurse at St. Mary Medical Center’s psych unit. No more wondering when Samuel would be home from his nightly excursions. As she walked towards the river, passing the other houses, the Texaco, the railroad tracks, the boarded-up, shutdown factories, memories flashed before her. She remembered her lonely childhood, her even more tumultuous adolescence where she slept with a crowbar in her pillowcase and read The Catcher in the Rye and To Kill a Mockingbird at the edge of the schoolyard grass away from everyone.

“I wish you’d never been born,” Ellie’s mother told her, swilling red wine from a tall, dark bottle.

“I second that,” her father said, puffing on a fat cigar. Once she made it to the river, Ellie collapsed like a house of cards to the white sand, and howled the loss of her love into the godless sky. She glanced from side to side to make sure no one was watching. She couldn’t be sure if someone was for all the foliage and bushes. But she didn’t care. She sat there for the longest time, her breathing a series of hyperventilation. Samuel’s face was all she could see, then Lila’s, the two of them like a rotating holographic image. She wanted her cremated ashes bequeathed to the river. She wanted no tomb in the town cemetery. No funeral. The note she wrote with these directions was in her left pocket of her coat. Such a heavy coat for the nice weather, but Ellie was always cold. Her body, feather-boned and catatonic, slumped over a large rock and she let the tears wet it like a water nymph mourning the loss of a handsome sailor on a receding boat.

Ellie turned on her cell phone and listened to Paula Cole’s “Where Have All The Cowboys Gone?” one last time. It sounded faint above the river’s churning. Just like the woman in the song, she too had an non-devoted, careless husband. She wept hardest at the chorus:

Where is my John Wayne? 

Where is my prairie song?

 Where is my happy ending?

 Where have all the cowboys gone?

“To greener pastures,” Ellie said to herself. “To rose-gold utopias I’ll never see.“

The clock on the wall of Mrs. Sykes’s math class ticked in time to my heartbeat. The hollow feeling in the pit of my stomach that I get when I crave marijuana was there, screaming like a lacuna asking to be filled. The time for more recalcitrance (in this case, truancy and drug use by the river) was near. While Mrs. Sykes droned on like a monotonous honeybee about the Pythagorean theorem, I got up from my desk and slung my backpack over my shoulders. Her gunmetal grey eyes followed me to the door with the poster of the Power Rangers on it, all teamed up together. Always use the buddy system, the poster said.

“Where are you going, Stacey?” Mrs. Sykes asked.

“Skipping class,” I told her. “And dropping out when I turn eighteen in February. This is non-negotiable. You can’t stop me.”

Before my teacher could retaliate, I flounced out of the room, leaving the scoffing and titters of my peers behind me. I left my textbooks in my locker to lessen the load in my backpack. I unzipped a small pocket and grinned at the verdant green pot in its glass pipe.

Jimmy Stirling is the one who introduced me to pot when I was a junior a year before. He was a senior, and one of Lewis and Clark High School’s few homeless students. His dad was a cantankerous drunk and gambler who threw him out. Jimmy spent time singing songs on the sidewalk for spare change, or sleeping at the homeless shelter for adolescents. For someone who was homeless, Jimmy frequently had a remarkably full tin can of bills and change. His singing voice was a rich alto tearing pleasantly through the downtown breeze. On October of last year, he found me crying under the highway after school let out. I recognized him from my creative writing class.

"What’s wrong, Stacey?” he asked.

“My brother’s locked in the loony bin. He’s possessed. He killed Alvin, my guinea pig. Everything is falling apart, and to top it all off, Liam broke up with me this morning.”

"Man, I’m sorry,” Jimmy said. “You every try marijuana? It might make you forget all that stuff.”

“I don’t have any money,” I said, knowing that anyone with marijuana downtown expected payment in return for it.

“That’s alright. I have some I’ll share for free. Let’s sit in my favorite place to do it.”

I followed him, listening to him sing as we walked the few blocks to an alleyway with a set of cement stairs against a condemned apartment, leading to a bolted door. He sang Skid Row’s “18 and Life” and Black Sabbath’s “Killing Yourself To Live.” We sat on the bottom step . He loaded the pot into a glass bowl and taught me how to light it, how to inhale the hit of smoke without exhaling it too soon. I caught the gist of it. Suddenly, within a few minutes, everything was funny. My mind was suddenly devoid of all negativity. I was giggly, light as a tumbleweed blown by a gale of fierce wind. I felt energetic, talkative, and happier that I’d been a long time. Shortly after my day with Jimmy, I learned he went to jail for getting caught with Ecstasy tablets in his lockers. He was also rumored to be selling cocaine and heroin downtown. He wasn’t allowed back at school. I never saw him again. The flashbacks vanished when I approached the river and saw her. She was a woman with long brown hair. She was wearing a peacoat, jeans and pair of black loafers. I stopped dead in my tracks when I saw what she was doing. The woman older than me by at least a decade, was holding a kitchen knife to the veins in her right wrist. She made no sound when she punctured them, her hand dangling over the water. I watched her bloodletting turn part of the emerald river red. It was spouting out like the slashed throat of a sacrificed farm animal. She turned and saw me when i stepped on a twig by accident and snapped it in two.

“Go away,” the woman told. “Believe me, you should be letting this happen.”

She took in my red ringlets, my sharp green eyes, my pink hoodie, my Converse sneakers. Then she went for her throat with her knife and slit it open with perfect finesse. There was a vibe coming off of this woman that insinuated I should just let her die. I could sense that her life had been miserable and mean. I sat on a rock out of sight of the dying woman and got high, thinking of her spirit rising, transcendental and free, into the sun and clouds. I thought of how the first settlers of the city I live in came here 10,000 to 30,000 years ago. Before there were cemeteries, they buried their dead in unmarked graves. I thought of all the skeletons that must be under the grass of the lawns and parks, the sidewalks, the urban streets. I thought of the days of religious fanaticism, and how had I been born then, I would have been buried in unconsecrated ground for my heathen ways. I didn’t believe in god, but I did believe in Satan.

2019

Stacey

I am not sure exactly when my family died. Before they died, I was a genuinely innocent soul whose conscience burned to a crisp. I couldn’t blame myself for it, but I didn’t know who to blame because the ones responsible for my family’s death never came out of their disguises, synthetic human skin and features made to look exactly like my family members would look if they were really there amongst you. I still hear them call to me over highway noise and wind, while I’m taking hits off a meth pipe or smoking a cigarette on an overpass with dead eyes and no ache. I’ve already ached so much. Without them I am a branch breaking off of a tree. It’s hard to explain what I mean by disguises; they look so much like my family but aren’t. They could look like anyone and they’re wearing synthetic skin designed to look like my mom and dad.

I am Stacey Galloway. I was born to a family that never loved me but that I tried to love fiercely. I may have turned into a drug-addled street kid but I still wanted them to love me, anyway. I remember when I first suspected them to be dead. I was sitting in my old apartment in the living room with a scream in my ears that sounded like my mother’s emanating from my laptop and whirling through the dusty air like a trap I would remained enveloped in. I heard a chainsaw start up and then the sound stopped. It was like an audio recording that just stayed there screaming and sawing in my computer speakers. The voices told me my parents were dead and replaced by “skin masks.”

I asked, “What is a skin mask?” “Synthetic skin made to look like your parents. Exactly like your parents. And your younger brother,” a man replied out of thin air. “Someone else is wearing skin that looks like them now. Every feature of your family has been replicated, special contact lenses have been made, someone with the same height as them is wearing skin masks.”

I couldn’t see him but maybe he could see me. I hoped not. What he was saying was too horrible to want to comprehend. It’s humanly possible to do this, with the aid of a lot of fake skin and ways of knowing how the victim worked, how they spoke, where they lived, whom they spoke to. I will never know that world and don’t want to. It’s insidious enough just to live in the city I live in, gone and waking up with ice in my chest in a house that is now unfamiliar and rearranged. All I want to do is get high to forget about it, and it’s worked after awhile.

I know the police will do nothing because I don’t know how to explain it without dying or not making sense. I never wanted this.

I never wanted to lose the only lifeline I had.

So after the voices came from my laptop and told me these things, I left my apartment, locked it and went to the stone wall by the office supplies store about a mile away. I sat there in the gravel and lit a cigarette, the parking lot blurring through my wet eyes. I didn’t know why I believed what I was hearing, but I was anorexic and schizophrenic, and didn’t know how to not believe something that seemed so real. Before all this, I heard voices talk to me in my room that really were there. No one was physically present around me, but their voices reverberated throughout my walls, my silent television, my closed laptop.

“We’re going to kill your family,” said the voices.

I didn’t believe them. I didn’t reply. I thought they were full of shit.

Now I know they’re not, because although the identity thieves of my family are never in prison, the handwriting of my parents has changed, and so have the cadence of their voices. They speak in European accents now when they think they’re alone and that I’m out of earshot. But I can hear them. It’s hard to understand what they’re saying. It’s plain English, but indecipherable at the same time. My brother’s identity was never actually stolen. He is eighteen and currently going to college. I am twenty-three and never doing anything with my life again. I’m in the loony bin.

I stare through the green and blue in the slit in the blinds and think about the house I grew up in, a green bungalow in the middle of a golden field of grass, a porch swing, wind chimes and an attic window that never lit up. My father always told me our attic was full of asbestos and that it could cause mesothelioma to inhale it after years of exposure to it.

“But,” he said, “there is no asbestos in the rest of the house. You’re safe.”

In the backyard, my mother grew strawberries and tomatoes. There was a one-car garage and a deck, a wooden fence and a glass picnic table with chairs surrounding it. I remember days, years of smoking marijuana in my room and listening to music. Grey smoke filling the room with the scent of weed, filling my lungs with blackness and my heart with euphoria. I will do that later on, in another place, when this institution is tired of me and forces me out the door like I want.

When I went home after my tantrum by the stone wall, I noticed that my parents were still there, or they just appeared to be. I saw no blemishes, no redness, nothing but them with a synthetic look to their skin, it appeared to be fake. But there was my mother’s hair, my father’s hair, my father’s eyes, their faces. Over the next several years that I lived in the house with them, I noticed that while they copied the handwriting of my parents well, it was slightly altered. They could do their signatures perfectly, but their notes to me and their grocery lists were different looking than a note would be were it from my parents. I was distressed by the way my father’s eyes were either a dark blue or a light blue. They looked like two different sets of eyes. He tried to hit me three times, but never went any further than that. I could tell he was an angry man all of a sudden, and though he looked like my father, I knew he wasn’t. He was wearing a synthetic skin mask. It looked like my father, but it wasn’t. Its skin is fake. It wasn’t real. Same with my mother. Whoever these people were, I know I need to chop them up and leave their remains to dissolve in a landfill somewhere. I want to leave my brother, Steffan, out of it. I know there’s a way to make them expose themselves. Purchase a gun, aim through the summer air at the targets, themselves and tell them, “Take off your skin masks! You’re not my parents! You killed them.”

They wouldn’t be able to reply, and if they were somehow compelled to reply and tell me what they did with my parents, I would happily kill whoever is underneath that fake human surface and tell the cops that they were serial killers who spied on my parents for years and stole their identities. Something I never wanted to happen to them or to myself. I hardly ever talk to “my parents” anymore and Steffan stays the hell away as well. I know I have to have them buried but for now, I think I’ll drown myself in writing. I haven’t explained what is going on to the psych ward, which is going to let me out anyway soon. I know how to handle it myself after hearing one of the directors of the facility tell me, “Your family is skin masks.” The sick fuck laughed to himself and I knew I had to flee and get those people who thought they could ever replace my parents, who were unkind to me but were all I had. I hated everyone else or lost the ones who mattered. I’m going back into their house and I’m going to dig up my gun and aim it, loaded with silver bullets, at their brains. I know they’ll unmask. I’m not born yesterday. I know I should do this. I would never duplicate a mask made to look like real skin and identity of someone else, and wear it over myself as though I could become that person. I’d rather swallow a bottle of pills and go to sleep forever. Fall asleep in a meadow of bluebells and Vicodin.

Before here, I hung out under a train bridge where I always wanted to follow the mysterious Mathilde, a girl whose surname I didn’t know to this day, anywhere and everywhere. She came there to buy meth and was always hanging out with older men, smoking a meth pipe and blowing the smoke up into the lights under the train bridge on the cement walls, watching it float, a white demon mask, in the illumination. I joined her once. She asked me, “Why are you doing meth, Stacey?”

“Because I’m miserable without it. It makes me feel like I could walk for miles and it feels like it’s only seconds until you’re at your destination. I feel like I can die alone on the autumn breeze and die happy.”

“Don’t die, Stacey. You’re the last one of them that should be killed.”

“Some of these bitches really should die. Last night, someone threatened me with a lead pipe after I threatened his friend with a lit cigarette after that cunt tried to beat me up. The both of them should burn up in a chamber underground.”

Mathilde smiled. “How did you know I love that sort of thing?”

“Because I can see through you. I’ve seen you in fights under here, too. Try to keep a low radar. I know you haven’t initiated any of those fights, but try to see there are real dangers here in town and don’t let anyone know where you live. I heard you lost your ID recently and had to get it replaced. It was stolen. I’m only saying this because I care about you, Mathilde. I don’t think they’ve done anything with your ID except disposed of it, by now. I think we should stick together.”

“I don’t have any friends except you,” said Mathilde.

And a few days later, I was shoved away into the psych ward, the loony bin, the human menagerie. I felt like a psychiatric science experiment, doped up with meds and lost in the dull, utilitarian rec room, playing ping pong, watching an episode of Intervention in drug therapy, browsing the bookshelves, learning different coping skills, watching the bus park and then leave through the glass cage of windows, learning about different behavioral therapies, making collages with magazine pictures, standing in line for more meds, staring at the ceiling light reflecting from their TV, craving drugs and wanting to cast off all purity. I couldn’t stand it here any longer. I still can’t. I’m crazier and know I won’t pay for what I’m about to do, considering how horrible what these people did to my parents is. I can’t let them live any longer and everyone is buying into their disguises except and another lady whose name I don’t know. Their old friends won’t speak to them. A lady who lives me nearby told me my mom isn’t herself anymore.

“She’s not Autumn,” the lady told me. Autumn is my mother’s name.

She said nothing about my dad, but all the voices ever reiterated to me was that my dad, Roger, was killed and that I would never know where or what had been done with him. I’ll forever remember that scream and chainsaw sound on my laptop, playing through the speakers out of dead silence. What was I supposed to do with that information. Say I heard it out of thin air? I’d sound psychotic to law enforcement, mental health services and anyone listening. I can’t just ramble about this to random drug addicts, either. I can’t tell them why I’m purchasing the gun, what its purpose is, or where I’m going to kill those thieves. I am haunted by days of sleeping and screaming and all I can do is bleed Ativan and never want to wake up. But still want to avenge my parents’ murder as well. I’m getting out soon. I will sleep under the stars for a night out on the deck, and wait until the daylight breaks to kill them when they emerge from behind their locked door and into the interior of the basement.

You’ll see. They have masks that are so fake-looking they betray themselves, they give themselves away. I can find a way to move on and I know I shouldn’t blame myself, because this destruction of the family foundation was never my doing. It was theirs, whomever is living in those disguises. I’ve told no one. I can’t allow myself to be labelled as psychotic or severely mentally ill, but I have been. I can hear the voices to this day, and four psychiatrists told me that schizophrenia is incurable. The voices can only be tapered down with medications. There is no cure alive for hearing voices, for visual and auditory hallucinations. I’ve seen things too. I’ve seen people that look ghostly and transparent appear by the river, or sitting on curbs, and they vanish into thin air just as quickly as they appeared. A cop by the river, a man in a grey hoodie on the street curb. I see black shadows above me, or white or golden flashbulbs emanating in the ceiling like there’s a camera taking my picture. The voices still talk through speakers, walls and televisions. Car radios. Computers. A speaker will transmit a voice faster than anything. All they’re telling me is that my family was bad and that they deserved it. I know most people wouldn’t agree with this or think this is okay. Nothing is okay. I will never feel like I’m wholly human again.

2016

Mathilde

In the woods there whispered a secret I felt compelled to follow, just to discern its meaning. It could’ve been a blessing or a curse, and still I was brave enough to leave my repressive household for those screams that normally would frighten someone, but I’ve been reduced to a frozen-hearted Banshee on the floor of a seclusion room more than once. I remember the fog of those moments and feeling more broken than even the most dismantled women could get. Screaming because it was expected of me.

I left home when I was eighteen, dropped straight out of high school, a nightmare I never hope to relive. Age eighteen was the last time I saw a psychiatric facility. My family and me lived in a Tudor mansion in the city’s most affluent neighborhood. It was my parents and my sister Sinead, who was always the opposite of me, the black sheep.

“Mathilde, no one is screaming in the woods,” she’d tell me when I first heard the shrill, ear-scorching girl’s shriek echo from the trees bordering the park.

I ignored her and ran knocking a stone statue over, and sought out the source of feminine distress.

“Hello? Are you alright?”

“No matter where you go, I’ll find you,” was the whisper that fervently replied from somewhere in the foliage. As though the angel or apparition (whatever she was) could read my mind. I was thirteen.

Pale and whey-skinned compared to my sister, who perpetually blushed and took better care with her pretty countenance. She snagged Dale Tierney before I could get to know him; naturally someone like him would gravitate towards an extroverted floozy like my sister Sinead. He greeted me politely but tersely upon visiting our house, as I was not the subject of his interest. My sister was seventeen, and a senior in high school, while I was in ninth grade, a razor-freak and antisocial, maladjusted misfit. Sinead pretended not to notice. My cuts bled on tiles to industrial rock music. No one could stop me.

“Mathilde-”

“Don’t speak, or I’ll excavate your heart from your chest and incinerate it while I smoke a coffin nail,” I replied. He was chasing Dale with a bat, and I remembered a brief feeling just like getting fucked with a knife. Some bat-wielding perverts had jumped me several years ago and shoved the handle in.

“Mathilde!”

“I’ll eat your heart before I burn it over the pyre,” I snapped.

In the abandoned grain elevator building made of cement, a place I pretended was a mental institution, I executed him. Lobotomized, Never anesthetized, because I wanted him to feel like hell. I always knew there was no inferno underground where bad people like myself and this man who is dying beneath a series of rope knots. I have bound him in a length of chain as well. Years ago, long after the screaming in the foliage to the cacophonous magpies had ceased, I heard a woman or young girl wail in agony above the ceiling. The attic I never went up in because it was asbestos-ridden, and I wondered how schizophrenic I had become.

I told my father (a man who once told me “try harder” while I pretended to asphyxiate myself with a shoelace adorning the knob of my bedroom door) that I heard a scream erupt from the attic.

“Well, your intake with mental health is tomorrow,” my dad replied. “We’ll get you on the right meds.”

I hoped and prayed there was no reality behind the scream.

The house was over 100 years old; it could’ve been a benevolent or malevolent apparition.

He’s dead.

I’ll splash him with acid and dissolve him into the floor.

I see Dale watching me from the doorway all of a sudden.

“I am Hell itself,” I tell him. He seems to know the guy I offed was scum.

We laugh.

I wake up from my zoning out on the couch at 3 a.m., content, knowing I had no part in it. None of it was my fault. Tori Amos’s To Venus and Back album has played on repeat all night. I could’ve retained my innocence if the city’s pathetic excuse for a population cut me a little slack, but now all I have time for is complete, indisputable indifference. And euphoria over everything, hedonistic amusement showing at all times. So happy I could die in outer space. I wouldn’t even care. I used to put methamphetamine mixed with angel dust, or PCP into my bloodstream and it was then that I discovered a drug that could take away the fear of death itself. A man said, “Get the fuck out of here or face my gun.” I saw no gun to speak of and felt numb with nothing but mania in my head under the freight train bridge. I moved myself as far away from him as I could go. I was full of amphetamines under the bridge. A place downtown full of drama and drugs. I saw a man hold a knife to the throat of a man in his late teens or early twenties. I told the older man with the knife, “Don’t cut him. Just don’t. I don’t want police under here. I’m not calling them. Just…don’t,” I told him lifelessly. This was before the gun threat with the possibly non-existent gun in one of his pockets. The man withdrew his silver blade and backed off the guy, who was the only one allowing me to use a meth pipe. I felt no affection for him considering I don’t know him to this day, but I wonder how I’m not afraid to waltz out into the insidious Spokane night. A hellhole in the central eastern part of Washington state. I never liked this city, famous for its underground whoredom and criminal activity since the early nineteenth century. I intend to haunt it just like the screaming ghosts.

But I won’t scream. I’ll just make them their own worst enemies. I don’t feel I will ever really die, even when my body does.

“I hate you and I love myself, you pathetic fucking city,” I whispered to the mirror. I would place them in an underground chamber. Baths of acid dissolving useless DNA. When people like me are crossed, the night can scream and sleep will reveal what Hell can be. I’ve dreamt of being in a kennel on a plane. Jail cells on a bus with cages lining the aisle that remind me of a jail on wheels. It deserts me by the side of a road aligning a river. Sometimes I dream of treading deep water and drifting along in its waves like a damned soul. I dream of people glaring at me in dark alleys, houses where there’s nothing to watch but a woman in a peach-colored dress entertaining some businessman, drinking something out of a wineglass while she does it. An abandoned asylum being haunted by myself and others. It’s like I’m haunting somewhere that is judging me as I judge it.

I made a carbon copy of him. A clone. I drifted away on dissociative hallucinogens to the sound of his voice in my ear. I don’t care that he’s not really here.

Whenever anyone badmouths him, I feel like they should meet the Windex I pretend to pour in their coffee.

I’ll do what I please for the rest of my life.

Colored balloons and iridescent papier-mâché dotted the walls on the summer evening of my sister, Sinead’s, suicide. I staggered home to Stevie Nicks’s “Stand Back” blaring from her room above the stairwell on repeat, a bottle of Robitussin lingering in my bloodstream. I felt high as a kite. I stared into the rainbow vortex, the littered warps of tinsel on the floor, and remembered hours earlier an argument ricocheting off the walls between Dale Tierney and Sinead. I couldn’t understand them through their slurred drunkenness. I remember a wineglass breaking against his car as it was tossed aside by Sinead.

I had never known her to fall apart.

I would have never done this to him, but I chose to keep out of his way and never tell him how I felt. I was like winter without him, cold as silver and bracing as the winds of the east. I could sustain the fantasy of him more than the reality.

He was somewhere in the house, probably, drunk in the kitchen and avoiding the drama of prior hours.

When the song played one more time, I ascended the stairs and traipsed down the corridor to Sinead’s room.

Do not turn away, my friend

Like a willow I can bend

No man calls my name

No man came

So I walked on down away from you

Maybe your attention was more

Than you could do

One man did not call

He asked me for my love

And that was all

The lines from the song tore through the air and were like bells of 80s euphoria in my ears. I saw Sinead dead with a jagged red line across her throat, torn open from a self-inflicted wound. Blood spattered the mirror of her vanity table. I never thought she had the guts to even prick her finger. I watched her white face for a moment, its waxen marble idiocy, its vacant, grey-eyed death. In extremis, she looked more at peace than I’d ever been in life.

Dale was nowhere to be found on the property. A white sheet covered my sister’s face and they wheeled her to the morgue. I would soon adorn her grave with clematises and dahlias. I would miss her soliloquies on the balcony before he entered our lives. She was so melancholic sometimes, but nowhere near as much as I.

The day after her funeral procession, a blur of black hearses and silver cemeteries, mounds of dirt cascading over her coffin, I smoked angel dust and watched the rain fall outside as I blared heavy metal from the stereo. Tears only burned once and I allowed them to fall for two minutes. Nothing could bring her back, and when Dale rang the doorbell I only told him, “She’s gone,” and closed the door in his face. His double stood behind the closed door ready to embrace me and disappear with me into the bed.

“No one should be allowed to even reach me, touch me or talk to me,” I said. I told the silent thin air. I didn’t want a reply, and I awoke the following day to a touch on my shoulder. When I turned, I saw nothing. Not a person. Not even a trail of vapor. I’d deny anyone from knowing the monster that is me.

Something in me still laughs, despite the grief.

I can see her in dreams. I can see Dale in dreams.

I’d rather daydream on drugs and live in the ruins of my old house than deal with the heinous society around me.

Broken doorknobs and glass I can’t shatter. I swallow pills and wrap myself in blankets, dreaming of a boundless, lazy sea that carries me in its midst. When I reach land, it is steep and treacherous.

I awaken in my mirage’s arms. I am an endless realm of sadism when someone poses as a threat. I once pointed a silver crescent of a knife to the skin of one of his would-be attackers. I won’t ever let go of the image Dale embellished in my mind.

I am as dead as the man in the cement left in a puddle. I am as dead as Sinead, wallowing away in a hallucinogenic reality.

I find nothing damaging although my health is rotting like the grass in the heat waves. Rotting like the relics in every yard, made of metal and plastic. I hate everyone in the world and all I wanted was to end the city.

All I wanted was to end time.

To corrupt and corrode.

To slide right out of life older than anyone had ever been.

I’m only twenty-five years old, and it took me that long to finally kill someone. It was in defense of Dale while we wandered for a couple minutes when I ran into him, discovering he also had an affinity for the abandoned grain elevator where I killed whatever his obtuse name was. I knew somehow he would grace my presence that day. The would-be attacker was quite the opposite of a graceful presence; he was a storm. A storm boiled in my blood, too, and instantaneously, I made the baseball bat fly out of his brandishing arm and struck him several times. Dale Tierney grinned as he watched me debase the humanity right out of the man’s veins. I left him there to rot by some old filing cabinets.

Months after all of that happened, I no longer cry tears or cling to a crucifix on my pillow in the shade. There is nothing more to make of myself; no one will expect anything of me for a long time. Maybe never. Isolative by both night and day, I crave no presence to sustain me through the day. My parents flit about the house and are mostly not in it.

Yesterday I met a girl in a white dress with glittery, crimson-bleeding eyes in the foyer. She bid me follow her to the mirror beneath a chandelier and told me my beauty would wane. Then she vanished into the air like an exploding star. I didn’t care and I told her to hush and leave me be. I gazed into the mirror, not as dissatisfied as I used to be. Sinead was always prettier, but I no longer envied her for it. If anything, I missed her. I never knew, in my cough syrup-induced state, what Dale had told Sinead that pushed her over the edge enough to slit her throat. She took her own life right off the planet. I will forever imagine her ricocheting into the stars, an astral angel leaving her own body and becoming a new being in the form of a spirit. The girl with blood rivers in her eyes was nowhere near as beautiful as my sister.

Whenever I think of the glow of emergency vehicles outside the limits of the mansion, I pacify myself and push away the thought as fast as it came. I know there were no witnesses besides Dale and me. There was no one to see us all meet there, not knowing one another would gather there to explore the grain elevator. Barbed wire, rusted beer cans and rejected heroin needles littered the ground at the base of the cement building. It had been shut down since the 1970s, and not a soul usually stirred in or around it premises by the railroad tracks. There was nothing to do at the place besides fuck or get stoned. In this case, I killed someone and left him for dead in the place’s basement. The bat was disposed of. Everything wiped clean. No information regarding me can be salvaged because I am a lightning bolt full of speed running as fast as I can away from everyone.

I am sitting by the 7-Eleven high on acid. Halos and wings bleed out of the sky and litter the parking lot in a debris of feathers and gilded circles. I cannot scream in my house, so I went downtown to swallow an LSD-laced sugar cube and careen in the opposite direction from rational thinking. There was nothing to do but melt away along with everything else around me. I wanted the patterns of the strip mall across the street to keep melting, the neon of the bar on Dante Avenue to keep illuminating the girl beneath its sign with the darkest eyeliner I’d ever seen. She kept moving from side to side erratically, as if she were high on speed. I just can’t sustain my lifeform without drugs. I become other selves. I talk to ghosts of humans, both living and dead. She is talking to the empty air that always has answers. Her cigarette smoke forms a crown. I get bored and walk down the street, the church on its corner alit with hallucinatory flames. I think I see Sinead staring at me beneath the wainscoting in someone’s house through their window. I hate everyone except her and Dale, but whatever he said to her caused her to slice her own throat open. I can’t trust him to not make me capsize. I can’t let my iron guard down when it comes to my walls.

Do not touch me, I command every living human.

There is a star I stare at to the south that shines its light upon my shoulder blades ripping open, my veins bluer than before in my wrists. I caress them. The most important love is self-love, I tell myself. That is how I will flourish.

2019

Mathilde

They found the remains of the body that I left behind in a fit of post-traumatic rage. It was a puddle of lye and hydrochloric acid, and gone was the baseball bat-wielding storm of a man after he tried to assault my sister Sinead’s lover, Dale Tierney. A few years ago, my sister committed suicide over an incident with him in which the circumstances are still unknown to me. Since then, I’ve been laying on my bed with voices compressing my head, telling me they’ll sell me and kill me. I am too strong, too fortified with indifference to care. My parents are rarely at home and I’ll never tell them. My dad would just advocate for changing the medication combination I’m currently not taking.

My twenty-eighth birthday is just around the corner. A brand new gun I purchased from one of my meth dealers shines in my hand in the starlight, full of a fresh supply of bullets. My red-lipsticked smile could enchant the devil. On top of the hill where I stand are two high school enemies, Jamie Frances and Stormy Hale. The last place I saw them was under the freight train bridge. They were sharing a pot pipe. They called me an ugly dog. That time, I let it slide off like snow from a gabled roof. Now, I’ve got the two of them right where I want them and I’m still not bothered by their comment. Underneath of them the grass blades look like ebony knife blades and my hand is on my cheap but efficient gun. It’s a silencer so there won’t be much sound when I snuff their lives out. I know how reckless this is considering anyone could have seen me out their window at 2 a.m., but I’m willing to risk it anyway. Jamie and Stormy don’t see me watching from the top of the metal stairs.

I approach with quiet steps across the hilltop. Their backs are turned. My hand grips the gun more firmly than a snake’s coiling hold on a victim. Closer. They turn around. Closer still. Jamie yelps like a mouse before the gun’s bullet catches her in the head, embedded in the wisps of her brown hair. She collapses like a darted, tranquilized animal to the grass. Next, I point the gun at blond, self-righteous Stormy. I see nothing. The fear in her face screams a novel’s length of words. I fire at her forehead and she, too, is done for. It’s my lucky night that they chose this hilltop to smoke weed. I was coming here to smoke meth. I embellish each bitch with another bullet hole and calmly leave them there, the swishing sound of the gunfire replaying in my mind.

The hill. The black grass blades. An abbatoir for two girls who crossed a thin line.

I go home, hide the gun and decide I’m already too high to take another hit. I open an antiquated copy of The Scarlet Pimpernel and nearly read the whole thing, satisfied that the voices in the wall have been silenced. I’ll read the end tomorrow. Before I close my red-tinted eyes at 8 a.m., I think I see Sinead standing at the edge of my bed.

“Good job, Mathilde,” she tells me. “You snuffed those cunts out just like a hurricane takes out a wooden house in southern floods.”

I love her.

I miss her.

I almost cry, but my emotions are in a graveyard somewhere. My eyes are only ice instead of liquid tears. My heart isn’t broken. I know she’ll always be with me. I know that the mirage I made of Dale will always love and caress me, even when I’m no longer young and dangerous. He’s not really here but it’s like I can see him anyway.

I imagine the bones of Stormy and Jamie decomposing under the cold earth. And if they are cremated, their ash is undisturbed in urns for centuries. I think of crimson bullet holes on the hilltop of a feminine warzone. It’s the last thing I see before I fall into a pleasant slumber.

2019

Stacey

They released me from the psych ward. I have a gun in my hand. I’m veering towards the bungalow with meth reeling in my veins, my hands on a fifteen dollar loaded gun. I purchased it from a man in a trench coat in an alleyway. I open the door.

“Where were you?” asks my non-mother. She looks and sounds like my mother, but she isn’t my mother.

“It’s late.”

“Take off your skin mask,” I tell her, withdrawing the gun and pointing it at her head. “Stand up and unmask! You’re not my mother! Take that damn thing off!”

She starts to hyperventilate, and stands up. She fumbles with the layers of skin parts that originated in some clandestine building. They come off and underneath is another pale woman. I don’t study her face but I don’t recognize it. The moment I realize I’m right and that this is a malevolent identity thief, I blow her brains to pieces. I shoot her full of three holes. I only wish this were a smoking gun. I steal away into dad’s TV room and he does the same thing. He’s just an ordinary guy underneath. These two strangers are people that have lived the lives of someone stepping into a stranger’s skin. Stealing their house, their job, their lives. I’ll never sleep again. Once they’re both dead, I call 9-1-1.

“I just killed my parents’ identity thieves. Come and pick up their remains,” I tell the operator once asked what my emergency is. I tell them my address and they wheel them away. They’re covered in white sheets. A bunch of cops tell me, “You’re not going to pay for this. They were dangerous. They were unpredictable. They could have killed you, too. You haven’t assaulted us, and we thank you for that and understand how hard this is to talk about for you. So we’re going to just let you stay in the house for awhile. Keep the gun with you.”

They leave.

I’m considered a murderer in self-defense. I’m not even going back to the psych ward because I haven’t told them my history of hospitalization.

I scribble a murderous vignette in a composition notebook that night called “Cornfield Rot.”

It reads:

“Some of us are wraiths gliding through your world, blissfully unaware of your cryptic eyes staring past us, of your mouths that eject inanities. All we’ve heard is noise for years.

We’re used to it.”

This is the paragraph I hear spoken aloud to me in a phantom whisper at 3 a.m., my alarm clock bathing my stoned self in a neon green glow. It’s a feminine voice, half-familiar and as faint as the illumination from the clock. My pillow is like a wreath of thorns. I eat pills, caffeine, switchblades and shards of broken teacups. There is a prevalence of apathy that spreads me in me, but what I lack is fear. What they say I lack is self-respect. I suck down another joint, draining the grass until it glows like the motel fire I will see in a few days. Lighting up the firmament with incandescent flames, fiery orange mingled with slate grey. I always wanted to rip open the sky like paper and end the world. When the Days Inn burned down from one of my lit cigarettes, I fled the scene as the firetrucks skyrocketed past me. Black flames filled the town with poison. The colors blurred through the water in my eyes. I hated everything around me since I could think, since I could speak.

Something explodes behinds me as I propel myself further away from the scene of my infantile crime. No more late-night TV, no more waking up to the same sailboat prints on the walls. No more panhandling at the hamburger restaurant next door to the Days Inn. I’m as thin and intangible as a wisp of smoke floating through the adrenaline-suffused air. I’ll disappear into the fields and search for rotting bodies under the pines.

I imagine swallowing a handful of pills next to the concrete platform by the abandoned bowling alley, the one with the crimson anarchy sign spray-painted on it. I see a haze of red Victorian wallpaper and a knife aimed at many skulls. A flash of fire will light up in other places someday. I won’t kill myself while they recline in the brambled ruin and laugh.

Sometimes I can hear the dead in the dirt beneath me say, “I am under here.” I’ve heard them come from underneath the bus stops I wait at, the sidewalks, the swimming pool, the abandoned drive-in theater at the edge of town.

I can’t see them, but I can hear them with ears that hear nothing but bells, voices, or chaos. I can feel my pain get carried off with the breeze at such times. They give me the hope that death is an opening to a portal of the soul’s immortality.

My makeup is burning off. I’m a limp, ragged doll in the corn maze getting eaten by ants. I got lost looking for the exit. I am rot given back to the earth.

2015

Janine

Amanda Warwick, age twenty-two, lay submerged in a halfway-house, painted yellow walls, dirt yard, a place to be jettisoned to. She had overdosed on methamphetamine in the heated, sunlit parking lot of multiple storage garages, her head in a hole in the cement next to an empty Halloween candy basket shaped like a Jack O Lantern. After the sharp inhalation of crystallized smoke found her brain, she was set off balance with the cathedral’s clamoring bells, the beauty of the wind’s white noise. She drenched herself in the calm black water of the lake, washing asunder the sins of Janine Crellin. Janine, with her green eyes and reddish-blond hair, a contrast to Amanda’s coarse black curls and hazel orbs, was in an infamous fixture in Amanda’s past. She had bled Amanda in the alleyway, bedazzled by the trails of blood flow, scarlet stars, mesmerizing to Janine. They were both sixteen and lived next door to each other. A red brick house with a picket fence (Janine’s) set beside a white house with green shutters (Amanda’s).

Janine was belligerent. Amanda was polite. They weren’t friends and Janine’s problem with her originated from a source unknown to her. In wild, vociferous rage, Janine left cigarette burns, several of them, that felt like surface tumors after they swelled with ash and pain.

What could I have done to you? Amanda thought.

Amanda was never wholly perceptive of what she was doing to Janine. If the evidence of Amanda’s taunts and provocations had been recorded, her remarks would have been proven to have been said aloud. On that day in the alleyway, Janine couldn’t refrain from assaulting Amanda because of Amanda stealing a plastic bag of marijuana. All they both wanted to do was get high. Janine withdrew a knife, the steel blade glinting, sawing gashes formed like lightning bolts. Gashes made while Janine sat on Amanda’s neck to choke and carve across her stomach, the spaces between her ribs where Janine slightly poked Amanda’s ligament, tearing it. When Amanda passed out from lack of oxygen, Janine began to carve some more. The thighs. The calves. A turning over of the deprecated body. More blood pools against the jutting bones of the shoulderblades.

What a passage to destitution, what a decline of descent into the laconic state of shades pulled down, the swallowing of Vicodin. Amanda was in for it. After the cutting and the burning done unto her flesh was concluded, Janine took off into the night where she was always most comfortable.

Amanda never would have been revived if not for a lone transient who discovered her with a faint pulse and numerous raw wounds, blood cold, veins a transparent blue beneath the skin on her crooked arm. He called an ambulance at a pay phone and Amanda was swept to the hospital, where she was diagnosed with a concussion, loss of blood, five broken ribs and amnesia. It took Amanda one week to recall Janine’s attack and even longer to recover her memory; her head had been hit so hard on concrete. She chose to press charges and Janine was confined to jail for eight months and later on to psychiatric care on and off for three more years. She was very troubled. Her anger seemed baseless. Amanda wondered, withdrawing from meth in her bed, if she had died that evening in rigor mortis in the snowfall, if some silver angel of death, one of grace and storms, would have absolved her of fear and taken her to another side. One separate from life where we all may go, anointed. Amanda wasn’t sacred anymore. She had survived but now she wanted to expire. Amanda thought of Janine in a devious city, weapons hidden away, only to come out again for the dismemberment of corpses, dragged in burlap thorough a secluded forest, placed in a ditch by the railroad tracks under a pine tree, branches hanging low with needles. Amanda’s thoughts were decay, wasp stings, rotten fruit, sour wines, aspiring homicide. The residents of the group home generally ignored Amanda, but as of recently, they wanted her dismissed as a resident because of her conflict with them over trivial matters of ones full of more depth than would have been suspected.

Meanwhile, Janine was exactly where Amanda supposed, in the position of a merciless killer. She let the bodies sink into remote lakes with heavy stones tied to them, not a trace of her DNA left on their remains because she wore hair nets and was careful. She often got high and was free of institutionalization. No more secluded cages or millstones of grim prophecy. Amanda was only an attempted murder. When Janine left town at eighteen, she acquired a car to transport the bodies. In her new town, a population of nearly 30,000, she knew the civilians to target. She knew who they were.

Fanatics.

Chaos itself.

Dysfunctional child-abusers.

Every house with a shrine dedicated to only the pristine. Their gilded monuments.

So far, Janine had killed seven people.

Her victims:

1. Jay Motley, 36, convicted child rapist and wino

2. Alyssa Sparrow, 14, student, frequent bully

3. Martha Wilde, 45, child killer and teacher

4. Karen Wilder, 21, employee of Burger King

5. Kevin Fielding, 7, was terminally ill

6. Tess Moriarty, 22, bartender

7. Matthew White, 29, pawnshop owner

When Janine Crellin was four, she saw in her parents’ living room, a black halogen lamp with white flames flickering at the top. Either it had been left on too long, or her mother had set the fire herself, Janine decided.

“Look what you did,” said Mrs. Crellin, blaming the fire on her. She would grow up to relish those flames, pyromania impending. First, Janine burned her journals, then people.

In remote plains tied to wooden stakes with twine, gazed at by onlookers, the only ones who could hear the screams.

Amanda Warwick, in her reverie of Janine, planned to kill her. A new resident told her where she was living. Not far away.

“Here’s her address. I’ve smoked weed at Janine’s house. After what she did to you, Amanda, I would undo her.”

Seven people were dead so far and Janine still slept, tranquil at night. Never would she allow grief or guilt to disturb her. She had made to list of victims, having met them all, knowing their crimes. They had moved to the town for its quaintness and scenery as well as to carry on their traditions of immorality. Only one victim was innocent. Kevin Fielding, who was only seven years old with severe cancer. Just a needle in his vein put him to sleep and sent him, Janine supposed, to celestial firmaments.

How far could she get by being a killer? In the distance, Amanda tried to peer into the room of Janine and sacrifice her dead.

Amanda

I was born in the middle of nowhere in a Gothic castle with saints and gargoyles guarding the doorway. My father had painted blood coming from their eyes as they knelt in prayer, keeping watch over our mercenary riches. He was blond with brilliant green eyes. When I lived on the grounds of his castle, I had to be his farm slave doing yard work and keeping the flowers by the moat neat and alluring. He made me kill the animals I admired more than the humans. I will forever remember what he did to my eyes. A complicated surgery that lifted up my skin and transformed my eyes from squinty and listless to bulbous and beautiful. I was staring into an antiquated mirror surrounded by four girls prettier than myself preparing me for eye surgery. My father grabbed me aggressively by the wrists, placed me on a cot and put me to sleep momentarily to perform plastic surgery. An eyelift, he called it. The girls giggled in their pinafores, playing dress up at girls from the nineteenth century. I will kill Janine. They looked just like her. I will kill her. We are sisters. We have the same father and I killed him when he came to my adopted parents’ house to kill me. Shot him point blank in the head. His ghost will never be able to speak to me from the dead.   I am ready to kill this girl Janine who fucked me up when we were teenagers. People tell me to stop being so high school and grow up, but I’m not in high school or hanging out with high school kids. Just people that keep the mentality around too much and I’m bored of them. Where will I find her and how will I get past her gang of people that I know is protecting her, driving her around in cars to burn people and sink them into rivers. Nobody can find her but I know she’s the type to kill and I heard a woman discuss her and use the term “murder” and “rope.” I don’t know how to take a person down and a part of me tells me to stay away from her. But a part of her wants Janine to kill me again and send me on my way to a better place. The government wants to control my health and not allow me to smoke meth. It houses me in group homes that are unkind to me and compare my surgery to drivel compared to what their daughters with a lot of money paid to get. They got way better facelifts. I have weird eyes. Currently, I’m on the road looking for a way to find out what Janine’s doing, spy on her a little. She lives in a plain wooden house and I can see her in the window, staring out at me knowing it’s me; I am easily recognized by my eyes, even at a far distance. I’ve changed my mind. I want Janine to kill me. I can take a lot of pain. I know I won’t survive her and I can’t help but throw myself at the mercilessness of this sadistic girl. 

Nobody saw Janine drag Amanda’s lifeless corpse up the three cement stairs and into her house to dispose of her with acid. She shot Amanda with a silencer the moment she saw her face loom large and moon-like at the window, open and paneless. The neighborhood Janine lived in was full of gang bangers and drug addicts that shot up and shot people driving by them at night in the street. I must be in the right place, Janine reassured herself. She planned to dispose of Amanda in a nearby landfill, to never be figured out.

2019

Mathilde

My old friend, Janine from summer camp, was just arrested. She told the news she assisted in the suicide of Amanda Warwick, a girl who Janine claimed wanted to kill her. A girl I once met under the train bridge, Stacey Galloway, is not being prosecuted for the murders of Brian Harlow and Jane Seymour, her parents’ identity thieves. It’s really sick shit. Brian and Jane wore skin masks that were completely like real human skin and the features of Stacey’s parents had been duplicated. She didn’t really know what to do about it for many years until she just went crazy. She told me about the recording from her laptop, and I didn’t know how to explain it. I had heard the voices, too. If you don’t want to hear voices, I recommend that you don’t do drugs. You will become a schizophrenic satellite. You’ll hear the world speak to you, and the people in public will say what you’ve heard your voices say when you think you’re alone at home. They can hear you breathe, they can hear you sing, talk, even think. I don’t know how to put Stacey at ease. I’m never really on edge anymore, but I can tell she is. I always wanted to make her my partner in crime. Even Janine would have done well, but I’m against her opinion that Kevin Fielding needed to die. He was just a kid, and I’m against killing kids. Apparently something leaked out and someone turned her in. She is now in prison forever.

I know the same thing won’t happen to me because I plan to stop after three killings. I wish I could free her and I wish I could ease Stacey’s pain. What’ s happened to her is horrible.

Like my old friends, June and Marcelle. Their group home has been shut down and I don’t know where they are, now. Both girls were beautiful and crazy. They had been raped by strange men who met them at the house of their legal guardians and they killed their guardians in self-defense. Marcelle didn’t pay for her crimes, but June had killed the neighbors as well as her guardian and got locked up in the criminal forensics ward for seven years. Just as I’m thinking of them, I decide to write. It’s about a girl who’s always being watched.

It runs on like this:

It was my sophomore year of college. I had just completed the first day and everything depressed me, especially the shadows of the maple leaves dancing on the wall in my dorm room.

“I’m going out for awhile,” said my roommate, Naomi Carver. I assumed she would be gone for a long while. My homely reflection stared back at me from the rectangular razorblade I held in my hand. I took in the zit on my chin, my black curls, my lackadaisical brown eyes. I turned the blade away from me and reflected the white, utilitarian walls covered in posters of new wave bands, the fake plastic red flowers in a vase on the nightstand, the Russian dolls next to it. The bottom of the blade was still covered in cocaine powder from a night Naomi spent partying at a friend’s apartment. My eyes stung. I moved in slow motion to the bathroom and ran water on my wrist in the sink. The key is not to think, I silently told myself. The key is to gash the vein and not fear what’s beyond. With the past, present and future forgotten, I made a vertical red line on my wrists, tearing into the blue creek of vein beneath my porcelain flesh. It brought forth a mild sting, like a bee’s. Blood spurted like a fountain into the sink, onto the mirror.

When I began to feel weak, I allowed myself to fall to the linoleum and wait for a bright light, a celestial set of golden gates. Before I faded out entirely, I felt a pair of arms pull me up and heard Naomi’s distorted shouting.

“Mildred!”

I blacked out, thinking it was only a hallucination when I saw a girl who looked like me staring at the scene from the entrance to the dorm room. I would see her later, in new circumstances. It turned out that Naomi forgot her phone, which is how she found me attempting to end my dismal life.

They sent me to a local hospital, where they staunched the bloodfloow and where I eventually came to. The first thing I remembered was how I used to be such a sweet little girl. I think the most soulless day I had was when I was in junior high and I burned Elena Miller with a lit cigarette, all the world curdling behind my eyes with anger.

“Where do you want it?” I asked Elena, wielding the cigarette like a knife against her arm. “Your skin, or your clothes?” I pointed the tip at the polyester of her blue blouse. At the finality of my outburst, I chose her pale wrist as the target. Elena gasped instead of screaming. I spent two weeks in juvenile detention, was expelled and transferred to another school. As I was recalling this savory memory, a psychiatrist came to evaluate me and she concluded I needed inpatient treatment in the psych ward on the upper level of the hospital. Once I was up there, I frequently threw thermonuclear fits in the blinding flourscence of the ceiling lights. The leather restraints they placed on my bed burned like fire. They were too tight. A whole week later, they sent me to a place of higher security, a building as old as the 1950s called Astria State Hospital. Located in Astria, Washington, a small country town full of orchards and horses.

Over the course of the next two weeks, I covered my bedroom window with collages and childish colored pencil drawings, once of which was a depiction of me rising above three pastel-colored buildings and into the sky. I wore a black dress and had no legs. Often, I stared up at the sky during cigarette breaks and felt like falling to one of the hollow black holes in outer space, but I was bound by the limitations of earth. My heart felt like hellfire.

“Mildred Swain should burn with fire,” said a patient with wild hair, pointing at me and taking a puff of his cigarette. I could only wonder how he knew my last name, let alone was he was saying this. I had been as friendly as possible since I was admitted into the hospital. As I lay in bed one night, a litany of insults came from both patients and staff passing by the door. They called me ugly, weak and deserving of death. I pulled the blanket over my head and refused to fight back. When I felt they were gone, I emerged from under the blanket, and saw her come in. The girl who looked exactly like me loomed, pale and spectral over my bed. She moved as though she were walking on water.

“Who are you?” I asked her.

“An extension of you,” she said. “You are doomed to be hated until you die. Humans are forever to be your plight. When you go home, they’ll talk about you on the sidewalk, in the park, in the classroom. All you can do is be strong and persevere.”

She went on talking until I fell asleep. When morning came, I felt groggy. The sunshine evaporated me. I felt like a puddle of snow melting beneath my blanket. Slowly, in the midst of the empty room, I willed myself to rise to the ceiling and become united with the camera I felt to be hidden in the light above. I watched myself from the top and there was my strange twin in the branches of the cherry tree outside my window, snapping my picture with a polaroid, the black eye of the lens like the eye of an observant spider.

2019

Stacey

In the dream, I am small enough to fit into a crawlspace. I cannot hide from my mother’s red wine in our barren living room that is as black as a power outage, as black as my rotten innocence. My mother picks me up and takes me to the car, says it’s time to go, I need help. She parks outside a stone clinic and leaves me inside. I cry out and am told to be silent by a stern receptionist. Two white coats hold me down and drag me to a white room with a thirty-something redhead in it. She has painted the word “borderline” on the wall next to an immaculate, gold-framed mirror. When we face it to see our reflections (mine child-like, hers much older), we are propelled from its shattering glass by a defiance of gravity. We coil up and writhe, possessed by demons. Satan lets us die together, which is a blessing compared to living in the hospital. I close my eyes one last time without seeing my mother. I only see the broken glass, the blood on the wall (bright as an ambulance light), the linoleum beneath my cheekbone. I am a dead husk of a human determined to haunt the city I was born in. Life grows black again. I don’t scream.

Marcelle

2012

Marcelle Trahern was raised by two cunts with Munchausen syndrome by proxy, a term derived from the original Munchausen syndrome itself. If one has Munchausen syndrome by proxy, it means a caregiver (in this case, the godmother of Marcelle), chooses to refrain from giving their charges the right health, supplements and nutrients to keep them alive. In fact, they make them worsen with sickness and degradation. Subtly, so the good doctor won’t notice they’re causing the illness for their charges. The first bitch had decided to poison her subtly instead. Marcelle’s godmother favored ipecac. In their small village, church was a mandatory service where all girls had to see the Lord Jesus Christ be praised or crucified on film. A montage of filmy sunlight and a golden cross shone from an array of manipulative Christian imagery, perceived on an overhead projector.

Marcelle went every Wednesday and Sunday in a grey stone building with elaborate brick arcs painted black outlining the stained glass windows. The broadcast room was like an insidious revelation opening up a nightmare to the eyes of sensitive Marcelle, without the abrasive steel to pry a pair of eyes open. Especially when the topic was eternal damnation or the crucifixion of Jesus. It was like a metaphorical film lobotomy. They just stayed peeled open, unable to shut or fall asleep for any reason. Nanny Cravat insisted she stay awake. She favored those antiquated neckbands.

The girls sat around her in stiff, ungraceful lines, backs upright or slouching depending on the girls’ preference to posture. Ms. Winifred Scarlet, who had been killing off children in her home for three years, took Marcelle in at eleven years old the year her mother died and Marcelle was never able to know the woman by heart in a way her memory could rely upon. Winifred was a registered foster mother and she was ailing. Marcelle killed her foster mother (and made the police and medical examiner rule the death as a suicide). She sang “Don’t Fear the Reaper” in her choir voice while spoon-feeding Winifred “sugar in a spoon bowl, so the medicine goes down.” She gagged on the Drano and no longer said the words Marcelle needed to hear: “You should be ashamed of yourself,” “You should be grateful,” “Why didn’t you try harder?” Winifred was involved in a canned television broadcast again for that last comment, a boring, banal comedy Winifred needed to have Marcelle watch with her before bed in 2011.

On March 24, a clear, shiny spring morning, Marcelle knew that she had no one to rely upon any better by the time the next foster mother came around to raise her. She was a distant harridan of a woman with a thin, pert mouth shut tight at church and open like a wrathful shrew to chastise Marcelle at home.

“See that window?” said Nanny Cravat, her second godmother: a malevolent, Puritan woman with brown hair in a frizz and vacant eyes.

“You’ll be lucky if God saves you when you fall out of it. It’s all shit. God’s for nothing. But I fear hell just as much as you do. All we can do is try to believe and see if God listens.“

In her dress made for church, the stiff lace a cascade of black and white. A knee-length skirt and pilgrim collar. Church uniform. The telepathy Marcelle heard: “devout truths”, “deep breaths,” “if you need to console yourself, use these coping skills.”

All the things Marcelle picked up on by reading minds that she could never express piled up in her head and she was crazy.

“Marcelle may be crazy,” said a soft-voiced man about to make an assumption based on what he saw in elaborate artwork in a journal: a drawing in Bic pen, of a realistic-looking Nanny Cravat swallowing a spoonful of something, reminding him of milk poisoning and a scary story his mom sometimes read to him at night in his portentous childhood. Marcelle’s self-portrait was accurate. She overheard the bell ringing in the distance beyond her thoughts of his voice by the cathedral bells that rang with worship, clanging vehemently. When Marcelle got home after spring choir ended, she planned the Drano death. It was under the kitchen sink, meant to mingle with Nanny Cravat’s cup of milk.

“Nanny, I hope you enjoy your milk,”

“Come, have a sit-down,” said Nanny to Marcelle. She set the glass of milk in front of Nanny Cravat, who was wearing her red velvet blouse and white cravat.

“Put that milk on the table carefully. Don’t spill it.”

Time to die, Marcelle wished. Down the throat went that blue liquid permeating Nanny Cravat’s esophagus as she choked. The only number Marcelle knew to call wasn’t an option, and she had to make her own way in the world feeling like humans weren’t worth anything and we’re all just partially alien. Meretricious, cheap people.

Marcelle wanted to die in outer space. She left the raw death and agony of Nanny Cravat slumped over on the table after she choked. Marcelle became the third eye, the third shrew, the ultimate survivor of destiny and doom.

June

2014

My lucidity died in the house I grew up in. I was raised in an arcane Hitchcock mansion with a cupola. There were no servants due to my guardian, Scarlett Freeland’s, illicit exploitation, and her fear of it being discovered. Therefore, she let everything collect dust. Her mansion was tall and monumental. It reminded me of a Halloween sticker decoration one puts on a windowpane. On our street, Cupola Avenue, named for the cupolas on each house, I suffered many seasons of violent turmoil at the hands of Scarlett. She owned a video camera that she balanced on top of a tripod and told me it was my “surveillance.”

On several occasions, at the age of thirteen, I was raped by a multitude of strange men that Scarlett invited inside. She would put 80’s hair metal on the stereo while they raped me and she sat in a red armchair, smoking numerous cigarettes. Sometimes, I wouldn’t get raped and instead it would be my deed, according to every person in the room, to kill a person in front of me. I’ve killed 37 people in Scarlett’s house, each one dissolved with acid in the cupola on film, and killed on film as well, before being doused with acid. Each time this event happened, it was recorded and burned onto a disc to be viewed on Scarlett’s TV.

There were only two other houses on Cupola Avenue: the Tarringtons’ house and the Miltons’ house. Clyde Tarrington lived in a two-story house painted white with black shutters. He lived there with his daughter, Blithe. On their front door was a poster of a symbol that held a cryptic enchantment for me: a cross with an hourglass in the center of it. It always reminded me of their time running out. I had wanted to kill Blithe for so many years. I felt her to be prettier than me with her lustrous black hair and piercing green eyes. She always loved to remind me of how I would have been killed by my twin sister, Adele, had she lived. In the womb, she was the alpha and I was the omega. On a rainy day when lightning split the sky into slices, Adele and me were playing dress-up with red velvet gowns and silver high heels. We were twelve. I convinced her into a “baptism,” holding her head underwater. Despite my carrying the title of the omega twin, my newfound strength prevailed and she soon ceased to breathe.

When Scarlett found out, she didn’t seem to care. Neither did the rest of the neighborhood; they were always killing people. We melted her body into the floor of the cupola with acid.

My name used to be Lillian Freeland, but once my twin was dead, I uncontrollably became someone named June. She came to me, like a doppelganger, looking exactly like me, but bearing no evil intentions.

“I am here, and I am not leaving you,” June told me. I regret killing Adele despite her greater knowledge of schoolwork. We were both homeschooled and Scarlett never told us what she did for a living. I learned later on that she worked for the federal government.

My liberation from Scarlett’s persistent and unyielding abuse came on the day of my eighteenth birthday, April 17. After she made me read Tennyson’s “The Lady of Shallot” to two men, who raped me when I was done, and when they had left, I waited for Scarlett to go upstairs and watch one of her movies. I sauntered to the garage and snatched an axe, the same one Scarlett used in satanic rituals when she was young. I made the predatory ascent up the stairs and into her bedroom. Then, as though she were a chopping block and as though her sanguine bloodflow was sacred, I swung the axe down upon her skull. Hard. She was watching The Caretakers, a black and white movie about women in group therapy. She fell to the side, writhing in pain. I went to the front of the chair and brought the axe down upon her back until her spinal cord was severed and her tenebrous heart gave out. I left her there and ran back downstairs, screaming the whole way.

Next, I opened Scarlett’s freezer and grabbed a carton of Marlboro 100’s, lit one, and burned the subtle swastikas hidden in the patterns of an Oriental rug. I gazed around me, took in the contents of the living room: the Kit-Kat clock shaped like a black cat with bulging eyes, the white topaz chandelier, the gutted hearth, the period furniture. I decided it was time to leave my home behind forever. I grabbed a pink backpack and shoved the carton of cigarettes inside, along with a drawer full of working Bic lighters. I threw in three shirts, six pairs of socks, six pairs of underwear, two pairs of pants, a journal, a pen, and a gun. I topped off the luggage with some rubber vampire teeth I endeavored to save for a malevolent purpose: murdering Blithe Tarrington.

I put my hand on the gun as I walked outside, holding it securely within the large pocket of my forest green trench coat. To my knowledge, the Miltons across the street were always killing people (Scarlett always said so.), but I didn’t know how they felt about Blithe. I didn’t care. I rang the doorbell, staring down the cross and hourglass on the door’s poster. Luckily, Blithe answered the door. I pulled out the gun, and her face became as stricken as one being lashed with a switch.

“Get inside,” I gnashed, pushing her onto the floor and slamming the door behind me. “And don’t get up. Don’t even talk.”

She talked anyway. “Lillian, please don’t kill me. You don’t have to - “

“But I want to, and I can, and I will kill you and nothing will ever be able to resurrect you!”

“What’s going on with that Freeland bitch? Why is she in my house?” screamed Clyde, who had just descended the stairs. I shot him in the head, and he slumped over, instantaneously dead.

“You’ve been killing people in this house for years, and it’s time to go!” I vociferated over her harrowed wailing. “Now, put these in.” I unzipped my backpack and handed her the rubber vampire teeth.

She stared at me, wide-eyed with feral fear. She did nothing. She said nothing.

“Your mouth, dummy. Put them in your mouth.”

I handed her the teeth, and she took them from me and placed them over her own toothpaste commercial-white teeth.

“You look the very caricature of Halloween,” I said, laughing as I blew out her brains. The remains flew against the wall and painted an inkblot test of blood smears everywhere. I walked into Blithe’s bedroom after I was sure she was dead, and saw a purple canopied bed, a bookshelf filled with many classic and contemporary novels, among them: the Brontes, Oscar Wilde, Theodore Dreiser, Jane Austen, Anais Nin, D.H. Lawrence. I grabbed Nin’s House of Incest, Wilde’s The Picture of Dorian Gray and Charlotte Bronte’s Villette, and left the house.

I didn’t make it very far. I was down the road not very far when I was arrested. I always feared them coming for me. I fell onto the asphalt, scabbing my knees and not feeling it. I denied what was happening. I muttered to myself incoherently.

“We know you killed some people, Lillian.”

“My name is June,” was all that I said before my mind shut off and I suddenly woke up vegetative in a jail cell.

Eventually, I was labelled not guilty by reason of insanity. The police found Scarlett’s recordings and the recordings that the Miltons and the Tarringtons made of their own killings when I told them about the neighborhood, and what Scarlett had done to me. One day, I will get out of the forensics services ward, where the criminally insane are housed. I have spent many nights here, remembering the death and ravagings, my hair coiling like Medusa’s on the pillow of the restraint bed, the leather straps leaving black bruises on my wrists. Every night, I pray to God and Jesus and all the saints that ever were that I’ll be forgiven for my killings, and be accepted into a realm I can call heaven.

My lucidity will live again, resurged.

2017

June and Marcelle

Cathleen Carter

She led me to the house with the cupola

Where she stabbed me in the backyard

Blood flowed glowing red from my pale skin

Staining my white blouse

And my throat ached

I haunt the halls

And my voice resides within the walls

I’m a phantom floating through the inmates

Living in my killer’s group home

Eyes stare from the cupola

I don’t know who saw me die

I’m buried under a thorny bush

Bones hidden by woods and tiny baby teeth

She scattered

Covering my grave with evidence from her recent infanticides

She stabbed my baby

And cut me for giving birth

In her bed

My lover carved our initials in a tree

And we’ll always be in touch

I eat strawberries off a plate in his room

We hung a dreamcatcher to capture his nightmares

Of me being tortured by her ringed hands

Bag placed over my head

Cathleen Carter, the snuff film queen

(I have killed many)

Choking on film reel

Always having to be polite

In the morning light drinking tea

Deirdre, the killer, laced it with GHB

Putting me to sleep

Separated from my lover

Pillow soaked in warm tears

His tears and mine

We drink them in vials and kiss under stars

Soon he too will be a ghost

Swallowing pills on a blanket in the cemetery

Deirdre will find us and take our picture

Maybe she’ll capture my phantom on camera

With curiosity, Marcelle Trahern saw from the window Deirdre Carter and her niece, Cathleen, arguing. The infant was dead, that much Marcelle knew. Cathleen Carter had given birth to a baby girl now with stab wounds, lying in red and white rigor mortis in her crib with blood on the teddy bear, in the dolls’ hair and on the lampshade on the side table. Most of the inmates, as they were known due to the group home’s strict rules, were gone for the day at an event and June Freeland was downstairs Deirdre Carter quickly took over June’s life after leaving her post as nurse at the asylum where June was housed. June was incompetent to stand trial, declared insane and sent away for seven years. She had returned to Scarlett Freeland, her former guardian’s, mansion to live. It had been converted into a group home for women with trauma issues.

All thoughts of June vanished from Deirdre’s mind when the knife blade shone in the sun, an ominous metal glint that suddenly penetrated the naked pearl throat of Cathleen. She collapsed to the grass in the fenced-in backyard and as the earth was fresh from the rain, Deirdre found a shovel leaning against the toolshed and dug a fresh grave. Marcelle had never liked Cathleen much because she was always harping on the girls to follow the rules: don’t smoke dope, don’t invite boys over without permission, etc. She had gotten herself knocked up by Miles Sutherland, and Deirdre highly disapproved of him with his leather jacket and cigarettes. Marcelle only saw him once when he drove to pick up Cathleen for a date, his handsome face a silhouette in the dark window. Marcelle decided to keep quiet about the death. She watched Cathleen be tossed into the grave liked a broken doll. Deirdre had tied a plastic bag over her face and stabbed her in the chest. For ten minutes, Marcelle watched Deirdre extract Cathleen’s heart from her chest cavity, holding the dead, lifeless muscle in her palm, her calm blue eyes narrowed and focused on it like a witch in a black magic ritual. June suddenly appeared beside Marcelle.

“The bitch is finally dead,” Marcelle said, breaking her vow not to tell anyone. “What is she going to do with the heart?”

“I don’t know,” said June.

The girls, both in their twenties and too old for Cathleen’s trashy immaturity, watched with morbid fascination as Deirdre snapped a polaroid (after turning off the video camera)

of Cathleen’s corpse before throwing dirt back over her and packing it in. She laid stones over it and from her pocket, she took something white and scattered it over the grave. When she went back inside the house, Marcelle and June left the cupola to inspect what Deirdre had spilled. Six tiny teeth in the front yard, taken from a toddler’s mouth. A previous killing. When the cops led Deirdre away after June called them, June put on a nun habit and took over the house.

They heard Cathleen’s whispers of love for Miles and reassurances that Deirdre was gone. They buried her baby in an infant cemetery labeled merely “Infant Cemetery” in iron above a fancy gate bearing an entrance to the graveyard. June called the cops by her own policy, knowing hiding a murder is wrong.

“Marcelle, she’s a psycho, bats-in-the-head bitch and she could have come after us, too. It’s better that she’s gone.”

“I guess so,” said Marcelle. her mind on Nanny Cravat choking on her milk laced with Drano. Marcelle had fled the world of Christian broadcast rooms and the sex trade. Nanny Cravat had invited several men over to force themselves on her, and she was glad she couldn’t remember it in great detail. Dissociating was so divine. Girls wore meretricious makeup to school and church and their naked limbs stuck out from cheap, mall-bought

miniskirts. Marcelle would have given them all Drano in a cup, too, if she knew how not to get caught.

But she was far from their bratty voices now, with June Freeland, Anika White and Marilyn Sanders to keep her company. In the meantime, the house became less of a group home and June began paying the monthly bills with Deirdre’s leftover income found stashed in a safe in her room. Marijuana smoke soon filled the rooms and the girls giggled at the enhanced cartoons on the television, making funny faces at the ceiling. Then, Cathleen appeared in the mirror behind them in her prom finery, staring sternly with her stab wound, The blood withdrawing and disappearing into the gash. Anika screamed. When the others asked what was wrong, Anika revealed what she saw.

“You’re too high,” Marilyn said, running a hand through her rainbow hair. But Cathleen stood behind them, strawberry juice the color of blood on her mouth, back from Miles who contacted her spirit and she came when summoned and manifested herself in the flesh.

Cathleen

My baby is gone

In an infant coffin underground

I wear black to mourn her

And place flowers on her grave

Miles embraces me in the cemetery

Where we have sandwiches and milk

He marvels as the food disappears from the plate

And the milk drains from the thermos

He can see me fresh as daylight

A rose haloed in gold

I am fragile dust and fairy winds and gilded blond hair

They find him dead the next day

By the gravesite of his daughter

His lips blue from the pills

His hair plastered to his head

In the spring rain

His indolent heart gave out and from her prison, Dierdre laughed at the television giving news of Mile’s suicide and the note he’d left:

I’ve gone to be with Cathleen, who drew me into hear heart forever, and our daughter Melanie’s, too. Dierdre couldn’t kill my love, though she tried very hard.

I saw Deirdre from the corner where I stood, staring at ladies dressed in orange watch the television and play cards. Now that I’m dead, I can go anywhere I want to in the world. I’ve explored the moors of England and I’ve been to Alaska, the northern lights illuminating the night sky and I didn’t feel the cold nor the heat of Death Valley, California. I flew and touched the top of the Eiffel Tower.

“Anything can be done in death, it’s like magic is yours after you die,” I told Miles.

Down he went with me and they buried us side by side. We go into earth, then Summerland, then back again. When I haunt the group home, I conjour nightmares for the girls who tormented me, especially June Freeland who told me I looked dressed as gaudily as she had for one of the snuff films her guardian she murdered made her do. I know many murderers: the worst of them being June and Marcelle. I read the evidence of Marcelle’s Drano murders in her journal and her revelations of sex with strange men who came when called by Nanny Cravat, Marcelle’s godmother. But something told me not to be a hypocrite and tell on her. I never had a mother like these girls. She abandoned me on the doorstop of St. Xavier’s Orphanage and Dierdre, the nun (she was a devout Catholic before she moved on to work for the hospital) who knew her sister’s face and knowing I was her niece, took me in and after years of her impossible violence and nagging, I am finally set free and better off, even if by her hand.

The Ouija Board

“Miles committed suicide,” said Marilyn to Marcelle. “It’s on the news.”

“Oh,” said Marcelle. “I bet Cathleen’s ghost dragged him down with her. Anika keeps seeing her everywhere and is freaking out.”

Anika was fast asleep in her room, having taken a dose of Haldol to help the hallucinations.

“But you aren’t hallucinating,” Cathleen had insisted when she came to Anika late at night. Sometimes she wore a nun habit like June, who had taken to smearing on red lipstick and blaring Courtney Love from the stereo. Sometimes, she sang opera with a crucifix dangling around her neck, and quite good. The girls loved listening to her sing her songs of lovers who lost their loved ones like Miles and Greek tragedies where Persephone became trapped for six months in Hades with the Lord of the Underworld and six months on earth. Gods and monsters fighting their battles to the death. The Ouija board they used to summon Cathleen worked. Anika revealed the messages to them of their conversation she heard in her head. Anika directed the board marker’s movement in their hands.

“Cathleen, where are you?” Anika asked, finally facing her fear of the unknown.

“In Summerland, with Miles,” was the reply.

Anika spelled it on the board and all were shocked.

“I knew it was real, like heaven but better than clouds and angels playing harps, waiting at the gates to judge you,” Anika said. “In Summerland there is no judgment, or pain or violence. Just love, laughter and magic. I learned all about the theory of the afterlife in Summerland from a Wiccan book I found in the used bookstore downtown.”

“Are you sure it isn’t fake, Anika?” Asked June, who doubted the paranormal.

“I heard her voice, just the way it was when she was alive!” Anika stormed out of the room, offended by June’s remark. The Ouija board remained still. Out of all of the girls, Cathleen found Anika most vulnerable to her presence. Cathleen enjoyed scaring them a little. But she never spoke to June, who ascended the staircase with a boy from the nearby prep school, holding a candlelabra and smoking a Marlboro cigarette. Marilyn played 20 Questions with Anika in their room and listened to her account of what she read in Marcelle’s journal.

“I saw too,” said Cathleen. “She sent people to their death same as insane June. I wonder what sort of terrorism Dierdre endured at a young age.”

“Probably witnessed something violent, or had no parents like you. I didn’t,” said Marcelle, who stood behind them listening and hearing Cathleen’s voice just like Anika.

Deirdre

High on a precious hill stands my home for abandoned, unstable girls

I can’t return to it

I’m in prison garb in the women’s prison surrounded by barbed wire and a river runs past, saturated in pollutants spilled by the nearby plants and factories.

I used to be a nun, then a nurse, mercy-killing the elderly, smothering infants and pretending they died of SIDS (Sudden Infant Death Syndrome), immune to the wails of inconsolable parents informed by the doctor in the corridor.

I spent my early childhood in a ramshackle farmhouse in Louisiana, smothered by my mother and her hot back coffee thrown in my face. How her knives danced before my eyes. When my baby brother died when I was fourteen, they thought it was SIDS. I hated babies. My mother told me to kill it, it was a sickly, weak little boy and wouldn’t last the year. I fed him to a hungry feral cat and watched the skin ribbon over her bones from the cat’s carnivorous snacking. My mother, a widow always in grey with shadows under her eyes the color of her sweater, watched the baby’s decomposition.

I felt an affinity for June the most out of all the girls in my home. We had killed and had bad mothers who abused our bodies and sucked our souls out through crazy straws, leaving us bereft and insane. I couldn’t plead insanity the way June could, though.

I wish I were out of this stale air and away from these women, with their murderous stairs and rancid shouting, their fights that lead them to solitary. I won’t put a hand on these women. I won’t go to solitary.

June

I murdered this whole neighborhood besides Clinton and Mary Milton and their twin son and daughter. The parents went to prison for murder, and the kids live somewhere else now. The house is vacant. I never enjoyed what Scarlett made me do. They housed me in an asylum, where I spent the majority of my time in restraints staring at the ceiling with vacant eyes and Medusa coils in my hair that snarled on the pillow.

I dreamt of black widows biting me and in my dreams, Deirdre, who worked there at the time as a psychiatric nurse, didn’t tend to my bites that reddened on my hand. When I wasn’t dreaming, Deirdre liked me. Now she’s in prison where she belongs. I no longer handle nitric acid or kill people or endure stiff baseball bats tearing open my cunt.

Scarlett watched my defiling from behind the camera, recording the rapes in the dark room. I was smothered in her cellar and remembered it, screaming, spitting out the pills, refusing to take them. Deirdre heard my whole story, decided to move into the old Freeland estate and take over as group home director. I moved out of my trailer to stay there. Weird I should live here after killing someone here. I used to hallucinate Blithe, who I shot and killed, but I don’t see her lately. I dismiss Anika despite my own experience. Sometimes, the ghost of Cathleen gets old as a topic and I think all should remember the living and forget the dead that can’t reach us, gone to nether realms.

But what if she was there? What if she can reach us?

I’ll never know. One day I’ll be a ghost myself. I have faith that there is something prettier to see than this insidious earth after our bodies run out of time and our souls transcend.

There must be something better than what I had, what Marcelle had, what Cathleen had, what all of us had.

I think I just heard a voice. Is it the still, small voice of God, or is it a spirit coming from some divine region, holy or unholy?

I am a combined angel and demon. I want to drink absinthe and sleep with that voice.

Mathilde

2019

I stood in the calm, obsidian woods and gained my frail balance against a ramshackle cabin. Wolves dashed out of the shadows, ignoring me and veering towards a carcass in a wildflower-bordered clearing. I was pretty certain it was human. Then I saw a ski-masked perpetrator, blood channeling from his disguise. He offered me a bouquet of purple irises in his scathed left hand. In the shunning woods, feeling like the ghost of someone gone, I tore my lavender dress on a nail in the cabin’s wood. I declined the masked monster’s offer. Suddenly, I was pulled inside by someone behind the front door. I cried out, closed my eyes and could hear the door shut and bolt. Once the lightbulb on the ceiling flickered on, I saw my rescuer’s face like a sanctified revelation. The kindest pair of dark eyes I had ever seen. My speech failed me but his did not.

He told me, “Nothing will kill your equilibrium while I’m here. You no longer have to claw at wooden walls are cry into a pillowcase. Notice that soon the sun will come up and figuratively, I’ll give you a pair of rose-colored glasses to view the world through. A better world than this.”

“I-“ I began.

“I love you,” he said.

Of course, he was handsome and I coveted him highly. He pressed his perfect mouth on mine and carried me to bed. After the sex and the sun-glow, he told me he’d be my dreamcatcher, and if not the destroyer of my enemies, the bane of them. The unidentified mask never showed up again. We soon left the cabin to live in a castle. He taught me to love instead of maim, to be tender instead of destructive. I learned to give myself away to a man created by the sparks of imagination itself.

I ease myself out of bed after this dream and take another hit of glass. Something to make the world glitter with white ice and a way to make the hell inside freeze over. I see him blur on every bridge, every riverbed, every highway. There is no hallucination more powerful than him. Nothing will perforate me and make me stop haunting this city. Nothing will make me bleed out onto the sidewalk because I am too fast for the blade, the bullet. The smoke flows through the open room and hits the sun. I wake to sirens piercing the quiet. I’m the cause of them but I know their glow won’t alight on me and swallow me up.

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