#the dragons in the back ground are bewd and just one kinda based off of the mist dragon design I saw for ff

[lil-kissy]

Dancing Dragons (at sunset)

Finally, 11hrs later and done.

If it's not obvious Kumo is supposed to be floating.

Bonus Maskless:

[morningmoon]

Saw DSoD

I love how the movie is built, it feels like there's a lot to discuss, in fact we had a pretty long debate about Kaiba’s fate on NAC’s discord. Kuwabara did an amazing job because a Lot of times the visual design of the movie conveyed messages alongside the script, helping make these high-concepts easier to understand. Him and Takahashi worked really great together, and all the animators on board made a great job with how sharp and beautiful the movie became. 

It's great, it was a very good, full story and I cannot wait to buy the bluray when it releases (to see the subs and catch whatever the dub couldn't convey) and see this again to enjoy it some more and catch more of the visuals. (Also Gaia looked very yuma-esque with his colors, nice.)

Under the cut some long ramblings

Dub-script: Felt pretty alright! There were some dialogue stuff (the eight millenium item!) that immediately pulled me out, but there were like two or three and very, very spread far in-between. Lots of added goofs but mostly just side-jabs, which honestly made the characters feel a bit fuller (my favorite has to be Tristan's "you're not crazy, you're just dumb" in the softest voice ever). There's a ton of high-concepts and it did an adequate enough job at presenting them, specially since most are told to us visually, but i'll touch on that later. Felt very true to the movie while keeping a tone similar to the original dub, kinda like Ocarina of Time 3D, it's not exactly the old thing bc the old thing has huge flaws, but it's how you'd remember it with its improvements. Yugi and Kaiba came out particularly well. I fucking loved Mokuba, I forgot that since thsi is the manga canon that means Mokuba is actually a good character. The story: Aigami ironically sorta has the problem Arc V has in which he is more of a walking theme than a villain, but his actions are so very important to everything, his motivations are crystal clear and relatable. Heck, you could make an argument that he shares the protagonist role along with Yugi, on the other side of the coin you can say that Kaiba is the protagonist. It's pretty interesting how Yugi is the only heroic dude here, but he gets the less amount of time because his character story is already told, so instead it's two extremely morally gray dudes with conflicting goals trying to do something for the wrong reasons. The expanded role Shadi gets was fairly surprising. I love that it turned out he was a ghost all along lol. Surprised that the evil/good item split wasn't used to explain away his questionable actions, he was just a friendly ghost who killed for good reasons. Guess it fits with the justice of the time. So the gift of prana was made possible thanks to him "defeating" death, pretty cool. I love, love that Prana Leaving is a self-fulfilling prophecy, and Aigami just gave reason for Atem to return and take it away. Super love the story, memories are such a big part of DM, so seeing it expanded as metaphysics and alternate worlds is a good-ass view. It's a good story, mostly playing with high-concepts and established characters. The prana stuff is overplayed since it's such a concept and a half for a 2 hour movie, but I love how firmly the rules are established and how they mesh with the journey our characters have had, particularly Jou being able to overcome the prana stuff thanks to his memory of Atem bringing his story full-circle, because despite being higher than humanity it still falls below the gods, below those who have truly ascended, thus even the memory of Atem is too powerful. The Visuals: really just gonna continue talking about the story next paragraph, but until then: the movie looks beautiful. The visual designs on everything look amazing, the expressions are lively, the movements are great, the colors were fantastic. The only thing I don't dig much is Anzu's designs, bit too waifu, but alas. Where the visuals truly shine is in telling the story. The opening shot just, god, just so good. I'm guessing the opening of it represents how memories can fade away to the light, to being forgotten, but the ones that persist make way for other memories to follow along and each is a world of its own. I want to link that to stories in general, the power of fiction is that to survive as memories, so while many get destroyed and become forgotten, those who survive make way to others, much like how the original yugioh manga survived being forgotten and allowed for an adaptation world to happen, and a world of Yugioh R, and the world/story of Gx, and its manga, and so on as the Yugioh franchise grows, but it's not even the start of that DNA sequence (also worlds that can survive being forgotten is the DNA of fiction itself, but that's just obvious given the way the worlds are presented) there were stuff before even the original yugioh story, such as what Takahashi used for inspiration. If Dragon Ball was in that DNA sequence, Journey to the West would be there as well above it, helping it survive and shaping it with what's forgotten and remembered of it. And after that metaphor we get the space bridge in the shape of the kaiba corp logo. lmao. There are so many visual things i'll probably just list them at random now: -There's one consistent element i just want to call "ascension", when golden particles happen to represent the powers of Prana, be it to teleport the kids or to send goons to other dimensions. And immediately after its first use we see the sands of egypt and yup, that's it, that's the whole thing, it's much like the sands of egypt, it gives shape to the land but it's not consistent, it changes and shifts and rapidly changes the landscape while it remains seemingly the same, it ascends like a pharaoh would. -Aigami vs Kaiba has one main element: Aigami's cards make the "ascension" happen to the crystal dragons, and it is so great even those seemingly timeless beings fall to it, because they are attached to this world's rules, then BEWD also falls to it, that is why Kaiba's deepest memory of holding power beyond mortals makes for a being greater than sand: stone. A stone so powerful it is above prana, and thusly the stone soldier of obelisk can defeat Diva's whole shenanigans even when they use this ascension to empower themselves or when they defy our laws by using cubes to make all sorts of curved shapes. -Aigami vs Yugi has the coolest representation of Aigami losing himself, with his final monster being much more man-made than anything else, it's just a creature with gears and a machine gun, no longer a being above humans. And Yugi so easily expects his anger it lets him play a triple combo that locks him into venting his rage to his own defeat. -Aigami vs Yugi and Kaiba has the latter two use a plague and technology to try and harm Aigami's creature, but it is too strong. It's also a good inverse, Kaiba is mostly tech-based but at that point he uses biological stuff to do harm and Yugi was more living-creatures-based but switches to technology, or rather progress. While Kaiba devolves in his desperate struggle, Yugi continues moving forward, which is important for what Kaiba does at the end. -Jou in his own memory world owns, the light destroying his memory ultimately falling to the power of his memory of dueling Atem at the end of Battle City is amazing. Having closure with Atem is such a good detail to show off. -Loved, loved LOVED that the space station/bridge was made just like the alcatraz island his dad had, just he uses it to go above war and such things and into a higher place. -ATEM LOOKED SO GOOD. He looked like his early manga self and that was amazing to see. Also just adding here, Takahashi's sequence looked awesome if overly detailed. -Loved how Atem's return makes things go normal by having all that "ascension" stuff go back to the ground, the sands of egypt return to how they should be instead of defying nature. Makes me think that the rain scene has a deeper meaning with how it's water that falls, but alas it eludes me. -Really dug the contrast with the darker "sand" stuff, showing seemingly straight-up death only by ring- oops, there's Kaiba. Going off to his techno-tomb, being sent from a place high-above to the ground, as he slowly dies but gets enough time to finally face Atem one last time, to get the memory he craves the most. He fucking dies, man. -Yugi says goodbye to another loved one who goes off to a place above. It's because she's leaving like Atem with going up to the heavens being another representation of the afterlife you guys. The score: was alright, pretty neat here and there.