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rainh2oman · 4 years

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Jazz Potluck - Episode 01.

Like countless folks around the world, I LOVE music. Pretty much any and all genres. JAZZ however, is the music that seems to bring the most joy in my life. As a creative person, I always need to have music on in the background while I work, (well, all the time really) and jazz has always seemed to catalyze my creativity.

I dig this sentiment from the late writer Anaïs Nin:

>>>"Jazz is the music of the body. The breath comes through brass. It is the body’s breath, and the strings’ wails and moans are echoes of the body’s music. It is the body’s vibrations which ripple from the fingers. And the mystery of the withheld theme, known to jazz musicians alone, is like the mystery of our secret life. We give to others only peripheral improvisations."

This “Jazz Potluck” is something that I’ve been wanting to do for years and years, but I never quite got around to it... (I’ve got enough plates spinning already, not much room for another! Hehe.) Anyway, I’ll be sharing Spotify playlists here as often as I can... containing a rich mix of jazz that I love, and would love for YOU to love! I’m certainly no music critic, and I’ve no intention of “analyzing” the music I share, the way that a professional might. But, I will provide some brief personal notes about the songs in the playlists, and hopefully some jumping off points for further exploration, if you dig what you hear!

So without further ado, here’s the very first edition of my Jazz Potluck... Episode 01! There are 16 songs here, with no particular theme, other than that I DIG ‘em, and they get a lot of rotation in my headphones! Quite an eclectic mix!

Here’s the direct link to the playlist on Spotify - Jazz Potluck, Ep 01.

A preview of the tracks in the playlist, and some brief notes on the songs, below.

“Dirty Blonde” by The Bad Plus

“Giant Steps” by John Coltrane

“Chinoiserie” by Medeski, Martin and Wood

“This I Dig of You” by Hank Mobley

“The Windup” by Julian Lage

“3-in-1 Without The Oil” by Roland Kirk

“Gangsterism on the Rise” by Jason Moran

“II B.S.” by Charles Mingus

“It Might As Well Be Spring” by Brad Mehldau

“Gazzelloni” by Eric Dolphy

“Nu Nu” by Avishai Cohen

“Salmon Jump Suite” by Happy Apple

“Brother Mister” by Christian McBride & Inside Straight

“Tiffakonkae” by Kamasi Washington

“Greasy Granny” by the Charlie Hunter Trio

“Cease the Bombing” by Grant Green

Playlist - EP 01.

01. “Dirty Blonde” by the trio “The Bad Plus.” Starting this thing off with a BANG! From the moment I first heard this song back in 2004, I knew that I had stumbled on a Jazz Trio with something utterly unique in their music. A piano, bass and drum trio that has produced some delightful original material over the years, as well as a bunch of “cover” songs that in some ways, helped make them famous in the Jazz world.

For all of the critical acclaim the band has received over the years, one thing that has always stood out to me is the HUMOR in their music. They are often filed under “Avant Garde” Jazz... but they are really in a sub genre of their own. They play with real heart and soul, but they don’t take themselves too seriously, and they KNOW how to have a good time. When you hear all hell break loose at the 2:44 mark in “Dirty Blonde,” you’ll know that you came to the right party.

02. “Giant Steps” by John Coltrane. What can I say... I listen to this song pretty much EVERY MORNING when I wake up. If not immediately after I open my eyes, certainly by the time I’m making coffee. The fast paced tempo and saxophone wizardry of Coltrane and his crew in this Jazz standard always motivates me to get going.

If you’re not familiar with the song, here is a FANTASTIC video backgrounder on the piece, called “The Most Feared Song In Jazz, Explained.” I highly recommend watching it right before or after listening to the song. VERY enlightening!

03. “Chinoiserie” by the trio “Medeski, Martin and Wood.” What an amazingly funky cover of the Duke Ellington composition! I’ve been a fan of MMW since the early 90′s, and this album is probably my favorite, next to “Shack Man.” Medeski rocking the Hammond B3 Organ, Chris Wood’s bouncing bass, and Billy Martin’s frenetic drumming, make this tune just boogie right along. Be sure and listen to Duke’s original version of the song, to see how it sounds with a much larger band!

04. “This I Dig of You” by Hank Mobley. Uptempo, feel-good tune! (And I love Art Blakey’s drum solo around the 4:50 mark!) This is widely considered to be Mobley’s most popular original composition.

05. “The Windup” by Guitarist and Composer Julian Lage. This tune features his current Trio. I was a latecomer to the music of Julian Lage. I only really started listening to his music in 2019... but I’ve made up for lost time! (I think I have his entire catalogue now!) If you’re not familiar with Lage, he’s a prodigy and was recognized as such by age 12. Now he’s in his early 30′s, and a career that’s going strong!

06. “3-in-1 Without The Oil” by Roland Kirk. If you’ve heard of Roland Kirk (who later went by Rahsaan Roland Kirk) you’re likely aware that he was famous for playing multiple instruments at once. I always found his crazy, loosy-goosey style to be sort of “optimistic” if that makes sense? Very unconventional, and devil may care!

And speaking of his talent for playing multiple horns at the same time, here’s a passage from my FAVORITE novel, “Another Roadside Attraction.” Author Tom Robbins seems to really peg Roland Kirk in just one sentence.

>>>They are playing phonograph records, some wild new jazz. Straining my ears just now I heard Amanda ask, “John Paul, is it true that Roland Kirk is the entire Count Basie orchestra in drag?"

07. “Gangsterism on the Rise” by Jason Moran. I love the heavy left hand Moran utilizes on his piano in this tune. (Not unlike Pianist Ethan Inverson from “The Bad Plus” in “Dirty Blonde,” the first track in this playlist.) Boom boom boom! Here’s a quote from a music critic that pegs Moran’s style quite well: >>>“Moran is a spellbinding virtuoso who moves between boogie, avant-funk and Brahms as if he had never heard a good reason not to.”

He’s also a stylish sort of fellow....

08. “II B.S.” by Charles Mingus. I’ll have MUCH more to say about Mingus in future playlists... but I had to include at least one of his compositions in this 1st Episode! He is likely my all time favorite Jazz Composer. (He was an amazing bassist as well, but his compositions are what really knock my socks off.)

09. “It Might As Well Be Spring” by Brad Mehldau. This album was Mehldau’s major label debut, and was the first album of his that I purchased way back in 1995! What an AMAZING debut! I chose to include this cover of "It Might As Well Be Spring” because of it’s unusual and playful time signature. It’s a classic Rodgers and Hammerstein tune from the 1945 musical film “State Fair.” Mehldau does something really surprising with this classic tune, and it was such a breath of fresh air to me when I first heard it!

Here’s a passage I dig, from the great jazz book “Playing Changes,” by veteran Jazz Writer Nate Chinen. He zeroes in on what makes Mehldau’s rendition of the song unique.

>>>Introducing Brad Mehldau opens with a quick spray of staccato: tap-tap-tap, tap-tap-tap, like someone knocking impatiently at a door. It’s the preface to Mehldau’s arrangement of a show tune, “It Might As Well Be Spring,” from the Rodgers and Hammerstein film musical State Fair. The song had long been a verifiable jazz standard, with dozens of canonical recordings: by singers like Sarah Vaughan, Frank Sinatra, Ella Fitzgerald, and Nina Simone, and by others ranging from the pianist Bill Evans to the trumpeter Clifford Brown.

>>>Mehldau’s version arrived in 1995, precisely half a century after the line “I am starry eyed and vaguely discontented” made its way into the popular lexicon. He and his trio had made a neat structural modification to the tune, tinkering with its pulse in a way that their syncopated prelude set in clear relief. Instead of the even 4/4 cadence known as common time, the track races along in 7/8, creating the impression of a rhythmic hiccup, or a sprint with a hitch in its stride.

>>>Jazz musicians have been dabbling in irregular meters since well before Dave Brubeck’s enormously popular 1959 album Time Out, which made them an exotic selling point. What’s striking about Mehldau’s performance is where he ventures after the opening vamp, phrasing the melody in a cool, flowing cadence even as his partners, the bassist Larry Grenadier and the drummer Jorge Rossy, busy themselves with percolating chatter behind him. In his articulation of the theme, and in a solo full of deft intricacies punctuated with breathlike pauses, Mehldau gives the song a sleek, appealing contour. His performance doesn’t feel herky-jerky or cerebral. It feels natural, even inevitable.

10. “Gazzelloni” by Eric Dolphy. "Out To Lunch” was the first album I ever bought in the “Avant-Garde Jazz” genre. I certainly wouldn't have been ready for this album in my teens or early 20′s, but I’m really happy that I developed a taste for the genre in later years. It’s some of the most expressive Jazz that I’ve ever heard, and I LOVE to have it on when I’m designing something, or working on a painting. Seems to connect the creative synapses in my brain somehow!

11. “Nu Nu” by Israeli Bassist and Composer Avishai Cohen. (Not to be confused with the Jazz Trumpeter of the same name.) This song is the opening track to Cohen’s album “Continuo” and really sets the tone for the rest of the album. I don’t know what time signatures Cohen uses in this tune, but they change up frequently over the course of 5 minutes. He’s a great composer, and a MONSTER on the bass. It’s said that he took up the bass in his early teens, because he was inspired by the legendary bassist Jaco Pastorius. (An inspiration that likely applies to MANY Jazz bassists since the 70′s.)

12. “Salmon Jump Suite” by the trio known as “Happy Apple.” This song is a smash-em crash-em DEMOLITION DERBY.... and I mean that in the most respectful and delightful way! Play it loud, and I think you’ll agree. Badass.

Oh, and the Drummer is Dave King, who’s main gig is as the Drummer for the aforementioned trio “The Bad Plus.” King is one of my favorite drummers, not just in Jazz, but it ALL genres of music. A real monster on the drums!

13. “Brother Mister” by Christian McBride and his band “Inside Straight” from the album “Kind of Brown.” McBride REALLY gets around as a bassist and composer... just scroll through his credits as a sideman on his Wikipedia page! One of the hardest working musicians in ALL of Jazz! His humor and playfulness comes across in both his playing, and his compositions, and "Brother Mister” is a great example of these. “Kind of Brown” is easily my favorite McBride album!

I should also note that McBride’s funny, extrovert personality has turned him into a popular Jazz radio host! You can catch him on Sirius X, NPR and other programs.

14. “Tiffakonkae” by Kamasi Washington. I simply cannot get enough of Kamasi’s music. I find him to be one of THE greatest talents to emerge in Jazz, in it’s entire history. I don’t think that is hyperbole. I was a couple of years late in discovering him, but since the day I heard his first album “The Epic,” he has been on my DAILY listening routine. No kidding.

If you like what you hear in this cut from his 2nd full length album, do yourself a favor and watch/listen to this special on NPR, that will show you some of what I’m talking about. It’s a 2 hour live performance and series of brief interviews with Kamasi and his collaborators, known as “The West Coast Get Down.” It might give you a buzz.

I’ll be featuring Kamasi and company on PLENTY of Jazz Potluck playlists going forward!!!

Here’s Nate Chinen again, from his book “Playing Changes,” talking about Kamasi bursting onto the scene. (Indeed, Chinen opens the first chapter of the book with Kamasi!)

>>>Kamasi Washington stood tall on a lot of big stages during his Year of Ascendance. Swaying in tempo, pushing heavy gusts through his tenor saxophone, he exuded the regal composure of a conquering hero: dauntless, doubtless, ablaze with rugged purpose. His sound on the horn—rangy and intemperate, or clipped and urgent—suggested an almost tactile force, a physical fact. He cut an equally imposing visual presence, in an unkempt Afro, a thick beard, and a dashiki, its patterned fabric loosely draped over his burly frame. And as his band raged around him, the music’s exultant sprawl enacted a ritual of transcendence. It was all rattling and ecstatic, maybe a little mystical. For many who bore witness, it was, brazenly, something to believe in.

15. “Greasy Granny” by the Charlie Hunter Trio. This album was my first introduction to this virtuosic Guitarist, back in 1995. (I seem to be including a number of albums from 1995 in this list... funny coincidence!) Anyway, as you listen to this tune, keep in mind that he is playing bass lines, chords AND melodies, ALL SIMULTANEOUSLY!!! I don’t know how in the hell he does it, but I’ve seen him performing live a few times over the years, and he makes it look effortless!

This song, “Greasy Granny” is as FUN as the name suggests.

16. “Cease the Bombing” by Guitarist Grant Green, from his 1970 album “Carryin’ On.” Figured I’d close out this 1st Episode of the Jazz Potluck with a long and smooth groove. Easy like Sunday morning.........

Stay well, people!

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franziskabranch-blog · 5 years

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All You Want To Know About Getting Music On The Internet

As hip-hop continues to evolve as a genre, categorizing sub genres by sound or location is turning into a increasingly more troublesome activity. Rock was not with out its triumphs in 2016, nevertheless. Bob Dylan received the Nobel Prize in Literature There was something ironic in Dylan's triumph, in that Dylan's influence shouldn't be as strong as it as soon as was. Common music could have outdated literature as a cultural affect long ago, however different genres have supplanted rock, folk, and blues. Dylan's Nobel Prize win additionally felt like a belated shot in a tradition struggle that ended way back—anyone who does not suppose Dylan's music needs to be taken critically is rightfully dismissed as a crank. In a 12 months by which pop music—from Robyn to Ariana Grande—was making a powerful assertion, singer Héloïse Letissier, who performs as Christine and the Queens, arrived from France to continue the dialog about gender and id on Chris. On Would not Matter"—over daring poppy '80s drums and sparkling synth—Héloïse bravely addresses the pressures of the masculine gaze, suicidal thoughts, and the character of relationships and faith. It's a heavy and vital dialog to be having—particularly in a song full of as a lot buoyant French enjoyable as this one. On Facet One our Kate strikes a deal with God, throws her sneakers in a lake and poses as somewhat boy driving a rain machine. Turn over, and she or he's drowning, exorcising demons and dancing an Irish jig. All this to a soundscape that employs the shiniest synthesised studio toys the Eighties had to supply within the service of one women's unique but utterly English musical genius. Pay attention again to the delirious cacophany of 'Working Up That Hill', and it appears like God struck that deal.

A examine out of Finland additionally looked on the emotional properties of music and its impression on memory formation, but with a twist. It compared how music impacted the reminiscences of those with musical backgrounds versus those without Those with a musical background did higher on the memory tasks if neutral music was taking part in, reasonably than pleasurable music. The opposite was true for those with out musical backgrounds. The conclusion drawn here is that pleasurable music was too distracting to individuals with musical backgrounds. In essence, their brains had been too busy analyzing the music they enjoyed to form new reminiscences. Whereas these and not using a musical background had been reacting to the positive feelings inspired by the pleasurable music, which helped them enhance their quick-time period reminiscence. Now, you recognize, when you think about that jazz is great American music, it has been four or five a long time, I believe 1963, since jazz received record of the yr for Grammy presentation. I imply, that's astonishing to me. So perhaps there's a beacon of light now that has been shined upon us to perhaps make folks look a bit of bit more deeply into what artwork is de facto about. What it means. And I'm so pleased that Herbie won this record as a result of it was the only jazz report nominated for record of the year. Simply earlier than his tragic dying in a airplane crash in Madison, Wis., in late 1967, Otis Redding had accomplished recording (Sittin' on) The Dock of the Bay", perhaps his biggest track and the first document to ever develop into a posthumous No. 1 hit. Was Otis Redding pondering of Vietnam? We'll by no means know for sure, however he'd agreed to journey to Vietnam to entertain the troops shortly before his passing. Frank Free, an data specialist at USARV Headquarters at Long Binh in 1968-69, admits that he gravitated to music that expressed emotions of craving and loneliness, and that Redding's portrait of the lonely wanderer resting by the ocean watching the solar go down in (Sittin' on) The Dock of the Bay" perfectly captured that feeling. For many people, our taste in music is an integral a part of our identification - so much in order that, to a certain extent, what we hearken to is who we are. The songs of our youth, heard a thousand times, fill our headspace with stray lyrics and infectious grooves, creating a filter for the way we see, hear, and perceive the world from then on out. And whereas some have a much less aware, more natural approach, others actively draw boundaries between the music they settle for and the music they deny - and by extension, the people associated with these musical cultures, as effectively.

Earlier than the pc age" musicians caught with a given music genre. If you have been asked to group the different musicians in particular categories depending on their musical expertise, it was very straightforward to do. That is now not the case. Genres in at the moment's music are blurred as the modern musicians" match totally different genres. Currently, it's not uncommon to discover a musician singing hip-hop and but playing within the R&B type. Some musicians have even gained awards in music categories they are not famous for. For example, Nelly, who is understood for R&B, has won a rustic music award. Due to the limited confinement of the completely different music genres, the music world has become confused and it's virtually unimaginable to tell the specific style that a given musician engages in.

Artistic Commons is a system that lets you legally use some rights reserved" music, movies, photographs, and different content material — all at no cost. CC gives free copyright licenses that anyone can use to mark their inventive work with the freedoms they need it to hold. As an illustration, a musician might use a Inventive Commons license to allow individuals to legally share her songs online, make copies for mates, or even use them in videos or make remixes. For extra data, go to our Be taught More page.

Romantic music (c. 1810 to 1900) from the 19th century had many components in widespread with the Romantic types in literature and portray of the era. Romanticism was an inventive, literary, and mental movement was characterised by its emphasis on emotion and individualism in addition to glorification of all of the previous and nature. Romantic music expanded past the inflexible kinds and forms of the Classical period into more passionate, dramatic expressive items and songs. Romantic composers similar to Wagner and Brahms tried to increase emotional expression and www.audio-transcoder.com power of their music to explain deeper truths or human emotions. With symphonic tone poems , composers tried to tell tales and evoke images or landscapes utilizing instrumental music. Some composers promoted nationalistic pride with patriotic orchestral music inspired by folk music The emotional and expressive qualities of music got here to take priority over custom.

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phabieau · 8 years

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advice for new music majors that no one ever seems to give.

here is some practical advice, not related to time management or self esteem, that may seem obvious but was never told to me by anyone. I am a senior music major who recently applied to graduate school. here we go

KEEP A LIST OF LITERALLY EVERYTHING YOU EVER DO

I know this applies to many other fields as well but as a music major, you will probably do all kinds of little projects. Have a word or excel document where you keep track of them! even if you think you will never need to reference it!

KEEP A CUMULATIVE REPERTOIRE LIST

Kind of going off of that keep a list of every piece you study! Every piece you learn for a gig or for a collaborator. Every piece. Every! Piece! Even on secondary instruments! Even if it is really easy and below your level! Especially if you are a pianist like me keep a list of EVERY accompaniment you learn!!!! Do it!!! You may someday be asked to produce a cumulative repertoire list (probably even by your school) so just be ahead of the game on that. There is nothing worse that being asked what you’ve studied and having to dig around to figure it out. You think you will remember which piece it was: in two years you really won’t. And you won’t want to have to Google the opus number. Just write down which one it is now.

HOLD ONTO REPERTOIRE TO REUSE FOR RANDOM PERFORMANCES

for me this includes: church prelude music when I sub, music for weddings or background music for ceremonies you may be asked to play for, music for low key recitals given for prospective students ... etc.... this is true especially if you are a keyboardist or string players. make note of repertoire that it easy to pick back up for you, and pleasing music for the public to kind of but not really pay attention to. I’ve lost track of how many random things I’ve played the same 4 organ pieces for...I find that Bach movements and shorter, not angsty Romantic pieces (Brahms or Schumann collections, Grieg, lighter Chopin) are good for this.

#music major #piano major #this applies mostly to overbooked instrumentalists #if u find yourself playing lots of small gigs and recitals even with other people you should be keeping track of it

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nijjhar · 5 years

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Punjabi - Brahm Giani was John, the Baptist and the Apostles/Saints. Ang... Punjabi - Brahm Giani was John, the Baptist and the Apostles/Saints. Angel Stephen was a Brah Giani. MERRY X-MASS AND A VERY HAPPY NEW YEAR IN THE GOSPEL TRUTH = ORAL TORAH = LOGO. Jesus said to his twice-born Friends and not the once-born spiritually blind disciples of the Rabbis as Saul had been made by his Teacher Gamaliel: “If you know me as the once-born Nicodemus identified me through my Supernatural Powers and the Twice-born through the exposition of the Scriptures in the Light of the Oral Torah = His Word, the Taproot of the Scriptures or the dead letters, then you will also know my Father because son is like his Father and He is the Omnipotent Ambassador of His Father. From now on you do know him and have perceived (Supernatural of Elohim) and not seen (Natural of Yahweh) him.” That is, the Pharisee and Sadducees they see the dead letters but do not perceive the Tap Root of the Tree of Moral Laws, the Oral Torah = His Word. His twice-born Labouring Solitary Brethren/Friends called “Talmidim or Sikhs” and not the once-born natural disciples of the crook Rabbis who disciplined them through the moral laws of Moses. These Rabbinic Disciples did what their Rabbis told them to do. Thus, Saul being the Disciple of Rabbi Gamaliel did obey him obediently as required of him and persecuted the Labourers of Jesus but in his own heart or sub-conscience, he was not happy. For the Disciples doing what their Rabbis tell them to do, they are called spiritually blind with no Freedom or Freewill. Thus, the substitutes “Disciple and Lord” are the corruptions by the Messianic Jews to set up the same Temple system from the yoke of which Jesus set us FREE by giving his own life as the Lamb of God. Or these robed hireling Dog-Collared Priests in the Churches of Mammon have fulfilled Matt. 12v43-45 making the situation worse than before the arrival of Jesus, the First anointed Christ of our Supernatural Father Elohim, Allah, Parbrahm, etc.: BIRTH OF JOHN: - https://youtu.be/RNXvv-WwdI4 And the Proofs of the Virgin Birth of Jesus: - www.gnosticgospel.co.uk/bojes.htm We are the sons of Elohim. We should display His qualities for Salvation. https://youtu.be/dQ8pSqeFjQw Natural bastards versus supernatural Bastards. JESUS HAD NO ONCE-BORN DISCIPLES BUT THE TWICE-BORN LABOURERS. His twice-born Solitary Labourers / Brethren / Friends called “Talmidim or Sikhs” and not the once-born natural disciples of the crook Rabbis who disciplined them by teaching them the moral laws, dead letters = Milk of Moses. These Rabbinic Disciples did what their Rabbis told them to do. Thus, Saul being the Disciple of Rabbi Gamaliel did obey him obediently as required of him and persecuted the Labourers of Jesus but in his own heart or sub-conscience, he was not happy. For the Disciples doing what their Rabbis tell them to do, they are called spiritually blind with no Freedom or Freewill. Thus, the substitutes “Disciple and Lord” are the corruptions by the Messianic Jews to set up the same Temple system from the yoke of which Jesus set us FREE by giving his own life as the Lamb of God. Or these robed hireling Dog-Collared Priests in the Churches of Mammon have fulfilled Matt.12v43-45 making the situation worse than before the arrival of Jesus. BIRTH OF JOHN, THE BAPTIST, AN IDEAL RABBI MATT 13, V52: - https://youtu.be/RNXvv-WwdI4 FAMILY OF OUR SUPERNATURAL FATHER ELOHIM, ALLAH, PARBRAHM, ETC.:- www.gnosticgospel.co.uk/famofgod.htm Gurdwara stands for Gur = Dhanghh = Tareeka which is logical reasoning that Brews Logo, His Word and Dwara means a place of Sangat. So, Gurdwara is the place where GURMUKH Sikhs meet. Gur = logical reasoning and Mukh = Mouth. A mouth that speaks logically is called a Gurmukh. Gur doesn't mean Guru. Satgur means the formula for speaking logical reasoning that Brews = Parshaad = Logo. Royal Vineyard of our Royal Supernatural Father Elohim, Allah, Parbrahm, etc.:- http://www.gnosticgospel.co.uk/vineyard.pdf St. Photina, the Samaritan Woman at well John. Her Five Husbands were spiritual and not physical. Here are their names:- http://www.gnosticgospel.co.uk/photina.htm Four Communities of Religion - One God One Faith:- www.gnosticgospel.co.uk/FourCom.htm Hajj www.gnosticgospel.co.uk/faithfat.pdf Punjabi http://youtu.be/9DqMvO1hb0U True Story. www.gnosticgospel.co.uk/Pathan201.pdf Four Loves:- www.gnosticgospel.co.uk/loves.htm Solitary Royal Priests. Twice-born:- Facebook has objected to my views. www.gnosticgospel.co.uk/antichrist.htm Flesh + soul = Once-born natural Disciple of the Rabbis Flesh + soul + spirit = Twice-born sensible Labouring son of God Fanatics Devils – John 8v44:- www.gnosticgospel.co.uk/seedterr.htm www.gnosticgospel.co.uk/fanbastards.htm Trinity:- Playlist:- www.youtube.com/playlist?list=PL0C8AFaJhsWyU_oUMJodHvSZGoNDPk5bu John's baptism:- www.gnosticgospel.co.uk/johnsig.pdf Trinity:- www.gnosticgospel.co.uk/trinity.pdf

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