is that RYAN DESTINY ? no, that’s just BEATRICE JOHNSONN, the TWENTY-FOUR year old bassist of the rollergirls that is really famous. they are known to be DERISIVE & VAGUE but can also be PROLIFIC & ENDEARING. they remind us of DRIVING TWENTY OVER THE SPEED LIMIT FOR THE THRILL OF IT, HEARING ALL YOUR FAVORITE SONGS ON THE RADIO, & BLACK MASCARA BLEEDING DOWN ROUND CHEEKS. their aesthetic is reminiscent of I WISH IT WOULD RAIN by GLADYS KNIGHT AND THE PIPS.
heyyyy, everyone! i’m rainbow (she/they) and i’m a human disaster. case in point: when i saw this group in the tags, i essentially dropped my phone XMXMXMXM we’re here now & it’s exciting! i bring to you the illustrious beatrice johnsonn, who plays the bass for the rollergirls. if your muse is looking for some chaos, look no further than bea.
STATS.
full name : beatrice sade johnsonn
nicknames : ❝ bea . ❞
date of birth : august 22nd , 1951 .
age : twenty - four .
gender: cis - gender female .
zodiac sign : leo sun , taurus moon , leo rising .
hometown : manchester , united kingdom .
current residence : new york city, united states of america .
family : joeseph johnsonn ( father / sculptor ) , diane johnsonn ( mother / jazz singer ) + one younger sister .
sexual orientation : bisexual / biromantic .
positive traits : empathetic , prolific , serene , clever , & harmonious .
negative traits : scornful , nebulose , secretive , impractical , & passive .
aesthetics : glitter dripping down her face, trying her very best at any given moment , sneaking out past midnight and painting the town red , spending all of her money on records and clothes , taking sporadic cat naps , unwavering loyalty to her friends , thick manchester accents , daydreaming her life away , whispers behind your back , boundless determination.
career : bassist of rockband the roller girls.
currently listening to : ‘ i wish it would rain ‘ by gladys knight & the pips , ‘ you send me ‘ by aretha franklin , ‘ bring it on home to me ‘ by otis redding & carla thomas , ‘ i heard it through the grapevine ‘ by gladys knight & the pips , ‘ time is on my side ‘ by irma thomas , ‘ cool jerk ‘ by the capitols , ‘ grazing in the grass ‘ by the friends of distinction , ‘ but it's alright ‘ by j.j. jackson , ‘ best of my love ‘ by the emotions & ‘ you keep me hanging on ‘ by the supremes .
BACKGROUND.,
tw allusions to alcohol dependence.
beatrice was born and raised in manchester, england. from a young age, her parents encouraged both of the johnsonn girls to chase their dreams because, at the end of the day, the people they owed it to were themselves. beatrice took this one way, whereas her younger sister took it another.
beatrice, despite being the oldest (or perhaps because of it) was the rebel of the two johnsonn girls. following the family’s move to america in 1968, the rift between the two sisters was more prevalent than ever, with beatrice’s little sister becoming something of a star student, very gifted and at the top of her class. beatrice, on the other hand, hated school with a passion and didn’t really see a point in it. really, it was an 8 hour waste of time.
(besides, where’s the fun in constantly being stared at? by the way others often treated her, beatrice felt like she’d stepped off of the plane from mars, not england.)
due to not really taking much time to study, she was held back once in the 9th grade (this was back in england). at the time, her parents were beside themselves, and even beatrice herself was dissapointed. this was something that followed her over to the usa and she was sure it would spell disaster for her. however, she found that little fact to be something of divine intervention -- for if she hadn’t been held back, she wouldn’t have met the other members of the rollergirls in class.
with her newfound friends at her side, bea had a new lease on life. no, school wasn’t miraculously the greatest thing on earth, but it gave her them and so, it can’t be all that bad? besides, now that she felt less alone and less like she was constantly under a microscope, she recognized that she was actually quite good at math and economics. huh, who knew?
throughout high school, beatrice realized that she had to make something of herself. despite her mother being a relatively successful but deeply respected jazz musician in the manchester scene, beatrice soon found out that she wasn’t the best singer . . . but she could play the bass.
being the through-line and soul of a song is very important to her. looking back on all of her favorite songs and artists, there’s one thing that they all have in common: basslines that get stuck in your head and make you want to dance.
but beatrice doesn’t just want to make people dance. she’s always wanted to say something. she wanted to be part of something that was bigger than herself.
she loves being in the band and, despite their fame, is the type of person who swears up and down that she didn’t change, but everyone else around her did. uh, yeah, sure.
9 times out of 10, she can be found out at a local club in nyc, rubbing elbows with other creatures of the night. being in a famous band has its perks, and she’s come to find out that most of them have to do with everyone wanting to be her friend now that she’s a rollergirl (and that it means something).
her lifestyle has caused a rift between her and her family, primarily her younger sister. beatrice isn’t the type to outwardly come out and say it, but whenever she thinks about the loss of the relationship that she once had with her lil sister, it makes her sad . . . so she doesn’t think about it and just has another drink or starts another meaningless conversation with another no name (but the sinking feeling still remains: who else am i bound to lose?)
still, if you were to ask her, she’d say that she’s still searching for something. what is it? she doesn’t know, but she hopes she can find out before losing everyone.
essentially, beatrice is a loyal friend who has too many bad habits to count. she can play the bass like a champ and it’s one of the few things that she feels completely confident in herself when she does it. however, she’s struggling with many demons and one of the most pressing of them is the worry that she’s bound to lose everything she loves.
PLOTS.
I'M NOT IN LOVE. for whatever reason (we can decide!) your muse has enchanted bea. she wants to get to know them and has been asking all around the record company to try and get any information out of anyone. really, she's even asked the janitorial staff if they've heard anything. how will your muse take it? bonus points if what bea's heard are all lies.
CHERRY BOMB. her bandmates mean the world to her and, should anyone try to cross them, they'll have to face the wrath of beatrice. being one of the eldest members of the group, she feels slightly responsible for them (for better or worse) but finds it hard to remove her party lifestyle with being a healthy role model / friend for the other girls.
FAME. your muse and beatrice are well aware of one another, both from seeing the other around the record company and through their exploits in the local bar and club scene. they both feed into the other's more hedonistic side, and chaos is something almost synonymous with beatrice's name. is your muse along for the ride, or just using bea for her connections?
LANDSLIDE. whenever she’s around your muse, you remind her of her younger sister, someone whom she deeply misses and wishes she could rekindle a relationship with. for better or worse, she’s trying to rekindle that by appointing herself your makeshift big sister. whew. not that she’s rather good at being sisterly, but she’ll try her best.
unfortunately that’s all my brain will allow me to come up with at the moment XMXMMX but i love the standard connection types: exes, old friends, found family, ex friends, fwbs, acquaintances, people who she’s using, bad influences, good influences, any plot type we come up with, i promise i will be obsessed with!
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