#t; self-on kode recording

[lgcichika]

Recording for Self-On Kode with @lgchayoung The meeting of a bold extrovert and a fluster introvert (ref.)

[ ✉️ Space Friend 👾 ⇢ Cute Poop💩 ] ⇢ Hello, nice to meet you! ⇢ I am Space Friend, I hope you will be my friend too.

[huahsu]

YEAR OF THE GHOST DOG

[TL;DR version for the New Yorker -- I loved many great short songs and became obsessed with (1) a very old, much longer one (2) and YouTube comments this year.]  [links to previous year’s lists at the bottom]

A while back, I found myself in an extended funk. The reasons are uninteresting and honestly a bit dumb, a mix of everyday bummers and more existential stuff, all of which manifested in a kind of 360º sluggishness. I couldn’t really figure my way out of it but I believed that I would eventually stop feeling this way.

One night, I saw that someone online was selling a copy of the Emulations “These Are the Things,” a magnificent soul ballad 7″ out of Oakland. I wasn’t exactly homesick for the Bay Area, but something about the song’s roots, as well as its overwhelming feeling of optimistic yearning, resonated with (through?) me. There’s a moment when the singer’s falsetto peaks, and the piano starts cascading, and things feel like they’re going to work out after all. The copy for sale wasn’t in great shape, and it cost $100, an extravagant amount of money to spend on a piece of music. But I convinced myself that I’d feel better at some point, weeks, months, or years later, and I’d listen to my Emulations single, and recall that weird summer/fall.

As often happened with independently produced records of the sixties and seventies, “These Are the Things” was pressed on styrene, rather than vinyl. Styrene is a kind of plastic that’s lighter, cheaper and much more fragile than vinyl, and you can tell the difference by a kind of hollow plink when you put it on a turntable. Styrene also means that it has a limited life, and that each time the needle drags across its grooves, the record degrades a little bit. Over time, styrene records that get played a lot no longer sound as crisp or clear (or so it seems). I listened to it once it arrived, feeling a bit of regret at this wild expenditure, but also imagining my future self’s gratitude. I imagined entering into communion with everyone who had played this copy before me. I decided to only listen to the song once a year, if that--after all, each time I listened to the record, the song was changing, slightly.

A few months later, I felt normal (whatever that means) again, and the record became a marker of...I’m not sure what--maybe a kind of blind, stubborn optimism. Someone years later uploaded the song onto YouTube, which means I can listen to it whenever I want. This fall, I was trying and failing to spend less time on the Internet. But I decided that, instead of going on Twitter and Facebook, I would just read comments fans left on YouTube. I became obsessed with reading all the intimate histories people shared with one another--the chance encounters, the teenage dates and breakups, the seventies shop owners who recalled the days when stocking the right hit single could cover an entire month’s rent. I was listening to the Emulations when I noticed this comment, from Deric Jackson, who was apparently one of the group’s members: “I sung this song when I was 19yrs old. It was a pleasure to record and send this messageout into the airways. I have been with the women that God had given me to marry when I was 22yrs old. I did not understand at that time I was singing about my own life and the women who I had not met, but how wonderful it is to be with my wife fo 35yrs and life is still a breath of fresh air and wonderful. I would like to say to all real men love your wife, never worship her only one to worship is God alone.“ I’m pretty agnostic about most things relating to providence. But I felt as though I had been living in these words: “I did not understand at that time...” Jackson’s song was a prophecy, maybe even a conjuring, of his own path, and I wonder what he hears when he listens to it now. Sometimes you don’t know what’s coming next. But there’s always another song, and it doesn’t always sound the same as the last time.

(LATE 2017 BUT I REALLY DOUBT ANYONE NOTICED AKA THE FRENCH “MO BAMBA”) Junior Bvndo, “T’as ça #3 (Kylian Mbappe)”

I WILL LISTEN TO ANYTHING THAT USES DISTORTION Sheck Wes, “Wanted” OR OLD SCHOOL STABS Santi feat. Shane Eagle and Amaarae, “Rapid Fire” EVEN MORE THAN THAT, I LIKE THINGS THAT SOUND MESSY AND SLOPPY BUT ARE ACTUALLY PERFECT Caleb Giles featuring Cleo Reed, “Name” WOULDN’T HAVE BEEN AS GOOD AS IF IT HAD BEEN PERFECT, THE WARPED AND SMUDGED BEAUTY IS WHAT MAKES IT BEAUTIFUL Tirzah, Devotion Niagara, Apologia SAME, BUT SLIGHTLY OFF-STEP Blood Orange, “Charcoal Baby” THE BEST GENRE OF MUSIC REMAINS “SADE” Sade, “Flower of the Universe” and “The Big Unknown” Amber Mark, “Love is Stronger Than Pride” Bon Iver and Moses Sumney, “By Your Side” Kelela, “Like a Tattoo” 808s AND HEARTBREAK AND NEAR-OCTOGENERIANS Swamp Dogg, “She’s All Mind All Mind” I WASN’T AS ENAMORED WITH A LOT OF “NEW JAZZ” BUT DID LIKE Sam Wilkes, Wilkes Sam Gendel and Sam Wilkes, Music for Saxofone & Bass Guitar …WHICH REMINDED ME A BIT OF THIS FACEMELTING REISSUE (RIYL: ALICE COLTRANE, DON CHERRY, ETC ETC) John Tchicai, With Strings SPEAKING OF TERRIFIC JAZZ-ADJACENT STUFF Dos Santos, “Manos Anjenas” THE ORIGINAL “BIG MOOD” Okonkolo, Cantos THE YEAR I REALLY REKINDLED MY LOVE OF THE CELLO Clarice Jensen, For This From That Will Be Filled Oliver Coates, “A Church” …WHICH I DEFINITELY PREFER TO VIOLIN--ESP PIZZICATO--THOUGH THIS WAS QUITE GOOD Sudan Archives, “Nont for Sale” HARPS ALWAYS SOUND GOOD Leya, The Fool Meg Baird and Mary Lattimore, Ghost Forests ALWAYS HAVE TIME FOR WOODBLOCKS AND VIBES Kate NV, для FOR AS WELL AS MIAMI BASS SIGNIFIERS (KICKSTARTER FOR CITY GIRLS TO RAP OVER DJ BATTLECAT IN 2019) City Girls, “Act Up” AND BANJO DRONE...WHY NOT Nathan Bowles, Plainly Mistaken ALBUMS THAT I LIKED IN 2018, AND THAT I SENSE I WILL LIKE EVEN MORE BY THIS TIME NEXT YEAR Ben LaMarr Gay, Downtown Castles Can Never Block the Sun Neneh Cherry, Broken Politics AN ALBUM THAT I WISH WAS TEN ALBUMS Tierra Whack, Whack World AN ALBUM I WISH WAS JUST A LITTLE BIT LONGER Pusha-T, Daytona OF THE MANY REASONS I MOURN THE DEATH OF “THE ALBUM,” ONE IS THAT I ALWAYS LIKE TO HEAR WHAT PEOPLE DO WITH THAT LAST SONG YG, “Bomptown Finest” OR HOW ALBUMS, FULL OF SIGNS, ANGLES, FLEETING MOMENTS, CIRCULATE AND RE-CIRCULATE Angelique Kidjo, Remain in Light AND HOW THEY ARE LIKE WHAT NOVELS REPRESENTED IN THE AGE OF POETRY—OPPORTUNITIES TO LIVE INSIDE COMPLEXITY, SPACE, A DEMOS U.S. Girls, In a Poem Unlimited ONE OF THE BEST ALBUMS OF THE YEAR WAS A SOUNDTRACK... Kendrick Lamar et al, Black Panther AND TEASER FOR  Jay Rock, Redemption AND ANOTHER WAS JUST SOME RAP SONGS Earl Sweatshirt, Some Rap Songs WHICH ISN’T TO SAY ARTISTS DON’T STILL VALUE AND HAVE FUN WITH THE FORMAT Vince Staples, FM A TWENTY-FIVE TRACK ADVENTURE INTO VIBES Pink Siifu, ensley AND SOMETIMES TWENTY MINUTES OR SO IS ENOUGH boygenius, boygenius ONE MORE ALBUM THING – FIRST SONGS HAVE ALWAYS FELT LIKE THESIS STATEMENTS, AND STREAMING HAS ONLY APPLIED MORE PRESSURE TO THE SOOTHING, BEWITCHING, PERFECT WELCOME Mac Miller, “Come Back to Earth” MAC MILLER AND THUNDERCAT LOOK SO HAPPY HERE whole thing, but esp six minutes in, and even more so about nine minutes in THE BEST VIBES Show Dem Camp feat. Boj and Ajebutter 22, “Damiloun” Koffee, “Toast” HAPPY-GO-LUCKY B/W DEVIL-MAY-CARE Shoreline Mafia, “Nun Major” I LIKE NEF AND EPs PERFECTLY SUIT HIM Nef the Pharaoh and 03 Greedo, Porter 2 Grape 

RAPPING AS FAST AS YOU CAN OVER FREESTYLE/HI-NRG WILL NEVER SOUND BAD TO ME… SOB X RBE, “Paid in Full” SOB X RBE, “Carpoolin’” …ALTHOUGH THEY ALSO SOUND SICK OVER FAKE GHOST DOG BEATS, TOO, THIS WAS ONE OF MY SONGS OF THE YEAR SOB X RBE, “Paramedic!” SAME WITH MEDHANE Medhane, “The Garden” TRIPPIE REDD PUTS OUT A LOT OF MUSIC FILLED WITH TRANSCENDENT MOMENTS, BUT RARELY MAKES TRANSCENDENT SONGS, AND IT PAINS ME A BIT THAT MY FAVORITE SONG OF HIS THIS YEAR WAS Diplo featuring Trippie Redd, “Wish” TRIPPY-ASS DOO-WOP Cuco, “Sunnyside” A STRONG HARMONY IS A VISION OF WHAT LIFE COULD BE Ben Pirani, “How Do I Talk to My Brother?” WHERE WERE U IN 94 Young Echo, Young Echo SWEAR I'VE NEVER HEARD MUSIC THIS “GREY” ManOnMars, ManOnMars IF YOU ARE GOING TO MAKE A FAKE D’ANGELO SONG, IT SHOULD BE THIS GOOD Patrick Paige III, “Voodoo” LIKED THIS, BUT IT’S ALSO POSSIBLE TO BE A BIT TOO FAITHFUL TO THE PAST Teyana Taylor, “Hold On” NOT QUITE FAYE WONG DOING THE CRANBERRIES (RIP DOLORES O’RIORDAN) BUT STILL MEMORABLE Katherine Ho, “Yellow” LIKE THE BEST PARTS OF FEELS-ERA ANIMAL COLLECTIVE, BUT TAIWANESE Prairie WWWW

NEVER THOUGHT TO VISIT THE LOUVRE UNTIL The Carters, “Apeshit” video BROWN EXCELLENCE Humeysha, Departures "BROWN BEATS” FOREVER RIP Cameron Paul

MY FAVORITE DISCOVERY OF THE YEAR Pharoah Sanders playing “Kazuko” in a tunnel near the Marin Headlands LIKE NONE OF ITS INFLUENCES (FOOTWORK, AMBIENT), LIKE NOTHING ELSE OUT THERE, REALLY Foodman, Aru Otoko No Densetsu DARESAY SKI MASK WOULD NOT HAVE BEEN BOOED OUT OF THE CIPHER Ski Mask the Slump God, Beware the Book of Eli THE MOST FAMOUS PERSON I’VE SEEN ON THE BIG SCREEN AT THE PAST THREE YEARS’ NETS GAMES IS Young M.A., “PettyWap” DEMOS FROM A GROUP I HAVE ALWAYS ADORED, BEFORE THEY FOUND THE SOUND THAT I ADORE The Nonce, 1990 EXTREMELY GOOD AND LARGELY OVERLOOKED REISSUE Suzanne Menzel, Goodbyes and Beginnings FOUR TET IS GOING THROUGH HIS LIVE ARCHIVES, AND IT’S A TREAT TO STUDY HIS ARC/EVOLUTION  Live at Hultsfred Festival, 18th June 2004 Live at LPR New York, 17th February 2010 Live in Tokyo, 1st December 2013 Live at Funkhaus Berlin, 10th May 2018 STRANGE TO LIVE IN A MOMENT WHERE BEING WEIRD SEEMS A BIT DERIVATIVE. STILL, THIS IS BLISSFUL SahBabii, “Anime World” HAPPY FACE Smino, “Klink” SAD FACE Drake, “In My Feelings” (especially this version) “JIM FROM THE OFFICE” FACE Pusha-T, “The Story of Adidon” STOLE YOUR FACE Sophie, “Faceshopping” FACE/OFF YG and Mozzy, “Too Brazy” Sammy Bananas feat Antony and Cleopatra, “Slow Down” Kode 9 and Burial, Fabriclive 100 GASSED FACE E-40 and B-Legit, “Whooped" ABSOLUTELY FACEMELTING Todd Barton and Ursula K. Le Guin, Music and Poetry of the Kesh VACATION AWAY MESSAGE SiR, “D’Evils” Bad Bunny x PJ Sin Suela x Nejo, “Cual Es Tu Plan” BEST OPENING DISCLAIMER TO A VIDEO 808INK, “Come Down” “TAGS: LATIN CHORAL CUMBIA GOTH LOS ANGELES” San Cha, “Cosmic Ways”

BEST USE OF “OOCHIE WALLY,” STILL ONE OF MY FAVORITE BEATS EVER Stefflon Don, “Oochie Wally freestyle” BEST USE OF “SUPERTHUG” Rico Nasty, “Countin’ Up” EVERYTHING ABOUT THIS--THE HEADBANG MINIMALISM, THE LAS VEGAS WALGREENS--BUT ESPECIALLY THE LINE ABOUT WELLS FARGO Rico Nasty, “Trust Issues” “ORGASM ADDICT” (RIP PETE SHELLEY) Victor Oladipo, “One Day” “I JUST TOOK A FLIGHT TO FRANCE TO COP CARDIGANS” Black Thought and Styles P, “Making a Murderer” “AT THE EMIRATES I MILLY ROCK” Manzo and Malachi Amour, “Lingard” DOPE TUNE, AND UNEXPECTED KELLYANNE CONWAY REFERENCE JPEGMAFIA, “1539 N. Calvert” YEAH YEAH YEAH (RIP MARK E SMITH) Travis Scott and Drake, “Sicko Mode” R-E-S-P-E-C-T (RIP ARETHA FRANKLIN) Rosalia, El Mal Querer REEL DEAL, “DRIPPIN’ DOPE (SAXAPELLA)” (1989) Gunna, “Top Off” WAMP WAMP (WHAT IT DO) B/W WAIT (THE WHISPER SONG) Vallee feat. Jeremih, “Womp Womp” SAD REGGAETON IS NOT BAD Bad Bunny, “Solo De Mi” SOUNDS GOOD TO ME, 2002-PRESENT Temani, “Power” Westerman, “Confirmation” REAL LIES, POET LAUREATS OF “YOUNG PEOPLE THINKING ABOUT BEING OLD” Tom Demac and Real Lies, “White Flowers” A SONG DESIGNED TO SOUND LIKE IT CAME OUT THIRTY YEARS AGO, WHICH ALSO FEELS LIKE IT CAME OUT A MILLION YEARS AGO (IT WAS JUST JANUARY) Bruno Mars feat. Cardi B, “Finesse (remix)” TAY-K WAS JUST A YEAR AGO Comethazine, “Highriser” FAVORITE 2 BRIDGES MUSIC ARTS “MIGHT AS WELL” RANDOM PURCHASE OF THE YEAR  Kizaki Ondo Preservation Society and Clark Naito, 木崎音頭 Kizaki Ondo FEELS LIKE IT CAME OUT TEN YEARS AGO (IT WAS JUST JAN/FEB) BUT I NEVER GREW TIRED OF IT Rich the Kid, “Plug Walk” ODDLY REASSURING THAT PEOPLE STILL JANGLE Massage, “Oh Boy” Earth Dad, “Walter” ...AND DISCOVER WORLDS FROM WITHIN THEIR BEDROOMS Soccer Mommy, Clean ...AND EXPLORE THE CONTOURS OF GROWLING AND NAGGING Sada Baby and Drego, “Bloxk Party” ...AND CAN USE THE PAST TO MAKE SOMETHING SO VISIONARY AND FORWARD-THINKING Virginia Wing, Ecstatic Arrow Mitski, Be A Cowboy ...AND LOOKING FOR FOURTH WORLDS Arp, Zebra ...AND MAKE IMPOSSIBLE RHYTHMS Heavee, WFM ...AND THAT ARTISTS I HAD NEVER HEARD OF, WORKING IN IDIOMS I HAD NEVER HEARD OF, MIGHT STILL BLOW MY MIND Odunsi (the Engine), rare. JUNGLE LIVES X-Altera, “Blowing Up the Workshop” mix TOP THREE TIMES I SAW STANDING ON THE CORNER THIS YEAR 3 - The Merciful Allah Black Hole Theatre 2 - The Time it All Ended with Fireworks on Grand St. 1 - An Empty Storefront During a Blizzard

{HONORABLE MENTIONS -The Time They Brought a Monolith -THEME DE YE-YO [Respect to the Gods]} SONG OF THE SPRING, SUMMER, WINTER, YEAR,  STILL UNDEFEATED ### A CHURCH AND JOHN LENNON’S “IMAGINE” :: 2017 SIKH DEVOTIONAL MUSIC :: 2016 SPOOKY BLACK :: 2015