#so this feels like a fresh dynamic. much more interesting than 15 and ruby

[weirdloverwilde]

its interesting that belinda got annoyed at her flatmate for calling her by a nickname, linda, but the doctor has essentially done the same thing, calling her bel constantly. like hes already disrespecting her in a way she explictly doesn't like

[katsidhe]

Ranking Every SPN Season Premiere

15) 11.01 Out of the Darkness, Into the Fire. For an otherwise strong season, s11 sure started and ended in D tier. Not only is there a baffling amount of screen time spent on Cas’s weird and uninteresting rage spell, Crowley’s sexcapades, and too many one-episode characters, but the whole thing is sewn together with uneven flashbacks. The core concept itself is off: Darkness-as-rage-zombie-infection feels totally out of place in the rest of the season, and any personal fallout from 10.23 is mostly brushed aside. The only thing I like about 11.01 is Sam’s determination to find a cure and save everyone, and the mention of the cage.

14) 10.01 Black. Just because I do quite like demon!Dean’s apathy doesn’t mean it’s gripping television: he’s much better in 10.02 and 10.03, and most of 10.01 is spent on Crowley’s overdramatic griping. Cole is objectively very silly, but, look, I’m only flesh: Sam bloodied and in a sling and tied to a chair is good content, and rescues this one from D tier. 

13) 15.01 Back and to the Future. Just like 11.01, 15.01 has to brush past Dean’s willingness to execute a family member in the previous episode, and it introduces a pretty weak zombies plot. However, it gets major points for Sam’s bullet wound visions, and is generally much better staged than 11.01.  

12) 6.01 Exile on Main St. A��genuinely interesting episode for Dean--both his domestic montage and being faced with Samuel are fresh takes on his relationship with family. Soulless is great, but isn’t quite hitting his stride; 6.01 lays groundwork but hasn’t yet built into s6′s greatest strengths. 

11) 3.01 The Magnificent Seven. This one’s kinda campy, but there is some legitimately horrifying imagery, like the guy forced to drink drain cleaner. The deadly sins demons are underwhelming on the whole, but Ruby shows up in fine form, and Sam’s anger with Dean’s willingness to throw his life away establishes a great tone for s3. 

10) 8.01 We Need to Talk About Kevin. Kevin is badass, Amelia is amazingly, unapologetically polarizing, Dean is raw, and I don’t really care about Benny. Sam is in a healthier spot right here than we’ll see him for a long, long time, which tees up his anti-recovery arc quite nicely. 

9) 1.01 Pilot. It’s a solid introduction. Sam and Dean’s chemistry is potent and undeniable from the get-go. The way they work together so well, layered on top of so much conflict both spoken and unspoken, the things they want and the things they deny wanting--their first time interacting as adults out from under their father’s influence. It’s good!

8) 12.01 Keep Calm and Carry On. Look, I pretend to have complex opinions, but actually I am very, very simple: I just want to watch Sam tied to a chair and tortured. This is the best BMoL episode of the season by a long shot. On top of that, Mary’s introduction forces the uncomfortable and fascinating realization that she’s not going to fit quietly into Dean’s expectations. That final scene of Sam hurt and imprisoned without hope is gorgeous and memorable. 12.01 promised a lot for s12, and it’s a shame that most of it didn’t get followthrough.

7) 14.01 Stranger in a Strange Land. These next four are difficult to arrange, because they’re all so different. This episode has pretty much the only even vaguely interesting material AU!Michael gets all season. Far more importantly, Sam has the weight of the world on his shoulders, and it’s a great look. He has a beard, and he’s looking after Nick (!!), and he’s leading a group of hunters, and he declares that Hell itself better stand the fuck down. Sam for King of Hell 2k18. Iconic. 

6) 2.01 In My Time of Dying.  John’s deal, and his directive for Dean to save Sam or kill him, is a major turning point that colors everything for years. The human intimacy of the small-scale family drama, unfolding with no magic besides a terrible soul deal to rely upon, feels personal and real. Plus, Sam and Dean communicate via ouija board.

5) 5.01 Sympathy for the Devil. Meg and Zachariah are both in fine form. The apocalyptic set pieces are teed up and ready to be set loose. Sam jumps on the bandwagon of his own castigation, and it aches. Lucifer’s introduction is quiet, and chilling, and note-perfect.

4) 13.01 Lost and Found. It’s hard to significantly change the landscape of a 13-year-old show, and for the better, but 13.01 does just that. Jack is a breath of fresh air. His dynamics with Sam and Dean are complex and heartbreaking--he asks after his father, Sam locks himself in a cell with him. Dean’s blank absolutism mixes uneasily with Sam’s relentless determination and Jack’s innocence. It’s a wonderful new twist on an old formula.

3) 4.01 Lazarus Rising. Dean crawls out of his own grave, Sam’s with Ruby, Cas blows out windows and burns out eyes. 4.01 throws the mythological doors wide open with the introduction of angels, and ratchets the season up to an apocalyptic scale: it’s awesome. 

2) 9.01 I Think I’m Gonna Like It Here. I am always and forever intrigued by Sam’s Mind Forests. Dean does something unforgivably horrible to Sam, and in doing so, opens the door to a fascinating arc, wherein his choices here and his treatment of Sam are deconstructed and then reconstructed and then deconstructed again. I’ll never get tired of season 9, by which I mean I’ll never get tired of the fallout from the BOLD choice that 9.01 made to put this conflict front and center. 

1) 7.01 Meet the New Boss. If you thought I wasn’t going to put Hallucifer first, you must be extremely new here. Sam’s psychological undoing is chilling and deeply claustrophobic and possibly my favorite thing the show has ever done. On top of that, we have Godstiel’s terrifying purges, Sam and Dean summoning Death in someone’s living room, and even a taste of cosmic horror in LeviaCas. I would tell you how many times I’ve watched 7.01-7.02, but I’ve wholly lost count.