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entertainment · 4 years
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Entertainment Spotlight: Brooke Lewis Bellas
Brooke Lewis Bellas can currently be seen in the film The Mourning. She also brought her talent to the role of Pam Deluca in the comedy ½ New Year, about a tight-knit group of friends letting loose at their annual Half New Year Party. Brooke is a veteran of the horror genre and is returning to those roots with a role in the upcoming zombie film set in 1950’s Hollywood, The Day of The Living Dead. Her other film credits include the critically-acclaimed films Psycho Therapy, iMurders, and Sinatra Club, opposite Danny Nucci. Brooke’s TV credits include Fox’s Quintuplets. She will next be seen in the steaming series Red Rooms, which she also produced. Alongside her acting work, Brooke is a life coach and author of Coaching From A Professed Hot Mess, is a Celebrity Ambassador for the Breaking The Chains Foundation, participates in LA Mission Feed The Homeless, and is a staunch LGBTQ and AIDS Activist.
You have worked extensively in the horror genre—what is it that draws you to that particular genre?
I have always embraced my inner detective and have loved solving mysteries. No wonder I have been a huge fan of Alfred Hitchcock and Brian De Palma most of my life! I was also obsessed with vampires as a young girl and loved the ‘80s horror films when I was growing up. I have always been drawn to the darkness, unknown, mystery and escapism that horror offers. I also love how the horror genre embraces women of all body types (and curves) and offers strong roles for women!
If you could, is there anything that you would want to change about the horror genre?
If I could change anything about the horror genre, it would be the mainstream and public perception. Horror is often perceived as B-movie quality, evil, cultish, or less respectful than comedy or other genres, and that can be a false perception. There are many mainstream movies that we have all loved throughout the history of cinema and these are the type of horror genre films that I grew up watching. I have never been a fan of gratuitous horror and I could reference my favorites, from Alfred Hitchcock to Agatha Christie to Stephen King to Brian De Palma to the current thrillers and mainstream entertainment brought to us by Blumhouse or Jordan Peele, that are timeless. I wish people would understand how smart some of these screenplays are, the subtext of the stories being told. I wish the judgment and stigma of a lot of horror would be removed.
What would you say makes for a good scene partner?
I have been fortunate to act opposite some veteran greats and brilliantly talented actors, and I would, humbly, say that the most important components that make for a good scene partner are generosity, vulnerability, and openness—a partnership in which we listen and support each other. I have worked for over 20 years as an actress in this crazy industry, and there is little I have not experienced. I cannot say that working opposite the most “talented” or trained actors have necessarily been the best scene partner experiences for me. But working opposite generous actors who give and who support you, as you do for them, and you become like a well-oiled machine where the parts work better together...those actors who want you to succeed, who want to bring out the best in you, and you and them, a give and take—that is when movie magic is created!
1/2 New Year is a comedy, so can you tell us what drew you to the project? Can you tell us a little bit about the role of Pam?
½ New Year is an indie film with heart about a group of young people in their 20s who come to Hollywood, not necessarily for the entertainment industry but to live the life…live their best life…live their dreams…live that excitement that we all grow up seeing in movies, and yet, it is not always that simple. And, it is not always that glamorous or fun. We see how these relationships and people are glued together. I think the tagline sums it up best: "Friends are the family you get to choose." So, it is about a group of friends that go through the ups and downs of young life in Hollywood, and they learn that all you really have is love and friendship. I play Pam DeLuca, the big sister of Reed DeLuca (Drew McAnany). The film displays how sometimes we have family out here that is far away from our biological family, and it is what we go through, and the support we need to get from the worst of times to the best of times. It is very 80’s throwback and I think that's what I love so much about it. I met our star, writer, and producer, Drew McAnany, in Hollywood over ten years ago. Drew originally started out hosting in LA, and he was working at E! Entertainment when he interviewed me on the red carpet. He asked me about Philly, and we quickly bonded during that meeting, so he really became like a little brother to me. Like so many young actors in Hollywood, Drew was fighting to get a break for himself as an actor, so he created ½ New Year as a vehicle for himself to star in. He also wrote the role of his big sister, Pam DeLuca (from Philly), for me to act in. We had worked through a few years of table reads and different directors and producers, then Georgia Menides jumped on board, did the re-write on the script, then became the producer who made it happen. Along with producer Zach Block, they hired Tom Morash as our director to creatively guide this project.
I am honored and grateful to have had Pam DeLuca written specifically for me. I think that is something every actor and actress wants in their career. Pam is in her 30’s, and a bit older than her brother Reed and his friends. They are Italian from South Philly, so they argue, but are very close. Pam is part of the gang, but she is like the "mother hen" to them. Her journey is about protecting her brother and giving guiding advice to the girls they hang out with, including the gorgeous leads, played by Bo Youngblood, Shanley Caswell, and Rebecca Vinagro. She also likes to have flings with Reed's young, handsome buddies, including Marty (played by Jermain Alverez Martin). Pam is an on-screen example of what we go through in "Hollywood life”: She is single and all about her career, she loves to party and doesn't want to grow up! The film released in the USA on all TV On Demand and has just been released on Amazon Prime and Tubi TV.
What’s the funniest/weirdest thing that’s ever happened to you on a film?
Oh, I have had many! I truly feel that being an actor and producer in the independent film world involves a whole other level of funny and weird experiences! When you do not have big budgets to deal with, you have to get creative in other ways. So, one funny story that I would love to share was my experience of being one of the producers on a film titled Sinatra Club, that I was fortunate to get to act in, opposite Danny Nucci from Titanic, Jason Gedrick from Iron Eagle, Ellen Hollman from Spartacus, Michael Nouri from Flashdance, and the list goes on and on, with an incredible cast of talent we assembled. And, what was so cool was I found the script in 2004, we filmed in 2009, and it was distributed in 2011, so it was a very long and challenging development period for an indie project, but one of the wildest memories I have was the fact that the story is based on a true story about the night John Gotti became John Gotti, so for all of the mobster history and movie buffs who are reading this, I was so fortunate to be a part of history in the making with this film. This film is based on Sal ‘Ubatz’ Polisi who went into the witness protection program for releasing information on John Gotti and his crew, and when he came out of the witness protection he wrote the story of his life in the Mafia. It was so wild to work on a project for so many years where we would literally meet at 10 o’clock, 11 o’clock, 12 o’clock at night in privacy and secrecy at the Sportsmen’s Lodge in Studio City, California, in hotel suites and we would hold our production meetings there!
You actively support many varied causes, how did you get involved in activism?
I was born with a philanthropist's heart and have always been a supporter of giving back in whatever way we can. I was spearheading events in college to run around Philadelphia and feed the homeless with my sorority sisters. Now, I am so grateful to have whatever little “celebrity” status or recognition I have that can help make a difference. I feel blessed and responsible to give back through my artistic endeavors and through my work. I am a believer in activism and I typically work with numerous charities at a time. I am a celebrity ambassador for the Breaking the Chains Foundation that cultivates healing through art for those who have experienced eating disorders, self-esteem issues, and body image issues. I am active in charity work with the Los Angeles Mission on Skid Row and helping to feed the homeless. I have been active in several Breast Cancer charities and events, as I have lost people whom I loved to breast cancer over the years. I have also been active in quite a few charities and philanthropies to support AIDS research. I authored and have donated my book, titled Ms. Vampy’s Teen Tawk: There’s A Lotta Power In Ya Choices, to support teen girls. And, in giving back to the world, I find that it brings so much fulfillment and gratitude to my own heart.
What does your allyship mean to you?
My allyship means everything to me, both personally and professionally. My empathic heart has always been wired to help others. I do not perceive myself as a person with power or fame, but I am incredibly grateful that I have been afforded the opportunities throughout my career to give back, to take a stand, and to help those who have been marginalized in some way. I am a proud philanthropist and activist, and I feel it is my duty to serve. Throughout my life, I have often felt misunderstood or that I did not belong, and I have dealt with my own challenges and struggles, so I am known to “fight for the underdog” and support those in need.
You are a certified life coach, what’s the best advice you have ever received, and, in your opinion, the best advice you’ve ever given to somebody?
As an actress and life coach, I am a huge proponent of having a strong support system of professionals in my stable. I feel that all creatives and health professionals should have their own support system and professionals to turn to. At the end of the day, I have received such incredible advice from my professionals—my life coach of many years, Lori Bertazzon, and my actress empowerment coach, Michelle Colt. One of my favorite pieces of advice that Lori Bertazzon has given me occurred a few years back when she supported me in creating my own set of personal commandments at the beginning of the year. These are commandments that I consistently refer back to, that help to empower me and help to create breakthroughs when I am having breakdowns in my life or career. Michelle Colt has also given me unbelievable advice and support in her workshops to strengthen my soul as an actress, and I have to reference a recent funny one because I love it so, and she knows me so well: our mantra, “No more shenanigans!”. It is something that I hold near and dear to my heart daily. 
Humbly, I think the best advice I have given over the years was born from my Ms. Vampy web series for teen girls, where I created a catchphrase that I cherish: “When faced with fear, dig deep inside, find your inner Vamp, and… Vamp It Out!”. To this day, my now-adult cast will send me messages that they used this catchphrase. I use it as an adult (you do not have to be a teenage girl to appreciate it) and when I am fearful or trying to have a breakthrough, I dig deep inside and I Vamp It Out! My other favorite catchphrase advice was so powerful for me, I actually named my life coaching business after it: “Be You… And, Be Fearless!” 
Has your training as a life coach ever helped you to prepare for a role/project? How?
I really love this question, because one may think that different careers or skill sets cannot help the other, but I have found that my training as a board-certified life coach has helped me tremendously to prepare for a role or project in a few ways. First, I am now very mindful and aware of the “mind chatter” and I am more able to catch myself in it. When I enter a space of fear or anxiety, I am able to coach myself off the ledge. Even more compelling, is that when I went to school at the Life Purpose Institute to become a board-certified life coach, I learned early on that a very important component of life coaching is “listening without an agenda”. This has helped me exponentially as an actress, because when you are acting and you're truly in the moment, you need to be listening without an agenda, as well. A true response should come from your instincts and that is so wild to me because now I am able to catch myself when I am preparing for a project and I am anticipating what the character will say to me next, and I can catch myself listening with an agenda of what they will say, and I know that I'm not in the moment as an actress.
How can mental well-being and self-care help to sustain activism/advocacy/allyship?
I cannot stress enough how strongly I believe that mental well-being and self-care can help to sustain activism/advocacy/allyship and our own personal strength—mentally, physically, emotionally, and spiritually. I actually speak about this in my book Coaching From A Professed Hot Mess: “When you give to yourself and allow yourself to replenish, you have so much more to give to others and will feel so much stronger inside.” I am still working on this, diligently, but when we learn to take care of ourselves and focus on our mental, spiritual, and emotional strength, we understand what it means to feel and give from our hearts. We become inspired to give back and to support people, causes, and have a passion, purpose, and mission, outside of ourselves.
What can you tell us about your latest projects The Second Age of Aquarius, Stripped, The Mourning, and Red Rooms?
At a time when the world is upside down and we do not really know where our next jobs will come from, I feel very blessed that I had acted in, and produced, a few projects that wrapped prior to COVID-19. My Psycho Therapy (Amazon Prime) film director, Staci Layne Wilson, wrote a film with Darren Gordon Smith (Repo! The Genetic Opera). Those two are so crazy talented. It is a fun indie gem. I don’t want to give any spoilers, but it’s The Second Age of Aquarius. It is a comedy, with a little bit of a Sci-Fi twist and a lot of music. It’s really sweet and clever. I’m an Executive Producer and I act in it. I play Tawny Stevens. She’s a young mom, stuck in the eighties, as an eighties, New Jersey, rocker mom. Wait until you see my hair, my make-up, and my leopard pants. I did the Jersey accent. I can’t wait for the film to come out! We also wrapped a TV pilot Stripped. It is a Comedy/Drama. It is a TV pilot that was written and directed by Marc Clebanoff, who also directed the film The Mourning, which stars Michael Walton, Louis Mandylor, Dominique Swain, and Larry Hankin. I was both an actress and a co-producer. The Mourning is a cool Sci-Fi/Love Story that just released on the new Tubi TV streaming channel. Stripped was a passion project. I was also one of the producers with Marc and Frank Krueger (also stars in it). I played Jules, the publicist to the star, Chris Cameron, played by Casper Van Dien. It was created by Mark Clebanoff and late actor, Kristoff St. John. They had created the concept before he passed on, which is such a sad situation, but Marc wanted to carry on his legacy, and he did, and we did. It is such an incredible cast, and series, we are all proud of. Lastly, at the start of COVID-19, my creative instinct kicked in and I knew I had to create to stay somewhat “sane”, so I spent most of the quarantine producing and filming a virtual streaming series. Red Rooms was conceived and completed out of “isolation inspiration”! Joshua Butler and I had been in development on a project and had been reminiscing about our favorite industry days of yesteryear when we met on the horror film circuit. I had already been a superfan of Joshua’s work for years. In 2019, we shot a proof of concept for our project, which paid homage to his hugely successful film VLOG (2008) from the producers of SAW, which went on to become a hit TV series. When COVID-19 hit Hollywood and we were all in isolation, I called for a production meeting, then suggested we use the footage we shot and attempt to experiment by filming each character virtually from their homes. Red Rooms stars horror film and TV veterans Brooke Lewis Bellas (iMurders), David Alpay (The Vampire Diaries), Suze Lanier-Bramlett (The Hills Have Eyes), Ricky Dean Logan (Freddy’s Dead: The Final Nightmare), and Noah Blake (Teen Witch). We are currently working on post-production and cannot wait to see where we end up!
Thanks for taking the time, Brooke! 
Photographer: Birdie Thompson | Hair and Makeup: Allison Noelle
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themasonshow · 6 years
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Playlist for 08-02-2018
Medeski, Martin & Wood - Let's Go Everywhere - Let's Go Everywhere Trombone Shorty - Tripped Out Slim - Parking Lot Symphony Madlib - Slim's Return - Shades Of Blue: Madlib Invades Blue Note Sonny Rollins - Blues For Philly Joe - Remastered - Newk's Time Robert Glasper Experiment - Afro Blue - Black Radio Hiatus Kaiyote - Nakamarra (feat. Q-Tip) - Tawk Tomahawk Orgone - Open Season - Bacano Bluestaeb - Last Minute Session Cut - The Outro - Everything Is Always a Process Kamasi Washington - Street Fighter Mas - Heaven and Earth Medeski, Martin & Wood - Fuck You Guys (First Take) - 20 Living Room, Worldtraveller, Pearldiver - The Childhood Dreams - Worldtraveller & Grooveadelic Instrumental - The Childhood Dreams quickly, quickly - Ghost - Ghost Skalpel - Salvadanio - Simple EP Galt MacDermot - Coffee Cold - Shapes of Rhythm/Woman Is Sweeter Oscar Peterson Trio - Quiet Nights Of Quiet Stars (Corcovado) - We Get Requests Ray Bryant Trio - Little Susie - Little Susie Florian Pellissier Quintet - Coup de foudre à Thessalonique - Bijou voyou caillou Oscar Peterson, Ben Webster - Sunday - Ben Webster Meets Oscar Peterson Leroy Hutson - Cool Out - Hutson Takuya Kuroda - Green And Gold - Rising Son Jimmy McGriff - I've Got a Woman (Parts 1 & 2) - Greatest Hits Ornette Coleman - Lonely Woman - The Shape Of Jazz To Come Tomasz Stanko Quintet - Terminal 7 - Dark Eyes Lee Morgan - Cornbread - Cornbread Ahmad Jamal Trio - Volga Boatman - Count 'Em 88
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spctromagic-blog · 7 years
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celeste has a philly accent when she says certain words like “tawk”, “wooder”, “beggle”,”cawfee”, ect. because her parents are from south jersey/philly so. 
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