Tumgik
#this regeneration is weird lolz
nikossasaki · 6 months
Text
💬
0 notes
trout-scout · 2 years
Text
village thoughts 2
okay I’m just gonna list out my character headcanons/fic land canons for the saints of warding fic series on ao3. also to start out...the workshop in the village is totally heisenberg’s, right?! the one you get the gun from? like with the photograph & the lycan that pops up in the window? i bet he did that for the lolz. what a bad boy.
-Claudia was Donna’s little sister, she had a better affinity for the Cadou & was Miranda’s initial target; Miranda sent Heisenberg to scope them out and spy on them; he got closer to them than intended, which ended up destroying him, Donna, and their quasi-friendship when Claudia’s Cadou rejected her, killing her, and Donna realized that H was only there to spy on them. Donna, who had been holding on for so long after her parents’ death, descended into a kind of total dissociative state & went to Miranda because it was all she had left, and maybe because she viewed herself as deserving it...I also think she knew about Miranda’s plan to let Ethan kill them all, re: ‘take care of our little Rose’ on the back of the photograph, but couldn’t stand up to MM or didn’t want to at that point. I also interpret her as being VERY weird to talk to, uwu donna is fine but i mean come on, she has a doll with a fetus in its head 
also I think the cadou in Angie unfurls tentacles and drinks donna’s blood from time to time. 
Anyway-
-Heisenberg’s line about the strong always destroying the weak, that’s the way of the world, always came across to me as being extremely bitter...I think he was talking about himself as much as his view of the villagers. To that end I interpreted him as just some kid whose family Miranda killed because he had strong Cadou affinity. She removed or repressed his memories of them and spun some yarn about him being descended from the ancient House, yadda yadda, I don’t think his last name was even originally Heisenberg. He was a quiet boy at first but after being subjected to repeated traumatic experimentation AND being told he’s special, perfect, intended for great things, etc, he becomes this frightened feral dog of a child, pushing his powers because they’re all he can truly control. A mongrel and a god. In fic land he’s still, past the swag and the brashness and the BDE, this bitter, angry child- I love how all the Lords are in some way childlike- and once he gets hold of Rose in-fic (long story) he views her both as a surrogate Claudia and a chance to stick it to the powers that be for what happened to him. it’s very selfish. but also they end up as the DILF/lesbian daughter duo of my dreams. so it’s fine in the end. 
-Alcina I think was some poor girl from some distant branch of the Dimitrescu family whom Miranda plucked from obscurity and groomed/pampered/molded into her perfect little pet- I mean Miranda must have seen something in her, she gave her a whole ass castle...I also think Alcina, deep down, knew that Miranda didn’t really care about her but repressed it and covered it up with a sense of superiority because Miranda was her benefactor, Miranda gave her all this, made her powerful and feared/beloved, especially after she got her daughters...I picture her life being very much a snow globe existence, maintained and enforced, because if she looks beyond the glass she sees the truth. In fic land she regenerates from her ‘dead’ state and kind of regresses into this feral mindset (I am in love with her batshit dragon form and just how unhinged she is during the boss fight). she can’t handle her daughters being dead and has to lash out and blame anyone or anything she can besides herself & Miranda, because then she has to face reality, which is that everything she is is a mask. also in fic she wears armor and rips out then eats a dude’s heart. and she drinks heisenbergs blood. its fine
-Moreau is PURE hc unsupported by anything besides that I chose violence and wanted to cause myself emotional pain. In fic land he was Miranda’s gentle, kindly childhood friend who harbored a lifelong crush on her and helped her out once her husband abandoned her when she was pregnant with Eva. He was the village schoolteacher and doctor, and promised her that he’d never let Eva die of influenza. We all know how that one ends. so once she finds the Black God she murders him and implants the Cadou under its influence, and the pathetic devotion he gives Miranda in the present is thanks to the echoes of his guilt that persist even through memory loss and the crumbling of his mind. 
All 4 of them are viewed as being demigod/arch-saint/divine monster figures by the villagers, though because this is a fantasy setting there’s an element of them being viewed as fairy-tale legends too...I think there was a fairy tale in the region that was about 4 monsters and a witch, and Miranda used it to support her regime slash edited it in the villagers’ collective consciousness to suit her needs and serve as propaganda. This all also serves me in-story, as one of the themes of the series is the quality of being viewed as divine or revered, especially as it connects to parenthood, or those we have lost. And it really allows me to explore my *other* favorite theme, which is when a revered figure fails, falls, or is otherwise brought down, and must deal with the consequences of that. 
There’s really only one major OC in the series, Teodora Balan, who is a villager from the next town over; Heisenberg & Rose attain a kind of sacred status for her, being literally two mutants of the Black God, and one of my favorite bits of the series to write was a late chapter where she and Chris have a conversation about the quality of monstrousness and divinity (he has a very different outlook than she does on BOWs). as a person who finds the natural world in all its awfulness quite sacred, I tend to view there as being very little difference between the two qualities, and I wanted to really dig into a world where the main foundation of these people’s belief, and thus one of the main foundations of their lives, is a fungus god that turns people into werewolves...like it’s bad from an outside POV but those are their lives! That’s their spiritual reality! It’s a cult but it gets them through the day and it enriches them! 
none of this is really supported by canon except for the icons in the church and the mention of ‘great ones’ in Luiza’s prayer. i just love making stuff up. 
anyhow, if you read all this and/or read my fic series which, as aforementioned in my previous post, i will not shut up about, I shall kiss you personally upon any part of the face or hand you desire
3 notes · View notes
strymonorbit-blog · 5 years
Text
The World Below You Fades I.
Plug into BigSky and instantly elevate your sound into the stratosphere. The world below you fades i.. The philosophy behind our blueSky Reverberator is simple—take a ridiculously powerful SHARC DSP a.. In setting out to design Brigadier, we determined to take a brilliant-powerful SHARC DSP and dedicate al.. Our journey begins with the early recording studios of the '50s and '60s. Since assimilating Damage Control Effects in 2009, Strymon has wasted no time expanding its alrea.. The magical mixture of tremolo and reverb is the earliest instance of a perfect guitar effects.. Some may say we're driven. When our engineers lock themselves in our sound design labs for mont.. Extended management for TimeLine, BigSky, and Mobius. Need to unlock the complete performance of T.. Everything you love about studio optical compressors … right at your toes. With the Orbit dBucket Flanger, we've painstakingly recreated every facet of a number of the greates.. The Tap Favorite presents every thing you love about the Favorite Switch however with the addition of a .. Once we determined to create a studio-class stereo delay results pedal, we knew we should go properly beyo.. This little purple magnificence was designed to emulate and recreate sounds from some basic vintage analog flangers, ones you’ve heard on a whole lot, if not thousands, of recordings, but with some modern performance as well. Let’s take a look at the controls and go from there, shall we? The Speed knob adjusts the, nicely, velocity of the LFO (Low-Frequency Oscillation), and the Width adjusts the LFO’s general depth. Regen controls the feedback intensity, and works at the side of the primary two controls to provide a marvelous array of flanged tones. The combo knob is a welcome addition to a flanger, and varies the quantity of your guitar’s dry sign that will get mixed in with the Orbit’s wet sign, for complete management over how the impact shapes your tone and sound. The final most important knob is called Manual, and this one sets the delay time for the flanging, working with the Width and Regen controls for maximum visibility. Next up, we’ve obtained a couple of toggle switches for much more versatility and experimentation. Coming with a combination of high function entrance-panel control, it allows the users to De-tune the chorus-like sounds to the intense and stunning sound of the jet airplane. Thus, it will likely be proper to say that adopting this instrument, modern musicians can simply get the sound results of the traditional tones. If https://guitareffectspedalz.com/strymon-orbit-review-best-dbucket-flanger-pedal/ be instructed, this is one in all the key elements that may be accounted past the large popularity of this product. In phrases of those features, this product will certainly impress the new customers, giving them the finest expertise. The deep-modifying characteristic, and the intensive I/O have impressed the customers. It enables the users to dial the sound of the pedal with the best perfection and in a fashion that helps the performance. Offers the widest scopes of choices when it comes to the Vintage Swooch and Flanging of Analog Sound. Highly Customisable that enables the users to supply some distinctive and exclusive sound. The instrument comes with foot switch that makes it simpler for the users to manage the sound in addition to to preset the system, as and when needed. This mechanism makes the gadget all of the more person-friendly. The manufacturer has incorporated 2 switches of premium quality and 5 Knobs that the person can use for advantageous-tuning the performance of the pedal. Each control in this system comes with some secondary feature for subsequent editing of the sound. Options for guide and computerized controls. Expression Pedal input has been integrated that permits management on actual-time. Clips recorded with PRS McCarty DC245 20th Anniversary into a Matchless Avalon 35 combo. In relation to flangers and phasers, I’m normally a bit more vital than I'm of different effects. To me, they can become tiresome a lot faster than delays or even different time-based mostly effects. However, there are times when they can add some magic if you employ them sparingly. For example, I personal a vintage Ibanez FL9 Flanger that I absolutely love, however only for one particular sound. But the Orbit opens up a lot more prospects in the modulation realm. And that’s because it sports activities an array of controls for altering the pace, width, regeneration, combine, and delay time of the flanging. You may also change the phase of the wet/dry combine and significantly alter the vary of the impact with the threeway Feedback swap. However the three-place LFO switch is the Orbit’s coolest control. It selects between a logarithmic sweep (even frequencies), a linear sweep (which accelerates via the excessive bands and slows down by the decrease ones), and Thru 0, which phases in and out of excessive and lower fidelities. I believe once you hear a Strymon chorus, reverb or delay thru your rig you can be converted LOLZ. Anyhow, I figured their flanger had to be a minimum of nearly as good as the others I have tried and owned (all the usual suspects) - my biggest gripe about this flanger is the price. Strymon Orbit Flanger can cowl all of that territory and so far more. The pedal is completely silent ON or OFF. As in Zero hum. Totally silent footswitching. The onboard favourite switch is sort of handy (which does save from having to purchase a Strymon favorite swap). 70's/80's RUSH oscillating watery chorus sound. The pedal is fairly gentle but properly-built, like a tank. Open it up and move the jumpers and it may be configured to output L/R stereo. A Mix management. Yes! So you can dial up more of your specific weirdness or calm it all down and let your original sign move via with just a style of flanger riding in the combination. Any new-wave guitarist, 70's/80's cowl band participant, any alt-rock to metallic to shoegazer to ambient post-rock guitar player would profit from this pedal. So - is it so much of money? Yes, but all of the flanger you'll ever need and then some. Shout out to my friend Aaron Smith at Sweetwater who delivers one of the best music retailer buyer expertise I have ever had each and every time I deal with him. Thanks so much, Aaron.
1 note · View note